A SCHOLARLY BOOK REPOSITORY73 start with W start with W
Explores W. C. McKern's use of Linnaean taxonomy as the model for development of a pottery classification system
By the early 20th century, North American archaeologists had found evidence of a plethora of prehistoric cultures displaying disparate geographic and chronological distributions. But there were no standards or algorithms for specifying when a culture was distinct or identical to another in a nearby or distant region.
Will Carleton McKern of the Milwaukee Public Museum addressed this fundamental problem of cultural classification beginning in 1929. He modeled his solution—known as the Midwestern Taxonomic Method—on the Linnaean biological taxonomy because he wanted the ability to draw historical and cultural "relationships" among cultures. McKern was assisted during development of the method by Carl E. Guthe, Thorne Deuel, James B. Griffin, and William Ritchie.
This book studies the 1930s correspondence between McKern and his contemporaries as they hashed out the method's nuances. It compares the several different versions of the method and examines the Linnaean biological taxonomy as it was understood and used at the time McKern adapted it to archaeological problems. Finally, this volume reveals how and why the method failed to provide the analytical solution envisioned by McKern and his colleagues and how it influenced the later development of Americanist archaeology.
An insightful and informative look into the Waccamaw Siouan's quest for identity and survival
Waccamaw Legacy: Contemporary Indians Fight for Survival sheds light on North Carolina Indians by tracing the story of the now state-recognized Waccamaw Siouan tribe from its beginnings in the Southeastern United States, through their first contacts with Europeans, and into the 21st century, detailing the struggles these Indians have endured over time. We see how the Waccamaw took hold of popular theories about Indian tribes like the Croatan of the Lost Colony and the Cherokee as they struggled to preserve their heritage and to establish their identity.
Patricia Lerch was hired by the Waccamaw in 1981 to perform the research needed to file for recognition under the Bureau of Indian Affairs Federal Acknowledgement Program of 1978. The Waccamaw began to organize powwows in 1970 to represent publicly their Indian heritage and survival and to spread awareness of their fight for cultural preservation and independence. Lerch found herself understanding that the powwows, in addition to affirming identity, revealed important truths about the history of the Waccamaw and the ways they communicate and coexist.
Waccamaw Legacy outlines Lerch’s experience as she played a vital role in the Waccamaw Siouan's continuing fight for recognition and acceptance in contemporary society and culture.
Wallace Stevens and the Critical Schools reveals a field marked by conflict and contradiction, both within and among critical works in their attempts to explicate and appropriate this major American poet. Stevens’ changing reception among the critical schools reveals much about the shifting nature of American literature and criticism in this century and illuminates the often polemical process of literary canon formation. Each chapter of this book examines a particular aspect of the 20th-century critical involvement with Wallace Stevens’ poetry, introduced by a discussion of the poet’s work as an arena for the convergence of modern critical tendencies and concerns.
First, the author examines the avant-garde milieu of early 20th-century modernism, which implicated Stevens in its melee of affiliations and enmities and which influenced critics’ ambivalent responses to his early work. She traces the critical controversies of the poet’s emergence before and during the 1920s, specifically the clash between New Humanism and aestheticism, and demonstrates how the quality of irony in Stevens’ work became a part of the critics’ general repertoire in their assessment of this poet.
The 1930s, 1940s, and 1950s were decades during which Stevens criticism became dominated by the New Critical ideology. The turn toward deconstruction in Stevens criticism stands in part as a response to the New Critical dilemma, seen in the manner in which such critics as J. Hillis Miller and Joseph Riddel appropriated the concept of “decreation” to explain the sense of rupture in Stevens’ late poetry yet brought that concept to its logical end in a deconstructive paradigm.
Finally, Schaum identifies four major theoretical approaches to Stevens in the past two decades that continue to inform and direct the field of critical dissent and exploration in the 1980s. Such theories as Bloomian misprision, versions of hermeneutic criticism, redefinitions of the deconstructive enterprise, and the contemporary call for a new historicism continue the battle to appropriate Stevens as the “hard prize” of critical aims and investigations.
Sherry Ceniza argues that Whitman's editions of Leaves became progressively more radically 'feminist' as he followed the women's rights movement during the 1850s and that he was influenced by what he called the 'true woman of the new aggressive type . . . woman under the new dispensation.' Ceniza documents the progression of the National Woman's Rights movement through the lives and writings of three of its leaders- Abby Hills Price, Paulina Wright Davis, and Ernestine L. Rose. By juxtaposing the texts written by these women with Leaves, Ceniza shows that Whitman used many of the same arguments and rhetorical gestures as his female activist friends.
In order to understand the history of twentieth-century Europe, we must first appreciate and accept how different societies and cultures remember their national conflicts. We must also be aware of the ways that those memories evolve over time. In War and Public Memory: Case Studies in Twentieth-Century Europe, Messenger outlines the relevant history of war and its impact on different European nations and assesses how and where the memory of these conflicts emerges in political and public discourse and in the public sphere and public spaces of Europe.
The case studies presented emphasize the major wars fought on European soil as well as the violence perpetrated against civilian populations. Each chapter begins with a brief overview of the conflict and then proceeds with a study of how memory of that struggle has entered into public consciousness in different national societies. The focus throughout is on collective social, cultural, and public memory, and in particular how memory has emerged in public spaces throughout Europe, such as parks, museums, and memorial sites.
Messenger discusses memories of the First World War for both the victors and the vanquished as well as their successor states. Other events discussed include the Bolshevik Revolution and subsequent conflicts in the former Soviet Union, the Armenian genocide, the collapse of Yugoslavia, the legacy of the civil war in Spain, Germanys reckoning with its Nazi past, and the memory of occupation and the Holocaust in France and Poland.
Numerous biographies of Jefferson Davis have been penned; however, until now, there had been no substantive analysis of his public discourse as president of the Confederacy. R. Jarrod Atchison’s A War of Words uses concepts from rhetorical theory and public address to help answer a question that has intrigued scholars from a variety of disciplines since the collapse of the Confederacy: what role, if any, did Davis play in the collapse of Confederate nationalism?
Most discussions of Davis and nationalism focus on the military outcomes of his controversial wartime decisions. A War of Words focuses less on military outcomes and argues instead that, in the context of the Confederacy, Jefferson Davis’s rhetorical leadership should have been responsible for articulating a vision for the nation—including the core tenets of its identity, the values the nation should hold dear, the principles it should never compromise, and the goals it should set for its future. Undoubtedly, Davis possessed the skills necessary to make a persuasive public argument. It is precisely because Davis’s oratory skills were so powerful that there is room to judge how he used them. In short, being a great orator is not synonymous with successful rhetorical leadership.
Atchison posits that Davis’s initial successes constrained his rhetorical options later in the war. A War of Words concludes that, in the end, Davis’s rhetorical leadership was a failure because he was unable to articulate a coherent Confederate identity in light of the sacrifices endured by the populace in order to sustain the war effort.
Alabama’s military forces were fierce and dedicated combatants for the Confederate cause.In his study of Alabama during the Civil War, Ben H. Severance argues that Alabama’s electoral and political attitudes were, in their own way, just as unified in their support for the cause of southern independence. To be sure, the civilian populace often expressed unease about the conflict, as did a good many of Alabama’s legislators, but the majority of government officials and military personnel displayed pronounced Confederate loyalty and a consistent willingness to accept a total war approach in pursuit of their new nation’s aims. As Severance puts it, Alabama was a “war state all over.”
In A War State All Over: Alabama Politics and the Confederate Cause, Severance examines the state’s political leadership at multiple levels of governance—congressional, gubernatorial, and legislative—and orients much of his analysis around the state elections of 1863. Coming at the war’s midpoint, these elections provide an invaluable gauge of popular support for Alabama’s role in the Civil War, particularly at a time when the military situation for Confederate forces was looking bleak. The results do not necessarily reflect a society that was unreservedly prowar, but they clearly establish a polity that was committed to an unconditional Confederate victory, in spite of the probable costs.
Severance’s innovative work focuses on the martial character of Alabama’s polity while simultaneously acknowledging the widespread angst of Alabama’s larger culture and society. In doing so, it puts a human face on the election returns by providing detailed character sketches of the principal candidates that illuminate both their outlook on the war and their role in shaping policy.
Warriors Without War takes readers beneath the placid waters of the Seminole’s public image and into the fascinating depths of Seminole society and politics.
Was is half-poem, half-narrative, a nomadic history whose main character is the fleetingness of information itself. The novel’s title figure, the word was, marks that instant of utterance outside the present; neither past nor future but rather the interstitial space of any telling. Like Ariel in flight, Was takes place before you can say ‘come’ and ‘go,'" slipping away before you can "breath twice and cry ‘so, so."
The nomadic lovers here, as any lovers, attempt to linger in the afterglow of what was, but it slips away like mist. Story begets story as if without author, events gathering into one another, as much memory as dream, their locales literally moving across the face of the globe. Continent to continent, from hemisphere to hemisphere, synaptic episodes strobe across the earth’s surface like thunderstorms seen from a satellite. Yet in these brief flashes a memorable and deeply moving procession of characters passes in vignette: lovers and children, parents and refugees, sailors, missionaries, clowns, mourners, forlorn warriors, sweet singers.
Was is a brilliant new work by the author of afternoon, a story which the New York Times calls "the granddaddy of hypertext fictions"and the Toronto Globe and Mail describes as being "to the hypertext interactive novel what the Gutenberg bible is to publishing."
Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.
An incisive and erudite survey of Machiavelli, the catastrophes of his times and ours, and his counsel for responding to an era of constant crises
The stories in Victoria Lancelotta’s Ways to Disappear excavate the unexamined places between dread and desire, promise and threat, where the body is both prison and salvation. Populated by the grieving and the exultant and those who see no difference between the two, by men and women who are only a little bit broken and boys and girls who can’t wait to be, by souls untethered, rootless, yet bound by blood and flesh, Lancelotta’s characters are driven by the irresistible need to be a bigger part of the worlds they each inhabit, by turns strange and commonplace. In language lush and jagged, never sentimental, these stories scrutinize the exhaustion and enchantment of the everyday: houses seething with resentment and devotion, cars dream-full and hurtling the children in them into a world they think they know but can’t imagine; front porches, back yards, luxury hotels, and truck stops. Lancelotta understands that sometimes people check their wounds not to see if they’ve healed, but to be sure they’re still there.
In 1922, Rabbi Stephen S. Wise, a leader of the Zionist movement, established the Jewish Institute of Religion (JIR), a nondenominational rabbinical seminary in New York City. Having already founded the thriving Free Synagogue movement and the American Jewish Congress, he intended to revolutionize American liberal Judaism. Wise believed mainstream American Jewish institutions had become outdated, and he championed a progressive Jewish nationalism that would fight alongside America’s leading proponents of social and economic justice.
We Shall Build Anew tells the little-known story of how Wise changed the trajectory of American Judaism for the next century. Through JIR, he trained a new cadre of young rabbis who shared his outlook, charged them with invigorating and reshaping Jewish life, and launched them into positions of leadership across the country. While Wise earned the ire of many mainstream Jewish leaders through his disregard for denominational distinctions, JIR became home to faculty and students of widely divergent religious and political viewpoints.
We Shall Build Anew is the first book dedicated exclusively to the history of the Jewish Institute of Religion. The story of Wise’s vision for American liberal Judaism is now more important than ever. As American Jewry becomes increasingly polarized around debates concerning religious doctrine as well as Zionism and Israel, the JIR model offers hope that progressives and conservatives, Zionists and non-Zionists, and Jews representing the full spectrum of religious life cannot only coexist but also work together in the name of a vibrant Judaism and a just and peaceful world.
The first critical volume devoted to the full range of women's postmodern works
We Who Love to Be Astonished collects a powerful group of previously unpublished essays to fill a gap in the critical evaluation of women's contributions to postmodern experimental writing. Contributors include Alan Golding, Aldon Nielsen, and Rachel Blau DuPlessis; discussions include analyses of the work of Kathleen Fraser, Harryette Mullen, and Kathy Acker, among others. The editors take as their title a line from the work of Lyn Hejinian, one of the most respected of innovative women poets writing today.
The volume is organized into four sections: the first two seek to identify, from two different angles, the ways women of different sociocultural backgrounds are exploring their relationships to their cultures' inherited traditions; the third section investigates the issue of visuality and the problems and challenges it creates; and the fourth section expands on the role of the body as material and performance.
The collection will breach a once irreconcilable divide between those who theorize about women's writing and those who focus on formalist practice. By embracing "astonishment" as the site of formalist-feminist investigation, the editors seek to show how form configures feminist thought, and, likewise, how feminist thought informs words and letters on a page. Students and scholars of avant-garde poetry, women's writing, and late-20th-century American literature will welcome this lively discussion.
A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England provides critical insights on representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. Jennifer Lodine-Chaffey draws on a wide range of genres, from accounts of martyrdom to dramatic works, to explore not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance.
A significant part of the execution spectacle—one used to assess the victim’s proper acceptance of death and godly repentance—was the final speech offered at the foot of the gallows or before the pyre. To ensure their final words held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. The reception of women’s speeches, Lodine-Chaffey argues, depended on their performances of accepted female behaviors and language as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.
Just as important as their words, though, were the depictions of women’s bodies. The executed woman’s body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. The intense focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women’s roles not just as criminals but as subjects
In the United States, efforts to develop precision guided munitions—PGMs—began during the First World War and resulted in an 'aerial torpedo' by the 1920s. While World War II was dominated by large-scale strategic bombing—essentially throwing out tons of free-falling munitions in the hope they hit something important—both sides in the war worked to develop airborne munitions that could be steered toward a target. However after that war, U.S. national security policy focused on the atomic bomb, hardly a weapon that needed to be directed with accuracy.
The cost of emphasis on atomic weapons was revealed in the general unsuitability of American tactics and weapons deployment systems during the Vietnam War. Lessons learned in that conflict, coupled with rapid technological developments in aerodynamics, lasers, and solid-state electronics, brought air power dramatically closer to the "surgical strike" now seen as crucial to modern warfare. New technology created attractive choices and options for American policymakers as well as field commanders, and events in the Arab-Israeli wars, the U.S. raid on Libya, and most dramatically in the first Gulf War created an ever-increasing demand for the precision weapons.
The prospect of pinpoint delivery of weapons right to the enemy's door by speeding aircraft seems to presage war in which the messy and politically risky deployment of ground troops is unnecessary. The potential of such weapons, and their strategic limitations, made the Gulf War and Iraqi War living theater for assessing what such weapons can and cannot do and have important implications for planning for future warfare.
In the Spring of 1861, a 22-year-old Alabamian did what many of his friends and colleagues were doing—he joined the Confederate Army as a volunteer. The first of his family to enlist, William Cowan McClellan, who served as a private in the 9th Alabama Infantry regiment, wrote hundreds of letters throughout the war, often penning for friends who could not write home for themselves. In the letters collected in John C. Carter’s volume, this young soldier comments on his feelings toward his commanding officers, his attitude toward military discipline and camp life, his disdain for the western Confederate armies, and his hopes and fears for the future of the Confederacy.
McClellan’s letters also contain vivid descriptions of camp life, battles, marches, picket duty, and sickness and disease in the army. The correspondence between McClellan and his family dealt with separation due to war as well as with other wartime difficulties such as food shortages, invasion, and occupation. The letters also show the rise and fall of morale on both the home front and on the battlefield, and how they were closely intertwined.
Remarkable for their humor, literacy, and matter-of-fact banter, the letters reveal the attitude a common soldier in the Army of Northern Virginia had toward the day-to-day activity and progression of the war. John C. Carter includes helpful appendixes that list the letters chronologically and offer the regimental roster, casualty/enlistment totals, assignments, and McClellan’s personal military record.
This compilation of Moore's publications on western and central Florida provides all of his archaeological data on the region's mounds and prehistoric canals in a single volume.
The name Clarence B. Moore is familiar to every archaeologist interested in the southeastern United States. This amateur archaeologist's
numerous scientific expeditions to the region resulted in dozens of well-illustrated publications, the value of which increases daily as many of the sites he investigated continue to be destroyed by modern development.
Moore invested considerable time and effort exploring Florida's archaeological sites, devoting more pages of published reports and articles to Florida than to any other state. Because of the wealth of material on Florida, Moore's Florida expedition publications have been
collected in three separate volumes, all published within the Classics in Southeastern Archaeology series. The thirteen papers reproduced in this
volume present the results of Moore's research in West and Central Florida.
Moore's first and last expeditions were to Florida and spanned almost fifty years of archaeological investigations. Following the eastern river drainages to central and western Florida, in 1900 Moore concentrated his efforts along the Florida Gulf Coast, spurred by the exciting
discoveries of Frank Hamilton Cushing at Key Marco in 1896. Although this region is rich in mound sites, many sites located by Moore in the early
years of this century had already been destroyed by construction and lime processing. In addition to mound groupings—some containing masses of skeletal remains—Moore found a number of sites connected by a network of prehistoric canals. Several of the sites located by Moore contained European trade goods and have been used to trace the early wanderings of the conquistadores in the New World.
Moore's early work on the Florida Gulf Coast succeeded in preserving much of the archaeological record in this area. He is to be credited with remarkable insights concerning mound and earthwork construction, artifact trade networks, and chronology development.
A comprehensive study that rescues the Westo from obscurity.
The Westo Indians, who lived in the Savannah River region during the second half of the 17th century, are mentioned in few primary documents and only infrequently in secondary literature. There are no known Westo archaeological sites; no artifacts can be linked to the group; and no more than a single word of their language is known to us today. Yet, from the extant evidence, it is believed that the Westos, who migrated from around Lake Erie by 1656, had a profound effect on the development of the colonial South.
This volume reproduces excerpts from all 19 documents that indisputably reference the Westos, although the Europeans referred to them by a variety of names. Most of the information was written by Lords Proprietors who never met the Westos, or by a handful of Carolinians who did. But the author is able to chart a highly plausible history of this Native group who, for a period, thrived on the Southern frontier.
The narrative traces their northeastern origins and how the Erie conflicts with the Five Nations Iroquois in the Beaver Wars forced them southward, where they found new economic opportunities in the lucrative slave trade. At the height of their influence, between 1659 and 1680, it is believed the Westos captured and sold several thousand Indians from Spanish Florida, often trading them for guns. Eventually, their military advantage over the Indians of the lower South was compromised by the rise of powerful confederacies of native peoples, who could acquire equivalent firearms from the Europeans. Even though the aggressive Westos declined, they had influenced profound change in the Southeast. They furthered the demise of chiefly organization, helped to shift the emphasis from agricultural to hunting economies, and influenced the dramatic decrease in the number and diversity of native polities.
Recent protests around the world (such as the Arab Spring uprisings and Occupy Wall Street movements) have drawn renewed interest to the study of social change and, especially, to the manner in which words, images, events, and ideas associated with protestors can “move the social.” What Democracy Looks Like is an attempt to foster a more coherent understanding of social change among scholars of rhetoric and communication studies by juxtaposing the ideas of social movements and counterpublics—historically two key factors significant in the study of social change. Foust, Pason, and Zittlow Rogness’s volume compiles the voices of leading and new scholars who are contributing to the history, application, and new directions of these two concepts, all in conversation with a number of acts of resistance or social change.
The theories of social movements and counterpublics are related, but distinct. Social movement theories tend to be concerned with enacting policy and legislative changes. Scholars flying this flag have concentrated on the organization and language (for example, rallies and speeches) that are meant to enact social change. Counterpublic theory, on the other hand, focuses less on policy changes and more on the unequal distribution of power and resources among different protest groups, which is sometimes synonymous with subordinated identity groups such as race, gender, sexuality, and class.
Nonetheless, contributors argue that in recent years the distinctions between these two methods have become less evident. By putting the literatures of the two theories in conversation with one another, these scholars seek to promote and imagine social change outside the typical binaries.
The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts Movement, and What I Say grounds the collection in its black modernist roots. In tracing the fascinating and unexpected paths of experimentation these poets explored, however, Nielsen and Ramey reveal the tight delineations of African American poetry that omitted noncanonical forms. This invigorating panoply of work, when restored, brings into focus the creatively elastic frontiers and multifaceted expressions of contemporary black poetry.
Several of the poets discussed in What I Say forged relationships with members of the L=A=N=G=U=A=G=E poetry movement and participated in the broader community of innovative poetry that emerged in the late 1970s and early 1980s and continues to exert a powerful influence today.
Each volume can stand on its own, and reading them in tandem will provide a clear vision of how innovative African American poetries have evolved across the twentieth century and into the twenty-first. What I Say is infinitely teachable, compelling, and rewarding. It will appeal to a broad readership of poets, poetics teachers, poetics scholars, students of African American literature in nonnarrative forms, Afro-futurism, and what lies between the modern and the contemporary in global and localized writing practices.
This book discusses the extent of distrust and the extent of the misunderstandings that exist in the poetry world.
This book centers on the revolutionary French symbolist movement of the last part of the 19th century, translated by Emmett Parker. Peyre gets to the heart of the subject, through provocative lines.
A Dan Josselyn Memorial Publication
Until recently, archaeological projects that included analysis of human remains had often lacked active collaboration between archaeologists and physical anthropologists from the planning stages onward. During the 1980s, a conjunctive approach developed; known as "bioarchaeology," it draws on the methodological and theoretical strengths of the two subdisciplines to bridge a perceived communications gap and promote a more comprehensive understanding of prehistoric and historic cultures.
This volume addresses questions of human adaptation in a variety of cultural contexts, with a breadth not found in studies utilizing solely biological or artifactual data. These nine case studies from eight Southeastern states cover more than 4,000 years of human habitation, from Archaic hunter-gatherers in Louisiana and Alabama to Colonial planters and slaves in South Carolina. Several studies focus upon variations in health between or within late prehistoric agricultural societies. For example, the discovery that reliance upon maize as a dietary staple did not result invariably in poor health, as claimed by earlier studies, either for entire populations or, in ranked societies, for the non-elite majority, has fostered a new appreciation for the managerial wisdom of the Mississippian peoples, as well as for their agricultural skills.
This book focuses on the Colombian Violencia, the undeclared civil war between the Liberal and Conservative parties that raged from the late 1940s to early 1960s. It presents the information as a narrative history.
There is also an array of appendixes, maps, and photographs.
A provocative telling of "The Phenix City Story."
On June 18, 1954, former state senator Albert Patterson, the Democratic Party's nominee for state attorney general, was shot to death as he left his law office in Phenix City, Alabama, infamous for its prostitution, gambling, bootlegging, and political corruption. Patterson had made cleanup of Phenix City his primary campaign promise. With millions of dollars in illegal income and hundreds of political and professional careers at stake, the question surrounding Patterson's murder was not why the trigger was pulled, but who pulled it.
When Good Men Do Nothing is the definitive study of the Albert Patterson murder case. Alan Grady has mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.
Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.
As the Great Depression tightened its grip on the world, six members of the Kilgore family were living in a cramped farmhouse in Brookwood, Alabama. Crops didn’t grow well, food was scarce, shoes were in short supply, and the few clothes they had were all hand-me-downs. The Kilgores struggled to make ends meet, cobbling together odd jobs and working the land by hand.
Despite all of this, young Aileen thought life was full of hope. She longed to hold on to it and scribbled down daily events on whatever odds and ends of paper she could find. In her new memoir, When the Wolf Camped at Our Door, Aileen Kilgore Henderson creates a vivid portrait of what life was like for so many living in the rural South during the Depression. The book begins when Aileen is ten years old and follows her into her teenage years over the course of twenty-seven episodic chapters. Drawing on her girlhood diaries and told through the charismatic voice of her younger self, Henderson’s nuanced storytelling sheds light on the common struggle for survival during a time when people were at their most vulnerable.
Against the backdrop of a world where hard work and harsh conditions like hunger, privation, sickness, and early death were everyday realities, Henderson’s stories are nevertheless tinged with young Aileen’s lively sense of humor and optimistic faith in people and in the promise of life despite trying circumstances. We follow her rambles in the woods, her visits with friends, a trip to a fortune teller, and a search for the Howton Horror, a mysterious monster rumored to live deep in the Alabama backwoods.
Six of the seven Francis brothers served in the Confederate army, as did their uncle, four servants, and other kinsmen, and all twelve members of the immediate family of Dr. James Carrington Francis and Amy Ingram Francis—as well as several members of their extended family—are represented in this volume. While the letters refer to the war and the brothers’ military service, they also shed light on this family’s struggle to survive the profound cultural, economic, and political upheaval that ensued.
This study of the critical role of ethics and moral responsibility in the field of public administration, Michael M. Harmon and O. C. McSwite posit that administrative ethics, as presently conceived and practiced, is largely a failure, incapable of delivering on its original promise of effectively regulating official conduct in order to promote the public interest. They argue that administrative ethics is compromised at its very foundations by two core assumptions: that human beings act rationally and that language is capable of conveying clear, stable, and unambiguous principles of ethical conduct.
The result is the illusion that values, principles, and rules of ethical conduct can be specified in workably clear ways, in particular, through their formalization in official codes of ethics; that people are capable of comprehending and responding to them as they are intended; and that the rewards and punishments attached to them will be effective in structuring daily behavior.
In a series of essays that draw on both fiction and film, as well as the disciplines of pragmatism, organizational theory, psychoanalysis, structural linguistics, and economics, Harmon and McSwite make their case for human relationship as the proper foundation of administrative ethics. “Exercising responsible ethical practice requires attaining a special kind of relationship with other people. Relationship is how the pure freedom that resides in the human psyche—for ethical choice, creativity, or original action of any type—can be brought into the structured world of human social relations without damaging or destroying it.” Furthermore, they make the case for dropping the term “ethics” in favor of the term “responsibility,” as “responsibility accentuates the social [relational] nature of moral action.”
This rare find--a journal of a young backwoods woman--provides a unique picture of rural life in southwestern Alabama early in the 20th century.
"I am a little Alabama girl living on the frontier where the wild animals is plentiful," wrote May Jordan in 1912. During the hunting season her father traveled Washington County buying furs, and May--already 23--accompanied him on two of these trips, cooking meals, helping out with the business, and recording their experiences.
May's diary of these trips from December 1912 to March 1914 describes the routine of the fur trade and provides a vivid portrait of wilderness travel and social customs. Through May's eyes, readers can experience the sights and sounds of pine forests and swamps, the difficulty of wading through waist-deep mud, and the neighborliness of the people living in this isolated area. May also shares both the solace of religious faith and her love of laughter as reflected in the jokes she records.
Elisa Moore Baldwin provides an introduction that traces Jordan family history and describes economic, social, and political conditions during the period. Baldwin also includes annotations based on court records, census rolls, and other primary sources and photographs of many of the characters in May's narrative to provide a vivid picture of the times. Because few first-person accounts exist of the life of poor whites, this diary will be invaluable to students of southern and women's history; no comparable work exists for this part of Alabama during this era. May's journal takes us to another world and teaches us about the lively human spirit in the face of hardship and loneliness.
No one knows the woman at the wedding. Not the caterer, an easy target, succumbing to her advances. Not the pregnant bride or her tangled family, trying to spin a fairytale wedding under a melting hot summer sun. Not even the bride’s stepsister, Charlotte, who, in the middle of the night and despite her better judgment, allows this wandering wedding crasher into her car.
Crusted in dried blood and other bodily fluids, the woman exists in layers of sense and story, a nesting doll of pornographic tales in which fantasy and banality collide and blur. In this novel that is at once visceral, vivid, and spare, the uninvited guest gives each of those she meets what they want, whether they like it or not.
Here writhe distinct bodies in distinct ecstasies, echoing and defying inherited American narratives about gender, shame, and pleasure. With an edge of humor and horror, Woods explores if —and how—we consent to our own desires.
Willa Cather and Material Culture is a collection of 11 new essays that tap into a recent and resurgent interest among Cather scholars in addressing her work and her career through the lens of cultural studies. One of the volume's primary purposes is to demonstrate the extent to which Cather did participate in her culture and to correct the commonplace view of her as a literary connoisseur set apart from her times.
The contributors explore both the objects among which Cather lived and the objects that appear in her writings, as well as the commercial constraints of the publishing industry in which her art was made and marketed. Essays address her relationship to quilts both personally and as symbols in her work; her contributions to domestic magazines such as Home Monthly and Woman's Home Companion; the problematic nature of Hollywood productions of her work; and her efforts and successes as a businesswoman. By establishing the centrality of material matters to her writing, these essays contribute to the reclaiming of Cather as a modernist and highlight the significance of material culture, in general, to the study of American literature.
At the beginning of the Revolutionary War Stirling was appointed a colonel in the New Jersey Continental Line and from there rose to the rank of Major General. A brave and loyal soldier, he greatly impressed General George Washington, who made him commander of one of the five divisions of the Continental Army. Serving in this capacity, Stirling made his reputation as a military man fighting in the battles of Long Island, White Plains, Trenton, Brandywine, Germantown, and Monmouth. He spent the winter of 1777-78 with Washington at Valley Forge. From time to time he carried out independent military operations, most notably a raid against Staten Island in January 1780. Stirling’s buoyant optimism and reckless enthusiasm for any task led one military comrade to state that his high birth and good humor provided him with many more opportunities in life than his skill and intelligence would have permitted. He died while in command of the Northern Department on January 15, 1783, full of military glory and, according to one cynic, “good liquor.”
This deeply researched reference includes both primary materials, an exhaustive checklist of the forms and editions of each of March’s works, and secondary materials, which include plays and films adapted from March’s writing, biographical and critical articles, doctoral dissertations, and contemporary reviews of March’s work.
The reissue in 2015 of the novels in his Pearl County series—Come in at the Door, The Tallons, and The Looking-Glass—is part of a fresh wave of interest in March, one of the most influential American writers from the mid-1930s until his death in 1954.
As much as any other sports figure, Willie Mays embodies the changes that racial integration brought to America’s game fields and its larger culture in the mid-20th century. Playing baseball with grace, skill, flair, and obvious delight, Willie Mays broke color barriers for more than just himself. He combined the ability to stroke majestic home runs while with an equal ability to outrun and catch what would have been home runs for opponents most famously when he turned Vic Wertz’s titantic blast into a long out in the 1954 World Series. As is often said of great players but never more true than in his case, Willie Mays could do it all.
Assembled in this work are 40 representations of how contemporary artists respond to and portray the skill, fame, and sheer love of the game that make Mays so remarkable and memorable. The art includes a broad range of styles and media from impressionistic graphite pencil drawings on paper through realistic Kodachrome photographic prints to expressionistic colored acrylics on canvas or glass. Mike Shannon offers a perceptive introductory essay on Mays’s long career and places the art in the context of his times. First curated as a traveling exhibit to honor Willie Mays’s 75th birthday, the exhibit opened at the Louisville Slugger Museum in Louisville, Kentucky, and is currently on tour.
This book is the basis for airpower doctrine in the US, and demonstrates how forward looking Gen Mitchell was even though the technology for conducting air operations was in its infancy when it was written. It is essential reading for anyone concerned with airpower history or aerospace doctrine.
William Lendrum "Billy" Mitchell (December 28, 1879 – February 19, 1936) was an American Army general who is regarded as the father of the U.S. Air Force, and is one of the most famous and most controversial figures in the history of American airpower.
Mitchell served in France during the First World War and, by the conflict's end, commanded all American air combat units in that country. After the war, he was appointed deputy director of the Air Service and began to advocate increased investment in air power, claiming this would prove vital in future wars. He particularly stressed the ability of bombers to sink battleships and organized a series of dramatic bombing runs against stationary ships designed to test the idea that attracted wide notice from the public.
He antagonized many in both the Army and Navy with his arguments and criticism and, in 1925, was demoted to Colonel. Later that year, he was court-martialed for insubordination after accusing military chiefs of an "almost treasonable administration of the national defense." He resigned from the service shortly thereafter.
Mitchell received many honors following his death, including a commission by the President as a Major General. He is also the only individual after whom a type of American military aircraft is named: the B-25 "Mitchell."
Millions of Americans underwent military training during World War II, and contemporary historians and readers have begun to recognize the significance and value of primary sources related not only to combat but also to training and preparedness.
In this collection of seven short stories, Moira Crone presents fresh writings about women, love, and strength. "Kudzu" is a tale of a girl's childhood in the stranglehold of American life. "The Brooklyn Lie" deals with a young woman's sexuality and body. The title story explores relationships and women's issues through a series of letters and narratives.
A unique guide to Florida's frontier history along Indian River.
The Winter Sailor is a historical adventure that details the yearly winter travels of Francis R. Stebbins to Florida's Indian River. Stebbins, a writer from Michigan, visited Florida in March of 1878 and became entranced by its pristine beauty. Subsequently, Stebbins and his traveling companions made annual visits to Indian River—until 1888 when tragedy struck and ended Stebbins' yearly journeys.
Being an observant traveler, Stebbins began a series of descriptive articles for his hometown newspaper that chronicled his journeys to the Indian River area. Stebbins's articles tell of his own personal experiences during his leisurely visits, which included such activities as hunting and fishing, studying the natural surroundings, and excavating Indian mounds. What Stebbins enjoyed most was sailing down the river interviewing townspeople and examining local attractions as he went. His articles also detail the lifestyle of the region, food, fashion, industry, history, environment, and changes that occurred over time. Stebbins's articles not only entertained and informed but also became a travelogue for his readers. He inspired northern travelers to go south and visit Florida, which contributed to the beginnings of large-scale tourism in the region.
The Winter Sailor combines Stebbins's 49 articles along with three by his companions, to provide an enjoyable, historical guide. Unique among 19th-century travelogues, this fascinating look into Florida's past documents a decade of change to the Indian River wilderness and becomes Stebbins's gift to the present.
Two generations of Alabamians will welcome the reappearance of this classic: those who loved it when it was published to national acclaim in 1948 and who have missed it during the many years it has been out of print, and those who have enjoyed Viola Goode Liddell’s follow-up success, A Place of Springs, and eagerly seek more from her pen.
Relying on extensive archival research and on sixty interviews with
fiddlers and their families and friends, Cauthen tells the rich, full story
of old-time fiddling in Alabama.
Writing of life in the Alabama Territory in the late 1700s,
A. J. Pickett, the state's first historian, noted that the country abounded
in fiddlers, of high and low degree. After the defeat of the Creek Indians
at the Battle of Horseshoe Bend in 1813, the number of fiddlers swelled
as settlers from the southern states surrounding Alabama claimed the land.
The music they played was based on tunes brought from Ireland, Scotland,
and England, but in Alabama they developed their own southern accent as
their songs became the music of celebration and relaxation for the state's
pioneers. Early in the 20th century such music began to be called "old-time
fiddling," to distinguish it from the popular music of the day, and the
term is still used to distinguish that style from more modern bluegrass
and country fiddle styles.
In With Fiddle and Well-Rosined Bow, Cauthen focuses
on old-time fiddling in Alabama from the settlement of the state through
World War II. Cauthen shows the effects of events, inventions, ethnic groups,
and individuals upon fiddlers' styles and what they played. Cauthen gives
due weight to the "modest masters of fiddle and bow" who were stars only
to their families and communities. The fiddlers themselves tell why they
play, how they learned without formal instruction and written music, and
how they acquired their instruments and repertoires. Cauthen also tells
the stories of "brag" fiddlers such as D.Dix Hollis, Y. Z. Hamilton, Charlie
Stripling, "Fiddling" Tom Freeman,"Monkey" Brown, and the Johnson Brothers
whose reputations spread beyond their communities through commercial recordings
and fiddling contests. Described in vivid detail are the old-style square
dances, Fourth of July barbeques and other celebrations, and fiddlers'
conventions that fiddler shave reigned over throughout the state's history.
This classic study brings to bear the findings and principles of political science, sociology, psychology, and economics on various proposals for the solution of ills traditionally associated with governmental administration.
In the final months of World War I, President Woodrow Wilson and many US allies decided to intervene in Siberia in order to protect Allied wartime and business interests, among them the Trans-Siberian Railroad, from the turmoil surrounding the Russian Revolution. American troops would remain until April 1920 with some of our allies keeping troops in Siberia even longer.
Few American citizens have any idea that the United States ever deployed soldiers to Siberia and that those soldiers eventually played a role in the Russian revolution while protecting the Trans-Siberian Railroad. Wolfhounds and Polar Bears relies on the detailed reports of the American Expeditionary Force (AEF) as well as on personal stories to bring this rarely discussed expedition to life.
Initial chapters recount the period in World War I when conditions in Russia pointed to the need for intervention as well as the varied reasons for that decision. A description of the military forces and the geographic difficulties faced by those forces operating in Siberia provide the baseline necessary to understand the AEF’s actions in Siberia. A short discussion of the Russian Railway Service Corps explains their essential and sometimes overlooked role in this story, and subsequent chapters provide a description of actual operations by the AEF.
Wolfhounds and Polar Bears: The American Expeditionary Force in Siberia, 1918–1920 may well be the most detailed study of the military aspects of the American intervention in Siberia ever undertaken, offering a multitude of details not available in any other book-length history.
The Southern Baptist Convention (SBC) represents the largest Protestant denomination in the United States, yet Southern Baptist women’s voices have been underreported in studies of American religion and culture. In The Woman I Am, Melody Maxwell explores how female Southern Baptist writers and editors in the twentieth century depicted changing roles for women and responded to the tensions that arose as Southern Baptist women assumed leadership positions, especially in the areas of missions and denominational support.
Given access to a century of primary sources and archival documents, Maxwell writes, as did many of her subjects, in a style that deftly combines the dispassionate eye of an observer with the multidimensional grasp of a participant. She examines magazines published by Woman’s Missionary Union (WMU), an auxiliary to the SBC: Our Mission Fields (1906–1914), Royal Service (1914–1995), Contempo (1970–1995), and Missions Mosaic (1995–2006). In them, she traces how WMU writers and editors perceived, constructed, and expanded the lives of southern women.
Showing ingenuity and resiliency, these writers and editors continually, though not always consciously, reshaped their ideal of Christian womanhood to better fit the new paths open to women in American culture and Southern Baptist life. Maxwell’s work demonstrates that Southern Baptists have transformed their views on biblically sanctioned roles for women over a relatively short historical period.
How Southern Baptist women perceive women’s roles in their churches, homes, and the wider world is of central importance to readers interested in religion, society, and gender in the United States. The Woman I Am is a tour de force that makes a lasting contribution to the world’s understanding of Southern Baptists and to their understanding of themselves.
This thoughtful, engaging collection showcases the best nonfiction prose produced by one of the nation's most observant and incisive writers.
This collection of warm, heartfelt essays from award-winning novelist Vicki Covington chronicles the multitude of "in between" moments in the writer's life. These are her stolen moments in between the writing of four novels-Gathering Home, Bird of Paradise, Night Ride Home, and The Last Hotel for Women; in between coauthoring the edgy memoir Cleaving: The Story of a Marriage with her husband Dennis Covington; in between raising two daughters; in between her husband's struggle with cancer and the author's own heart attack; in between a life full of trials and triumphs, disappointments and celebrations - moments that, as Covington demonstrates here, are always rich and revealing.
In the title essay, the author questions why all seven middle-class women who live on her street confess at a neighborhood cookout that in the past 48 hours each of them has cried. In "A Southern Thanksgiving," Covington reflects on the "family dance" that is Thanksgiving in the South: "In the North they put their crazy family members in institutions, but in the South we put them in the living room for everyone to enjoy." In "My Mother's Brain," the author recounts the onset of Alzheimer's in her mother and how, with the spread of the disease, an untapped vein of love is revealed.
Some of these essays were written as weekly newspaper columns for the Birmingham News. Others were written for specific literary occasions, such as the First Annual Eudora Welty Symposium. They are divided into six thematic sections: "Girls and Women," "Neighborhood," "Death," "The South," "Spiritual Matters," and "Writing."
Throughout, as Covington casts her candid, attentive eye on a situation, confusion yields to comprehension, fear flourishes into faith, and anger flows into understanding. In memorializing the small moments of her life, she finds that they are far from peripheral; indeed, they are central to a life full of value and meaning.
In this fascinating work, Cheryl Black reveals that, in addition to its role in developing an American tradition of non-commercial theatre, Provincetown has another, largely unacknowledged claim to fame as one of the first theatre companies in America in which women achieved prominence in every area of operation. At a time when women playwrights were rare, women directors rarer, and women scenic designers unheard of, Provincetown’s female members excelled in all of these roles.
In addition to the well-known playwright Susan Gaspell, the company’s female membership included luminaries such poets Edna St. Vincent Millay, Mina Loy, and Djuna Barnes; journalists Louise Bryant and Mary Heaton Vorce; novelists Neith Boyce and Evelyn Scott; and painter Marguerite Zorach. Illuminating a fascinating chapter in the history of one of the world's most picturesque and beloved artist colonies, The Women of Provincetown is an engaging work of social history, offering new insights into the relationship between gender and theatre. This work includes 40 images of the key artists in the book.
The important questions are diverse. What criteria are useful in defining periods and cultural types, and over what spatial and temporal boundaries do those criteria hold? How can we accommodate regional variation in the development and expression of traits used to delineate periods and cultural types? How does the concept of tradition relate to periods and cultural types? Is it prudent to equate culture types with periods? Is it prudent to equate archaeological cultures with ethnographic cultures? How does the available taxonomy hinder research? Contributing authors address these issues and others in the context of their Middle Ohio Valley Woodland Period research
Pottery types, composed of specific sets of attributes, have long been defined for various periods and areas of the Atlantic coast, but their relationships and meanings have not been explicitly examined. In exploring these relationships for the North Carolina coast, this work examines the manner in which pottery traits cross-cut taxonomic types, tests the proposition that communities of practice existed at several scales, and questions the fundamental notion of ceramic types as ethnic markers.
Ethnoarchaeological case studies provide a means of assessing the mechanics of how social structure and gender roles may have affected the transmission of pottery-making techniques and how socio-cultural boundaries are reflected in the distribution of ceramic traditions. Another very valuable source of information about past practices is replication experimentation, which provides a means of understanding the practical techniques that lie behind the observable traits, thereby improving our understanding of how certain techniques may have influenced the transmission of traits from one potter to another. Both methods are employed in this study to interpret the meaning of pottery as an indicator of social activity on the North Carolina coast.
This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.
The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.
In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.
With the ascent of digital culture, new forms of literature and literary production are thriving that include multimedia, networked, conceptual, and other as-yet-unnamed genres while traditional genres and media—the lyric, the novel, the book—have been transformed. Word Toys: Poetry and Technics is an engaging and thought-provoking volume that speculates on a range of poetic, novelistic, and programmed works that lie beyond the language of the literary and which views them instead as technical objects.
Brian Kim Stefans considers the problems that arise when discussing these progressive texts in relation to more traditional print-based poetic texts. He questions the influence of game theory and digital humanities rhetoric on poetic production, and how non-digital works, such as contemporary works of lyric poetry, are influenced by the recent ubiquity of social media, the power of search engines, and the public perceptions of language in a time of nearly universal surveillance.
Word Toys offers new readings of canonical avant-garde writers such as Ezra Pound and Charles Olson, major successors such as Charles Bernstein, Alice Notley, and Wanda Coleman, mixed-genre artists including Caroline Bergvall, Tan Lin, and William Poundstone, and lyric poets such as Harryette Mullen and Ben Lerner. Writers that trouble the poetry/science divide such as Christian Bök, and novelists who have embraced digital technology such as Mark Z. Danielewski and the elusive Toadex Hobogrammathon, anchor reflections on the nature of creativity in a world where authors collaborate, even if unwittingly, with machines and networks. In addition, Stefans names provocative new genres—among them the nearly formless “undigest” and the transpacific “miscegenated script”—arguing by example that interdisciplinary discourse is crucial to the development of scholarship about experimental work.
Eighty-one poems spanning the career of the late George Starbuck, widely praised luminary of modern American verse.
Starbuck was known in his lifetime and is remembered today as a practitioner of verse remarkable for its pathos, intelligence, and wit. A master of American vernacular, sensitive to the rhythms of everyday speech, Starbuck was also a brilliant lyricist, at once erudite and irreverent. He addressed some of the most profound issues of his day with a playful ingenuity and a virtuosity of talent that Glyn Maxwell, poetry editor of the New Republic, writing in The Oxford Companion to Twentieth Century Poetry, calls a "veritable arsenal of strategies against the darkness."
Starbuck came to wide critical notice in 1960 with the publication of his first book, Bone Thoughts, which won the Yale Series of Younger Poets prize. He published work regularly in the New Yorker and other major literary journals in the United States. His work was consistently recognized with awards, among them the Prix de Rome, an Ingram-Merrill Fellowship, a Rockefeller Foundation Fellowship, the Beth Hokin Prize, a Notable Book of the Year designation from the New York Times, the Lenore Marshall poetry prize, and an Aiken-Taylor Lifetime Achievement Award.
Grouped together by decades, the poems reveal Starbuck's developing genius. His technical agility and his singular voice are evident. As Anthony Hecht declares in his foreword, "I come to this posthumous collection with serene and justified confidence in finding enormous pleasure, astonishment, admiration, and genuine satisfaction. [This book] is a generous sampling of a profound poetic legacy, one for which readers ought to be deeply grateful."
Marcelo Morales was born in Cuba in 1977. He is an established, prize-winning writer, yet he is younger in comparison to most of the Cuban poets known internationally, many of whom were born prior to the 1959 revolution. While older generations of Cuban poets have wrestled in their work with social and political critique, those critiques have often been articulated through formal experimentation and abstraction, unsurprising given the censorship and the real threats of punishment that dissident writers have faced. Morales, however, directly interrogates both the Cuban past and present. References to many significant moments, people, and issues in Cuban history and culture can be found throughout his work.
Along with references to the activist group “The White Ladies,” the 1976 bombing of Cuban Airlines Flight 455, and the military aid that Cubans provided to Angola during its fight for independence, Morales’s poetry follows a timeline ranging from Martí to Guevara to the day of the 2014 announcement by Obama and Castro that diplomatic relations between the two nations would finally be restored. As Cuba experiences a series of historically remarkable transitions, Morales emerges from this context to offer an incisive poetic account of this critical moment in Cuban, as well as world, history.
The World as Presence/El mundo como ser is both the debut of this work in any language and the first English translation of a complete Morales collection. Given the bilingual format, this book will be of interest both to English and Spanish readers.
This major summary of the current state of archaeological research on the Swift Creek culture is the first comprehensive collection ever published concerning the Swift Creek people.
The Swift Creek people, centered in Georgia and surrounding states from A.D. 100 to 700, are best known from their pottery, which was decorated before firing with beautiful paddle-stamped designs--some of the most intricate and fascinating in the world.
Comprehensive in scope, this volume details the discovery of this culture, summarizes what is known about it at the present time, and shows how continued improvements in the collection and analysis of archaeological data are advancing our knowledge of this extinct society.
Although they know nothing of Swift Creek language and little about its society, archaeologists have collected valuable information about the
economic strategies of Swift Creek inhabitants. What archaeologists know best, however, is that the Swift Creek people were some of the best wood carvers the world has seen, and their pottery will stand as their lasting legacy for all time. This book presents and preserves their legacy.
Who did what in World War II, and where and when did it take place?
In the 1930s, the rural South was in the throes of the Great Depression. Farm life was monotonous and hard, but a timid yet curious teenager thought it worth recording. Aileen Kilgore Henderson kept a chronicle of her family’s daily struggles in Tuscaloosa County alongside events in the wider world she gleaned from shortwave radio and the occasional newspaper. She wrote about Howard Hughes’s round-the-world flight and her horror at the rise to power in Germany of a bizarre politician named Adolf Hitler. Henderson longed to join the vast world beyond the farm, but feared leaving the refuge of her family and beloved animals.
Yet, with her father’s encouragement, she did leave, becoming a clerk in the Kress dime store in downtown Tuscaloosa. Despite long workdays and a lengthy bus commute, she continued to record her observations and experiences in her diary, for every day at the dime store was interesting and exciting for an observant young woman who found herself considering new ideas and different points of view.
Drawing on her diary entries from the 1930s and early 1940s, Henderson recollects a time of sweeping change for Tuscaloosa and the South. The World through the Dime Store Door is a personal and engaging account of a Southern town and its environs in transition told through the eyes of a poor young woman with only a high school education but gifted with a lively mind and an openness to life.
A fascinating time capsule, this classic guide captures Alabama at a critical moment in its history between the Great Depression and World War II and its aftermath.
The WPA guide to Alabama provides a unique snapshot of 1930s Alabama life and culture. Like the other state guides in the WPA's American Guide Series, it features essays on history, economy, people, folkways, education, and other characteristics of the state, as well as general information about the towns and cities. Fifteen suggested automobile tours encourage visitors and residents to explore every corner of the state, from the Gulf Coast to the Black Belt and the Tennessee Valley, from bayous to farmlands to mountain gorges.
When it was first published in 1941, the guide went far to dispel the myth of an Alabama consisting only of cotton fields, magnolias, and plantation houses by highlighting the vibrant university life in Tuscaloosa, the modern industrial activity in Birmingham, the informality of politics in Montgomery, the cultural diversity in Alabama's port city, Mobile, and the small town life in Huntsville before it became home to the space industry. The book includes a calendar of annual events, census data, and a wealth of information useful to the traveling public of the time and enlightening to readers today. The guide lists radio stations, buses, railroads, and highways as they existed before the advent of television, interstates, and malls.
Harvey Jackson's fascinating introduction assesses the guide as a historical document and recounts the involved and sometimes controversial process by which it was researched and written. Project directors struggled to make the guide palatable to its public while still addressing such issues as poverty and race relations and recognizing the state's diversity and its rich folk culture. The result makes for compelling reading for general readers and historians alike.
Jed Rasula is a distinguished scholar of avant-garde poetics, noted for his erudition, intellectual range, and critical independence. Wreading: A Poetics of Awareness, or How Do We Know What We Know? is a collection of essays and interviews that reflects the breadth and diversity of his curiosity.
While this volume presents highlights from Rasula’s criticism, it also serves as a carefully assembled intellectual autobiography. Wreading consists of two parts: an assortment of Rasula’s solo criticism and selected interviews and conversations with other poets and scholars. These detailed conversations are with Evelyn Reilly, Leonard Schwartz, Tony Tost, Mike Chasar, Joel Bettridge, and Ming-Qian Ma. Their exchanges address ecopoetics, the corporate university, the sheer volume of contemporary poetry, and more. This substantial set of dialogues gives readers a glimpse inside a master critic’s deeply informed critical practice, illuminating his intellectual touchstones.
The balance between essay and interview achieves a distillation of Rasula’s long-established idea of “wreading.” In his original use, the term denotes how any act of criticism inherently adds to the body of writing that it purports to read. In this latest form, Wreading captures a critical perception that sparks insight and imagination, regardless of what it sees.
Writing tends to be characterized as a positive aspect of literacy that helps us to express our thoughts, to foster interpersonal communication, and to archive ideas. However, there is a vast array of evidence that emphasizes the counterbelief that writing has the power to punish, shame, humiliate, control, dehumanize, fetishize, and transform those who are subjected to it. In Writing as Punishment in Schools, Courts, and Everyday Life, Spencer Schaffner looks at many instances of writing as punishment, including forced tattooing, drunk shaming, court-ordered letters of apology, and social media shaming, with the aim of bringing understanding and recognition to the coupling of literacy and subjection.
Writing as Punishment in Schools, Courts, and Everyday Life is a fascinating inquiry into how sinister writing can truly be and directly questions the educational ideal that powerful writing is invariably a public good. While Schaffner does look at the darker side of writing, he neither vilifies nor supports the practice of writing as punishment. Rather, he investigates the question with humanistic inquiry and focuses on what can be learned from understanding the many strange ways that writing as punishment is used to accomplish fundamental objectives in everyday life.
Through five succinct case studies, we meet teachers, judges, parents, sex traffickers, and drunken partiers who have turned to writing because of its presumed power over writers and readers. Schaffner provides careful analysis of familiar punishments, such as schoolchildren copying lines, and more bizarre public rituals that result in ink-covered bodies and individuals forced to hold signs in public.
Schaffner argues that writing-based punishment should not be dismissed as benign or condemned as a misguided perversion of writing, but instead should be understood as an instrument capable of furthering both the aims of justice and degradation.
After Catholicism became illegal in England during the sixteenth century, Englishwomen established more than twenty convents on the Continent that attracted thousands of nuns and served as vital centers of Catholic piety until the French Revolution. Today more than 1,000 manuscripts and books produced by, and for, the Benedictine convents are extant in European archives. Writing Habits: Historicism, Philosophy, and English Benedictine Convents, 1600–1800 provides the first substantive analysis of these works in order to examine how members of one religious order used textual production to address a major dilemma experienced by every English convent on the Continent: How could English nuns cultivate a cloistered identity when the Protestant Reformation had swept away nearly all vestiges of English monasticism?
Drawing on an innovative blend of methodologies, Jaime Goodrich contends that the Benedictines instilled a collective sense of spirituality through writings that created multiple overlapping communities, ranging from the earthly society of the convent to the transhistorical network of the Catholic Church. Because God resides at the heart of these communities, Goodrich draws on the works of Martin Buber, a twentieth-century Jewish philosopher who theorized that human community forms a circle, with each member acting as a radius leading toward the common center of God. Buber’s thought, especially his conception of the I-You framework for personal and spiritual relationships, illuminates a fourfold set of affiliations central to Benedictine textual production: between the nuns themselves, between the individual nun and God, between the convent and God, and between the convent and the Catholic public sphere. By evoking these relationships, the major genres of convent writing—administrative texts, spiritual works, history and life writing, and controversial tracts—functioned as tools for creating community and approaching God.
Through this Buberian reading of the cloister, Writing Habits recovers the works of Benedictine nuns and establishes their broader relevance to literary history and critical theory.
Writing into the Future: New American Poetries from “The Dial” to the Digital collects Alan Golding’s essays on the futures (past and present) of poetry and poetics. Throughout the 13 essays gathered in this collection, Golding skillfully joins literary critique with a concern for history and a sociological inquiry into the creation of poetry. In Golding’s view, these are not disparate or even entirely distinct critical tasks. He is able to fruitfully interrogate canons and traditions, both on the page and in the politics of text, culture, and institution.
A central thread running through the chapters is a longstanding interest in how various versions of the “new” have been constructed, received, extended, recycled, resisted, and reanimated in American poetry since modernism. To chart the new, Golding contends with both the production and the reception of poetry, in addition to analyzing the poems themselves. In a generally chronological order, Golding reconsiders the meaning for contemporary poets of high modernists like Ezra Pound and William Carlos Williams, as well as the influential poetry venues The Dial and The Little Review, where less prominent but still vital poets contested what should come “next.” Subsequent essays track that contestation through The New American Poetry and later anthologies.
Mid-century major figures like Robert Creeley and George Oppen are discussed in their shared concern for the serial poem. Golding’s essays bring us all the way back to the present of the poetic future, with writing on active poets like Rachel Blau DuPlessis, Susan Howe, and Bruce Andrews and on the anticipation of digital poetics in the material texts of Language writing. Golding charts the work of defining poetry’s future and how we rewrite the past for an unfolding present.
Section one of the volume, “Writing Discourses,” features essays by Jonathan Z. Smith, Bruce Lincoln, and Ann Pellegrini that illustrate how critical study enables the analysis of discourses in society and history. Section two, “Riting Social Formations,” includes pieces by Arjun Appadurai, Judith Plaskow, and Nathan Katz that reference both the power of rites to construct society and the act of riting as a form of disciplining that both prescribes and proscribes. The writings of Tomoko Masuzawa, Amy-Jill Levine, Aaron W. Hughes, and Martin S. Jaffee appear in section three, “Righting the Discipline.” They emphasize the correction of movements within the academic study of religion.
Steven W. Ramey frames the collection with a thoughtful introduction that explores the genesis, development, and diversity of critical analysis in the study of religion. An afterword by Russell McCutcheon reflects on the critical study of religion at the University of Alabama and rounds out this superb collection.
The mission of the Department of Religious Studies is to “avoid every tendency toward confusing the study of religion with the practice of religion.” Instruction about—rather than in—religion is foundational to the department’s larger goal of producing knowledge of the world and its many practices and systems of beliefs. Infused with this spirit, these fascinating essays, which read like good conversations with learned friends, offer significant examples of each scholar’s work. Writing Religion will be of value to graduate students, advanced undergraduates, and scholars interested in the study of religion from a critical perspective.
In Written in the Sky: Lessons of a Southern Daughter, Patricia Foster presents a double portrait of place and family, a book of deeply personal essays that interrogate the legacy of racial tensions in the South, the constriction of caste and gender, and the ways race, class, and white privilege are entwined in her family story. After interviewing girls at Booker T. Washington High School in Tuskegee, Alabama, visiting the National Memorial for Peace and Justice in Montgomery, Alabama, and exploring Africatown in Plateau, Alabama, Patricia Foster was moved to reflect on the racial scars and crossroads in her southern past as well as to reckon with the intimate places of her own wounding and grief.
The story of place, she discovers, emerges not only from family histories and cultural traditions but also from wrestling with a culture’s irreconcilable ideas: the hard push to determine what matters. What matters to her are the shadow stories beneath our mythologies, the complicated and radiant narratives that must be excavated and reckoned with, stories that have no neat or binary resolution, stories full of luminous moments and riveting facts, and stories where the secrets hide. Written in the Sky presents the best of nonfiction storytelling: searingly honest portraits, dramatic encounters, and lyrical narratives that will interest teachers and students as well as social justice advocates, policymakers, and readers compelled by stories of awakening and the white-hot beauty of language.
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