front cover of The Dybbuk Century
The Dybbuk Century
The Jewish Play That Possessed the World
Debra Caplan and Rachel Merrill Moss, Editors
University of Michigan Press, 2023

A little over 100 years ago, the first production of An-sky’s The Dybbuk, a play about the possession of a young woman by a dislocated spirit, opened in Warsaw. In the century that followed, The Dybbuk became a theatrical conduit for a wide range of discourses about Jews, belonging, and modernity. This timeless Yiddish play about spiritual possession beyond the grave would go on to exert a remarkable and unforgettable impact on modern theater, film, literature, music, and culture. 

The Dybbuk Century collects essays from an interdisciplinary group of scholars who explore the play’s original Yiddish and Hebrew productions and offer critical reflections on the play’s enduring influence. The collection will appeal to scholars, students, and theater practitioners, as well as general readers.

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front cover of The Jewish Dark Continent
The Jewish Dark Continent
Life and Death in the Russian Pale of Settlement
Nathaniel Deutsch
Harvard University Press, 2011

At the turn of the twentieth century, over forty percent of the world’s Jews lived within the Russian Empire, almost all in the Pale of Settlement. From the Baltic to the Black Sea, the Jews of the Pale created a distinctive way of life little known beyond its borders. This led the historian Simon Dubnow to label the territory a Jewish “Dark Continent.”

Just before World War I, a socialist revolutionary and aspiring ethnographer named An-sky pledged to explore the Pale. He dreamed of leading an ethnographic expedition that would produce an archive—what he called an Oral Torah of the common people rather than the rabbinic elite—which would preserve Jewish traditions and transform them into the seeds of a modern Jewish culture. Between 1912 and 1914, An-sky and his team collected jokes, recorded songs, took thousands of photographs, and created a massive ethnographic questionnaire. Consisting of 2,087 questions in Yiddish—exploring the gamut of Jewish folk beliefs and traditions, from everyday activities to spiritual exercises to marital intimacies—the Jewish Ethnographic Program constitutes an invaluable portrait of Eastern European Jewish life on the brink of destruction.

Nathaniel Deutsch offers the first complete translation of the questionnaire, as well as the riveting story of An-sky’s almost messianic efforts to create a Jewish ethnography in an era of revolutionary change. An-sky’s project was halted by World War I, and within a few years the Pale of Settlement would no longer exist. These survey questions revive and reveal shtetl life in all its wonder and complexity.

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Wandering Soul
The Dybbuk’s Creator, S. An-sky
Gabriella Safran
Harvard University Press, 2010

The man who would become S. An-sky—ethnographer, war correspondent, author of the best-known Yiddish play, The Dybbuk—was born Shloyme-Zanvl Rapoport in 1863, in Russia’s Pale of Settlement. His journey from the streets of Vitebsk to the center of modern Yiddish and Hebrew theater, by way of St. Petersburg, Paris, and war-torn Austria-Hungry, was both extraordinary and in some ways typical: Marc Chagall, another child of Vitebsk, would make a similar transit a generation later. Like Chagall, An-sky was loyal to multiple, conflicting Jewish, Russian, and European identities. And like Chagall, An-sky made his physical and cultural transience manifest as he drew on Jewish folk culture to create art that defied nationality.

Leaving Vitebsk at seventeen, An-sky forged a number of apparently contradictory paths. A witness to peasant poverty, pogroms, and war, he tried to rescue the vestiges of disappearing communities even while fighting for reform. A loner addicted to reinventing himself—at times a Russian laborer, a radical orator, a Jewish activist, an ethnographer of Hasidism, a wartime relief worker—An-sky saw himself as a savior of the people’s culture and its artifacts. What united the disparate strands of his life was his eagerness to speak to and for as many people as possible, regardless of their language or national origin.

In this first full-length biography in English, Gabriella Safran, using Russian, Yiddish, Hebrew, and French sources, recreates this neglected protean figure who, with his passions, struggles, and art, anticipated the complicated identities of the European Jews who would follow him.

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