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The Age of Nightmare
The Gothic and British Culture, 1750–1900
Jeremy Black
St. Augustine's Press, 2022
Historian Jeremy Black is comprehensive, as ever, but in his treatment of the British Gothic novel his greatest service is the preservation of the detail––namely, the human impetus behind art that is often undervalued. Gothic novelists were purposeful, thoughtful, and engaged questions and feelings that ultimately shaped a century of culture. Black notes that the Gothic novel is also very much about "morality and deploying history accordingly." The true interest of the Gothic novel is more remarkable than it is grisly: the featured darkness and macabre are not meant to usurp heroism and purity, but will fall hard under the over-ruling hand of Providence and certainty of retribution. 

Black's understanding of the Gothic writer is a remarkable contribution to the legacy of British literature and the novel at large. Once again, in Black thoroughness meets fidelity and the reader is overcome with his own insights into the period on the merit of Black's efforts. 

In The Weight of Words Series, Black is devoted to the preservation of the memory of British literary genius, and in so doing he is carving out a niche for himself. As in the Gothic novel where landscapes give quarter to influences that seem to interact with the human fates that freely wander in, reading Black is an experience of suddenly finding oneself in possession of an education, and his allure takes a cue from the horrific Gothic tempt. 
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The Dispute of the New World
The History of a Polemic, 1750–1900
Antonello Gerbi
University of Pittsburgh Press, 1973
When Hegel described the Americas as an inferior continent, he was repeating a contention that inspired one of the most passionate debates of modern times. Originally formulated by the eminent natural scientist Georges-Louis Leclerc, Comte de Buffon and expanded by the Prussian encyclopedist Cornelius de Pauw, this provocative thesis drew heated responses from politicians, philosophers, publicists, and patriots on both sides of the Atlantic. The ensuing polemic reached its apex in the latter decades of the eighteenth century and is far from extinct today.

Translated in 1973, The Dispute of the New World is the definitive study of this debate. Antonello Gerbi scrutinizes each contribution to the debate, unravels the complex arguments, and reveals their inner motivations. As the story of the polemic unfolds, moving through many disciplines that include biology, economics, anthropology, theology, geophysics, and poetry, it becomes clear that the subject at issue is nothing less than the totality of the Old World versus the New, and how each viewed the other at a vital turning point in history.
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Oscar Wilde Prefigured
Queer Fashioning and British Caricature, 1750-1900
Dominic Janes
University of Chicago Press, 2016
“I do not say you are it, but you look it, and you pose at it, which is just as bad,” Lord Queensbury challenged Oscar Wilde in the courtroom—which erupted in laughter—accusing Wilde of posing as a sodomite. What was so terrible about posing as a sodomite, and why was Queensbury’s horror greeted with such amusement? In Oscar Wilde Prefigured, Dominic Janes suggests that what divided the two sides in this case was not so much the question of whether Wilde was or was not a sodomite, but whether or not it mattered that people could appear to be sodomites. For many, intimations of sodomy were simply a part of the amusing spectacle of sophisticated life.

Oscar Wilde Prefigured is a study of the prehistory of this “queer moment” in 1895. Janes explores the complex ways in which men who desired sex with men in Britain had expressed such interests through clothing, style, and deportment since the mid-eighteenth century. He supplements the well-established narrative of the inscription of sodomitical acts into a homosexual label and identity at the end of the nineteenth century by teasing out the means by which same-sex desires could be signaled through visual display in Georgian and Victorian Britain. Wilde, it turns out, is not the starting point for public queer figuration. He is the pivot by which Georgian figures and twentieth-century camp stereotypes meet. Drawing on the mutually reinforcing phenomena of dandyism and caricature of alleged effeminates, Janes examines a wide range of images drawn from theater, fashion, and the popular press to reveal new dimensions of identity politics, gender performance, and queer culture.
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The Quest for Authority and Honor in the American Professions, 1750-1900
Samuel Haber
University of Chicago Press, 1991
With the decline in the size of our industrial work force and the rise of the service occupations, the professions today are prominent models for a singular kind of social position. The professions and "professionalism" seem to offer an escape from vexing supervision at work as well as from some of the depersonalization and uncertainty of markets and bureaucracies. In taking account of our hunger for professional status and privileges, Samuel Haber presents the first synthetic history of major professions in America. His account emphasizes the substance of each profession's work experience, told from the vantage point of the doctors, lawyers, ministers, and their emulators whose work gave them a high sense of purpose and a durable sense of community.

Contrary to those who regard the professions as exemplary and up-to-date specimens of social modernization or economic monopoly, Haber argues that they bring both preindustrial and predemocratic ideals and standards into our modern world. He proposes that the values embedded in the professions—authority and honor, fused with duty and responsibility—have their origins in the class position and occupational prescriptions of eighteenth-century English gentlemen. Such an argument has implications for the understanding of American society; it underscores the cumulative and variegated nature of our culture and suggests the drawbacks of trying to describe society as a system. It also accords with Haber's endeavor to write a history that rescues for description and analysis mixed motives, composite conditions, and persons and parties acting upon contradictory explanatory schemes.

Haber traces the cultural evolution of the professions through three stages—establishment (1750-1830), disestablishment (1830-1880), and reestablishment (1880-1900). He shows that when the gentlemanly class declined in the United States, the professions maintained status even in somewhat hostile settings. The professions thus came to be seen as a middle way between the pursuits of laborers and those of capitalists. Massive in scale and ambition, this book will have a formidable impact among scholars newly attuned to the history of American middle-class culture.
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