A SCHOLARLY BOOK REPOSITORY78 start with E start with E
Earl Browder, the preeminent 20th-century Communist party leader in the United States, steered the CPUSA through the critical years of the Great Depression and World War II. A Kansas native and veteran of numerous radical movements, he was peculiarly fitted by circumstance and temperament to head the cause during its heyday.
Serving as a bridge between American Communism’s secret and public worlds, Browder did more than anyone to attempt to explain the Soviet Union’s shifting policies to the American people in a way that would serve the interests of the CPUSA. A proud and loyal follower of Joseph Stalin, Browder nevertheless sought to move the party into the U.S. political mainstream. He used his knowledge of domestic politics to persuade the Communist International to modify Popular Front (1935-1939) tactics for the United States.
Despite his rise in the hierarchy, he possessed an independent streak that ultimately proved his undoing. Imprisonment as he neared age 50 left permanent psychological damage. After being released with the approval of President Franklin D. Roosevelt, Browder lost his perspective and began entertaining delusions of grandeur about his status in American politics and in the world Communist movement. Still, he could never quite bring legitimacy to the CPUSA because he lacked the vision and moral courage to separate himself totally from the Soviet Union. Ryan concludes that Browder was not so much insincere as deluded. His failure contributed to the demise of the popularity of the Communist party in the United States.
In preparation for this book, the author consulted the Browder Papers at Syracuse University and U.S. Government documents, particularly the F.B.I. files. In addition, he traveled to Russia for research in the Soviet Archives when recently opened to Western scholars, including the records of the former Communist International and a collection of American Communist party files, 1919-1944, shipped secretly to Moscow long ago. Indeed, until 1992, the existence of the CPUSA collection was only rumored.
A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview.
Set against a fully drawn background of geography and culture and studded with detailed investigations of social rituals (such as women’s parties) and objects (such as books, handwritten recipes, and fabric scraps), Earline’s Pink Party tells the story of an ordinary woman, the grandmother Shores never knew. Looking for more than the details and drama of bourgeois Southern life, however, the author digs into generations of family history to understand how Earline viewed the racial terror that surrounded her during the Jim Crow years in this fairly typical southern town.
Shores seeks to narrow a gap in the scholarship of the American South, which has tended to marginalize and stereotype well-to-do white women who lived after Emancipation. Exploring her grandmother’s home and its contents within the context of Tuscaloosa society and historical events, Shores evaluates the belief that women like Earline consciously engaged in performative rituals in order to sustain the “fantastical” view of the white nobility and the contented black underclass. With its engaging narrative, illustrations, and structure, this fascinating book should interest scholars of memory, class identity, and regional history, as well as sophisticated lay readers who enjoy Southern history, foodways, genealogy, and material culture.
Alabama’s territorial and early statehood years represent a crucial formative period in its past, a time in which the state both literally and figuratively took shape. The story of the remarkable changes that occurred within Alabama as it transitioned from frontier territory to a vital part of the American union in less than a quarter century is one of the most compelling in the state’s past. This history is rich with stories of charismatic leaders, rugged frontiersmen, a dramatic and pivotal war that shaped the state’s trajectory, raging political intrigue, and pervasive sectional rivalry.
Many of Alabama’s modern cities, counties, and religious, educational, and governmental institutions first took shape within this time period. It also gave way to the creation of sophisticated trade and communication networks, the first large-scale cultivation of cotton, and the advent of the steamboat. Contained within this story of growth and innovation is a parallel story, the dispossession of Native groups of their lands and the forced labor of slaves, which fueled much of Alabama’s early development.
Early Alabama: An Illustrated Guide to the Formative Years, 1798–1826 serves as a traveler’s guidebook with a fast-paced narrative that traces Alabama’s developmental years. Despite the great significance of this era in the state’s overall growth, these years are perhaps the least understood in all of the state’s history and have received relatively scant attention from historians. Mike Bunn has created a detailed guide—appealing to historians and the general public—for touring historic sites and structures including selected homes, churches, businesses, government buildings, battlefields, cemeteries, and museums..
A Dan Josselyn Memorial Publication
Among southeastern Indians pottery was an innovation that enhanced the economic value of native foods and the efficiency of food preparation. But even though pottery was available in the Southeast as early as 4,500 years ago, it took nearly two millenia before it was widely used. Why would an innovation of such economic value take so long to be adopted?
The answer lies in the social and political contexts of traditional cooking technology. Sassaman's book questions the value of using technological traits alone to mark temporal and spatial boundaries of prehistoric cultures and shows how social process shapes the prehistoric archaeological record.
A synthesis of research on earthenware technologies of the Late Archaic Period in the southeastern U.S.
Information on social groups and boundaries, and on interaction between groups, burgeons when pottery appears on the social landscape of the Southeast in the Late Archaic period (ca. 5000-3000 years ago). This volume provides a broad, comparative review of current data from "first potteries" of the Atlantic and Gulf coastal plains and in the lower Mississippi River Valley, and it presents research that expands our understanding of how pottery functioned in its earliest manifestations in this region.
Included are discussions of Orange pottery in peninsular Florida, Stallings pottery in Georgia, Elliot's Point fiber-tempered pottery in the Florida panhandle, and the various pottery types found in excavations over the years at the Poverty Point site in northeastern Louisiana. The data and discussions demonstrate that there was much more interaction, and at an earlier date, than is often credited to Late Archaic societies. Indeed, extensive trade in pottery throughout the region occurs as early as 1500 B.C.
These and other findings make this book indispensable to those involved in research into the origin and development of pottery in general and its unique history in the Southeast in particular.
A Dan Josselyn Memorial Publication
This comprehensive compilation of Moore's archaeological publications on eastern Florida will prove an invaluable primary resource for Florida archaeologists.
Clarence B. Moore (1852-1936), a wealthy Philadelphia socialite, paper company heir, and photographer made the archaeology of the Southeast his passion beginning in the 1870s. This volume collects 17 of Moore's publications on East Florida, originally published between 1892 and 1903. These invaluable and copiously illustrated works document the results of Moore's numerous archaeological expeditions along Florida's eastern coastline from the Georgia border to Lake Okeechobee and focus primarily on sites along the St. Johns River and its tributaries. Moore's archaeological work in East Florida was arguably his best and most thorough research from a modern perspective.
Jeffrey Mitchem's introduction to this volume describes and analyzes Moore's work in East Florida, summarizes what we know about the sites Moore investigated, and surveys subsequent archaeological work conducted in this area since Moore's expeditions. Mitchem's introduction highlights the significance of Moore's work on the shell heaps along the St. Johns River. It led to the earliest recorded instance of a researcher noting the changes in pottery styles in the region, a major key to establishing chronologies.In 1894, Moore wrote of his hope "that the archaeology of Florida may be redeemed from the obscurity that has hitherto characterized it." Over a century later, this Press has aimed to fulfill Moore's wish by reprinting this and other collections of his archaeological publications.
Interviewees include a great range of informants, from native speakers of Cherokee with extensive knowledge of traditional fishing methods to Euro-American English speakers whose families have lived in North Carolina for many generations and know about contemporary fishing practices in the area. The topic of fishing thus offers perspective on the Cherokee language, the vigor of the Cherokee system of native knowledge, and the history of the relationship between Cherokee people and the local environment. Heidi Altman also examines the role of fishing as a tourist enterprise and how fishing practices affect tribal waters.
Probes the ways in which two major periods in nineteenth-century American literature—Romanticism and Realism—have come to be understood and defined.
Echoes of Emerson: Rethinking Realism in Twain, James, Wharton, and Cather traces the complex and unexplored relationship between American realism and the philosophy of Ralph Waldo Emerson. Critics often read American realism as a clear disavowal of earlier American romantic philosophy and as a commitment to recognizing the stark realities of a new postbellum order. Diana Hope Polley’s study complicates these traditional assumptions by reading American realism as an ongoing dialogue with the ideas—often idealisms—of America’s greatest romantic philosopher, Ralph Waldo Emerson.
In this illuminating work, Polley offers detailed readings of Mark Twain’s Adventures of Huckleberry Finn, Henry James’s The Portrait of a Lady, Edith Wharton’s The House of Mirth, and Willa Cather’s My Ántonia—all through the lens of Emersonian philosophy and discourse. This unique contribution to nineteenth- and early twentieth-century literary studies shows how these texts revisit Emerson’s antebellum “republic of the spirit” philosophy, specifically the trope of the Emersonian hero/heroine navigating the harsh contingencies of the modern world.
Romanticism and realism are often seen as opposing binaries, with romanticism celebrating the individual, self-reliance, and nature and realism emphasizing the weight of socio-historical forces. Realism is often characterized as rejecting the transcendent principles of Emersonian thought. Rather than accept those distinct boundaries between romance and realism, Polley argues that American realists struggled between celebrating Emerson’s core philosophies of individual possibility and acknowledging the stark “realities” of American social and historical life. In short, this study recognizes within realism a divided loyalty between two historical trends and explores how these seemingly contradictory notions—Emerson’s romantic philosophy and later nineteenth-century visions of historical reality—exist, simultaneously, within the literature of the period.
Patricia Jane Roylance’s central claim in Eclipse of Empires is that historical episodes of imperial eclipse, for example Incan Peru yielding to Spain or the Ojibway to the French, heightened the concerns of many American writers about specific intranational social problems plaguing the nation at the time—race, class, gender, religion, economics. Given the eventual dissolution of great civilizations previously plagued by these very same problems, many writers, unlike those who confidently emphasized U.S. exceptionalism, exhibited both an anxiety about the stability of American society and a consistent practice of self-scrutiny in identifying the national defects that they felt could precipitate America’s decline.
Roylance studies, among other texts, James Fenimore Cooper’s The Water-Witch (1830) and The Bravo (1831), which address the eclipse of Venice by New York City as a maritime power in the eighteenth century; William Hickling Prescott’s Conquest of Peru (1847), which responds to widespread anxiety about communist and abolitionist threats to the U.S. system of personal property by depicting Incan culture as a protocommunist society doomed to failure; and Henry Wadsworth Longfellow’s The Song of Hiawatha (1855), which resists the total eclipse of Ojibwa culture by incorporating Ojibway terms and stories into his poem and by depicting the land as permanently marked by their occupation.
In his opening passage, Schuster boldly invokes lines from Walt Whitman’s “Crossing Brooklyn Ferry,” which echo as a paean to pollution: “Burn high your fires, foundry chimneys! cast black shadows at nightfall!” Schuster labels this theme “regeneration through pollution” and demonstrates how this motif recurs in modernist compositions. This tolerance for, if not actual exultation of, the by-products of industrialization hindered modernist American artists, writers, and musicians from embracing environmentalist agendas.
Schuster provides specific case studies focusing on Marianne Moore and her connection of fables with animal rights; Gertrude Stein and concepts of nature in her avant-garde poetics; early blues music and poetry and the issue of how environmental disasters (floods, droughts, pestilence) affected black farmers and artists in the American South; and John Cage, who extends the modernist avant-garde project formally but critiques it at the same time for failing to engage with ecology. A fascinating afterword about the role of oil in modernist literary production rounds out this work.
Schuster masterfully shines a light on the modernist interval between the writings of bucolic and nature-extolling Romantics and the emergence of a self-conscious green movement in the 1960s. This rewarding work shows that the reticence of modernist poets in the face of resource depletion, pollution, animal rights, and other ecological traumas is highly significant.
Lee Rozelle probes the metaphor of environmental catastrophe in American literature of the last 150 years. In each instance, Rozelle finds evidence that the ecosublime--nature experienced as an instance of wonder and fear--profoundly reflects spiritual and political responses to the natural world, America’s increasingly anti-ecological trajectory, and the ascendance of a post-natural landscape.
In the 19th century, Rozelle argues, Isabella Bird and Edgar Allan Poe represented the western wilderness as culturally constructed and idealized landscapes. Gardens, forests, and frontiers are conceptual frameworks that either misrepresent or uphold ecological space. Modernists like Nathanael West and William Carlos Williams, on the other hand, portray urban space as either wastelands or mythical urban gardens. A chapter on Charles W. Chesnutt and Rebecca Harding Davis analyzes a new breed of literary eco-advocate, educating and shocking mainstream readers through depictions of ecological disaster. A later chapter probes the writings of Edward Abbey and the Unabomber Manifesto to delve into the sublime dimensions of environmental activism, monkey-wrenching, and eco-terrorism.
Whit Gibbons and Anne R. Gibbons’s Ecoviews Too: Ecology for All Seasons is based on the popular weekly column “Ecoviews,” published by numerous newspapers for more than thirty years. A follow-up to Ecoviews: Snakes, Snails and Environmental Tales, this lively and entertaining book provides a fascinating and thought-provoking look at the ecology of animals, plants, and their habitats, and promotes awareness of pressing environmental issues.
Because nature, in all its myriad and amazing manifestations, can be enjoyed all year round, this collection is conveniently divided into four sections paralleling the seasons and tracking the adaptations and responses of wildlife to the relentless changes that occur at any location over time. The ecological vignettes focus on seasonal happenings in the cycle of life. The authors not only draw parallels between the natural world and human activities but also highlight unique behaviors of various plant and animal species. They often use humor to get across their message regarding the need to protect our native species and the habitats they depend on for survival.
An intriguing and captivating publication, Ecoviews Too is comprised of fifty informative essays that address ecological topics such as camouflage and mimicry, hibernation and estivation, the human need to encounter scary animals, the mysteries of plant dormancy in winter, the comeback of the wild turkey coinciding with the decline of bobwhites, the chemistry behind the color change in fall leaves, and the top ten environmental problems facing the world today. Educating, entertaining, and delighting a general audience, especially those with an interest in nature, Ecoviews Too provides a useful resource for students and scientists alike.
The couple’s encounters with the strange new dynamics of race, religion, and the workplace in their new American home offer a compelling account of the struggles that faced many immigrants with deep German roots. It is also an intimate portrait of a now-vanished German Jewish culture as it played out in the lives of Bodenheimer’s parents and her grandparents from the 1920s to the late 1960s, a story of emigration, assimilation, and the private struggles that accompany those forced shifts in orientation.
The Bodenheimers’ letters and journals offer engaging perspectives into their personal lives that retrospective memories cannot match. Braiding intimate biography together with history and memoir, Edgar and Brigitte will appeal both to historians of the European Jewish diaspora and to readers interested in the struggles and resilience of people whose lives were upended by Hitler.
An insightful look at representations of women’s bodies and female authority.
This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts--especially painting—as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.
Emily Orlando contends that while Wharton's early work presents women enshrined by men through art, the middle and later fiction shifts the seat of power to women. From Lily Bart in The House of Mirth to Undine Spragg in The Custom of the Country and Ellen Olenska in The Age of Innocence, women evolve from victims to vital agents, securing for themselves a more empowering and satisfying relationship to art and to their own identities.
Orlando also studies the lesser-known short stories and novels, revealing Wharton’s re-workings of texts by Browning, Poe, Balzac, George Eliot, Sir Joshua Reynolds, and, most significantly, Dante Gabriel Rossetti. Edith Wharton and the Visual Arts is the first extended study to examine the presence in Wharton's fiction of the Pre-Raphaelite poetry and painting of Rossetti and his muses, notably Elizabeth Siddall and Jane Morris. Wharton emerges as one of American literature's most gifted inter-textual realists, providing a vivid lens through which to view issues of power, resistance, and social change as they surface in American literature and culture.
Tintner provides a detailed analysis of the complex interplay between Wharton and James—how they influenced each other and how some of their writings operate as homages or personal jokes. So deeply was James in Wharton’s confidence, Tintner argues, that he provided her with source models for a number of her characters. In addition, Wharton found in his fiction structures for her own, especially for The Age of Innocence.
Tintner also brings her considerable knowledge of art history to bear in her study of art allusions in Wharton’s work. Wharton’s response both to the Italian painters active before Raphael and to the English Pre-Raphaelites of a generation before her own is analyzed here in three essays. These pieces demonstrate Wharton’s sensibility to changes in art tastes and collecting, the inheritance of Rossetti’s revolutionary paintings in the unfinished novel, The Buccaneers, and the importance of home in The Glimpses of the Moon, as demonstrated by Wharton’s use of Tiepolo’s fresco in the church of Scalzi.
Tintner concludes by considering Wharton’s literary legacy and who Wharton has figured in the imaginations of recent writers, including Richard Howard, Louis Auchincloss, and Cathleen Schine. Tintner finds some part of Wharton’s personality or work evoked in a number of contemporary works and argues that this presence signals the beginning of an increasing influence.
"A major accomplishment in the study of Burke." —Choice
More than 200 years after his death, Edmund Burke remains among the most influential conservative writers in the Anglophone world. Burke’s relevance has only grown as the nature of what it means to be a conservative has become hotly contested.
And yet Burke is often discussed more than he is read. Worse, his rhetoric is often pressed into the service of other ideologies. In Edmund Burke and the Discourse of Virtue, Stephen Browne of Pennsylvania State University subjects Burke’s work to the close textual analysis it has never received.
The result of Browne's study is to present Burke and his work in a light that was clearly essential to Burke himself, one that illuminates the link between rhetoric and action that is key to understanding Burke, his career, his work, and his influence on contemporary conservatism.
Readers interested in the development of conversative philosophy, politics, and writing from its earliest roots will value this rare and illuminating work.
Fr one hundred years, Meharry has provided opportunity to thousands of Black Americans and some others, but the history of the institution is told, not by the changes in the futures of those fortunate men and women who became graduates, but by the action of a few in each generation with the vision to attack the vestiges of slavery, poverty, and excess morbidity through the building and operation of a medical college.
The college was conceived just after the Civil War when many thought the problem of the ex-slaves would soon disappear because their death rate was so great and the absence of health care was not a focus. The institution would be national, but its setting was a bankrupt city that had the fourth worst health statistics in the world. It was started by a missionary who had no money or medical experience at a time when there were more who objected to this work than applauded it. However, the desire of those students who begged that a medical school be started and the future of the many people who would be touched by its services were enough to motivate the founders to embark on this venture.
A number of documents have existed chronicling the events of the institution, but when requested by an academic society to provide one book that gave the most accurate history of the institution, I knew that no recent such book had been written. This book satisfies the need for such facts to be available. It also provides a journalistic, well-documented account of the varying approaches to providing opportunity and improving health for Black Americans.
The education of individual planter classes—cotton, tobacco, sugar—is rarely treated in works of southern history. Of the existing literature, higher education is typically relegated to a footnote, providing only brief glimpses into a complex instructional regime responsive to wealthy planters. R. Eric Platt’s Educating the Sons of Sugar allows for a greater focus on the mindset of French Creole sugar planters and provides a comprehensive record and analysis of a private college supported by planter wealth.
Jefferson College was founded in St. James Parish in 1831, surrounded by slave-holding plantations and their cash crop, sugar cane. Creole planters (regionally known as the “ancienne population”) designed the college to impart a “genteel” liberal arts education through instruction, architecture, and geographic location. Jefferson College played host to social class rivalries (Creole, Anglo-American, and French immigrant), mirrored the revival of Catholicism in a region typified by secular mores, was subject to the “Americanization” of south Louisiana higher education, and reflected the ancienne population’s decline as Louisiana’s ruling population.
Resulting from loss of funds, the college closed in 1848. It opened and closed three more times under varying administrations (French immigrant, private sugar planter, and Catholic/Marist) before its final closure in 1927 due to educational competition, curricular intransigence, and the 1927 Mississippi River flood. In 1931, the campus was purchased by the Society of Jesus (Jesuits) and reopened as a silent religious retreat. It continues to function to this day as the Manresa House of Retreats. While in existence, Jefferson College was a social thermometer for the white French Creole sugar planter ethos that instilled the “sons of sugar” with a cultural heritage resonant of a region typified by the management of plantations, slavery, and the production of sugar.
Even after the optimism of Reconstruction was shattered by violence, fraud, and intimidation and the white South relegated African Americans to segregated and disfranchised second-class citizenship, the AMA never abandoned its claim that blacks were equal in God’s sight, that any “backwardness” was the result of circumstance rather than inherent inferiority, and that blacks could and should become equal citizens with other Americans. The organization went farther in recognition of black ability, humanity, and aspirations than much of 19th and 20th century white America by publicly and consistently opposing lynching, segregation, disfranchisement, and discrimination.
During the 1880s a massive scientific effort was launched by the Smithsonian Institution to discover who had built the prehistoric burial mounds found throughout the United States. Arkansaw Mounds tells the story of this exploration and of Edward Palmer, one of the nineteenth century’s greatest natural historians and archaeologists, who was recruited to lead the research project. Arkansas was unusually rich in prehistoric remains, especially mounds, and became a major focus of the study. Palmer and his team of researchers discovered that the mounds had been built by the ancestors of the historic North American Indians, shattering the then-popular theory that a lost non-Indian race had built them.
This biography of Edward Stanly relates the major political events of his life: his emergence, while still in his twenties, as a fiery and controversial leader of the Whig Party in North Carolina, his role as one of the ablest champions of Whiggery in the United States House of Representatives, 1837–1843; his candidacy for governor of California on the Republican ticket in 1857; his appointment by President Abraham Lincoln as military governor of North Carolina in 1862; and his support in California of President Andrew Johnson’s Reconstruction policy.
Raised under the “Ancient Standard of Federalism,” Edward Stanly was a southern nationalist in the tradition of the two great Virginia Federalists, George Washington and John Marshall. An outspoken opponent of the nullification and secession doctrines of party of section in national politics.
Egotopia explains why individual political and economic interests have eclipsed aesthetic considerations in the rampant billboards, malls, and urban sprawl of the New American Landscape
Egotopia begins where other critiques of the American landscape end: identifying the physical ugliness that defines and homogenizes America's cities, suburbs, and countryside. Believing that prevailing assessments of the American landscape are inadequate and injudicious, John Miller calls into question the conventional wisdom of environmentalists, urban planners,and architects alike. In this precedent-shattering examination of what he sees as the ugliness that is the American consumer society, Miller contends that our aesthetic condition can be fully understood only by explorers of the metaphoric environment.Metaphorically, the ugliness of America's great suburban sprawl is the physical manifestation of our increasing narcissism- our egotopia. The ubiquity of psychotherapy as a medium promoting self-indulgence has deified private man as it has demonized public man. The New American Landscape, Miller argues, is no longer the physical manifestation of public and communal values. Instead it has become a projection of private fantasies and narcissistic self-indulgence. Individual interests and private passions can no longer tolerate, nor even recognize, aesthetic concerns in such a landscape dedicated to uncompromising notions of utility.
Elements of German fills a gap in advanced undergraduate and beginning graduate levels of German language study by presenting more advanced concepts of the language in a light intended for practical use rather than theoretical discourse. This text provides a means to improve knowledge and command of grammatically correct German as it is spoken and written. It also introduces methods and tools of linguistic analysis in the areas of phonology and morphology. Unlike books that treat phonology in a cursory way, this text delves into the problems of word formation and the intricacies of inflection and derivation. Exercises are included throughout to help better absorb the rules for real-world language use. This volume provides an in-depth look at the German language from the ground up. Its detailed approach makes this book an excellent complement to the work of less specific grammar textbooks and reviews.
Strode starts his foreign travels in Sorrento with Dante's descendant Count Dante Serego-Alighieri as his guide. He takes a Russian cattle boat to Tunisia and lunches with the lovely Countess de Brazza. Then he embarks on a whirlwind tour of South America and writes South by Thunderbird. Later, in England, he visits Rebecca West at her country home and strikes up a warm friendship with Lady Astor. In Denmark his hostess is Isak Dinesen. In Finland he meets Jan Sibelius.
Such are the times of Hudson Strode. With his keen eye for settings, with candor, energy, and curiosity, Strode sees his famous friends closely and wholly. His is a unique account.
The Eleventh House is the story of a rewarding and fascinating life told by a man who remembers it all with affection. He tells it for the record and as great entertainment.
Over the past thirty years, oral history has found increasing favor among social scientists and humanists, with scholars “rediscovering” the oral interview as a valuable method for obtaining information about the daily realities and historical consciousness of people, their histories, and their culture. One primary issue is the question of how the communicative performances of the interviewer and narrator jointly influence the interview. Using methods of conversation/discourse analysis, the author describes the collaborative processes that enable interviewers and narrators to interact successfully in the interview context.
An annotated selection of unpublished letters by Nathaniel Hawthorne's sister.
Retrieved from seven different libraries, this corpus of letters was preserved by the Manning family chiefly for their value as records of Nathaniel Hawthorne's life and work; but they ironically also illuminate the life and mind of a fascinating correspondent and citizen of New England with incisive views and commentaries on her contemporaries, her role as a woman writer, Boston and Salem literary culture, and family life in mid-19th-century America.
This book illuminates Elizabeth's early life; the trauma caused for sister and brother by the death of their father; her and her brother's education; and the tensions the two children experienced when they moved in with their mother's family, the welthier Mannings, instead of the poorer though socially more venerable Hawthornes, following their father's death. The letters portray Elizabeth's constrained relationship with Nathaniel's wife Sofia Peabody and counter Sophia's portrayal of her sister-in-law as a recluse, oddity, and "queer scribbler."
These 118 letters also reveal Elizabeth Hawthorne's tremendous gifts as a thinker, correspondent, and essayist, her interest in astronomy, a lifelong drive toward self-edification in many fields, and her extraordinary relationship with Nathaniel. As a sibling and a fellow author, they were sometimes lovingly codependent and sometimes competitive. Finally, her writing reveals the larger worlds of politics, war, the literary landscape, class, family life, and the freedoms and constraints of a woman's role, all by a heretofore understudied figure.
From Childhood, Elizabeth Robins dreamed of a successful career on the stage. Her first impulse to visit England, in 1888, stemmed from her desire to secure better opportunities as an actress, and she soon gained celebrity playing Ibsen’s heroines. While buoyed by this success, she began writing fiction that treated the feminist issues of her time: organized prostitution, women’s positions in war-torn England, and the dangers of rearmament. In her acting, writing, and political activism, she consistently challenged existing roles for women. Robins’s work is marked by a number of true-life components, and this first biography to use the vast collection of her private papers demonstrates how Robins transformed her own life into literary and dramatic capital.
Robins published several novels under the pseudonym C. E. Raimond, culminating in the sensational male-female bildungsroman, The Open Question: A Tale of Two Temperaments, which was set in her native Zanesville, Ohio, and publication of which finally disclosed her identity.
Her fiction is compared to that of Henry James, Edith Wharton, and Willa Cather. Many of her heroines share the characteristics of exhibiting force or willed silence, and Gates's analysis of this trait has implications for feminist theorists in a number of fields.
A radical rereading of Emerson that posits African- American culture, literature, and jazz as the very continuation and embodiment of pragmatic thought and democratic tradition
Emancipating Pragmatism is a radical rereading of Emerson that posits African- American culture, literature, and jazz as the embodiment of pragmatic thought and democratic tradition. It traces Emerson's philosophical legacy through the 19th and 20th centuries to discover how Emersonian thought continues to inform issues of race, aesthetics, and poetic discourse.
Emerson’s pragmatism derives from his abolitionism, Michael Magee argues, and any pragmatic thought that aspires toward democracy cannot ignore and must reckon with its racial roots. Magee looks at the ties between pragmatism and African-American culture as they manifest themselves in key texts and movements, such as William Carlos Williams’s poetry; Ralph Ellison’s discourse in Invisible Man and Juneteenth and his essays on jazz; the poetic works of Robert Creeley, Amiri Baraka, and Frank O'Hara; as well as the “new jazz” being forged at clubs like The Five Spot in New York.
Ultimately, Magee calls into question traditional maps of pragmatist lineage and ties pragmatism to the avant-garde American tradition.
Captain Alfred Scott McLaren served as commander of the USS Queenfish (SSN 651) from September 1969 to May 1973, the very height of the Cold War. As commander, McLaren led at least six major clandestine operations, including the first-ever exploration of the entire Siberian Continental Shelf: a perilous voyage detailed in his previous book Unknown Waters.
Emergency Deep: Cold War Missions of a Submarine Commander conveys the entire spectrum of Captain McLaren’s experiences commanding the USS Queenfish, mainly in the waters of the Russian Far East and also off Vietnam. McLaren offers a riveting and deeply human story that illuminates the intensity and pressures of commanding a nuclear attack submarine in some of the most difficult circumstances imaginable.
Relying on his own notes and records, as well as discussions with former officers and shipmates, McLaren focuses on operational matters both great and small. He recounts his unique perspectives on attack-submarine tactics and exploratory techniques in high-risk or uncharted areas, matters of leadership and team-building and the morale of his crews, and the innumerable and often unforeseen ways his philosophy of command played out on a day-to-day basis, with consequences that ran the gamut from the mundane to the dire and life-threatening.
Readers are also treated to significant new information and insight on submarine strategy, maneuvers, and culture. Such details illuminate and bring to life, with both great humor and gravitas, the intensity and pressures on those engaged in covert missions on nuclear attack submarines.
The essays in this volume represent a collective questioning of the poststructuralist ascendancy, and of the assumptions involved therin, by a group of our most prominent scholars. These scholars were charged with examining the truth-value, methodology, practice, and humanistic status of poststructuralist theories and with speculating on what their conclusions portend for the future of theory. They provide cogent evidence that the poststructuralist heyday has passed.
Essays in the collection address, among other subjects, reenactments of period cookery and cuisine at a Maryland renaissance festival; the roles of women as represented at Minnesota's premiere living history museum, Historic Fort Snelling; and the Lewis and Clark bicentennial play as cultural commemoration.
The editors argue that historical performances like these-regardless of their truth-telling claims-are an important means to communicate, document, and even shape history, and allow for a level of participation and accessibility that is unique to performance. Enacting History is an entertaining and informative account of the public's fascination with acting out and watching history and of the diverse methods of fulfilling this need.
Encounters with American Ethnic Cultures represents a cultural approach to understanding ethnic diversity in the Philadelphia metropolitan area.
Thirteen chapters, each using an ethnographic field methodology, explore such ethnic experience as the "invisible" (WASPS and African-Americans); "self-chosen" (Welsh-American, Irish-American, and Ukrainian-American); "gender-related" (the Lubovitcher); "religious" (Jewish, Native American, Greek-American, and Puerto Rican); and "dislocated" (Cambodians and the homeless). Ethnographic fieldwork focuses an insider's view on the meaning of ethnic experience in the lives of participants in the research. This volume examines the role and function of various ethnic endeavors in the preservation and maintenance of ethnic identity by contemporary Americans.
This five part volume includes:
Introduction: Ethnic Culture Analysis—A Course of Study, Jane C. Goodale and Philip L. Kilbride
Methodology, Elizabeth R. Ameisen and Carolyn G. Friedman
Part I. Black and WASP in American Cultural Experience: The Invisible Ones
Exclusivity in an Ethnic Elite: Racial Prejudice as Boundary Maintenance, Elizabeth R. Ameisen
Africans and African-Americans: An Ethnohistorical View and Symbolic Analysis of Food Habits, Carolyn G. Friedman
Part II. Self-Chosen Ethnicity
Unique Americans: The Welsh-American Ethnic Group in the Philadelphia Area, Lorraine Murray
Irish-Americans and Irish Dance: Self-Chosen Ethnicity, Erin McGauley Hebard
Art and Identity: Ukrainian-American Ethnicity, Jennifer Krier
Part III. Interpretations of Gender and Ethnicity: The Lubavitcher Experience
Equality Does Not Mean Sameness: The Role of Women within the Lubavitcher Marriage, Philip Baldinger
Strategies for Strength: Women and Personal Empowerment in Lubavitcher Hasidism, Gita Srinivasan
Part IV. Ethnicity and Religion: The Persistence of Collective Representations
Our Lives Revolve around the Holidays: Holidays in the Transmission of Jewish Ethnicity, Anna Dahlem
Fayetteville or Raleigh? An Analysis of an American Indian Baptist Church, Beth Batten
Issues in Greek Orthodoxy That Define and Maintain Greek-American Ethnicity, Karen L. Belsley
Es como si fuera la casa de uno: The Role of the Community Church in Maintaining Puerto Rican Ethnicity, Monica Schoch-Spana
Part V. Dislocation and Ethnicity
Cambodian Marriage: Marriage and How it is Changing among Cambodian Refugees in Philadelphia, Rebecca C. Popenoe
Ethnic Expression in a Jewish Street Person, Andrew Millstein
Conclusion, Philip L. Kilbride and Jane C. Goodale
The Lost Cause orators that came after the Civil War, Towns argues, helped to shape a lasting mythology of the brave Confederate martyr, and the Southern positions for why the Confederacy lost and who was to blame. Innumerable words were spent—in commemorative speeches, newspaper editorials, and statehouse oratory—condemning the evils of Reconstruction, redemption, reconciliation, and the new and future South. Towns concludes with an analysis of how Lost Cause myths still influence Southern and national perceptions of the region today, as evidenced in debates over the continued deployment of the Confederate flag and the popularity of Civil War reenactments.
Wesley Bernardini / James S. Brown Jr. / Cheryl Claassen / John E. Clark / ArleneColman / Warren DeBoer /
Enemy in the Blood sheds light on the often neglected history of northwest Argentina’s interior, adds to critical perspectives on the history of development and public health in modern Latin America, and demonstrates the merits of integrative socialenvironmental research.
The system of coastal defenses built by the federal government after the War of 1812 was more than a series of forts standing guard over a watery frontier. It was an integrated and comprehensive plan of national defense developed by the US Army Corps of Engineers, and it represented the nation’s first peacetime defense policy.
Known as the Third System since it replaced two earlier attempts, it included coastal fortifications but also denoted the values of the society that created it. The governing defense policy was one that combined permanent fortifications to defend seaports, a national militia system, and a small regular army.
The Third System remained the defense paradigm in the United States from 1816 to 1861, when the onset of the Civil War changed the standard. In addition to providing the country with military security, the system also provided the context for the ongoing discussion in Congress over national defense through annual congressional debates on military funding.
The development of steam propulsion machinery in warships during the nineteenth century, in conjunction with iron armor and shell guns, resulted in a technological revolution in the world’s navies. Warships utilizing all of these technologies were built in France and Great Britain in the 1850s, but it was during the American Civil War that large numbers of ironclads powered solely by steam proved themselves to be quite capable warships.
Historians have given little attention to the engineering of Confederate ironclads, although the Confederacy was often quite creative in building and obtaining marine power plants. Engines of Rebellion: Confederate Ironclads and Steam Engineering in the American Civil War focuses exclusively on ships with American built machinery, offering a detailed look at marine steam-engineering practices in both northern and southern industry prior to and during the Civil War.
Beginning with a contextual naval history of the Civil War, the creation of the ironclad program, and the advent of various technologies, Saxon T. Bisbee analyzes the armored warships built by the Confederate States of America that represented a style adapted to scarce industrial resources and facilities. This unique historical and archaeological investigation consolidates and expands on the scattered existing information about Confederate ironclad steam engines, boilers, and propulsion systems.
Through analysis of steam machinery development during the Civil War, Bisbee assesses steam plants of twenty-seven ironclads by source, type, and performance, among other factors. The wartime role of each vessel is discussed, as well as the stories of the people and establishments that contributed to its completion and operation. Rare engineering diagrams never before published or gathered in one place are included here as a complement to the text.
The first medical book published in the American colonies
The English Physician is a humble vest-pocket-sized 94-page medical guide for the common person, by the prolific herbalist and author Nicholas Culpeper. It was a staple in 17th-century England, as it was short, written in accessible prose, and inexpensive; and perhaps as attractive, it took a decidedly skeptical view of "official" medicine, relying instead on popular remedies. Culpeper’s philosophy was to teach the common folk to minister to themselves by providing them with the tools and knowledge for self-help.
Published in Boston in 1708 by Nicholas Boone, the American version of The English Physician was widely cited and used at the time. Today only five copies are known to exist. The rarity of this vade mecum of colonial America is wrapped in mystery: Who really wrote this book and when, where, and how did it originate?
The editor illuminates these mysteries while adding an informative historical introduction on the state of medical knowledge and practice at the time, exploring Culpeper’s position among competing medical writers, and glossing the medical and botanical terms, providing contemporary equivalents. Modern readers will discover the meaning behind the strangely named brews and concoctions of the 17th century and will learn how this Boston printing literally transformed the American landscape with herbs brought from the British colonists’ homeland.
Beginning about 1900 the expanded international role of
the United States brought increased attention to the cultures of other
peoples and a growth of interest in Latin America. The Enormous Vogue of
Things Mexican traces the evolution of cultural relations between the United
States and Mexico from 1920 to 1935, identifying the individuals, institutions,
and themes that made up this fascinating chapter in the history of the
two countries.
A landmark rhetorical theory of the formation and functioning of opinions in social media contexts
Entitled Opinions: Doxa After Digitality offers a rhetorical theory of opinions, especially as opinions operate within social media.
Many urgent contemporary issues—from demagoguery to white ethno-nationalism—compel us to consider opinions seriously. Yet while clichés like “he tells it like it is” and newer imperatives such as #BlackLivesMatter seem straightforward, haptics, emoji, and “like” buttons belie unexamined collective assumptions about how opinions in the digital realm function.
Caddie Alford illuminates this function by deploying the ancient Greek term for opinions: doxa. Doxa translates to “opinion,” but the term can also signal seemingness and expectations. Doxa’s capacious meanings reveal opinions to be more than static or monolithic: With doxa, opinions become emergent, dynamic, relational, and pluralistic.
Masterfully combining rhetorical frameworks as well as scholarship on opinions and digital media entanglements, Alford puts opinions into conversation with such case studies as algorithms, infrastructure, digital illiteracy, virality, and activism. She shows how “doxa” reveals gradations of opinions, from more reputable to less reputable. She demonstrates that these gradations are multifaceted and susceptible to interventions.
Entitled Opinions sheds much of the baggage associated with opinions while opening up more fertile pathways of inquiry. In a world that says, “don’t read the comments,” this book reads the comments, taking seriously content that could be easily dismissed otherwise and alchemizing judgments into implications.
- Despite objective neighborhood problems, older persons express high neighborhood satisfaction. This partly reflects limited residential options, as well as a passive and vicarious spatial experience. The environment is experienced in diverse ways; however, urbanism and personal competence shape the nature and outcomes of person-environment interaction.
- Older persons have relatively robust interpersonal support networks. Perceived sufficiency of contact and support are more salient to morale than are more objective measures of interpersonal support.
- Although attitudes toward other older people are generally favorable, patterns of age identity reflect a detrimental view of aging. There is little evidence that socialization for aging or age-group solidarity make aging “easier” in this regard.
- Older persons exhibit moderate age homogeneity within their interpersonal networks, partly reflecting neighborhood age concentration. Contrary to the apparent benefits of planned age-segregated housing, age homogeneity in neighborhoods and networks does not contribute to well-being.
Epistolary Responses explores the transformative nature of epistolary fiction and criticism in letter form from a largely feminist perspective. While most scholarly work to date has focused on 17th- and 18th-century manifestations of this genre, Bower's study concentrates on epistolary fiction by contemporary American writers published between 1912 and 1988. The novels discussed, all featuring women letter writers, include: Lee Smith's Fair and Tender Ladies, John Barth's LETTERS, Alice Walker's The Color Purple, John Updike's S., Jean Webster's Daddy-Long-Legs, Upton Sinclair's Another Pamela, and Ana Castillo's The Mixquiahuala Letters.
Bower explores the influence letters have on the act of writing and writing as act, their encoded desire for reply, their incompleteness as units of narrative information, their play on ideas of absence and presence, their apparently personal and private nature, and their foregrounding of the writer's agency and authority, all of which make letters a most useful genre both for novelists and for scholars. Several of the book's "fiction" chapters include a letter from the author of the text (sometimes a critic) that complements and supplements Bower's analysis. The final part of the book explores how seven scholars--men and women--have applied letters to their own critical writing, finding that this formal move allows them to question issues of public and private discourse, the authority of signature, and the "feminine" location.
Ernest Hemingway: The Oak Park Legacy is the first extensive examination of the relationship of Hemingway to his hometown, Oak Park, Illinois, and the influence its people, places, and underlying values had on his early work. In this volume, 11 leading Hemingway scholars explore various aspects of these issues, from the migration of the Hemingway family from Connecticut to Illinois in the 1850s, to Hemingway's high-school stories and the dramatic breakthrough of In Our Time and The Sun Also Rises. With these books, Hemingway suddenly became one of the most influential writers of the 20th century. The essays in this collection explore the social and family background that provided the material and sensibility for these literary masterpieces.
In these essays, James Nagel provides the first account ever published of the move of the Hemingway family from Connecticut to Illinois. Writing his account after the discovery of a lost diary by one of Hemingway's ancestors, Nagel explores dates and places, the motivation for the move to the Midwest, and the tragedies that awaited the family there, including the death of two young men in the Civil War. Michael Reynolds, the premiere biographer of Ernest Hemingway, describes the culture of the village of Oak Park at the turn of the century, and Larry E. Grimes presents an important new assessment of the religious training the Hemingway children received. David Marut discusses the short stories Hemingway published while still a highschool student, and Carlos Azevedo, Mary Anne O'Neal, Abby H. P. Werlock, and George Monteiro examine the early stories about Nick Adams. In an insightful afterword, Morris Buske, the Historian of the Ernest Hemingway Foundation of Oak Park, reflects on the differing values of Ernest Hemingway's parents, the artistic, cultured Hall family as opposed to the scientific, more practical Hemingways, charting the influence the two traditions had on the young Ernest.
Examines and explores divers topics of Jewish thought and history
A fascinating and eclectic collection of twenty-two essays, Essays in Jewish Thought examines and explores diverse topics of Jewish thought and history. From Judaism’s view of ancient Rome at its imperial apogee and the Dead Sea Scrolls to Jewish thought in Europe’s revolutions of 1848 and Franz Kafka, the collection offers a rich compendium of essays of interest to scholars, historians, philosophers, and students.
"Raymond and Russell have fashioned a lively, useful volume. . . . The ability and integrity of the contributors make much of the difference, but the editors have given the book direction by soliciting state of the art essays in three fields . . . dialectology (the articles represent area linguistics at its best), grammar and usage (Algeo on usage shibboleths is particularly fine), and lexicography (a delight)."
—Choice
"These essays are quietly unassuming in tone but highly useful."
—Language in Society
This collection of thoroughly annotated essays, spanning the 1920s to the early 1950s, includes Greenberg’s meditations on socialism and ethics, profiles of polarizing twentieth-century figures (among them Trotsky, Lenin, and Gandhi), and several essays investigating the compatibility of socialism and communism. Greenberg always circles back, however, to the recurring question of how Jews might situate themselves in modernity, both before and after the Holocaust, and how Labor Zionist ideology might reshape the imbalances of Jewish economic life.
Alongside his role as an American Zionist leader, Greenberg maintained a lifelong commitment to the vitality of the Jewish diaspora. Rather than promoting Jewish autonomy and statehood, he argued for fidelity to the Jewish spirit. This volume not only seeks to restore Greenberg to his previous stature in the field of Judaic studies but also to return a vital and authentic voice, long quieted, to the continuing debate over what it means to be Jewish.
The Essential Hayim Greenberg provides an accessible text for scholars, historians, and students of Jewish studies, religion, and theology.
The first collection of lectures and sermons that Charlotte Perkins Gilman delivered in the first four years of her career
The last decades have seen a resurgence of interest in Charlotte Perkins Gilman, now considered among the most important thinkers in US history. She is best known for fiction—such as the classic short story “The Yellow Wall-Paper” (1892)—and nonfiction, including her manifesto Women and Economics (1898), a work of intersectional sociology avant la lettre. Nevertheless, as a young writer, Gilman made her living delivering lectures. One cannot know Gilman without some knowledge of this body of lectures; this book fills that critical gap in Gilman scholarship.
Since the recovery of Charlotte Perkins Gilman began in the late 1960s and continued with the republication of “The Yellow Wall-Paper” in the 1970s, her image in cultural memory has been increasingly celebrated. Andrew J. Ball presents here fifty previously unpublished texts. They trace the development of Gilman’s thoughts on diverse subjects like gender, education, labor, science, theology, and politics—forming an intellectual diary of her growth.
These lectures are not just a testament to Gilman’s personal evolution, but also a crucial contribution to the foundations of American sociology and philosophy. The Essential Lectures of Charlotte Perkins Gilman, 1890–1894 marks a historic moment, unveiling the hidden genius of Gilman's oratory legacy.
Ethnic Entrepreneurs, Crony Capitalism, and the Making of the Franco-Mexican Elite provides a new way to understand the scope and impact of crony capitalism on institutional development in Mexico. Beginning with the Porfiriato, the period between 1876 and 1911 named for the rule of President Porfirio Díaz, José Galindo identifies how certain behavioral patterns of the Mexican political and economic elite have repeated over the years, and analyzes aspects of the political economy that have persisted, shaping and at times curtailing Mexico’s economic development.
Strong links between entrepreneurs and politicians have allowed elite businessmen to receive privileged support, such as cheap credit, tax breaks, and tariff protection, from different governments and to run their companies as monopolies. In turn, successive governments have obtained support from businesses to implement public policies, and, on occasion, public officials have received monetary restitution. Galindo notes that Mexico’s early twentieth-century institutional framework was weak and unequal to the task of reining in these systematic abuses. The cost to society was high and resulted in a lack of fair market competition, unequal income distribution, and stunted social mobility.
The most important investors in the banking, commerce, and manufacturing sectors at the beginning of the twentieth century in Mexico were of French origin, and Galindo explains the formation of the Franco-Mexican elite. This Franco-Mexican narrative unfolds largely through the story of one of the richest families in Mexico, the Jeans, and their cotton textile empire. This family has maintained power and wealth through the current day as Emilio Azcárraga Jean, a great-grandson of one of the members of the first generation of the Jean family to arrive in Mexico, owns Televisa, a major mass media company with one of the largest audiences for Spanish-language content in the world.
A study of how doing field research submerged in a different culture impacts one's sense of identity.
A Dan Josselyn Memorial Publication
Detailed reconstruction of the waxing and waning of political fortunes among the chiefly elites at an important center of the prehistoric world
At the time the first Europeans arrived in the New World, thousands of earthen platform mounds dotted the landscape of eastern North America. Only a few of the mound sites have survived the ravages of time and the devastation of pilferers; one of these valuable monuments is Etowah, located near Cartersville in northern Georgia. Over a period of more than 100 years, excavations of the site’s six mounds, and in particular Mound C, have yielded a wealth of artifacts, including marble statues, copper embossed plates, ceremonial items, and personal adornments. These objects indicate an extensive trading network between Mississippian centers and confirm contact with Spanish conquistadores near Etowah in the mid-1500s.
Adam King has analyzed the architecture and artifacts of Etowah and deduced its vital role in the prehistory of the area. He advances a plausible historical sequence and a model for the ancient town's complex political structure. The chiefdom society relied upon institutional social ranking, permanent political offices, religious ideology, a redistribution of goods and services, and the willing support of the constituent population. King reveals strategies used by the paramount chiefs to maintain their sources of power and to control changes in the social organization. Elite alliances did not necessarily involve the extreme asymmetry of political domination and tribute extraction. King's use of ceramic assemblages recovered from Etowah to determine the occupation history and the construction sequence of public facilities (mounds and plazas) at the center is significant.
This fresh interpretation of the Etowah site places it in a contemporary social and political context with other Mississippian cultures. It is a one-volume sourcebook for the Etowah polity and its neighbors and will, therefore, command an eager audience of scholars and generalists.
Known principally as the author of some of the most significant plays in the American dramatic canon and as one of America’s Nobel Laureates in literature, O'Neill rarely gave interviews and offered few details about himself. As a consequence, his life has long been shrouded in myth. He also abetted some of the misconceptions about his youth by, for example, advocating the story that he was expelled from Princeton for throwing a rock through Woodrow Wilson's window or by exaggerating the amount of time he had spent at sea. The legend of the hard-drinking, tormented playwright with a grim view of life was further reinforced when Long Day's Journey into Night was produced in 1956, three years after his death instead of the twenty-five years he had insisted on.
The portrayal of O’Neill as a tragic figure has been solidified in a number of biographies. The purpose of this collection, however, is to present O'Neill as others saw him and described him in their first-person accounts. In the course of these reminiscences, many of the vast and various narrators conflict with and contradict each other. Unlike other accounts of O’Neill’s life, much of the focus is on impressions instead of facts. The result is a revealing composite portrait of a key figure in twentieth-century American literary history.
This extensive collection offers insights unavailable in any other book and will hold massive appeal for scholars and students interested in American literature, Eugene O’Neill, and theater history, as well as anyone keen to uncover intimate details of the life of one of America’s greatest writers.
The first detailed analysis of Native metalworking in the Protohistoric/Contact Period
From the time of their earliest encounters with European explorers and missionaries, Native peoples of eastern North America acquired metal trinkets and utilitarian items and traded them to other aboriginal communities. As Native consumption of European products increased, their material culture repertoires shifted from ones made up exclusively of items produced from their own craft industries to ones substantially reconstituted by active appropriation, manipulation, and use of foreign goods. These material transformations took place during the same time that escalating historical, political, economic, and demographic influences (such as epidemics, new types of living arrangements, intergroup hostilities, new political alliances, missionization and conversion, changes in subsistence modes, etc.) disrupted Native systems.
Ehrhardt's research addresses the early technological responses of one particular group, the Late Protohistoric Illinois Indians, to the availability of European-introduced metal objects. To do so, she applied a complementary suite of archaeometric methods to a sample of 806 copper-based metal artifacts excavated from securely dated domestic contexts at the Illiniwek Village Historic Site in Clark County, Missouri.
Ehrhardt's scientific findings are integrated with observations from historical, archaeological, and archival research to place metal use by this group in a broad social context and to critique the acculturation perspective at other Contact Period sites. In revealing actual Native practice, from material selection and procurement to ultimate discard, the author challenges technocentric explanations for Native material and cultural change at contact.
The 1970s and 1980s were a tumultuous period in US history. In tandem with a dramatic political shift to the right, evangelicalism also entered the public discourse as a distinct religious movement and was immediately besieged by cultural appropriations and internal fragmentations. Americans in general and evangelicals in particular grappled with issues and ideas such as feminism, abortion, birth control, and restructuring traditional roles for women and the family. During this time, there was a surge in readership for evangelical periodicals such as Christianity Today, Moody Monthly, Eternity, and Post-Americans/Sojourners as well as the feminist newsletter Daughters of Sarah.
While each of these magazines—and other publications and media—contributed to and participated in the overall dissemination of evangelical ideology, they also had their own outlooks and political leanings concerning hot-button issues. In Evangelical News: Politics, Gender, and Bioethics in Conservative Christian Magazines of the 1970s and 1980s, Anja-Maria Bassimir presents a nuanced view of evangelicalism in the late twentieth century through the lens of the movement’s own media.
Bassimir argues that community can be produced in discourse, especially when shared rhetoric, concepts, and perspectives signal belonging. To accomplish this, Evangelical News traces the emergence of evangelical social and political awareness in the 1970s to the height of its power as a political program. The chapters investigate such topics as how evangelicals reenvisioned gender norms and relations in light of the feminist movement, the use of childhood as a symbol of unspoiled innocence, and the place of evangelicals as political actors.
Nostalgia, myth, and legend are intrinsic features of the conversations that surround discussions of historic and contemporary climbs of Everest, and those conversations themselves reflect changing relations between nature, technology, and ideology. Each of the book’s chapters links a particular value with a particular technology to show how technology is implicated in Mount Everest’s cultural standing and commodification: authenticity is linked with supplemental oxygen; utility with portable foodstuffs; individuality with communication technology; extremity with visual technology; and ability with money. These technologies, Mazzolini argues, are persuasive—and increasingly so as they work more quickly and with more intimacy on our bodies and in our daily lives.
As Mazzolini argues, the ideologies that situate Mount Everest in Western culture today are not debased and descended from a more noble time; rather, the material of the mountain and its surroundings and the technologies deployed to encounter it all work more immediately with the bodies and minds of actual and “armchair” mountaineers than ever before. By moving the analysis of a natural site and phenomenon away from the traditional labor of production and toward the symbolic labor of affective attachment, The Everest Effect shows that the body and nature have helped constitute the capitalization that is usually characterized as taking over Everest.
Every Goodbye Ain’t Gone presents the groundbreaking work of many of these poets who carried on the innovative legacies of Melvin Tolson, Gwendolyn Brooks, and Robert Hayden. Whereas poetry by such key figures such as Amiri Baraka, Tolson, Jayne Cortez, Clarence Major, and June Jordan is represented, this anthology also elevates into view the work of less studied poets such as Russell Atkins, Jodi Braxton, David Henderson, Bob Kaufman, Stephen Jonas, and Elouise Loftin. Many of the poems collected in the volume are currently unavailable and some will appear in print here for the first time.
Coeditors Aldon Lynn Nielsen and Lauri Ramey provide a critical introduction that situates the poems historically and highlights the ways such poetry has been obscured from view by recent critical and academic practices. The result is a record of experimentation, instigation, and innovation that links contemporary African American poetry to its black modernist roots and extends the terms of modern poetics into the future.
Contemporary avant garde writing has often been overlooked by those who study literature and identity. Such writing has been perceived as unrelated, as disrespectful of subjectivity. But Everybody's Autonomy instead locates within avant garde literature models of identity that are communal, connective, and racially concerned. Everybody's Autonomy, as it tackles literary criticism's central question of what sort of selves do works create, looks at works that encourage connection, works that present and engage with large, public worlds that are in turn shared with readers. With this intent, it aligns the iconoclastic work of Gertrude Stein with foreign, immigrant Englishes and their accompanying subjectivities. It examines the critique of white individualism and privilege in the work of language writers Lyn Hejinian and Bruce Andrews. It looks at how Harryette Mullen mixes language writing's open text with the distinctivesness of African-American culture to propose a communal, yet still racially conscious identity. And it examines Theresa Hak Kyung Cha's use of broken English and French to unsettle readers' fluencies and assimilating comprehensions, to decolonize reading. Such works, the book argues, well represent and expand changing notions of the public, of everybody.
In Everyday Psychokillers spectacular violence is the idiom of everyday life, a lurid extravaganza in which all those around the narrator seem vicarious participants. And at its center are the interchangeable young girls, thrilling to know themselves the object of so much desire and terror.
The narrative interweaves history, myth, rumor, and news with the experiences of a young girl living in the flatness of South Florida. Like Grace Paley's narrators, she is pensive and eager, hungry for experience but restrained. Into the sphere of her regard come a Ted Bundy reject, the God Osiris, a Caribbean slave turned pirate, a circus performer living in a box, broken horses, a Seminole chief in a swamp, and a murderous babysitter. What these preposterously commonplace figures all know is that murder is identity: "Of course what matters really is the psychokiller, what he's done, what he threatens to do. Of course to be the lucky one you have to be abducted in the first place. Without him, you wouldn't exist."
Everyday Psychokillers reaches to the edge of the psychoanalytical and jolts the reader back to daily life. The reader becomes the killer, the watcher, the person on the verge, hiding behind an everyday face.
The aims of this study are twofold: compile, for the first time, all the archaeological, environmental, and geological data pertinent to the evolution of the aboriginal inhabitants of southwest Florida; and, using this basis, develop a specific, integrated, and dynamic model of cultural adaptation that will serve as a stimulus for hypotheses that go beyond simple culture-historical concerns for future archaeological research in this region.
Wesler provides an impressive and definitive compilation of more than 70 years of archaeological excavations at one of the most important archaeological sites in Kentucky.
The Wickliffe Mounds site is located on a bluff overlooking the Mississippi River in Ballard County, Kentucky, about three miles south of the mouth of the Ohio River. Around A.D. 1100, Mississippian people--farmers and traders with a culture closely related to the historic cultures of the Southeast (Chickasaw, Choctaw, Creek, and others)—created a settlement there on which they lived for approximately 250 years before moving on.
In 1930 road construction cut a channel through the site, revealing archaeological deposits and bringing the area to the attention of Fain King, a local lumberman and entrepreneur. King bought the site in hopes of turning it into an attraction for the education and entertainment of the public, and not incidentally for his own profit. For more than 50 years the area was subjected to excavations ranging from looting to professional research efforts. In 1983, the site was finally turned over to Murray State University to be developed into an academic facility dedicated to research, student training, public education, and preservation of the site and its collections. Fortunately, the Wickliffe collections include all the early excavation records as well as more than 85,000 artifacts, 90% of which had been catalogued. Between 1984 and 1996 excavations were conducted specifically to affirm questionable data and/or fill in gaps in the Wickliffe archaeological record.
In this volume, Wesler and his colleagues have compiled data from almost seven decades of excavations at Wickliffe Mounds, providing the first comprehensive study of this important site. The paperback version of the book is accompanied by a CD-ROM that contains contributions from a wide range of archaeological specialists and includes archaeological data, site maps, database files, plats of excavations, artifact descriptions, and photographs, compiling in one place the entire archaeological record for this very important eastern North American site.
In his newest novel, Jeffrey DeShell draws on the musical innovations of Arnold Schoenberg—by turns traditional, serial, and atonal—to inform his grammar and language. Moving progressively through specific Schoenberg compositions, DeShell complicates the surface of his text into lyrical derivatives, all the while drawing us into a murder mystery like no other as Detective Francisca Fruscella pursues both the killer and her own complicated personal history.
By turns rapturous, rigorous, and gripping, Expectation is a thriller of another kind—and a bold venture to the limits of the mystery genre and language itself.
Raised in a Conservative Jewish family, Fischer embraced the twin practices of Zen Buddhism and innovative poetics in San Francisco in the early 1970s. His work includes original poetry, descriptions of Buddhist practice, translations of the Hebrew psalms, and eclectic writings on a range of topics from Homer to Heidegger to Kabbalah. Both Buddhist priest and participant in avant-garde poetry’s Language movement, Fischer has limned the fertile affinities and creative contradictions between Zen and writing, accumulating four decades of rich insights he shares in Experience.
Fischer’s work has been deeply enriched through his collaborations with leading rabbis, poets, artists, esteemed Zen Buddhist practitioners, Trappist monks, and renowned Buddhist leaders, among them the Dalai Lama. Alone and with others, he has carried on a deep and sustained investigation into the intersection of writing and consciousness as informed by meditation.
The essays in this artfully curated collection range across divers, fascinating topics such as time, the Heart Sutra, God in the Hebrew psalms, the supreme “uselessness” of art making, “late work” as a category of poetic appreciation, and the subtle and dubious notion of “religious experience.” From the theoretical to the revealingly personal, Fischer’s essays, interviews, and notes point toward a dramatic expansion of the sense of religious feeling in writing.
Readers who join Fischer on this path in Experience can discover how language is not a description of experience, but rather an experience itself: shifting, indefinite, and essential.
In the 1920s and 1930s there were adventures to be lived and fortunes to be made by strong young men in the outback of Australia and the gold fields of New Guinea. This is the diary of five years spent in hot pursuit—not of honor and glory, but of excitement and riches—by one such adventurer, Michael "Mick" Leahy, his brothers Jim and Pat, and friends Mick Dwyer and Jim Taylor. Leahy and his associates explored the unknown interior of New Guinea, seeking gold and making contact for the first time with the aborigines of the interior mountains and valleys.
White man was unknown to these often cannibalistic, always dangerous, aborigines who thought the seekers of yellow in the streams slightly mad, and thus easy prey. The chronicles of their explorations and their hundreds of photographs brought news of these native peoples to the outside world. In doing so, they changed forever our understanding of the human landscape of New Guinea, and carved a place in history for these explorers who, braving the environment in search of gold, found people.
Intrepid explorers Kenneth M. Wills and L. J. Davenport divide Alabama into eleven geographic regions that feature state parks and preserves, national monuments and forests, wildlife management areas, Nature Conservancy and Forever Wild properties, botanical gardens and arboreta, as well as falls, caverns, and rock cliffs. Exploring Wild Alabama provides detailed site entries to one hundred and fifty destinations. Each section is beautifully illustrated with color photographs and area maps.
Exploring Wild Alabama includes a large state map and numerous local topographic maps to help readers locate each site. Individual site entries include
· written directions to each site and GPS coordinates;
· engaging notes about the ecology, landscape features, and local species of plants and animals of the sites; and
· international recreation symbols for hiking, fishing, boating, camping, hunting, and other fun outdoor activities.
Wills and Davenport guide travelers to Alabama jewels such as Sand Mountain’s Chitwood Barrens, which harbors the rare Green Pitcher Plant and other exotic botanical species; Blowing Springs Cave in Lauderdale County, named for the cool air and the clear spring flowing out of the cave opening; Jackson Prairies in the Lime Hills region; and Booker’s Mill in Conecuh County, offering diverse habitats and historic structures.
Long a favorite destination for outdoor sports enthusiasts, Alabama is fast becoming a major “ecotourism” destination, with thousands of travelers discovering the state’s unsung natural treasures. Exploring Wild Alabama will be used and trusted by anyone who loves the outdoors—birders, botanists, cave explorers, cyclists, hunters, fishermen, rock climbers, canoeists, teachers, and other outdoor enthusiasts.
Extensions of the Burkeian System constitutes one of the first projects to meet the requirements Burke has established for his operation benchmark. This volume its origins in the scholarly contributions of Kenneth Burke. All of the authors of the chapters in this volume adopt stances that defer to Burke’s initial contributions, ultimately casting their work as extensions of ideas and claims posited by Burke. Yet, all of the authors also make significant departures from positions Burke has articulated. The range of these reactions varies tremendously. Several of the authors cast their positions as augmentations. They offer supplements to Burke's claims that constitute logical additions to Burke's initial observations, but even these authors provide adjustments to the Burkeian system that make a difference in how the system is perceived and understood. Other essays are cast in a more challenging mode, arguing explicitly for alternative viewpoints. Displeased with Burke's analysis at a given point for one reason or another, they posit positions different than those advanced by Burke.
From early 20th-century writings to present-day poetry slams, African American poetry exhibits an impressive range of style and substance. Lorenzo Thomas has written an important new history of the genre that offers a critical reassessment of its development in the 20th century within the contexts of modernism and the troubled racial history of the United States.
Basing his study on literary history, cultural criticism, and close readings, Thomas revives and appraises the writings of a number of this century's most important African American poets, including Margaret Walker, Amiri Baraka, Askia M. Toure, Harryette Mullen, and Kalamu ya Salaam. Thomas analyzes the work of Fenton Johnson within the context of emerging race consciousness in Chicago, contributes to critical appraisals of William Stanley Braithwaite and Melvin B. Tolson, and examines the Black Arts Movement of the 1960s and 1970s. Throughout the book, Thomas demonstrates the continuity within the Afrocentric tradition while acknowledging the wide range of stylistic approaches and ideological stances that the tradition embraces.
By reassessing the African American poetry tradition, Thomas effectively reassesses the history of all 20th-century American literature by exploring avenues of debate that have not yet received sufficient attention. Written with intelligence and humor, his book is itself an extraordinary measure that reflects years of scholarship and opens up African American poetry to a wider audience.
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