front cover of Aimee Semple McPherson and the Resurrection of Christian America
Aimee Semple McPherson and the Resurrection of Christian America
Matthew Avery Sutton
Harvard University Press, 2007

From the Pilgrims who settled at Plymouth Rock to Christian Coalition canvassers working for George W. Bush, Americans have long sought to integrate faith with politics. Few have been as successful as Hollywood evangelist Aimee Semple McPherson.

During the years between the two world wars, McPherson was the most flamboyant and controversial minister in the United States. She built an enormously successful and innovative megachurch, established a mass media empire, and produced spellbinding theatrical sermons that rivaled Tinseltown's spectacular shows. As McPherson's power grew, she moved beyond religion into the realm of politics, launching a national crusade to fight the teaching of evolution in the schools, defend Prohibition, and resurrect what she believed was the United States' Christian heritage. Convinced that the antichrist was working to destroy the nation's Protestant foundations, she and her allies saw themselves as a besieged minority called by God to join the "old time religion" to American patriotism.

Matthew Sutton's definitive study of Aimee Semple McPherson reveals the woman, most often remembered as the hypocritical vamp in Sinclair Lewis's Elmer Gantry, as a trail-blazing pioneer. Her life marked the beginning of Pentecostalism's advance from the margins of Protestantism to the mainstream of American culture. Indeed, from her location in Hollywood, McPherson's integration of politics with faith set precedents for the religious right, while her celebrity status, use of spectacle, and mass media savvy came to define modern evangelicalism.

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front cover of From Dixie to Rocky Top
From Dixie to Rocky Top
Music and Meaning in Southeastern Conference Football
Carrie Tipton
Vanderbilt University Press, 2023
Listen as you read! From Dixie to Rocky Top: Book Playlist, now on Spotify.

The first book to explore the history of college fight songs as a culturally important phenomenon, From Dixie to Rocky Top zeroes in on the US South, where college football has forged a powerful, quasi-religious sense of meaning and identity throughout the region.

Tracing the story of Southeastern Conference (SEC) fight songs from the late nineteenth to the early twenty-first century, author Carrie Tipton places this popular repertory within the broader commercial music industry and uses fight songs to explore themes of authorship and copyright; the commodification of school spirit; and the construction of race, gender, and regional identity in Southern football culture.

This book unearths the history embedded in SEC football’s music traditions, drawing from the archives of the seventeen universities currently or formerly in the conference. Alongside rich primary sources, Tipton incorporates approaches and literature from sports history, Southern and American history, Southern and American studies, and musicology.

Chronicling iconic Southern fight songs’ origins, dissemination, meanings, and cultural reception over a turbulent century, From Dixie to Rocky Top weaves a compelling narrative around a virtually unstudied body of popular music.
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