front cover of Crusade for Justice
Crusade for Justice
The Autobiography of Ida B. Wells
Ida B. Wells
University of Chicago Press, 1970
Ida B. Wells (1862-1931) was one of the foremost crusaders against black oppression. This engaging memoir tells of her private life as mother of a growing family as well as her public activities as teacher, lecturer, and journalist in her fight against attitudes and laws oppressing blacks.

"No student of black history should overlook Crusade for Justice."—William M. Tuttle, Jr., Journal of American History

"Besides being the story of an incredibly courageous and outspoken black woman in the face of innumerable odds, the book is a valuable contribution to the social history of the United States and to the literature of the women's movement as well."—Elizabeth Kolmer, American Quarterly

"[Wells was] a sophisticated fighter whose prose was as thorough as her intellect."—Walter Goodman, New York Times

"An illuminating narrative of a zealous, race-conscious, civic- and church-minded black woman reformer, whose life story is a significant chapter in the history of Negro-White relations."—Thelma D. Perry, Negro History Bulletin
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Crusade for Justice
The Autobiography of Ida B. Wells, Second Edition
Ida B. Wells
University of Chicago Press, 2020
“She fought a lonely and almost single-handed fight, with the single-mindedness of a crusader, long before men or women of any race entered the arena; and the measure of success she achieved goes far beyond the credit she has been given in the history of the country.”—Alfreda M. Duster
 
Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony.
 
This engaging memoir, originally published 1970, relates Wells’s private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells’s great-granddaughter, Michelle Duster.
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Eight Plays
Performance Texts
Arthur Schnitzler
Northwestern University Press, 2007
The plays of Arthur Schnitzler have in recent years come to be recognized as masterpieces of modernism. This collection presents the most accurate translations available of Schnitzler's works, passing up opportunities to paraphrase and instead flushing out vivid detail and psychological insight by combining a sensitive interpretation of the playwright's sometimes ironic, sometimes farcical, temperament with a faithful re-creation of dialogue.

The volume includes Schnitzler's popular Roundelay (La Ronde) and Anatol, as well as rarely translated works like Professor Bernhardi and Hour of Realizing. There are also additional scenes and an alternate ending to Anatol that are seldom found in translation or even in German versions of the play. With conscientious attention to the rhythms of speech and respect for the completeness of the works, these translations offer new possibilities for bringing Schnitzler's works to the contemporary stage and new insights for anyone interested in drama, literature, or history.
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Southern Horrors
Women and the Politics of Rape and Lynching
Crystal N. Feimster
Harvard University Press, 2011

Between 1880 and 1930, close to 200 women were murdered by lynch mobs in the American South. Many more were tarred and feathered, burned, whipped, or raped. In this brutal world of white supremacist politics and patriarchy, a world violently divided by race, gender, and class, black and white women defended themselves and challenged the male power brokers. Crystal Feimster breaks new ground in her story of the racial politics of the postbellum South by focusing on the volatile issue of sexual violence.

Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women.

Southern Horrors provides a startling view into the Jim Crow South where the precarious and subordinate position of women linked black and white anti-rape activists together in fragile political alliances. It is a story that reveals how the complex drama of political power, race, and sex played out in the lives of Southern women.

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