front cover of Reinventing the Peabody Sisters
Reinventing the Peabody Sisters
Monika M. Elbert
University of Iowa Press, 2006
Whether in the public realm as political activists, artists, teachers, biographers, editors, and writers or in the more traditional role of domestic, nurturing women, Elizabeth Peabody, Mary Peabody Mann, and Sophia Peabody Hawthorne subverted rigid nineteenth-century definitions of women’s limited realm of influence. Reinventing the Peabody Sisters seeks to redefine this dynamic trio’s relationship to the literary and political movements of the mid nineteenth century. Previous scholarship has romanticized, vilified, or altogether erased their influences and literary productions or viewed these individuals solely in light of their relationships to other nineteenth-century luminaries, particularly men---Ralph Waldo Emerson, Nathaniel Hawthorne, Horace Mann. This collection underscores that each woman was a creative force in her own right. Despite their differences and sibling conflicts, all three sisters thrived in the rarefied---if economically modest---atmosphere of a childhood household that glorified intellectual and artistic pursuits. This background allowed each woman to negotiate the nineteenth-century literary marketplace and in the process redefine its scope. Elizabeth, Mary, and Sophia remained linked throughout their lives, encouraging, complementing, and sometimes challenging each other’s endeavors while also contributing to each other’s literary work. The essays in this collection examine the sisters’ confrontations with and involvement in the intellectual movements and social conflicts of the nineteenth century, including Transcendentalism, the Civil War, the role of women, international issues, slavery, Native American rights, and parenting. Among the most revealing writings that the sisters left behind, however, are those which explore the interlaced relationship that continued throughout their remarkable lives.
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front cover of Sophia Peabody Hawthorne
Sophia Peabody Hawthorne
A Life, Volume 2, 1848-1871
Patricia Dunlavy Valenti
University of Missouri Press, 2015
As is often the case with spouses of celebrities, Sophia Peabody Hawthorne was overshadowed by her husband. While Nathaniel Hawthorne is renowned for numerous publications, including The Scarlet Letter, that staple in high school English curricula, Sophia’s remarkable life and career did not receive the recognition they deserve. She was, however, a source for many of Nathaniel’s stories and responsible for much that he accomplished. Sophia was an artist, one of the first in America to earn income from her painting and decorative arts; she was also a writer and traveler to foreign countries at a time when women typically confined their activities to the home. Patricia Dunlavy Valenti began to tell this story in Sophia Peabody Hawthorne: A Life, Volume 1, 1809-1847 (2004). This biography concludes now in a second volume, which details the less examined and more surprising second half of Sophia’s life.
Valenti’s thorough research culminates in a compelling, revealing account of Sophia’s travels to Britain and Europe and her intense personal relationships outside her marriage with men and women, among them notable figures in American history and literature. As an impoverished widow, Sophia dealt resourcefully with the consequences of her husband’s financial carelessness; as a mother, her liberal practices resulted in unintended, sometimes unfortunate consequences. Throughout every vicissitude, her relentless optimism prevailed.
With the publication of Sophia Peabody Hawthorne: A Life, Volume 2, 1848-1871, Sophia emerges forever from the shadow cast by her husband. Historians and general readers alike will be drawn to this riveting account of an interesting, important woman and what her life reveals about American history and culture at a moment of national conflict, emerging class divisions, and evolving gender roles.
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front cover of Sophia Peabody Hawthorne
Sophia Peabody Hawthorne
A Life, Volume I, 1809-1847
Patricia Dunlavy Valenti
University of Missouri Press, 2004
Sophia Peabody Hawthorne is known almost exclusively in her role as the wife of Nathaniel Hawthorne, who portrayed her as the fragile, ethereal, infirm “Dove.” That image, invented by Nathaniel to serve his needs and affirm his manhood, was passed on by his biographers, who accepted their subject’s perception without question. In fact, the real Sophia was very different from Nathaniel’s construction of her.
 
An independent, sensuous, daring woman, Sophia was an accomplished artist before her marriage to Nathaniel. Moreover, what she brought to their union inspired Nathaniel’s imagination beyond the limits of his previously confined existence. In Sophia Peabody Hawthorne, Patricia Dunlavy Valenti situates the story of Sophia’s life within its own historical, philosophical, and cultural background, as well as within the context of her marriage. Valenti begins with parallel biographies that present Sophia, and then Nathaniel, at comparable periods in their lives.

Sophia was born into an expansive, somewhat chaotic home in which women provided financial as well as emotional sustenance. She was a precocious, eager student whose rigorous education, in her mother’s and her sisters’ schools, began her association with the children of New England’s elite. Sophia aspired to become a professional, self-supporting painter, exhibiting her art and seeking criticism from established mentors. She relished an eighteen-month sojourn in Cuba. Nathaniel’s reclusive family, his reluctant early education, his anonymous pursuit of a career, and his relatively circumscribed life contrast markedly with the experience of the woman who became his wife and the mother of his children. Those differences resulted in a creative abrasion that ignited his fiction during the first years of their marriage.
 
Volume 1 of this biography concludes with Sophia’s negotiation of the Hawthornes’ departure from the Old Manse and the birth of their second child. This period also coincides with the conclusion of Nathaniel’s major phase of short story writing.
 
Sophia Peabody Hawthorne is an engrossing story of a nineteenth-century American life. It analyzes influences upon authorship and questions the boundaries of intellectual property in the domestic sphere. The book also offers fresh interpretations of Nathaniel Hawthorne’s fiction, examining it through the lens of Sophia’s vibrant personality and diverse interests. Students and scholars of American literature, literary theory, feminism, and cultural history will find much to enrich their understanding of this woman and this era.
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