A SCHOLARLY BOOK REPOSITORY67 start with L start with L
A cross-disciplinary view of an important De Soto chronicle.
Among the early Spanish chroniclers who contributed to popular images of the New World was the Amerindian-Spanish (mestizo) historian and literary writer, El Inca Garcilaso de la Vega (1539-1616). He authored several works, of which La Florida del Inca (1605) stands out as the best because of its unique Amerindian and European perspectives on the De Soto expedition (1539-1543). As the child of an Indian mother and a Spanish father, Garcilaso lived in both worlds--and saw value in each. Hailed throughout Europe for his excellent contemporary Renaissance writing style, his work was characterized as literary art. Garcilaso revealed the emotions, struggles, and conflicts experienced by those who participated in the historic and grandiose adventure in La Florida. Although criticized for some lapses in accuracy in his attempts to paint both the Spaniards and the Amerindians as noble participants in a world-changing event, his work remains the most accessible of all the chronicles.
In this volume, Jonathan Steigman explores El Inca’s rationale and motivations in writing his chronicle. He suggests that El Inca was trying to influence events by influencing discourse; that he sought to create a discourse of tolerance and agrarianism, rather than the dominant European discourse of intolerance, persecution, and lust for wealth. Although El Inca's purposes went well beyond detailing the facts of De Soto’s entrada, his skill as a writer and his dual understanding of the backgrounds of the participants enabled him to paint a more complete picture than most--putting a sympathetic human face on explorers and natives alike.
This major contribution to contact period studies points to the Lasley Vore site in modern Oklahoma as the most likely first meeting place of Plains Indians and Europeans more than 300 years ago.
In 1718, Jean-Baptiste Bénard, Sieur de la Harpe, departed St. Malo in Brittany for the New World. La Harpe, a member of the French bourgeoisie, arrived at Dauphin Island on the Gulf coast to take up the entrepreneurial concession provided by the director of the French colony, Jean Baptiste LeMoyne de Bienville. La Harpe's charge was to open a trading post on the Red River just above a Caddoan village not far from present-day Texarkana. Following the establishment of this post, La Harpe ventured farther north to extend his trade market into the region occupied by the Wichita Indians. Here he encountered a Tawakoni village with an estimated 6,000 inhabitants, a number that swelled to 7,000 during the ten-day visit.
Despite years of ethnohistoric and archaeological research, no scholar had successfully established where this important meeting took place. Then in 1988, George Odell and his crew surveyed and excavated an area 13 miles south of Tulsa, along the Arkansas River, that revealed undeniable association of Native American habitation refuse with 18th-century European trade goods.
Odell here presents a full account of the presumed location of the Tawakoni village as revealed through the analysis of excavated materials from nine specialist collaborators. In a strikingly well-written narrative report, employing careful study and innovative analysis supported by appendixes containing the excavation data, Odell combines documentary history and archaeological evidence to pinpoint the probable site of the first European contact with North American Plains Indians.
La Medusa is a polyphonic novel of post-conceptual consciousness. At the heart of the whole floats Medusa, an androgynous central awareness that anchors the novel throughout. La Medusa is at once the city of Los Angeles, with its snaking freeways and serpentine shifts between reality and illusion, and a brain—a modern mind that is both expansive and penetrating in its obsessions and perceptions.
Vanessa Place’s characters—a trucker and his wife, a nine-year-old saxophonist, an ice cream vendor, a sex worker, and a corpse, among others—are borderless selves in a borderless city, a city impossible to contain. Her expert ventriloquism and explosive imagination anchor this epic narrative in language that is fierce and vibrant, a penetrating a cross-section of contemporary Los Angeles and a cross-section of the modern mind.
The Alabama coal miners’ strike of 1894 to gain improved working conditions and to protect themselves from wage reductions. The authors recount the depression of the early 1890s, which set the stage for the strike, and the subsequent use of convict labor, which became a catalyst. The gripping story of the strike includes the dramatic decision to strike and corporate attempts to break the strike by the use of company guards and “scab” labor. In Alabama corporate bosses inflamed passions further by deploying African American “black leg” workers, ultimately requiring the deployment of the state militia to restore peace.
The changing styles of middle-class home entertainments, Melanie Dawson argues, point to evolving ideas of class identity in U.S. culture. Drawing from 19th- and early-20th-century fiction, guidebooks on leisure, newspaper columns, and a polemical examination of class structures, Laboring to Play interrogates the ways that leisure performances (such as parlor games, charades, home dramas, and tableaux vivants) encouraged participants to test out the boundaries that were beginning to define middle-class lifestyles.
From 19th-century parlor games involving grotesque physical contortions to early-20th-century recitations of an idealized past, leisure employments mediated between domestic and public spheres, individuals and class-based affiliations, and ideals of egalitarian social life and visible hierarchies based on privilege. Negotiating these paradigms, home entertainments provided their participants with unique ways of performing displays of individual ambitions within a world of polite social interaction.
Laboring to Play deals with subjects as wide ranging as social performances, social history (etiquette and gentility), literary history, representations of childhood, and the history of the book.
Lacan in Public argues that Lacan’s contributions to the theory of rhetoric are substantial and revolutionary and that rhetoric is, in fact, the central concern of Lacan’s entire body of work.
Lacan’s conception of rhetoric, Christian Lundberg argues in Lacan in Public, upsets and extends the received wisdom of American rhetorical studies—that rhetoric is a science, rather than an art; that rhetoric is predicated not on the reciprocal exchange of meanings, but rather on the impossibility of such an exchange; and that rhetoric never achieves a correspondence with the real-world circumstances it attempts to describe.
As Lundberg shows, Lacan’s work speaks directly to conversations at the center of current rhetorical scholarship, including debates regarding the nature of the public and public discourses, the materiality of rhetoric and agency, and the contours of a theory of persuasion.
After being comparatively neglected for several generations, Joseph Lakanal received many posthumous honors. These memorials of esteem were the tribute of the men of the Third French Republic to an outstanding character of the First Republic, established by the National Convention in 1792.
In numerous towns and cities of France streets and boulevards were named for Lakanal, among them Paris, Tours, Toulouse, and Montpellier. Elementary schools received his name at Perigueux, Cette, Beziers. Secondary schools were named in his honor, such as the Lycee Lakanal at Paris and the College Lakanal at Beziers. At least two monuments were erected to his memory, the more imposing of which was a life-sized statue in bronze at Foix in his native Ariege. The ancient adage that a prophet is not without honor save in his own country was not true of Lakanal.
Lakanal belonged to a group of thinkers at the end of the eighteenth century known as Ideologists, a derogatory term applied to them by First Consul Bonaparte. When, during the period of the Consulate, Bonaparte had signed a Concordat with the Pope whereby Catholicism was restored to France, and when in 1802 he had sought to put into force the terms of the Concordat, he found a stumbling-block to his plans in the membership of the Class of Moral and Political Sciences of the lnstitut de France. In this group were to be found the most influential free-thinkers of the day: Lakanal, Garat, Cabanis, Volney, Ginguene, Mercier, Naigeon, Destutt de Tracy and others who had been consistently hostile to the Church, and who had become hostile to the ambition of Bonaparte.
On the political side, Lakanal was an austere democrat, and remained one all his life. Had he been willing to compromise, he would undoubtedly have gone far under Napoleon. His career is quite in contrast with that of Talleyrand, whose chameleon-like qualities enabled him to occupy high place in the Revolution, the Consulate, the Empire, the Restoration, and the more liberal government of Louis Philippe.
In his profound belief in democracy and public education, and in the wide variety of his knowledge and interest in the various sciences, Lakanal is to be compared with Thomas Jefferson. The two men were of the same school of thought and possessed much in, common. In his passion for public education Lakanal may also be compared to Horace Mann.
A Dan Josselyn Memorial Publication
Lamar Archaeology provides a comprehensive and detailed review of our knowledge of the late prehistoric Indian societies in the Southern Appalachian area and its peripheries. These Lamar societies were chiefdom-level groups who built most of the mounds in this large region and were ancestors of later tribes, including the Creeks and Cherokees. This book begins with a history of the last 50 years of archaeological and historical research and brings together for the first time all the available data on this early culture. It also provides an invaluable model for books about Southeastern Indian societies by combining purely descriptive information with innovative analyses, advancing our knowledge of the past while remaining firmly grounded in the archaeological evidence as fact.
Contributors include:
Frankie Snow, Chad O. Braley, James B. Langford Jr., Marvin T. Smith, Daniel T. Elliott, Richard R. Polhemus, C. Roger Nance, Gary Shapiro, Mark Williams, John F. Scarry, David G. Anderson, andCharles M. Hudson
Owing to Yucatan’s relative isolation, many assume that the history and economy of the peninsula have evolved in a distinctive way, apart from the central government in Mexico City and insulated from world social and economic factors. The essays in this volume suggest that this has not been the case: the process of development in Yucatan has been linked firmly to national and global forces of change over the past two centuries. The essays are by U.S., Mexican, Canadian, and Belizean social scientists representing both well-established and younger scholars. The result is a perspective on Yucatan’s historical development that is at once international, interdisciplinary, and intergenerational.
Cahokia, the largest city of the Mississippian mound cultures, lies outside present-day East St. Louis. Land of Water, City of the Dead reconceptualizes Cahokia’s emergence and expansion (ca. 1050–1200), focusing on understanding a newly imagined religion and complexity through a non-Western lens. Sarah E. Baires argues that this system of beliefs was a dynamic, lived component, based on a broader ontology, with roots in other mound societies. This religion was realized through novel mortuary practices and burial mounds as well as through the careful planning and development of this early city’s urban landscape.
Baires analyzes the organization and alignment of the precinct of downtown Cahokia with a specific focus on the newly discovered and excavated Rattlesnake Causeway and the ridge-top mortuary mounds located along the site axes. Land of Water, City of the Dead also presents new data from the 1954 excavations of the ridge-top mortuary Wilson Mound and a complete analysis of the associated human remains. Through this skeletal analysis, Baires discusses the ways that Cahokians processed and buried their ancestors, identifying unique mortuary practices that include the intentional dismemberment of human bodies and burial with marine shell beads and other materials.
Provides a perspective on the pressures, problems, and satisfactions of rural Jewish life as experienced in one community
The Land Was Theirs is about Farmingdale, New Jersey, a community of Jewish farming communities in the United States established with the help of the Jewish Agricultural Society. The 50 year history of Farmingdale provides a perspective on the pressures, problems, and satisfactions of rural Jewish life as experienced in one community.
Beginning in 1919, the community grew around the small town of Farmingdale, when two Jewish families pooled their resources to establish a farm. The community evolved gradually as unrelated individuals with no previous farm experience settled and then created the institutions and organizations they needed to sustain their Jewish life. By 1945 Farmingdale was one of the leading egg-producing communities in the United States, and contributed in large measure to New Jersey’s reputation as the “egg basket of America.”
The Land Was Theirs draws from life-history interviews with 120 farmers, from the author’s personal experiences, and from a variety of private and community papers and documents. They are the pieces from which a full picture of a single Jewish farm community emerges.
In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.
An accessible overview of five major issues in sociolinguistics and the relationship between language and power
This book analyzes the key ways in which language constitutes and conveys power and social relationships in modern society. It offers selected readings that illustrate the thematic introductions and a set of tasks designed to guide linguistic analysis of data and to stimulate student discussion, in five specific areas:
• Multilingualism, Identity, and Ethnicity: examines the phenomena of linguistic diversity from the perspective of language planning and language policies, with emphasis on personal, psychological, educational, cultural, and political issues.
• Language and Youth: examines the languages of old age and the language of youth subcultures.
• Language and Gender: explores the claim that men and women use interactional communication styles based on power and solidarity, respectively.
• Language and the Media: considers the extent to which verbal interaction through mass media differs from other kinds of communication and its consequences in terms of power relations.
• Language and Organizations: explores the use of language as a tool of power in public institutions and bureaucracies and how control over individuals is articulated through a range of different discourse structures and strategies.
With a unique combination of selected readings and student-centered tasks in a single volume, Language and Power in the Modern World covers contemporary issues of communication theory and sociolinguistics, ranging from the global to the interpersonal.
--SECOL Review
"The history of Jamaican Creole comes to life through this book. Scholars will analyze its texts, follow the leads it opens up, and argue about refining its interpretations for a long time to come."
--Journal of Pidgin & Creole Languages
"The authors are to be congratulated on this substantial contribution to our understanding of how Jamaican Creole developed. Its value lies not only in the linguistic insights of the authors but also in the rich trove of texts that they have made accessible."
--English World-Wide
"Provides valuable historical and demographic data and sheds light on the origins and development of Jamaican Creole. Lalla and D'Costa offer interesting insights into Creole genesis, not only through their careful mapping of the migrations from Europe and Africa, which constructed the Jamaican society but also through extensive documentation of early texts. . . . Highly valuable to linguists, historians, anthropologists, psychologists, and anyone interested in the Caribbean or in the history of mankind."
--New West Indian Guide
Coping with the practical problems of bureaucracy is hampered by the limited self-conception and the constricted mindsets of mainstream public administration thinking. Modernist public administration theory, although valuable and capable of producing ever more remarkable results, is limiting as an explanatory and catalytic force in resolving fundamental problems about the nature, size, scope, and functioning of public bureaucracy and in transforming public bureaucracy into a more positive force.
This original study specifies a reflexive language paradigm for public administration thinking and shows how a postmodern perspective permits a revolution in the character of thinking about public bureaucracy. The author considers imagination, deconstruction, deterritorialization, and alterity. Farmer's work emphasizes the need for an expansion in the character and scope of public administration's disciplinary concerns and shows clearly how the study and practice of public administration can be reinvigorated.
Top linguists from diverse fields address language varieties in the South.
A linguistic analysis supporting a new model of the colonization of the Antilles before 1492
This work formulates a testable hypothesis of the origins and migration patterns of the aboriginal peoples of the Greater Antilles (Cuba, Jamaica, Hispaniola, and Puerto Rico), the Lucayan Islands (the Commonwealth of the Bahamas and the Crown Colony of the Turks and Caicos), the Virgin Islands, and the northernmost of the Leeward Islands, prior to European contact. Using archaeological data as corroboration, the authors synthesize evidence that has been available in scattered locales for more than 500 years but which has never before been correlated and critically examined.
Within any well-defined geographical area (such as these islands), the linguistic expectation and norm is that people speaking the same or closely related language will intermarry, and, by participating in a common gene pool, will show similar socioeconomic and cultural traits, as well as common artifact preferences. From an archaeological perspective, the converse is deducible: artifact inventories of a well-defined sociogeographical area are likely to have been created by speakers of the same or closely related language or languages.
Languages of the Pre-Columbian Antilles presents information based on these assumptions. The data is scant—scattered words and phrases in Spanish explorers' journals, local place names written on maps or in missionary records—but the collaboration of the authors, one a linguist and the other an archaeologist, has tied the linguistics to the ground wherever possible and allowed the construction of a framework with which to understand the relationships, movements, and settlement patterns of Caribbean peoples before Columbus arrived.
Recent popular discourse on nationalism and ethnicity assumes that humans by nature prefer “tribalism,” as if people cannot help but divide themselves along lines of social and ethnic difference. Research from anthropology, history, and archaeology, however, shows that individuals actively construct cultural and social ideologies to fabricate the stereotypes, myths, and beliefs that separate “us” from “them.” Archaeologist Howard Tsai and his team uncovered a thousand-year-old village in northern Peru where rituals were performed to recognize and reinforce ethnic identities.
This site—Las Varas—is located near the coast of Peru in a valley leading into the Andes. Excavations revealed a western entrance to Las Varas for those arriving from the coast and an eastern entryway for those coming from the highlands. Rituals were performed at both of these entrances, indicating that the community was open to exchange and interaction, yet at the same time controlled the flow of people and goods through ceremonial protocols. Using these checkpoints and associated rituals, the villagers of Las Varas were able to maintain ethnic differences between themselves and visitors from foreign lands.
Las Varas: Ritual and Ethnicity in the Ancient Andes reveals a rare case of finding ethnicity relying solely on archaeological remains. In this monograph, data from the excavation of Las Varas are analyzed within a theoretical framework based on current understandings of ethnicity. Tsai’s method, approach, and inference demonstrate the potential for archaeologists to discover how ethnic identities were constructed in the past, ultimately making us question the supposed naturalness of tribal divisions in human antiquity.
Jacobi's groundbreaking osteology study uncovers the history of the Tipu Maya of Belize and their subsequent contact with the Spanish conquistadores and missionaries.
Two cultures collided at Tipu, Belize, in the 1600s: that of the native Maya and that of the Spanish missionaries, who arrived with an agenda of religious subjugation and, ultimately, political control. Combining historical documentation with the results of an archaeological exploration of a Tipu cemetery, Keith Jacobi provides an account of the meshing of these two cultures and the assimilation of Catholic practices by the Tipu.
In particular, Jacobi focuses on the dental remains recovered at this site. A tooth may be the last tangible evidence of a living creature, so teeth can reveal information about an individual's health, diet, cosmetic alteration, trauma, and genetic structure. From the genetic structure the researcher can learn information about an individual's relationship to others in a particular population and between populations.
Jacobi's research reveals how these European and Spanish Catholic practices were assimilated by the Tipu Maya and enables the first description of the prevalent attitudes toward death and burial customs. Through this study of Tipu Maya dentition changes through time, Jacobi sheds light on Spanish intermarriage, Maya familial relationships, and the Tipu genetic affinity with other prehistoric, historic, and modern Maya.
This classic historical resource remains the most complete work on the establishment of Fort Caroline, which heralded the start of permanent settlement by Europeans in North America. America's history was shaped in part by the clash of cultures that took place in the southeastern United States in the 1560s. Indians, French, and Spaniards vied to profit from European attempts to colonize the land Juan Ponce de Leon had named La Florida.
Rene de Goulaine de Laudonniere founded a French Huguenot settlement on the St. Johns River near present-day Jacksonville and christened it Fort Caroline in 1564, but only a year later the hapless colonists were expelled by a Spanish fleet led by Pedro Menendez de Aviles. The Spanish in turn established a permanent settlement at St. Augustine, now the oldest city in the United States, and blocked any future French claims in Florida.
Using documents from both French and Spanish archives, Charles E. Bennett provides the first comprehensive account of the events surrounding the international conflicts of this 16th-century colonization effort, which was the actual "threshold" of a new nation. The translated Laudonniere documents also provide a wealth of information about the natural wonders of the land and the native Timucua Indians encountered by the French. As a tribe, the Timucua would be completely gone by the mid-1700s, so these accounts are invaluable to ethnologists and anthropologists.
With this republication of Laudonniere & Fort Caroline, a new generation of archaeologists, anthropologists, and American colonial historians can experience the New World through the adventures of the French explorers. Visitors to Fort Caroline National Memorial will also find the volume fascinating reading as they explore the tentative early beginnings of a new nation.
In the intense blossoming of American literary talent between the World Wars, T.S. Stribling took his place with Faulkner, Hemingway, Dos Passos, and other members of his generation with the Pulitzer Prize in 1933 for his bestselling novel The Store. In Laughing Stock, Stribling’s autobiography, the gifted writer reflects with humor, irony, and passion on his trajectory from a remote southern town to the literary heights of Paris and New York.
On the morning of December 4, 1972, the small north Alabama town of Scottsboro was shaken when a bomb ripped through the car of a prominent attorney. What followed were two years of unyielding
investigation resulting in the arrest of the town's wealthiest landowner. The trial that followed pitted Bill Baxley, a young, ambitious Alabama attorney general, against the state's most prominent lawyers.
Lay Down with Dogs is the story of a small southern town as it makes the transition from an agrarian hamlet to progressive New South suburbia. It is also the story of a twisted but powerful character, bent on revenge, whose motive was as enigmatic as the man himself. And it is the story of a young prosecutor, willing to risk a promising political future in order to pursue his sense of justice.
This book is not only a well-researched account but also a fascinating story of crime, the court, and the many characters brought together at one time and in one place to participate--for good or evil--in an unforgettable drama.
In Laying Claim: African American Cultural Memory and Southern Identity, Patricia Davis identifies the Civil War as the central narrative around which official depictions of southern culture have been defined. Because that narrative largely excluded African American points of view, the resulting southern identity was monolithically white. Davis traces how the increasing participation of black public voices in the realms of Civil War memory—battlefields, museums, online communities—has dispelled the mirage of “southernness” as a stolid cairn of white culture and has begun to create a more fluid sense of southernness that welcomes contributions by all of the region’s peoples.
Laying Claim offers insightful and penetrating examinations of African American participation in Civil War reenactments; the role of black history museums in enriching representations of the Civil War era with more varied interpretations; and the internet as a forum within which participants exchange and create historical narratives that offer alternatives to unquestioned and dominant public memories. From this evolving cultural landscape, Davis demonstrates how simplistic caricatures of African American experiences are giving way to more authentic, expansive, and inclusive interpretations of southernness.
As a case-study and example of change, Davis cites the evolution of depictions of life at Thomas Jefferson’s Monticello. Where visitors to the site once encountered narratives that repeated the stylized myth of Monticello as a genteel idyll, modern accounts of Jefferson’s day offer a holistic, inclusive, and increasingly honest view of Monticello as the residents on every rung of the social ladder experienced it.
Contemporary violence and attacks about or inspired by the causes, outcomes, and symbols of the Civil War, even one hundred and fifty years after its end, add urgency to Davis’s argument that the control and creation of public memories of that war is an issue of concern not only to scholars but all Americans. Her hopeful examination of African American participation in public memory illuminates paths by which this enduring ideological impasse may find resolutions.
“As Birmingham goes, so goes the nation,” Fred Shuttlesworth observed when he invited Martin Luther King Jr. to the city for the transformative protests of 1963. From the height of the Civil Rights Movement through its long aftermath, images of police dogs, fire hoses and four girls murdered when Ku Klux Klan members bombed the Sixteenth Street Baptist Church have served as an uncomfortable racial mirror for the nation. Like many white people who came of age in the Civil Rights Movement’s wake, Julie Buckner Armstrong knew little about this history. Only after moving away and discovering writers like Toni Morrison and Alice Walker did she realize how her hometown and family were part of a larger, ongoing story of struggle and injustice.
When Armstrong returned to Birmingham decades later to care for her aging mother, Shuttlesworth’s admonition rang in her mind. By then an accomplished scholar and civil rights educator, Armstrong found herself pondering the lessons Birmingham holds for a twenty-first century America. Those lessons extended far beyond what a 2014 Teaching Tolerance report describes as the common distillation of the Civil Rights Movement into “two names and four words: Martin Luther King Jr, Rosa Parks, and ‘I have a dream.’” Seeking to better understand a more complex local history, its connection to broader stories of oppression and resistance, and her own place in relation to it, Armstrong embarked on a journey to unravel the standard Birmingham narrative to see what she would find.
Beginning at the center, with her family’s 1947 arrival to a housing project near the color line, within earshot of what would become known as Dynamite Hill, Armstrong works her way over time and across the map. Weaving in stories of her white working-class family, classmates, and others not traditionally associated with Birmingham’s civil rights history, including members of the city’s LGBTQ community, she forges connections between the familiar and lesser-known. The result is a nuanced portrait of Birmingham--as seen in public housing, at old plantations, in segregated neighborhoods, across contested boundary lines, over mountains, along increasingly polluted waterways, beneath airport runways, on highways cutting through town, and under the gaze of the iconic statue of Vulcan.
In her search for truth and beauty in Birmingham, Armstrong draws on the powers of place and storytelling to dig into the cracks, complicating easy narratives of civil rights progress. Among the discoveries she finds in America’s racial mirror is a nation that has failed to recognize itself in the horrific images from Birmingham’s past and to acknowledge the continuing inequalities that make up the Civil Right’s Movement’s unfinished business. Learning from Birmingham reminds us that stories of civil rights, structural oppression, privilege, abuse, race and gender bias, and inequity are difficult and complicated, but their telling, especially from multiple stakeholder perspectives, is absolutely necessary.
After burning up the blacktop in New Mexico with The Fast Red Road and rewriting Indian history on the Great Plains with The Bird is Gone, Stephen Graham Jones now takes us to Montana. Set on a Blackfeet Indian reservation, Ledfeather lays bare the life of one Indian boy, Doby Saxon: his near-death experience, his suicide attempts, his brief glimpse of victory, and the unnecessary death of one of his best friends.
But through Doby emerges a connection to the past, to an Indian Agent who served the United States government over a century before. This revelation leads to another and another until it becomes clear that the decisions of this single Indian agent have impacted the lives of generations of Blackfeet Indians—and the life of Doby Saxon, a boy standing in the middle of the road at night, his hands balled into fists, the reservation wheeling all around him like the whole of Blackfeet history collapsing in on him.
Jones’s beautifully complex novel is a story of life, death, love, and the ties that bind us not only to what has been, but what will be: the power of one moment, the weight of one decision, the inevitability of one outcome, and the price of one life.
Margaret Fuchs was thirteen in June 1955 when she learned that her parents had been Communists while working for the U.S. government in the 1930s and '40s. This book chronicles the years during which her parents were exposed and her father was subpoenaed before the House Un-American Activities Committee. Eventually he named names, and subsequently lost his job as a law professor at American University, and was blacklisted from teaching ever again. Legacy of a False Promise also details the author's quest as an adult to learn whether or not her parents ever spied for the Soviet Union.
Based on eight years of research using family records, FBI files, American University archives, personal interviews, and the recently declassified Venona cables, Legacy of a False Promise offers unique insights into the McCarthy Era. Most "red-diaper babies" who have written on the subject had parents who refused to give in to HUAC's demands. Singer's work instead recounts the shame and series of betrayals that her father's decision to name names brought to her family. Furthermore, it explores the campaign of the liberal anti-Communist movement to publicize its political position while defending a fired ex-Communist professor, the nature and activities of secret Communist underground cells, and the motivation of New Deal government workers who spied for the Soviets.
This is a poignant meditation on family secrets, father-daughter relationships in times of crisis, teenage loneliness in the midst of trauma, and the effects of parents' actions on the lives of their children. It also serves as a timely reminder of the dangers of sacrificing civil liberties in the name of national security.
An affectionate, humorous account of small town Alabama during the civil rights era.
When Frank Sikora's six-year-old daughter contracted pneumonia in 1962, his wife Millie vowed that would be the last winter she would spend in Ohio. Despite their misgivings about the racial tensions erupting there, they moved their family of six south, where Frank hoped to fulfill his dream of becoming a newspaper reporter. But when those dreams didn't materialize immediately, mounting bills, repossession, and eviction forced them to move in with Millie's parents, Dan and Minnie Belle Helms, in rural Wellington, Alabama.
With even slimmer prospects for employment in impoverished Calhoun County, the Sikoras came to depend heavily upon the Helmses and extended family members and all their lives became closely intertwined. The Helmses were uneducated, unpolished people, but Sikora's narration of his life with them—often humorous but never condescending—provides a compelling portrait of the attitudes and lifestyle of poor whites in Alabama during the second half of the 20th century, just as James Agee's monumental work, Let Us Now Praise Famous Men, illuminated the Depression years in Hale County, Alabama. Sikora illustrates how resourceful, southern women, in particular, held their families together through trying times.
Interwoven with this commentary on rural white culture in the Deep South is the story of Sikora's developing career as a newsman. Determined to succeed, he finally lands a job with the Gadsden Times reporting the news of black citizens. From that introduction to journalism, Sikora becomes one of Alabama's most acclaimed chroniclers of the civil rights movement, eventually writing some of the acknowledged masterpieces about the subject. Like his landmark book, Selma, Lord, Selma, Sikora's newest work tells the stories of ordinary Alabamians and their perspectives on extraordinary times.
Anne Royall was a prominent woman journalist for more than a quarter of a century before her death in 1854, publishing some ten books of travel accounts, one novel, and two successive weekly newspapers in Washington, and sponsoring causes, often unpopular, in the manner of latter-day "muckrakers." She was a well-known habitue of the halls of Congress, looking for news and subscribers, sniffing out irregularities in governmental departments, and pressing claims for a pension which she believed should have been hers from her Revolutionary War husband. For those who helped her she had high, often inordinate, praise; for those who refused her or crossed her path she was a "holy terror," lashing out against them often in intemperate language. Through the columns of her paper she debated such public issues as the Bank, antiMasonry, Nullification, and the franking privilege; she was forever attacking what she considered a very diabolical plot to unite church and state. There was never a doubt where she stood on any of the issues on which she spoke out; she was no compromiser or "fence-straddler." She has the distinction of being the only woman in our national history who was tried (and convicted) for being a "common scold." She was, in short, an aggressive, intolerant, outspoken, suspicious, meddlesome, nonconforming but patriotic, and fascinating woman.
Anne Royall, we might say, began her journalistic career in Alabama. Although the letters were not published until 1830, some four years after Sketches of History, Life and Manners in the United States, they were her :first literary effort. Ostensibly written to a young lawyer friend “Matt” in Virginia, the letters are dated from November 28, 1817 to June 8, 1822.. The letters include, in addition to personal matters and comments on the inconveniences of travel, a considerable amount of description of the country through which she traveled and discussions -often lengthy-of religion, literature, education, social injustices, crops, and important personages she met in her travels. While she is often outspoken, her comments in these letters are more temperate than those in her later works.
This new and improved edition of Letters from Alabama offers a valuable window into pioneer Alabama and the landscape and life-forms encountered by early settlers of the state.
Philip Henry Gosse (1810-1888), a British naturalist, left home at age 17 and made his way to Alabama in 1838, where he had heard educated people were in demand. He was employed by Judge Reuben Saffold at Pleasant Hill in Dallas County as a teacher for about a dozen children of local landowners, but his principal interest was natural history. During the eight months he lived in th Black Belt he watched, listened, thought, took notes, and made sketches--activities that eventually led to Letters from Alabama. He lived among Alabamians, talked and listened to them, saw them at their best and their worst, and came to understand their hopes and fears. They were a part of the natural world, and he paid attention to them as any good scientist would. With the skills of a scientist and the temperament of an artist, Gosse set down an account of natural life in frontier Alabama that has no equal. Written to no one in particular, a common literary device of the period, the letters were first published in a magazine, and in 1859 appeared as a book. By that time Gosse was an established scholar and one of England’s most noted scientific illustrators.
The Federal Farmer’s letters were written in opposition to the Constitution in the form in which it had come from the Federal Convention of 1787. Their immediate objective was to secure amendments to the Constitution before it was ratified by state convention. But the letters are valuable also for the basic political philosophy that they represent, specifically, the political philosophy of the revolution and the Bill of Rights. This philosophy stresses principles of federalism and republicanism and exemplifies the liberal idealism that took root in America during the Revolutionary War era.
Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner’s poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet.
Eigner’s correspondence with Williams began in the early 1950s, as the two were in conversation over the manuscript of On My Eyes, published by Jargon in 1960. Their correspondence continued for many years thereafter, extending into the period when Eigner’s work started to gain recognition from the nascent movement that would become known as “Language” writing.
The letters are quite broad in their range of reference and provide a fuller context for Eigner’s poetry and thinking. Eigner and Williams discuss their own poetic practices, including the source material for specific poems, general writing practices, and small press and little magazine publication. This volume offers considerable insight into their shared literary communities as Eigner reports on his readings in contemporary poetry and poetics, as well as his correspondence and contact with other poets including Charles Olson, Vincent Ferrini, Robert Duncan, Denise Levertov, Robert Grenier, and Barrett Watten.
Also recorded are Eigner’s reactions to current events and explications of his own poems, including the contexts for appropriated lines and distinctions of character spacing. Eigner also shares with Williams details of his home life, his financial difficulties and the daily challenges of his cerebral palsy. Finally, the book features a series of images of the original letters, enabling readers to see Eigner’s specific material-textual practices.
Written by scholars and fiction writers who represent a fascinating range of experience—from a Shakespearean scholar to English professors to a former student of Nordan’s—this is a rich array of essays, poems, and visual arts in tribute to this increasingly important writer. The collection deepens the base of scholarship on Nordan, and contextualizes his work in relation to other important southern writers such as William Faulkner and Eudora Welty.
Nordan was born and raised in Mississippi before moving to Alabama to pursue his Ph.D. at Auburn University. He taught for several years at the University of Arkansas in Fayetteville and retired from the University of Pittsburgh, where he was a professor of English. Nordan has written four novels, three collections of short stories, and a memoir entitled Boy with Loaded Gun. His second novel, Wolf Whistle, won the Southern Book Award, and his subsequent novel, The Sharpshooter Blues, won the Notable Book Award from the American Library Association and the Fiction Award from the Mississippi Institute of Arts and Letters. Nordan is renowned for his distinctive comic writing style, even while addressing more serious personal and cultural issues such as heartbreak, loss, violence, and racism. He transforms tragic characters and events into moments of artistic transcendence, illuminating what he calls the “history of all human beings.”
This book discusses words used in the Southeast and how they have changed
during the 20th century. It also describes how the lexicon varies according
to the speaker's age, race, education, sex, and place of residence
(urban versus rural; coastal versus piedmont versus mountain). Data collected
in the 1930s as part of the Linguistic Atlas of the Middle and South Atlantic
States project were compared with data collected in 1990 from similar speakers
in the same communities.
The results show that region was the most important
factor in differentiating dialects in the 1930s but that it is the least
important element in the 1990s, with age, education, race, and age all
showing about the same influence on the use of vocabulary. An appendix
contains a tally of the responses given by 78 speakers to 150 questions
about vocabulary items, along with speakers' commentary. Results
from the 1930s may be compared to those from 1990, making this a treasure
trove for anyone interested in regional terms or in how our speech is changing
as the South moves from an agricultural economy through industrialization
and into the information age.
Cities arose independently in both the Old World and in the pre-Columbian New World. Lacking written records, many of these New World cities can be studied only through archaeology, including the earliest pre-Columbian city, Teotihuacan, Mexico, one of the largest cities of its time (150 B.C. to A.D. 750). Thus, an important question is how similar New World cities are to their Old World counterparts.
Before recent times, the dense populations of cities made them unhealthy places because of poor sanitation and inadequate food supplies. Storey's research shows clearly that although Teotihuacan was a very different environment and culture from 17th-century London, these two great cities are comparable in terms of health problems and similar death rates.
In Life in a Mississippian Warscape: Common Field, Cahokia, and the Effects of Warfare Meghan E. Buchanan posits that to understand the big histories of warfare, political fragmentation, and resilience in the past archaeologists must also analyze and interpret the microscale actions of the past. These are the daily activities of people before, during, and after historical events. Within warscapes, battles take place in peoples’ front yards, family members die, and the impacts of violence in near and distant places are experienced on a daily basis. This book explores the microscale of daily lives of people living at Common Field, a large, palisaded mound center, during the period of Cahokia’s abandonment and the spread of violence and warfare throughout the Southeast.
Linking together ethnographic, historic, and archaeological sources, Buchanan discusses the evidence that the people of Common Field engaged in novel and hybrid practices in these dangerous times. At the microscale, they adopted new ceramic tempering techniques, produced large numbers of serving vessels decorated with warfare-related imagery, adapted their food practices, and erected a substantial palisade with specially prepared deposits. The overall picture that emerges at Common Field is of a people who engaged in risk-averse practices that minimized their exposure to outside of the palisade and attempted to seek intercession from otherworldly realms through public ceremonies involving warfare-related iconography.
A household manager, mother, writer, and friend, Campbell held sway primarily in the domestic sphere, but she was not held captive by it. Her relationship with her husband was founded on a deep sense of partnership conditioned by their strong faith in an all-powerful God. Each of them took on complementary roles according to the perceived natural abilities of their genders: Alexander depended on Selina to manage his property and raise the children while he traveled the country preaching. Campbell outlived her husband by 30 years, and during that time published several newspaper articles and supported new causes, such as women in missions.
In the end, as Long amply demonstrates, Selina Campbell was neither her husband’s shadow nor solely a domestic worker. She was, in her husband’s eyes, a full partner and a “fellow soldier” in the cause of Restoration.
Life Out of Balance focuses on a period in history when new ideas of self-regulation, adaptation, and fitness became central to a variety of biological disciplines. During the decades surrounding World War II, these ideas developed in several quite different contexts and led to greater debates about the merits of such models as applied to larger systems, including society at large. Particularly in its later cybernetic form, homeostasis seemed to provide new ways of discussing balance and regulation that avoided discredited approaches of earlier champions of vitalism and mechanism. It provided a common perspective and terminology for discussing self-regulating “systems,” whether biological, mechanical, or social. Although enormously fruitful and influential, homeostatic perspectives also generated numerous controversies when critics questioned the degree to which biological systems are characterized by balance and self-regulation. Resolving these controversies continues to be a challenge in modern biology.
If natural selection constitutes the first law of biology, scientists who champion homeostasis as a theoretical model claim that it is a second law, equally important and closely related to the first. Such claims notwithstanding, homeostasis has generated a series of controversies since it was formalized by Walter Cannon in the late 1920s. Critics contended that Cannon took a too-optimistic view of life, not only ignoring pathological deviations from normality but also failing to adequately explain the ability of living things to respond adaptively to environmental challenges.
Underlying these controversies was the unresolved problem of integrating physiology and other areas of functional biology with the emerging evolutionary synthesis of Mendelian genetics and Darwinian natural selection. The physiological idea of homeostasis as the adaptive “fit” between the organism and its environment and the Darwinian idea of adaptation and fitness in terms of reproductive success might seem to be complementary in an unproblematic way, but historically they have had an uneasy relationship.
This comprehensive anthology will be the standard source for the
study of African American public address for years to come.
For Americans of the 19th century, as W. E. B. Du Bois observed, eloquent
speeches were 'the shining lights of civilization' that both expressed
and sought to improve the lives and communities from which they sprang.
Through political speeches, sermons, lectures, oral testimonies, and ceremonial
addresses, African Americans offered diverse responses to the issues and
events of their times, including not only slavery and racial equality but
also women's rights, education, religion, immigration, socialism, war,
Indian policy, and labor organization, among others. The speeches in this
collection are among the most powerful expressions of African American
opinions on these issues and were delivered on occasions and before audiences
where the speakers believed their words might be transformative.
Lift Every Voice is a completely revised, updated, and expanded
version of Philip Foner's 1972 classic Voice of Black America, which Library
Journal hailed as "indispensable.""This well-edited and
richly inclusive work," wrote Benjamin Quarles, "unveils the
full sweep of Black expression as found in platform addresses" by
"men and women who join eloquence with reason in articulating their
grievances and their aspirations and in arousing their listeners with their
ringing and prophetic challenges." This new collection includes over
60 additional texts and revised and expanded introductory essays that provide
historical, biographical, and critical information for each speech.
Containing more than 150 speeches, this anthology represents the most
extensive and diverse collection of African American oratory of the 18th
and 19th centuries ever published. Lift Every Voice makes readily
accessible not only the classic orations of such well-known figures
as Frederick Douglass, Sojourner Truth, and Booker T. Washington but also
dozens of lesser-known but important speeches deserving greater recognition
and study. Many of these speeches are previously unpublished, uncollected,
or long out of print.
The scholarship underlying this shift comes from many directions, but much of the groundwork can be attributed to Charles Hudson. The papers in this volume were contributed by Hudson’s colleagues and former students (many now leading scholars themselves) in his honor. The assumption links these papers is that of a historical transformation between Mississippian societies and the Indian societies of the historic era that requires explanation and critical analysis.
In all of the chapters, the legacy of Hudson’s work is evident. Anthropologists, archaeologists, and historians are storming the bridge that connects prehistory and history in a manner unimaginable 20 years ago. While there remains much work to do on the path toward understanding this transformation and constructing a complete social history of the Southeastern Indians, the work of Charles Hudson and his colleagues have shown the way.
Florida's Seminole Indians are exerting an ever increasing influence on crucial issues in state politics, economy, and law. From a position of near obscurity less than a century ago, these Native Americans have staged a remarkable comeback to take an active hand in shaping Florida society, present and future. Anthropologists have long been fascinated with the Seminoles and have often remarked upon their ability to adapt to new circumstances while preserving the core features of their traditional culture. Early observers of the Seminoles also commented on the dynamic tension that existed for the individual, clan, and tribe, that drew them together, "like beads on a string," into a resilient and viable society. This study traces the emergence of these qualities in the late prehistoric and early historic period in the Southeast and demonstrates their influence on the course of Seminole culture history.
In these five surrealist collages, waking life continually gives way before the onslaught of dreams. Yuriy Tarnawsky has condensed the vastness of scope typical of novels into shorter fragments—mininovels—that require the reader’s active participation. The tone is a balance of dead-pan comedy and solemn gothic, sometimes a near-parody of wide-eyed candor, sometimes recounting utterly mad or barely conceivable states of affairs.
A candidate for major surgery struggles unsuccessfully to avoid it. Two strangers meet, and eventually marry, after participating in scream therapy. A pianist stops playing because he believes his hand is not there when he sits at the keyboard. A character sees the giant blue and white flowers he has craved his whole life only at the instance of his electrocution. Tyler Pavarotti, a tailor, voluntarily takes a role in a production in which he will be killed.
Tarnawsky’s language is elegant and careful, and his studied concentration of rhythm allows his work to transcend prose, nestling somewhere within the realm of musical composition. Both tragic and beautiful, in these stories life dissolves in time like blood in water.
Sergeant William Remmel was a German immigrant who had settled with his parents and family in far upstate New York. His letters collected in Like Grass before the Scythe cover more than two full years of his service and provide details on military and social history in the eastern theater of operations and on the experience of the home front in upstate New York among a largely immigrant, working-class family and community.
Remmel wrote in English and apparently his parents responded in German. In addition to the important material on an immigrant family’s experience, Remmel also deals with the question of slavery, illness and hospital care (when he was wounded), the problem of hard war/total war, as well as the campaigns of Chancellorsville, Gettysburg, and the Shenandoah Valley in 1864.
The history of the squadron comprises myriad parts and players, deployed in a variety of missions across the thousand-mile-wide Western Theater. From disorganized beginnings, the squadron’s leaders and sailors had to overcome setbacks, unfulfilled expectations, and lost opportunities. Browning masterfully captures the many variables that influenced the strategic choices of Navy commanders as they both doggedly pursued unchanging long-term goals as well as improvised and reacted to short-term opportunities.
Notable among its leaders was David Glasgow Farragut, believed by many to be America’s greatest naval hero, who led the squadron through most of the war and the climactic Battle of Mobile Bay. Under his legendary leadership, the squadron not only sealed Confederate sea ports, but also made feints and thrusts up the Mississippi River as far north as Vicksburg, Mississippi.
Knowing the Navy’s role in isolating the Confederate economy and preventing the movement of troops and supplies within the South is crucial to understanding of the outcomes of the Civil War, as well as the importance of naval power in military conflicts. With thirty-five maps and illustrations, Lincoln’s Trident expounds upon an essential part of the Civil War as well as naval and American history.
A suburban family of four—a man, woman, boy, and girl—struggle through claustrophobic days crowded with home improvement projects, conflicts at work and school, a job loss, illnesses, separation, and the wearying confrontation with aging. The accoutrements of modern life—electronic devices and vehicles—have ceased to be tools that support them and have become instead the central fulcrums around which their lives wheel as they chase “cleanliness” and other high virtues of middle American life.
In Matthew Roberson’s hands, the family’s list-making transcends the simple goal of planning. Their lists reveal the aspirations and anxieties that lie beneath the superficial clatter of everyday activities. Fearing the aimless chaos of unplanned days, the family compulsively compiles lists as maps to steer them away from uncertainty and failure, and yet at what point does a list stop being a map and become the final destination? The family creates an illusory cloud of meaningful activity but cannot stave off the mortal entropies that mark the suburban middle class.
This collection captures the sense—at times the ordeal—of the 1930s literary experience in America. Fourteen essayists deal with the experience of being a writer in a time of overwhelming economic depression and political ferment, and thereby illuminate the social, political, intellectual, and aesthetic problems and pressures that characterized the experience of American writers and influenced their works.
The essays, as a group, constitute a reevaluation of the American literature of the 1930s. At the same time they support and reinforce certain assumptions about the decade of the Great Depression—that it was grim, desperate, a time when dreams died and poverty became something other than genteel—they challenge other assumptions, chief among them in the notion that 1930s literature was uniform in content, drab in style, anti-formalist, and always political or sociological in nature. They leave us with an impression that there was variety in American writing of the 1930s and a convincing argument that the decade was not a retreat from the modernism of the 1920s. Rather it was a transitional period in which literary modernism was very much an issue and a force that bore imaginative fruit.
At the end of World War II changing economic and social forces transformed the lives of Alabamians, whose political leaders had built careers on localistic politics shaped by established economic and governmental interests. Into this context strolled “Big Jim”—six feet eight inches tall—with his corn-shuck mop, wooden suds bucket, and a promise to scrub out the Capitol. Ridiculed by his opponents, Folsom advertised his progressive program in every crossroads community.
As governor, Folsom faced a legislature dominated by local politicians whom he had bypassed during the campaign, and although he won approval of some bills, legislative opposition made his administration a four-year filibuster.
Not until 1955, after his election to a second term, did Folsom become an effective leader. Tying programs for expanded services to the local interests of the legislators, he won approval for road construction, “old-age pensions,” industrial development, and reorganization of the state docks. But the lawmakers balked at constitutional reform.
As his reform efforts met defeat during 1956, Folsom was losing his ability to lead. He refused to exploit racial tensions, and the rise of the civil rights movement undermined his popularity among whites. Unwilling to discipline his aides and supporters, his administration became notorious for petty graft. By 1958 aspiring candidates kept their distance from Folsom. “Big Jim” attempted a comeback in the 1962 campaign, but he was never again to hold public office.
In Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance, Vanessa Kraemer Sohan applies a translingual and transmodal framework informed by feminist rhetorical practice to three distinct case studies that demonstrate women using unique and effective rhetorical strategies in political, religious, and artistic contexts. These case studies highlight a diverse set of actors uniquely situated by their race, gender, class, or religion, but who are nevertheless connected by their capacity to envision and recontextualize the seemingly ordinary means and materials available to them in order to effectively persuade others.
The Great Depression provides the backdrop for the first case study, a movement whereby thousands of elderly citizens proselytized and fundraised for a monthly pension plan dreamt up by a California doctor in the hopes of lifting themselves out of poverty. Sohan investigates how the Townsend Plan’s elderly supporters—the Townsendites—worked within and across language, genre, mode, and media to enable them for the first time to be recognized by others, and themselves, as a viable political constituency.
Next, Sohan recounts the story of Quaker minister Eliza P. Kirkbride Gurney who met President Abraham Lincoln in 1862. Their subsequent epistolary exchanges concerning conscientious objectors made such an impression on him that one of her letters was rumored to be in his pocket the night of his assassination. Their exchanges and Gurney’s own accounts of her transnational ministry in her memoir provide useful examples of how, throughout history, women rhetors have adopted and transformed typically underappreciated forms of rhetoric—such as the epideictic—for their particular purposes.
The final example focuses on the Gee’s Bend quiltmakers—a group of African American women living in rural Alabama who repurpose discarded work clothes and other cast-off fabrics into the extraordinary quilts for which they are known. By drawing on the means and materials at hand to create celebrated works of art in conditions of extreme poverty, these women show how marginalized artisans can operate both within and outside the bounds of established aesthetic traditions and communicate the particulars of their experience across cultural and economic divides.
Lizards and Snakes of Alabama is the most comprehensive taxonomy gathered since Robert H. Mount’s seminal 1975 volume on the reptiles and amphibians of Alabama. This richly illustrated guide provides an up-to-date summary of the taxonomy and life history of lizards and snakes native to, or introduced to, the state.
Alabama possesses one of the most species-rich biotas in north temperate areas and this richness is reflected in some groups of lizards, such as skinks, and especially in snakes. The authors examine all known species within the state and describe important regional variations in each species, including changes in species across the many habitats that comprise the state. Significant field studies, especially of Alabama’s threatened and endangered species, have been performed and are used to inform discussion of each account.
The life-history entry for each species is comprised of scientific and common names, full-color photographs, a morphological description, discussion of habits and life cycle, and a distribution map depicting the species range throughout the state, as well as notes on conservation and management practices. The illustrated taxonomic keys provided for families, genera, species, and subspecies are of particular value to herpetologists.
This extensive guide will serve as a single resource for understanding the rich natural history of Alabama by shedding light on an important component of that biodiversity. Accessible to all, this volume is valuable to both the professional herpetologist and the general reader interested in snakes and lizards.
For decades, Rachel Blau DuPlessis has shown readers how genres, forms, and the literal acts of writing and reception can be understood as sites of struggle. In her own words, “writing is . . . a praxis . . . in which the author disappears into a process, into a community, into discontinuities, and into a desire for discovery.” It is cause for celebration, then, that we have another work of warm, incisive, exploratory writing from DuPlessis in A Long Essay on the Long Poem.
Long poems, DuPlessis notes, are elusive, particularly in the slippery forms that have emerged in the postmodern mode. She cites both Nathaniel Mackey and Anne Waldman in thinking of the poem as a “box,” both in the sense of a vessel that contains and as a machine that processes, an instrument on which language is played. This study’s central attention is on the long poem as a sociocultural Book, distinctively envisioned by a range of authors.
To reckon with these shifting and evolving forms, DuPlessis works in a polyvalent mode, a hybrid of critical analysis and speculative essay. She divides the long poem and the long poets into three genres: epics, quests, and a composite she terms “assemblages.” The poets she surveys include T. S. Eliot, Ezra Pound, H.D., Louis Zukofsky, Gwendolyn Brooks, Charles Olson, Alice Notley, Nathaniel Mackey, Ron Silliman, Robert Duncan, Kamau Brathwaite, and, finally, Mallarmé and Dante. Instead of a traditional lineage, she deliberately seeks intersecting patterns of connection between poems and projects, a nexus rather than a family tree. In doing so she navigates both some challenges of long poems and her own attempt to “essay” them. The result is a fascinating and generous work that defies categorization as anything other than essential.
A first-rate novel that provides vivid descriptions of Alabama during an important period in the state’s history, The Long Night is set in the vicinity of Montgomery, Alabama, between 1850 and 1865. Originally published in 1936, the book is based on a true story related to Lytle by one of his close friends and colleagues at Vanderbilt University, Frank L. Owsley, who later became the chairman of The University of Alabama Department of History. In fact, the novel opens with a letter to Professor Owsley from the author, and Owsley’s son has written the introduction to this edition.
As described by George B. Tindall, The Long Night is “the episodic story of a young Alabamian beset by the moral dilemma of desire for revenge against the persecutors of his father and his larger duty in the war, a story that rose to its climax in the Battle of Shiloh.” The work is rich in its description of the land and people of Black-Belt Alabama during the mid-19th century.
A comprehensive, ambitious, and valuable work on an increasingly important subject
In the Preface to her new study, Latin Americanist Helen Delpar writes, "Since the seventeenth century, Americans have turned their gaze toward the lands to the south, seeing in them fields for religious proselytization, economic enterprise, and military conquest." Delpar, consequently, aims her considerable gaze back at those Americans and the story behind their longtime fascination with Latin American culture. By visiting seminal works and the cultures from which they emerged, following the effects of changes in scholarly norms and political developments on the training of students, and evaluating generations of scholarship in texts, monographs, and journal articles, Delpar illuminates the growth of scholarly inquiry into Latin American history, anthropology, geography, political science, economics, sociology, and other social science disciplines.
Third in the "Pearl County" series, The Looking-Glass is March's story of a small Alabama town in the early days of the twentieth century. Connected by relationships that bind, support, and strangle, the citizens of Reedyville are drawn ineluctably toward a single climactic night. March's skillful blend of humor and pathos evinces his deep insights and empathy into the problems of the mind and heart that are both peculiar to Reedyville yet found in every town and family.
A collection of twelve engaging and insightful essays, Lost City, Found Pyramid does far more than argue for the simple debunking of false archaeology. Rather, it brings into focus the value of understanding how and why pseudoarchaeology captures the public imagination. By comprehending pseudoarchaeology’s appeal as a media product, cultural practice, and communication strategy, archaeologists can enhance and enliven how they communicate about real archaeology in the classroom and in the public arena.
The first part of Lost City, Found Pyramid provides numerous case studies. Some examine the work of well-intentioned romantics who project onto actual archaeological data whimsical interpretative frameworks or quixotic “proofs” that confirm legends, such as that of the Lost White City of Honduras, or other alternative claims. Other case studies lay bare how false claims may inadvertently lead to the perpetuation of ethnic stereotypes, economic exploitation, political adventurism, and a misunderstanding of science.
Offering much of interest to scholars and students of archaeology, archaeology buffs, as well as policy-makers involved in the discovery, curation, and care of archaeological sites and relics, Lost City, Found Pyramid provides an invaluable corrective and hopeful strategy for engaging the public’s curiosity with the compelling world of archaeological discovery.
A veteran journalist’s collection of sportswriting on the blue-collar South.
Sport mirrors life. Or, in Paul Hemphill's opinion, “Sport is life.” The 15 pieces in this compelling collection are arranged along the timeline for an aspiring athlete's dream: “The Dawning,” with stories about boys hoping and trying to become men, “The Striving,” about athletes at work, defining themselves through their play, and “The Gloaming,” about the twilight time when athletes contend with broken dreams and fading powers. Through all the pieces, Hemphill exhibits his passion for the sports he covers and a keen eye for the dramas, details, and hopes that fire the lives of athletes, allowing them to become prototypes of all human existence.
Most of the stories have been previously published in such national magazines as Sports Illustrated, True, Life, Today’s Health, and Sport. In “White Bread and Baseball,” the author chronicles his own boyhood infatuation with the minor-league Birmingham Barons, while in “Yesterday’s Hero” he details the sad end of a former All-American football player named Bob Suffridge, a portrait of a lion in winter. “It’s a Mad, Mad, Mad Whirl” covers nights on the road with the roller derby, and “Saturday Night at Dixie Speedway” captures all the raucous glory of a stock-car dirt track under the hot lights. “Big Night, Big City” tells of an anxious, small-town high school basketball team facing their crucial chance for glory at a state tournament in Atlanta, and the classic “Mister Cobb” details a personal lesson on sliding the young author received from “the greatest player in the history of baseball.”
These stories are often bittersweet, emotional, and mythic: little dramas bearing impact and psychological “size.” Some of them are distinctively “Dixie,” but they ultimately transcend time and place. Frye Gaillard, author of Kyle at 200 MPH: A Sizzling Season in the Petty-NASCAR Dynasty, writes, “For more than 30 years, Paul Hemphill has been one of the finest writers in the South, and I think he proves it again in this collection. He exudes a natural feel for the players and the game, drawing out the real-life themes of struggle and desire, occasional triumph, and the omnipresent possibilities of heartache and failure.”
A Dan Josselyn Memorial Publication
The ninth and final volume in the C.B. Moore reprint series that covers archaeological discoveries along North American Waterways.
Clarence B. Moore (1852-1936), a wealthy Philadelphia socialite, paper company heir, and photographer, made the archaeology of the Southeast his passion. Beginning in the 1870s, Moore systematically explored prehistoric sites along the major waterways of the region, from the Ohio River south to Florida and as far west as Texas, publishing his findings, at his own expense, with the Academy of Natural Sciences of Philadelphia.
This volume, the final in a series of nine, includes Moore’s investigations along waterways of Arkansas and Louisiana—the Ouachita, Red, Saline, Black, Tensas, and Atchafalaya Rivers—in three complete field sessions ending in 1909, 1912, and 1913. He located and mapped more than 185 mounds and cemeteries. Artifacts recovered in this territory, such as ceramic effigy pots, earthenware pipes, arrowheads, celts, and projectile points, include some of the most important ones discovered by Moore in his 47 years of excavating. Included in this volume is a CD containing the 69 color illustrations from all the original expedition volumes.
The elaborate earthwork of Poverty Point, located in West Carroll Parish, Louisiana, is perhaps the most remarkable archaeological site presented in the volume. In some cases, Moore documented sites along the tributaries that have since been destroyed by river action or looters. In other cases, the National Register of Historic Sites and concerned landowners in Arkansas and Louisiana have preserved the record of aboriginal peoples and their life ways that was first illuminated by Moore's sophisticated study.
His writings spanned five decades and have been instrumental across a wide range of academic disciplines. Most importantly, Read devoted a good portion of his research to the meaning of place names in the southeastern United States—especially as they related to Indian word adoption by Europeans.
This volume includes his three Louisiana articles combined: Louisiana: Louisiana Place-Names of Indian Origin (1927), More Indian Place-Names in Louisiana (1928), and Indian Words (1931). Joining Alabama's reprint of Indian Places Names in Alabama and Florida Place Names of Indian Origin and Seminole Personal Names, this volume completes the republication of the southern place name writings of William A. Read.
Loving God’s Wildness rediscovers the environmental roots of America’s Puritan heritage. In tracing this history, Jeffrey Bilbro demonstrates how the dualistic Christianity that the Puritans brought to America led them to see the land as an empty wilderness that God would turn into a productive source of marketable commodities. Bilbro carefully explores the effect of this dichotomy in the nature writings of Henry David Thoreau, John Muir, Willa Cather, and Wendell Berry.
Thoreau, Muir, Cather, and Berry imaginatively developed the Puritan theological tradition to propose practical, physical means by which humans should live and worship within the natural temple of God’s creation. They reshaped Puritan dualism, each according to the particular needs of his or her own ecological and cultural contexts, into a theology that demands care for the entire created community. While differing in their approaches and respective ecological ethics, the four authors Bilbro examines all share the conviction that God remains active in creation and that humans ought to relinquish their selfish ends to participate in his wild ecology.
Loving God’s Wildness fills a critical gap in literary criticism and environmental studies by offering a sustained, detailed argument regarding how Christian theology has had a profound and enduring legacy in shaping the contours of the American ecological imagination. Literary critics, scholars of religion and environmental studies, and thoughtful Christians who are concerned about environmental issues will profit from this engaging new book.
A Dan Josselyn Memorial Publication
C. B. Moore's investigations of the Lower Mississippi Valley are here collected in a one-volume facsimile edition.
Like many other natural scientists from the Victorian era, Clarence Bloomfield Moore (1852-1917) lived several lives—adventurer, paper company executive, archaeologist; however, Moore is chiefly remembered for the twenty-five years he spent investigating and documenting archaeological sites along every navigable waterway in the southeastern United States.
Moore's surveys were and are impressive, and he earned lasting respect from archaeological researchers in the South by publishing, mostly at his own expense, all of the data he recovered. This volume includes works that describe data from Moore's expeditions that were key to the early recognition and preservation of major archaeological sites—Toltec, Parkin, Mound City, and Wicklife, among them—in the lower Mississippi River Valley. This and companion volumes stand today as the defining database for every area in which he worked.
Marks the celebration by the modern city of Pensacola, Florida, of the 450th anniversary of Luna’s fateful colony
The 1559–1561 expedition of Don Tristán de Luna y Arellano to Florida was at the time of Spain’s most ambitious attempt yet to establish a colonial presence in southeastern North America. In June of 159, eleven ships carrying some five hundred soldiers and one thousand additional colonists, including not just Spaniards but also many of Aztec and African descent, sailed north from Veracruz, Mexico, on their way to the bay known then as Ochuse, and later as Pensacola. Finally arriving in mid-August, the colonists quickly sent word of their arrival back to Mexico and unloaded their supplies over the next five weeks, leaving vital food stores onboard the vessels until suitable warehouses could be constructed in the new settlement. When an unexpected hurricane struck on the night of September 19, 1559, however, seven of ten remaining vessels in Luna’s fleet were destroyed, and the expedition was instantaneously converted from a colonial venture to a mission in need of rescue.
Though ultimately doomed to failure by the hurricane that devastated their fleet and food stores, the Luna expedition nonetheless served as an immediate prelude to the successful establishment of a permanent colonial presence at St. Augustine on Florida’s Atlantic coast in 1565, and prefaced the eventual establishment after 1698 of three successive Spanish presidios at the same Pensacola Bay where Luna’s attempt had been made more than a century before.
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