"An engaging biography [and] a colorful tale. . . . Robert Farmar, a son of New Jersey, used his position among that colony's elite to secure a commission as a captain in the British Army during the War of Jenkins' Ear and King George's War, serving in the unsuccessful assaults at Cartegena, Cuba, and Panama and then in the disaster at Fontenoy in Flanders and in the reversals at Rocoux and Laffeldt. . . . During the Seven Years' War he participated in the capture of Havana.
Kessler supplies both the biography of a legend and an explanation of why that legend has endured.
Sacagawea is one of the most renowned figures of the American West. A member of the Shoshone tribe, she was captured by the Hidatsas as a child and eventually became one of the wives of a French fur trader, Toussaint Charbonneau. In 1805 Charbonneau joined Lewis and Clark as the expedition's interpreter. Sacagawea was the only woman to participate in this important mission, and some claim that she served as a guide when the expedition reached the upper Missouri River and the mountainous region.
Although much has been written about the historical importance of Sacagawea in connection with the expedition, no one has explored why her story has endured so successfully in Euro-American culture. In an examination of representative texts (including histories, works of fiction, plays, films, and the visual arts) from 1805 to the present, Kessler charts the evolution and transformation of the legend over two centuries and demonstrates that Sacagawea has persisted as a Euro-American legend because her story exemplified critical elements of America's foundation myths-especially the concept of manifest destiny. Kessler also shows how the Sacagawea legend was flexible within its mythic framework and was used to address cultural issues specific to different time periods, including suffrage for women, taboos against miscegenation, and modern feminism.
Celebrities and popular icons are increasingly ubiquitous figures of a 21st century postmodern world. Some, in death, blur age-old distinctions of sanctification and trespass on sacred ground long held exclusively by religious saints. An emerging continuum is transforming that sacred arena and raising a number of important issues, including the nature of the relationships between the worshipped and the worshipful and the types of institutions that sustain them.
The Making of Saints: Contesting Sacred Ground investigates a number of religious leaders, healers, folk saints, and popular icons in seeking to identify their commonalities and discover how they speak to the same inner yearnings of human beings for gods and heroes. Issues of social relations, love, emotion, charisma, power, and sanctification are addressed by the contributors. Analyses of hagiographies, biographies, media, control of space, pilgrimage, and acts of devotion provide the bases for the authors' explorations of these issues. Among the sanctified included for analysis are the folk saints El Nino Fidencio and Teresa Urrea; the charismatic rabbis Baba Sali, Baba Baruch, and Ifargan; King Chulalongkorn of Thailand; two political figures, Evita Peron and Che Guevara; and three celebrities: James Dean, Elvis Presley, and Japanese rock star HIDE.
The contributors challenge notions of what is sacred and who may be sanctified, and argue that a broadening of views is needed to accommodate and appreciate emerging contemporary realities.
A full range of rock art appearances, including dendroglyphs, pictographs, and a selection of portable rock objects
The Indians of northeastern North America are known to us primarily through reports and descriptions written by European explorers, clergy, and settlers, and through archaeological evidence. An additional invaluable source of information is the interpretation of rock art images and their relationship to native peoples for recording practical matters or information, as expressions of their legends and spiritual traditions, or as simple doodling or graffiti. The images in this book connect us directly to the Indian peoples of the Northeast, mainly Algonkian tribes inhabiting eastern Pennsylvania, Maryland and the lower Potomac River Valley, New York, New Jersey, the six New EnglandStates, and Atlantic Canada. Lenik provides a full range of rock art appearances in the study area, including some dendroglyphs, pictographs, and a selection of portable rock objects. By providing a full analysis and synthesis of the data, including the types and distribution of the glyphs, and interpretations of their meaning to the native peoples, Lenik reveals a wealth of new information on the culture and lifeways of the Indians of the Northeast.
Managing Diversity in Organizations focuses on a key issue that organizations are facing—diversity. It is here, and it is growing. The only question now is how well we deal with diversity, especially in organizational contexts.
Golembiewski identifies the many forces and factors propelling us into the age of diversity in organizations—ethical, political, philosophic, demographic, and so on—and details the historical and contemporary approaches. Most practice has focused on a "level playing field" or equal opportunity and "tilting the playing field" or equal outcomes. This volume focuses on diversity as a strategic device rather than as a nicety rooted in behavioral and organizational research. Managing diversity successfully in organizations requires a thorough understanding of management infrastructure that is consistent with diversity--especially structures of work, policies, and procedures that institutionalize and build diversity.
Between 1885 and 1894 The Montgomery Advertiser, The Birmingham-Age Herald, and The New Orleans Times Democrat featured a series of about 80 humorous black-dialect sketches by Robert Wilton Burton, a bookseller and writer from Auburn, Alabama. According to Burton, these tales were based on various characters in the black community of Auburn, and 36 of them were devoted exclusively to a character called "Marengo Jake." Probably originally from Virginia, Jake Mitchell was brought to the Drake Plantation in Marengo county as a boy in the 1850's. After the Civil War, the Drake family moved to Auburn and many former slaves followed, forming a fairly large expatriate Marengo County community. The theme of the stories, usually related by Jake, centers on the superiority of all things from Marengo County, especially over those in Lee County, in which Auburn is located.
The writer’s fascination with America’s spiritual and religious evolution in the 19th century.
Mark Twain is often pictured as a severe critic of religious piety, shaking his fist at God and mocking the devout. Such a view, however, is only partly correct. It ignores the social realities of Twain’s major period as a writer and his own spiritual interests: his participation in church activities, his socially progressive agenda, his reliance on religious themes in his major works, and his friendships with clergymen, especially his pastor and best friend, Joe Twichell. It also betrays a conception of religion that is more contemporary than that of the period in which he lived.
Harold K. Bush Jr. highlights Twain’s attractions to and engagements with the wide variety of religious phenomena of America in his lifetime, and how these matters affected his writings. Though Twain lived in an era of tremendous religious vigor, it was also a time of spiritual upheaval and crisis. The rise of biological and psychological sciences, the criticism of biblical texts as literary documents, the influx of world religions and immigrant communities, and the trauma of the Civil War all had dramatic effects on America’s religious life. At the same time mass urban revivalism, the ecumenical movement, Social Christianity, and occultic phenomena, like spiritualism and mind sciences, all rushed in to fill the voids. The rapid growth of agnosticism in the 1870s and 1880s is also clearly reflected in Twain’s life and writings. Thus Twain’s career reflects in an unusually resonant way the vast changes in American belief during his lifetime.
Bush’s study offers both a new and more complicated understanding of Twain and his literary output and serves as the cultural biography of an era.
Gathers the very best passages from all five of Mark Twain’s travel narratives
Mark Twain on the Move gathers the very best passages from all five of Mark Twain’s travel narratives: The Innocents Abroad (1869), Roughing It (1872), A Tramp Abroad (1880), Life on the Mississippi (1883), and Following the Equator (1897). Although Twain’s travel narratives were his best sellers throughout his career, modern readers are largely unfamiliar with them. Thus, readers are not only missing some of Twain’s most hilarious and insightful material, they are also missing a complete understanding of a beloved literary and cultural icon.
Mark Twain on the Move presents the best of these works--sometimes respectful, often irreverent and outlandish--at their most lively and captures his renowned experiences as an American tourist. And they demonstrate why Twain’s greatest popularity in his lifetime derived from his travel writings rather than from his novels. Twain was always entertaining and provocative while on the move and this collection captures that fabled energy for modern readers.
Critical studies of the range of King’s public discourse as forms of sermonic rhetoric
The nine essays in this volume offer critical studies of the range of King’s public discourse as forms of sermonic rhetoric. They focus on five diverse and relative short examples from King’s body of work: “Death of Evil on the Seashore,” “Letter from Birmingham Jail,” “I Have a Dream,” “A Time to Break Silence,” and “I’ve Been to the Mountaintop.”
Taken collectively, these five works span both the duration of King’s career as a public advocate but also represent the broad scope of his efforts to craft and project a persuasive vision a beloved community that persists through time.
A Dan Josselyn Memorial Publication
This collection of Ford's works focuses on the development of ceramic chronology—a key tool in Americanist archaeology.
When James Ford began archaeological fieldwork in 1927, scholars divided time simply into prehistory and history. Though certainly influenced by his colleagues, Ford devoted his life to establishing a chronology for prehistory based on ceramic types, and today he deserves credit for bringing chronological order to the vast archaeological record of the Mississippi Valley.
This book collects Ford's seminal writings showing the importance of pottery styles in dating sites, population movements, and cultures. These works defined the development of ceramic chronology that culminated in the major volume Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940-1947, which Ford wrote with Philip Phillips and James B. Griffin. In addition to Ford's early writings, the collection includes articles written with Griffin and Gordon Willey, as well as other key papers by Henry Collins and Fred Kniffen.
Editors Michael O'Brien and Lee Lyman have written an introduction that sets the stage for each chapter and provides a cohesive framework from which to examine Ford's ideas. A foreword by Willey, himself a participant in this chronology development, looks back on the origin of that method. Measuring the Flow of Time traces the development of culture history in American archaeology by providing a single reference for all of Ford's writing on chronology. It chronicles the formation of one of the most important tools for understanding the prehistory of North America and shows its lasting relevance.
This valuable book is an excellent overview of long-term archaeological investigations in the valley that remains at the forefront of studies on the First Americans.
In southwest Nebraska, a stretch of Medicine Creek approximately 20 kilometers long holds a remarkable concentration of both late Paleoindian and late prehistoric sites. Unlike several nearby similar and parallel streams that drain the divide between the Platte and Republican Rivers, Medicine Creek has undergone 70 years of archaeological excavations that reveal a long occupation by North America's earliest inhabitants.
Donna Roper has collected the written research in this volume that originated in a conference celebrating the 50th anniversary of the 1947 River Basin Survey. In addition to 12 chapters reviewing the long history of archaeological investigations at Medicine Creek, the volume contains recent analyses of and new perspectives on old sites and old data. Two of the sites discussed are considered for pre-Clovis status because they show evidence of human modification of mammoth faunal remains in the late Pleistocene Age. Studies of later occupation of Upper Republican phase sites yield information on the lifeways of Plains village people.
Presented by major investigators at Medicine Creek, the contributions are a balanced blend of the historical research and the current state-of-the-art work and analysis. Roper's comprehensive look at the archaeology, paleontology, and geomorphology at Medicine Creek gives scientists and amateurs a full assessment of a site that has taught us much about the North American continent and its early people.
In Edith Wharton’s works, references to architecture, interior decoration, painting, sculpture, and fashion abound. As these essays demonstrate, art and objects are for Wharton evidence of cultural belief and reflect the values, assumptions, and customs of the burgeoning consumer culture in which she lived and about which she wrote. Furthermore, her meditations about issues of architecture, design, and decoration serve as important commentaries on her vision of the literary arts.
In The Decoration of Houses she notes that furniture and bric-à-brac are often crowded into a room in order to compensate for a "lack of architectural composition in the treatment of the walls," and that unless an ornamental object "adequately expresses an artistic conception" it is better removed from the room. These aesthetic standards apply equally to her construction of narratives and are evidence of a sensibility that counters typical understandings of Wharton as a novelist of manners and place her instead as an important figure in the development of American literary modernism.
Essays in this collection address issues such as parallels between her characters and the houses they occupy; dress as a metaphor for the flux of critical fashion; the marketing of Wharton's work to a growing female readership ; her relationship to mass culture industries such as advertising, theater, and cinema; the tableaux vivant both as set piece and as fictional strategy; the representation of female bodies as objets d’art; and her characters’ attempts at self-definition through the acquisition and consumption of material goods. All of Wharton’s major novels—The House of Mirth, The Fruit of the Tree, Ethan Frome, The Custom of the Country, Summer, The Age of Innocence, and Twilight Sleep—as well as her short stories, criticism, and essays are explored.
Gary Totten is Assistant Professor of English at North Dakota State University. His essays on Wharton and her contemporaries have appeared in American Indian Quarterly, American Literary Realism, College Literature, Dreiser Studies, and MELUS.
A Dan Josselyn Memorial Publication
This invaluable classic provides the framework for the development of American archaeology during the last half of the 20th century.
In 1958 Gordon R. Willey and Philip Phillips first published Method and Theory in American Archaeology—a volume that went through five printings, the last in 1967 at the height of what became known as the new, or processual, archaeology. The advent of processual archaeology, according to Willey and Phillips, represented a "theoretical debate . . . a question of whether archaeology should be the study of cultural history or the study of cultural process."
Willey and Phillips suggested that little interpretation had taken place in American archaeology, and their book offered an analytical perspective; the methods they described and the structural framework they used for synthesizing American prehistory were all geared toward interpretation. Method and Theory served as the catalyst and primary reader on the topic for over a decade.
This facsimile reprint edition of the original University of Chicago Press volume includes a new foreword by Gordon R. Willey, which outlines the state of American archaeology at the time of the original publication, and a new introduction by the editors to place the book in historical context. The bibliography is exhaustive. Academic libraries, students, professionals, and knowledgeable amateurs will welcome this new edition of a standard-maker among texts on American archaeology.
Presents the broad picture and analysis of excavations at three cultural centers in central Mexico
This classic work published in 1942, ten years after archaeological excavations were begun in the Valley of Mexico by Linné's team, presents additional data that had not been fully detailed in the previously published Archaeological Researches at Teotihuacan. It provides comparative information on the high-status ruins situated on the fringes of the Valley of Mexico and excavation results from a compound within the city of Teotihuacan. This information is of critical use to archaeologists still excavating at Teotihuacan in projecting compound extent, types of artifacts expected to be discovered, and patterns of artifacts to be found in particular types of rooms. The characteristics of burials is also explored.
This book, along with its predecessor, is an important primary resource for Americanists. Staffan Brunius's foreword offers a broad background of Linné's life and work. The introduction by George Cowgill focuses more specifically on the conduct and impact of the archaeological exavations.
G. C. Vaillant has stated, "The greatest achievement of Dr. Linné from the viewpoint of the general student is the presentation of a technical field excavation in such terms that anyone can follow his text and see the relationship between the details of position of specimens and the larger problems of history and anthropology."
Sigvald Linné was Professor of Ethnography at the University of Stockholm and Director of the Swedish National Museum of Ethnography until 1969. He published several other books, including The Technique of South American Ceramics. Staffan Brunius
is Curator of the Americas at the National Museum of Ethnography in Stockholm. George L. Cowgill is Professor of Anthropology at Arizona State University and coeditor of The Collapse of Ancient States and Civilizations.
Additional reviews:
This book . . . makes Linne's work widely available again to those interested and may prompt a new generation of specialists to examine the original material either in Stockholm's National Museum of Ethnography, Mexico's Museo Nacional de Antropologia or the Teotihuacan site itself. Testament to the lasting value of Linne's work is given in a succinct and helpful new introduction by anthropologist George L. Cowgill. A more recent curator of the Americas at Stockholm's ethnographical museum, Steffan Brunius, also chips in with a brief contextualization of Linne's work against the background of the early Swedish-American tradition.—The Historian
This in-depth look at a controversial faction of American Zionism fills
a void in the story of American Zionism--and in the story of American Judaism.
This book recounts the fascinating and little-known story
of the militant American Zionists who lobbied Congress, rallied American
public opinion, and influenced British-American relations in their campaign
for Jewish statehood in the 1930s and 1940s. Although these activists have
been dismissed as fanatics who fragmented the American Zionist movement,
Rafael Medoff reveals that the faction--which included an Academy Award-winning
screenwriter and several future members of the Israeli parliament--was
more influential than has been previously acknowledged.
These militants stirred America's conscience by placing
controversial newspaper ads, lobbying conservative as well as liberal members
of Congress, and staging dramatic protest rallies. Through these tactics,
Medoff shows, they attracted a wave of support from an extraordinary cross-section
of leading Americans, including comedians Harpo Marx and Carl Reiner, actors
Vincent Price, Marlon Brando, and Jane Wyatt, musician Leonard Bernstein,
and rising young politicians Jacob Javits and Hubert Humphrey. Medoff also
describes the shadowy underground division that smuggled weapons to the
Holy Land in caskets, naming and interviewing for the first time members
of this gunrunning network.
Based on years of archival research and interviews and
written in a compelling style, Militant Zionism in America documents
events that reshaped the American Jewish community, influenced American
foreign policy, and contributed to one of the most extraordinary events
of modern history: the creation of the State of Israel.
Rafael Medoff is a Visiting Scholar at the State University of New York -- Purchase College.
A thorough account of the struggle between civilian and military factions for political control of Chile after Pinochet's dictatorship.
Why have political leaders of developing and authoritarian nations run into so many obstacles as they attempt to establish civilian supremacy over armed forces in the democratization of their countries? This is the question Gregory Weeks poses in his study of Chile from 1990 onward. He explains how the Chilean military has maintained a high level of political influence in the tumultuous aftermath of dictatorial rule by Army General Augusto Pinochet, thus confounding a smooth transition to civilian authority.
Even after the reins of power were officially handed over in 1990, Pinochet continued as commander in chief of the army until 1998, when he took a lifetime seat in the Senate and led the military’s efforts to retain its legal and constitutional prerogatives while limiting civilian oversight of military affairs. This assertion of guardianship by the military has produced a political tug-of-war between it and civilian authorities the two contenders for political primacy in Chile. In addition to recounting the historical background of this situation, Weeks’s study examines where conflict between these two contenders has been most productive and accord has been highest. His findings suggest that formal contacts, conducted through formal institutions, have been the most conducive to civil supremacy and, therefore, the consolidation of democracy.
Based on interviews, government documents, military journals, newspapers, and other archival sources, The Military and Politics in Postauthoritarian Chile describes how presidents, military officers, members of Congress, and judges have interacted since the end of the military regime. With implications for conflict resolution studies, this book will be valuable for Chileanists and
policymakers and analysts of Latin American regimes, as well as academic libraries, military historians, social scientists, and students and scholars of Latin American history and politics.
Gregory Weeks is Assistant Professor of Political Science at the University of North Carolina at Charlotte.
Mimetic Disillusion reevaluates the history of modern U.S. drama, showing that at mid-century it turned in the direction of a poststructuralist "disillusionment with mimesis" or mimicry.
This volume focuses on two major writers of the 1930s and 1940s--Eugene O'Neill and Tennessee Williams--one whose writing career was just ending and the other whose career was just beginning. In new readings of their major works from this period, Long Day's Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire, Fleche develops connections to the writings of Jacques Derrida, Paul de Man, and Michel Foucault, among others, and discusses poststructuralism in the light of modern writers such as Bertolt Brecht, Antonin Artaud, and Walter Benjamin. Fleche also extends this discussion to the work of two contemporary playwrights, Adrienne Kennedy and Tony Kushner. The aim of Mimetic Disillusion is not to reject "mimetic" and "realistic" readings but to explore the rich complexities of these two ideas and the fruit of their ongoing relevance to U.S. theatre.
During the Mississippian period (approximately A.D. 1000-1600) in the midwestern and southeastern United States a variety of greater and lesser chiefdoms took shape. Archaeologists have for many years explored the nature of these chiefdoms from the perspective common in archaeological investigations—from the top down, investigating ceremonial elite mound structures and predicting the basic domestic unit from that data. Because of the increased number of field investigations at the community level in recent years, this volume is able to move the scale of investigation down to the level of community and household, and it contributes to major revisions of settlement hierarchy concepts.
The definition of the regional limits of chiefly influence during the Mississippian period in the southeastern United States remains unresolved. In the Gulf Coastal Plain between the Mississippi and Black Warrior rivers, some studies have explored the role that interpolity interactions played in influencing a polity’s social and political complexity through time. It has been argued that the larger, more complex polities were able to preempt the development of more complex political structures among the smaller polities.
Using research at the Pevey (22Lw510) and Lowe-Steen (22Lw511) mound sites on the Pearl River in Lawrence County, Mississippi, this book explores the social and political mechanisms by which these polities may have interacted with each other and the geographic limit to the effects of inter-polity competition. The Pevey site is a nine-mound Mississippian site and Lowe-Steen is a two-mound site located 18 kilometers to the north of Pevey. These sites provide a “missing link” of sorts to explore questions about inter-polity interactions because of their centrality to the study region and their unusual size. By filling a void in the regional dataset, this study allows us to better understand the capacity of the largest polities to negatively effect the political development of their smaller neighbors.
Archaeologists and architects draw upon theoretical perspectives from their fields to provide valuable insights into the structure, development, and meaning of prehistoric communities.
Architecture is the most visible physical manifestation of human culture. The built environment envelops our lives and projects our distinctive regional and ethnic identities to the world around us. Archaeology and architecture find common theoretical ground in their perspectives of the homes, spaces, and communities that people create for themselves. Although archaeologists and architects may ask different questions and apply different methods, the results are the same—a deeper understanding of what it means to be human.
In this volume, prominent archaeologists examine the architectural design spaces of Mississippian towns and mound centers of the eastern United States. The diverse Mississippian societies, which existed between A.D. 900 and 1700, created some of the largest and most complex Native American archaeological sites in the United States. The dominant architectural feature shared by these communities was one or more large plazas, each of which was often flanked by buildings set on platform mounds. The authors describe the major dimensions of an architectural grammar, centered on the design of the plaza and mound complex that was shared by different societies across the Mississippian world. They then explore these shared architectural features as physical representations or metaphors for Mississippian world views and culture.
Because textiles rarely are preserved in the archaeological record outside of deserts and permafrost areas, in many regions of the world very little is known about their characteristics, functions, production technology, or socioeconomic importance. While this fact is also true of organic fabrics produced during the Mississippian period in southeastern North Anerica, a wide variety of Mississippian textiles has been preserved in the form of impressions on large pottery vessels. From attribute analysis of 1,574 fabrics impressed on Wickliffe pottery sherds and comparison of the impressions with extant Mississippian textile artifacts, Drooker presents the first comparative analysis of these materials and the most inclusive available summary of information on Mississippian textiles.
The Modern Age examines the discourses that have come to characterize adolescence and argues that commonplace views of adolescents as impulsive, conflicted, and rebellious are constructions inspired by broader cultural anxieties that characterized American society in early-twentieth-century America.
The idea of adolescence, argues Kent Baxter, came into being because it fulfilled specific historical and cultural needs: to define a quickly expanding segment of the population, and to express concerns associated with the movement into a new era. Adolescence—a term that had little currency before 1900 and made a sudden and pronounced appearance in a wide variety of discourses thereafter—is a “modern age” not only because it sprung from changes in American society that are synonymous with modernity, but also because it came to represent all that was threatening about “modern life.”
Baxter provides a preliminary history of adolescence, focusing specifically on changes in the American educational system and the creation of the juvenile justice system that carved out a developmental space between the child and the adult. He looks at the psychological works of G. Stanley Hall and the anthropological works of Margaret Mead and explores what might have inspired their markedly negative descriptions of this new demographic. He examines the rise of the Woodcraft Indian youth movement and its promotion of “red skin” values while also studying the proliferation of off-reservation boarding schools for Native American youth, where educators attempted to eradicate the very “red skin” values promoted by the Woodcraft movement.
Finally Baxter studies reading at the turn of the century, focusing specifically on Horatio Alger (the Ragged Dick series) and Edward Stratemeyer (the Tom Swift, Nancy Drew, and Hardy Boys series) and what those works reveal about the “problem” of adolescence and its solutions in terms of value, both economic and moral.
The Modernist Nation examines why America's modern literary movements have come to be characterized as "generations" and "renaissances," such as the Lost Generation and the Beat Generation or the Harlem, Southern, and San Francisco Renaissances. The metaphor of rebirth, Michael Soto argues, offered and continues to offer American writers a kind of shorthand for imagining American cultural history, especially as a departure from Old World (English) trappings.
Soto highlights the interracial dynamics of American literary movements, touching on authors as varied as James Weldon Johnson, Malcolm Cowley, W. E. B. DuBois, Gertrude Stein, Ernest Hemingway, Zora Neale Hurston, and Jack Kerouac. After assessing the origins of the Lost Generation and the Harlem Renaissance, Soto traces the rise of the "bohemian artist" narrative, and demonstrates how a polyethnic cast of writers and critics constructed American literary production in terms of symbolic rebirth.
In the 1920s and ‘30s, understandings of time, place, and civilization were subjected to a barrage of new conceptions. Ronald Berman probes the work of three writers who wrestled with one or more of these issues in ways of lasting significance.
Hemingway, Fitzgerald, and Orwell all grappled with fluid notions of time: Hemingway’s absolute present, Fitzgerald’s obsession with what might be and what might have been, and Orwell’s concerns with progress. For these authors, progress is also tied to competing senses of place--for Fitzgerald, the North versus the South; for Hemingway, America versus Europe. At stake for each is an understanding of what constitutes true civilization in a post-war world. Berman discusses Hemingway’s deployment of language in tackling the problems of thinking and knowing. Berman follows this notion further in examining the indisputable impact upon Hemingway’s prose of Paul Cézanne’s painting and the nature of perception.
Finally, Berman considers the influence on Orwell of Aristotle and Freud’s ideas of civilization, translated by Orwell into the fabric of 1984 and other writings.
Ronald Berman is Professor of English at the University of California at San Diego and past chairman of the National Endowment for the Humanities. He is author of six books, including “The Great Gatsby” and Fitzgerald’s World of Ideas and Fitzgerald-Wilson-Hemingway: Language and Experience.
More Than Bread examines life in the dining room of the Tabernacle Soup Kitchen, located in Middle City in a New England state. What happens when one hundred guests, which include single mothers, drug addicts, alcoholics, the mentally ill, and the chronically unemployed, representing diverse age groups and ethnicities, come together in the dining room for several hours each day? Irene Glasser challenges the popular assumption that soup kitchens function primarily to provide food for the hungry by refocusing our attention on the social aspects of the dining room. The soup kitchen offers a model of a de-professionalized, nonclinical, nurturing setting that is in contrast to the traditional human services agency.
In the decades immediately following the Civil War, the United States expanded rapidly. As the nation grew, so too did federal law, moving into areas of citizens’ lives previously regulated by local custom and state and territorial statutes.
In Mormons and Cowboys, Moonshiners and Klansmen, Cresswell uses then moves beyond a case-study approach to illuminate larger questions including the evolution of the American criminal justice system, the relationship of the South and the West to the rest of the nation, the workings of the 19th-century American bureaucracy, and conflict of the local, state, and federal governments. Out of the efforts of early federal marshals came the modern federal justice system, with its firm policy guidelines, its Federal Bureau of Investigation, and its broader powers over the country as a whole.
Published in cooperation with the Barber Vintage Motorsports Museum, Birmingham.
How social and political power was wielded in order to build Moundville
A Dan Josselyn Memorial Publication
A classic resource on early knowledge of prehistoric mounds and the peoples who constructed them in the eastern United States
With this accessible volume, Henry Clyde Shetrone made available to general readers the archaeological research data and conclusions concerning the ancient mounds and earthworks that dot the landscape of eastern North America. Dismissing popularly held theories of mysterious giants who built these structures, he explained that their purposes were defensive and ceremonial, that they had been used for habitation, burial, and worship. Their builders were antecedents of the native peoples of present-day America and had been skilled artisans and engineers with successful agricultural practices and structured leadership.
Twenty chapters discuss aspects of mound-builder cultures: quarrying of flint and obsidian for knapping into points; mining of copper and iron and its fashioning into tools and ceremonial objects; spinning and weaving materials and methods; smoking customs; carving of calumets and their use in ceremony; freshwater pearls and other items for body ornamentation; and the use of stone burial vaults, cremation basins, and concepts of an afterlife. Data is presented from excavations ranging broadly from Massachusetts to Florida and from Texas to North Dakota.
As Bradley Lepper points out in his new introduction, "The Mound-Builders is a testament to Shetrone's success at working towards 'correlation and systematization' of data, as well as public education. . . . Shetrone was no armchair popularizer. His work was based on years of excavation and first-hand familiarity with much of the data. His popularizations [still] echo with the ring of the shovel and trowel in gravelly soil."
Inaugural pocket guide from our new series of illustrated guidebooks
In the 13th century, Moundville was one of the largest Native American settlements north of Mexico. Spread over 325 acres were 29 earthen mounds arranged around a great plaza, a mile-long stockade, and dozens of dwellings for thousands of people. Moundville, in size and complexity second only to the Cahokia site in Illinois, was a heavily populated town, as well as a political and religious center.
Moundville was sustained by tribute of food and labor provided by the people who lived in the nearby floodplain as well as other smaller mound centers. The immediate area appears to have been thickly populated, but by about A.D. 1350, Moundville retained only ceremonial and political functions. A decline ensued, and by the 1500s the area was abandoned. By the time the first Europeans reached the Southeast in the 1540s, the precise links between Moundville's inhabitants and what became the historic Native American tribes had become a mystery.
Illustrated with 50 color photos, maps, and figures, Moundville tells the story of the ancient people who lived there, the modern struggle to save the site from destruction, and the scientific saga of the archaeologists who brought the story to life. Moundville is the book to read before, during, or after a visit to Alabama’s prehistoric metropolis.
The two works reprinted in this volume represent the pinnacle of the career of one of the most remarkable American archaeologists of the early 20th century, Clarence Bloomfield Moore.
Moore's Certain Aboriginal Remains of the Black Warrior River (1905) and Moundville Revisited (1907) brought the Moundville site in Alabama to the attention of the scholarly world in dramatic fashion by offering a splendid photographic display and expert commentary on its artifactual richness. Moore was the leading southeastern specialist of his day and the most prolific excavator of southern sites during the early part of the 20th century. Today Moore gives the impression of having been everywhere, having excavated everything, and having published on all of it. Moundville Expeditions contains facsimile reprints of these two classic works, along with a new scholarly introduction by one of the leading authorities on the Moundville archaeological site. Once again these rare materials on Moundville are available both for scholars and for a general audience.
A Dan Josselyn Memorial Publication
Anthropologists have long talked about chiefdoms as a form of sociopolitical organization, and for several decades Elman Service's description of chiefdoms has been widely accepted as definitive. Nevertheless, in the 1970s, scholars began to question whether all, or any, chiefdoms had the entire range of characteristics described by Service. Most of the questions focused on the (nonmarket) economic organization of these polities, and several contrasting economic models were suggested. None of the models, however, was comprehensively tested against actual chiefdom economies.
This study examines the economic organization of the late prehistoric (A.D. 1000 to 1540) chiefdom centered at Moundville, Alabama. Rather than attempting to show that this case fits one or another model, the economic organization is determined empirically using archaeological data. The pattern of production and distribution of subsistence goods, domestic nonutilitarian goods, and imported prestige goods does not fit precisely any of the extant models. Because Moundville's economy was organized in a way that promoted stability, it may be no accident that Moundville was the dominant regional polity for several hundred years. This research opens a new field of archaeological investigation: the relationship between fine details of economic organization and large-scale political fortunes.
William Bradford Huie’s first novel, Mud on the Stars, is largely autobiographical and is set in the years 1929-1942. As in many of his later books, the theme here is of the education of the inexperienced youth, which is, after all, the quintessential American story. Drawing on his own boyhood, Huie gives the reader a detailed account of rural life and race relations in the Tennessee Valley in the early years of this century, including a vivid picture of college life at The University of Alabama during the Great Depression. Through a careful weaving of characters and events, fact and fiction, Huie’s novel captures the tumultuous times before World War II in the urban South, times of social unrest and testing of new political ideologies. The book’s publication in 1942 was a huge financial success, by the economic standards of the day, and not only brought Huie the acclaim his talent warranted but also focused an approving national spotlight on this prolific Alabama writer.
Winner of FC2’s American Book Review/Ronald Sukenick Innovative Fiction Prize
A stunning collection of stories that reveal wondrous play and surreal humor
A monogrammed cube appears in your town. Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate—a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray’s stunning collection of stories: Museum of the Weird.
Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weird invites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own.
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