BiblioVault - Books about American

August Evening with Trumpet

Poems

Harry Humes

University of Arkansas Press, 2004

From its first poem, “String,” with its mythic overtones to the final “The Movement of Ice,” August Evening with Trumpet deals with the varieties of surprise and mystery, pain and wonder in the human experience. In constant motion, this collection ranges across a broad landscape, one in which trout swim through a house, where a coal miner father on vacation digs clams, where an old mother refuses help as she walks a narrow plank across a brook, and where in the quietly moving “Late November,” the speaker releases a raccoon from a leg-hold steel trap.

Uncluttered, clear, and direct, the poems move effortlessly and seamlessly into one another, gathering an overall pleasing unity and narrative energy. And if there is a vein of quiet sorrow and darkness running through the collection, it is balanced against courage, grace, and good humor. At the book’s center is a deep reverence for childhood, for parents, for children, for language, and for landscape, all of which Humes admirably holds up for us. Harry Humes’s work brings to mind William Blake’s “To see a World in a Grain of Sand / And a Heaven in a Wild Flower.”

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Authentic Blackness

The Folk in the New Negro Renaissance

J. Martin Favor

Duke University Press, 1999

What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.

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Autobiography of My Hungers

Rigoberto González

University of Wisconsin Press, 2019

Rigoberto González, author of the critically acclaimed memoir Butterfly Boy: Memories of a Chicano Mariposa, takes a second piercing look at his past through a startling new lens: hunger.

The need for sustenance originating in childhood poverty, the adolescent emotional need for solace and comfort, the adult desire for a larger world, another lover, a different body—all are explored by González in a series of heartbreaking and poetic vignettes.

Each vignette is a defining moment of self-awareness, every moment an important step in a lifelong journey toward clarity, knowledge, and the nourishment that comes in various forms—even "the smallest biggest joys" help piece together a complex portrait of a gay man of color who at last defines himself by what he learns, not by what he yearns for.

Bill Whitehead Award for Lifetime Literary Achievement, Publishing Triangle

“Told in a series of revealing vignettes and poems, González’s Autobiography of my Hungers turns moments of need and want into revelations of truth and self-awareness, creating the portrait of an artist that is complex if not entirely complete.”—El Paso Times

“Through his provocative vignettes, González communicates a lifetime of struggle for affirmation and self-acceptance.”—Make/Shift

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Autogeography

Poems

Reginald Harris

Northwestern University Press, 2013

Winner of the Cave Canem Northwestern University Press Poetry Prize

In his second collection of poetry, Reginald Harris traverses real and imagined landscapes, searching for answers to the question “What are you?” From Baltimore to Havana, Atlantic City to Alabama—and from the broad memories of childhood to the very specific moment of Marvin Gaye singing at the 1983 NBA All-Star Game shortly before his death—this is a travel diary of internal and external journeys exploring issues of race and sexuality. The poet traveler falls into and out of love and lust, sometimes coupled, sometimes alone. Autogeography tracks how who you are changes depending on where you are; how where you are and where you’ve been determine who you are and where you might be headed.

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Autumn Rhythm

New and Selected Poems

Leon Stokesbury

University of Arkansas Press, 1996

In this selection of poems written over thirty years, Leon Stokesbury careens through the Maple Leaf Bar and the Restaurant-on-the-Corner, Oklahoma City, and Fairbanks, Alaska, consuming and offering up his sweet-and-sour vision of our lot in life. Whether he comes at us in masks as varied as his father and mother, Nick Bottom or John Keats, Señor Wences or Owen Glendower, it is his own Cheshire grin we spy creeping out around the edges. He readily sees the horror in the death of a New Orleans poet, in his own brother’s sufferings, in the inescapable process of mutability itself, but he finds also, often enough, the dark joke at the center of things and the chance for redemptive laughter. Whether in his own deeply personal voice or in the multitude of idioms from which he is able to draw—southern, midwestern, Shakespearean—Stokesbury creates whole landscapes in perfected, formal lines from the shards of memories and dreams.

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Avenue of Vanishing

William Olsen

Northwestern University Press, 2007

In lyric and narrative verse, William Olsen explores subcultures ranging from the suburban middle class to the urban drug culture to the art world, and along the way, constantly probes at the very nature of human language. Drawing surprising and illuminating connections between the political and historical, the prosaic and the personal, civilization and nature, these poems try to make sense of the individual’s experience of time, memory, and society. The range of Olsen’s images form an organic connection between the physical and the abstract and his hypnotic mixture of colloquial and eloquent language create a sound and music that are uniquely his own.

That’s what infinity did, contain and threaten,
until friends complied by going one by one
to resurface obligingly in memories, and it sometimes still feels
we left them at our leisure, that such choice was good
so long as a larger choice seemed to succeed it,
nor could gazing bereave us of common sense,
nor would all plenty and foison fall into penury,
nor would shame forever drop its heavy head.
Infinity felt like life, and it said so, and waited.
It even spelled our autumnal names in solid gold
leaves that an inexhaustible supply of wind
tossed for such pleasure as we had said and said
until it transformed into the profound conviction
that the right track was lost—imagine—forever,
it turned our tears into pebbles that can’t seep away,
that can’t fly away, that we don’t dare to pronounce,
yet it seemed concocted out of a clear beautiful sky,
yet it peeped out the woodshed and drank from the gutter spout,
yet it wrestled with itself and sank in eager mud
that presently it might be outwardly known
along with all the other creatures that perish,
heartbreaking idea among many heartbreaking ideas.
--from Infinity

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Avery Hopwood

His Life and Plays

Jack F. Sharrar

University of Michigan Press, 1998

In 1920 Avery Hopwood was America's most successful playwright, achieving the distinction of having four concurrent hits on the Broadway stage.

Jack F. Sharrar's critical biography makes use of a rich array of primary sources--including Hopwood's unpublished novel and his letters to such friends as Gertrude Stein, Carl Van Vechten, and Mary Roberts Rinehart--to chronicle Hopwood's life and career. The book provides fresh insights on the playwright, his plays and the personalities who produced and performed in them, by surveying the commercial theater of the period. Until recently out of print, the new edition includes a foreword by Nicholas Delbanco, director of the University of Michigan's Hopwood Awards in Creative Writing Program; an afterword by Sharrar that sheds new light on the passionate, tumultuous relationship between Hopwood and John Floyd; and many rare illustrations from American theater history.

"The definitive biography of this fascinating, somewhat tragic man, who so often made theatergoers forget their woes but who sometimes couldn't forget his own . . . . [A] wonderful book, as deep as it is entertaining." --TheaterWeek

Jack F. Sharrar, Ph.D., is Director of Academic Affiars, American Conservatory Theater. Nicholas Delbanco is Professor of English and Director of the University of Michigan's Hopwood Awards Program. His most recent novel is Old Scores (Warner Books, 1997).

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Awakening to Equality

A Young White Pastor at the Dawn of Civil Rights

Karl E. Lutze

University of Missouri Press, 2006

When Karl Lutze arrived in Oklahoma in 1945, he stepped into another world. A newly ordained clergyman born in Wisconsin, he was a young white man assigned to minister among Muskogee’s African American community. He soon found that in the South, crosses were as likely to be burned as revered. His recollections of postwar Oklahoma provide a compelling testament to the era’s racial conflict and some steps taken toward its resolution.

Awakening to Equality offers a unique perspective on an often-violent era that witnessed the gradual dismantling of segregation. Serving congregations in Muskogee and Tulsa, Lutze encountered a cross section of both communities—from the white and black power brokers to the most disempowered black and biracial families—and a stratified society buttressed by intimidation, cross burnings, and bombs. His activism in the Urban League and other local civil rights organizations gave him firsthand experience with forces moving toward change, as well as with the more entrenched forces resisting it.

Blending personal anecdotes and recollections of key players in this unfolding drama, Lutze puts a human face on historical and journalistic accounts of social change during the crucial early years of the civil rights movement. He takes readers back to small-town and urban Oklahoma in a time when African Americans were beginning to challenge segregation in Muskogee’s public transportation and a handful of liberal whites were trying to move their communities toward desegregation. Throughout this rich memoir, we meet actual people creating a future—one that involved the very redefinition of America.

More than a view of an earnest young clergyman trying to grow beyond the racial and social limitations of the church of his day, Awakening to Equality also depicts the struggles of Lutze’s own denomination to overcome its earlier accommodation of racism. Lutze’s success in his ministries made his achievements a model for mission work among African Americans and led to his appointment in 1959 first as field secretary and then shortly thereafter as executive director of the Lutheran Human Relations Association, a pioneering civil rights organization. Simultaneously, he taught classes as Associate Professor of Theology at Valparaiso University.

Lutze not only witnessed important events but also participated in them and found that his entire career was shaped by the experience. Awakening to Equality is a moving story that captures the real-life education of a prominent clergyman during a critical period in American life.

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Awakening to Race

Individualism and Social Consciousness in America

Jack Turner

University of Chicago Press, 2012

The election of America’s first black president has led many to believe that race is no longer a real obstacle to success and that remaining racial inequality stems largely from the failure of minority groups to take personal responsibility for seeking out opportunities. Often this argument is made in the name of the long tradition of self-reliance and American individualism. In Awakening to Race, Jack Turner upends this view, arguing that it expresses not a deep commitment to the values of individualism, but a narrow understanding of them.

Drawing on the works of Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, Ralph Ellison, and James Baldwin, Turner offers an original reconstruction of democratic individualism in American thought. All these thinkers, he shows, held that personal responsibility entails a refusal to be complicit in injustice and a duty to combat the conditions and structures that support it. At a time when individualism is invoked as a reason for inaction, Turner makes the individualist tradition the basis of a bold and impassioned case for race consciousness—consciousness of the ways that race continues to constrain opportunity in America. Turner’s “new individualism” becomes the grounds for concerted public action against racial injustice.

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Ay Tú!

Critical Essays on the Life and Work of Sandra Cisneros

Sonia Saldívar-Hull and Geneva M. Gano

University of Texas Press, 2024

A comprehensive volume on the life and work of renowned Chicana author Sandra Cisneros.

Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur “Genius Grant” and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. ¡Ay Tú! is the first book to offer a comprehensive, critical examination of her life and work as a whole. Edited by scholars Sonia Saldívar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros’s oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic “other,” and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new longform interview with Cisneros by the award-winning journalist Macarena Hernández.

As these essays reveal, Cisneros’s success in the literary field was integrally connected to the emergent Chicana feminist movement and the rapidly expanding Chicanx literary field of the late twentieth century. This collection shows that Cisneros didn’t achieve her groundbreaking successes in isolation, situating her as a vital Chicana feminist writer and artist.

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Azores

Poems

David Yezzi

Ohio University Press, 2008

A Slate Best Book of 2008
Included in Pushcart Prize XXXIV: Best of the Small Presses

Like a voyage to the Portuguese islands of the title, the poems in Azores arrive at their striking and hard-won destinations over the often-treacherous waters of experience—a man mourns the fact that he cannot not mourn, a father warns his daughter about harsh contingency, an unnamed visitor violently disrupts a quiet domestic scene. The ever-present and uncomfortable realities of envy, lust, and mortality haunt the book from poem to poem. Yezzi does not shy away from frank assessments of desire and human failing, the persistent difficulties of which are relieved periodically by a cautious optimism and even joy. Whether the poem’s backdrop is volcanic islands in the Mid-Atlantic or Manhattan Island at sunset, Yezzi examines the forces of change in the natural world, as w hether mundane or startlingly intimate. By turns plainspoken, caustic, evocative, and wry, these poems are, in matters of form, well-wrought and musical and, in matters of the heart, clear-eyed and always richly human.

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The Aztec Image in Western Thought

Keen, Benjamin

Rutgers University Press, 1990

The great inquiry into the nature of Aztec civilization began at the very moment of its destruction in the name of the Spanish Crown and Church. The overwhelming discovery of a vast, luxurious overseas empire offering fresh evidence of the enormous diversity of customs and opinions among the nations of the earth expanded the imaginative as well as the geographic horizons of Renaissance Europe.

In The Aztec Image, Benjamin Keen explores the shifting attitudes and focus of the scores of historians, philosophers, scientists, and men of letters and the arts who dealt with the Aztec theme in the four and a half centuries after the conquest of Mexico. From that time to the present, the world of the ancient Aztecs has been a subject of compelling interest and controversy in the West. Keen explains how each new view continuously corrected and developed, the Western conception of Aztec civilization. He relates prevailing ideas about the Aztecs to the broad socioeconomic, political, and ideological patterns of the age, as well as to the contemporary state of knowledge about ancient Mexico. A comprehensive work of historiography, Keen's book is the first to encompass the sweep of Western thought on the Aztecs from Cortes to the present.

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Aztlán Arizona

Mexican American Educational Empowerment, 1968–1978

Darius V. Echeverría

University of Arizona Press, 2014

Aztlán Arizona is a history of the Chicano Movement in Arizona in the 1960s and 1970s. Focusing on community and student activism in Phoenix and Tucson, Darius V. Echeverría ties the Arizona events to the larger Chicano and civil rights movements against the backdrop of broad societal shifts that occurred throughout the country. Arizona’s unique role in the movement came from its (public) schools, which were the primary source of Chicano activism against the inequities in the judicial, social, economic, medical, political, and educational arenas.

The word Aztlán, originally meaning the legendary ancestral home of the Nahua peoples of Mesoamerica, was adopted as a symbol of independence by Chicano/a activists during the movement of the 1960s and 1970s. In an era when poverty, prejudice, and considerable oppositional forces blighted the lives of roughly one-fifth of Arizonans, the author argues that understanding those societal realities is essential to defining the rise and power of the Chicano Movement.

The book illustrates how Mexican American communities fostered a togetherness that ultimately modified larger Arizona society by revamping the educational history of the region. The concluding chapter outlines key Mexican American individuals and organizations that became politically active in order to address Chicano educational concerns. This Chicano unity, reflected in student, parent, and community leadership organizations, helped break barriers, dispel the Mexican American inferiority concept, and create educational change that benefited all Arizonans.

No other scholar has examined the emergence of Chicano Movement politics and its related school reform efforts in Arizona. Echeverría’s thorough research, rich in scope and interpretation, is coupled with detailed and exact endnotes. The book helps readers understand the issues surrounding the Chicano Movement educational reform and ethnic identity. Equally important, the author shows how residual effects of these dynamics are still pertinent today in places such as Tucson.

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