Chandra is an intimate portrait of a highly private and brilliant man, Subrahmanyan Chandrasekhar, a Nobel laureate in physics who has been a major contributor to the theories of white dwarfs and black holes.

"Wali has given us a magnificent portrait of Chandra, full of life and color, with a deep understanding of the three cultures—Indian, British, and American—in which Chandra was successively immersed. . . . I wish I had the job of reviewing this book for the New York Times rather than for Physics Today. If the book is only read by physicists, then Wali's devoted labors were in vain."—Freeman Dyson, Physics Today

"An enthralling human document."—William McCrea, Times Higher Education Supplement

"A dramatic, exuberant biography of one of the century's great scientists."—Publishers Weekly

During the 1950s and 1960s, labor leaders Harold Gibbons and Ernest Calloway championed a new kind of labor movement that regarded workers as "total persons" interested in both workplace affairs and the exercise of effective citizenship in their communities. Working through Teamsters Local 688 and viewing the city of St. Louis as their laboratory, this remarkable interracial duo forged a dynamic political alliance that placed their "citizen members" on the front lines of epic battles for urban revitalization, improved public services, and the advancement of racial and economic justice. Parallel to their political partnership, Gibbons functioned as a top Teamsters Union leader and Calloway as an influential figure in St. Louis's civil rights movement. Their pioneering efforts not only altered St. Louis's social and political landscape but also raised fundamental questions about the fate of the post-industrial city, the meaning of citizenship, and the role of unions in shaping American democracy.

Extensively illustrated, with over 100 drawings and 11 unique Mary Schafer patterns, Mary Schafer, American Quilt Maker is a must-have book for anyone passionate about American quilting.

While we take that passion for granted today, author Gwen Marston shows that it wasn't always so; indeed, one woman, Mary Schafer, was largely responsible for the restoration of interest in one of our greatest folk arts -- long before the American bicentennial turned quilting into what seemed like an overnight sensation.

Marston presents Schafer as an unassuming scholar: the anonymous quilter, remaining humble and somewhat retiring. Behind the modest façade, however, Schafer displayed a remarkable devotion to research, historical accuracy, and community through her efforts to make quilting available to as many people as possible.

Nonquilters will find Mary Schafer, American Quilt Maker a welcome addition to their collection of the work of masters of American folk art, while quilting aficionados will appreciate it not only for the story it tells, but for the generous selection of patterns and illustrations it offers.

Gwen Marston is a nationally known quilt maker, teacher, and author. She is the author of over fifteen books on quilting, including Liberated String Quilts, 70 Classic Quilting Patterns, and Amish Quilting Patterns.

Novelist and essayist Hilary Masters recreates a moment in 1940s Pittsburgh when circumstances, ideology, and a passion for the arts collided to produce a masterpiece in another part of the world.

E. J. Kaufmann, the so-called "merchant prince" who commissioned Frank Lloyd Wright's Fallingwater, was a man whose hunger for beauty included women as well as architecture.

He had transformed his family's department store into an art deco showcase with murals by Boardman Robinson and now sought to beautify the walls of the YM&WHA of which he was the president. Through his son E. J. Kaufmann, jr (the son preferred the lowercase usage), he met Juan O'Gorman, a rising star in the Mexican pantheon of muralists dominated by Diego Rivera, O'Gorman's friend and mentor.

O'Gorman and his American wife spent nearly six months in Pittsburgh at Kaufmann's invitation while the artist researched the city's history and made elaborate cartoons for the dozen panels of the proposed mural. Like Rivera, O'Gorman was an ardent Marxist whose views of society were radically different from those of his host, not to mention the giants of Pittsburgh's industrial empire-Carnegie, Frick, and Mellon. The murals were never painted, but why did Kaufmann commission O'Gorman in the first place? Was it only a misunderstanding?

In the discursive manner for which his fiction and essays are noted, Masters pulls together the skeins of world events, the politics of art patronage, and the eccentric personalities and cruel histories of the period into a pattern that also includes the figures of O'Gorman and his wife Helen, and Kaufmann, his wife Liliane, and their son. Masters traces the story through its many twists and turns to its surprising ending: E. J. Kaufmann's failure to put beautiful pictures on the walls of the Y in Pittsburgh resulted in Juan O'Gorman's creation of a twentieth-century masterpiece on a wall in the town of Pátzcuaro, Mexico.