A SCHOLARLY BOOK REPOSITORY
1832 scholarly books by University of Alabama Press and 160
1832 scholarly books by University of Alabama Press
160 start with A start with A
160 start with A start with A
Abductive Reasoning
Douglas Walton
University of Alabama Press, 2005
A study of the role of abductive inference in everyday argumentation and legal evidence
Examines three areas in which abductive reasoning is especially important: medicine, science, and law. The reader is introduced to abduction and shown how it has evolved historically into the framework of conventional wisdom in logic. Discussions draw upon recent techniques used in artificial intelligence, particularly in the areas of multi-agent systems and plan recognition, to develop a dialogue model of explanation. Cases of causal explanations in law are analyzed using abductive reasoning, and all the components are finally brought together to build a new account of abductive reasoning.
By clarifying the notion of abduction as a common and significant type of reasoning in everyday argumentation, Abductive Reasoning will be useful to scholars and students in many fields, including argumentation, computing and artificial intelligence, psychology and cognitive science, law, philosophy, linguistics, and speech communication and rhetoric.
[more]
The Aborigines of Puerto Rico and Neighboring Islands
Jesse Walter Fewkes
University of Alabama Press, 2009
A valuable recounting of the first formal archaeological excavations in Puerto Rico
Originally published as the Twenty-Fifth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution in 1907, this book was praised in an article in American Anthropologist as doing “more than any other to give a comprehensive idea of the archaeology of the West Indies.”
Until that time, for mainly political reasons, little scientific research had been conducted by Americans on any of the Caribbean islands. Dr. Fewkes' unique skills of observation and experience served him well in the quest to understand Caribbean prehistory and culture. This volume, the result of his careful fieldwork in Puerto Rico in 1902-04, is magnificently illustrated by 93 plates and 43 line drawings of specimens from both public and private collections of the islands.
A 1907 article in the Journal of the Royal Anthropological Institute of Great Britain and Ireland described the volume as “a most valuable contribution to ethnographical science.”
Originally published as the Twenty-Fifth Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution in 1907, this book was praised in an article in American Anthropologist as doing “more than any other to give a comprehensive idea of the archaeology of the West Indies.”
Until that time, for mainly political reasons, little scientific research had been conducted by Americans on any of the Caribbean islands. Dr. Fewkes' unique skills of observation and experience served him well in the quest to understand Caribbean prehistory and culture. This volume, the result of his careful fieldwork in Puerto Rico in 1902-04, is magnificently illustrated by 93 plates and 43 line drawings of specimens from both public and private collections of the islands.
A 1907 article in the Journal of the Royal Anthropological Institute of Great Britain and Ireland described the volume as “a most valuable contribution to ethnographical science.”
[more]
The Ace of Lightning
Stephen-Paul Martin
University of Alabama Press, 2017
A collection of stories based on the assassination of Archduke Franz Ferdinand of Austria, which led to World War I
Stephen-Paul Martin’s The Ace of Lightning is a series of interconnected stories focused on a turning point in Western history: the assassination in Sarajevo of Archduke Franz Ferdinand of Austria which triggered World War I, and the mysterious circumstances that led Gavrilo Princip to shoot and kill the heir apparent to one of Europe’s most powerful empires.
Far from being a conventional work of historical fiction, Martin’s collection asks readers to think about what truly constitutes history. What would the past look like if history was written under the influence of Mad Magazine and The Twilight Zone? What happens when the assassination in Sarajevo becomes “the assassination in Sarajevo,” when Gavrilo Princip becomes “Gavrilo Princip,” when the past and the present shape a textual future that looks suspiciously like a past that never was and a present that never is?
Stephen-Paul Martin’s The Ace of Lightning is a series of interconnected stories focused on a turning point in Western history: the assassination in Sarajevo of Archduke Franz Ferdinand of Austria which triggered World War I, and the mysterious circumstances that led Gavrilo Princip to shoot and kill the heir apparent to one of Europe’s most powerful empires.
Far from being a conventional work of historical fiction, Martin’s collection asks readers to think about what truly constitutes history. What would the past look like if history was written under the influence of Mad Magazine and The Twilight Zone? What happens when the assassination in Sarajevo becomes “the assassination in Sarajevo,” when Gavrilo Princip becomes “Gavrilo Princip,” when the past and the present shape a textual future that looks suspiciously like a past that never was and a present that never is?
[more]
Achilles and the Tortoise
Mark Twain's Fictions
Clark Griffith
University of Alabama Press, 2000
Covering the entire body of Mark Twain's fiction, Clark Griffith in Achilles and the Tortoise answers two questions: How did Mark Twain write? And why is he funny? Griffith defines and demonstrates Mark Twain's poetics and, in doing so, reveals Twain's ability to create and sustain human laughter.
Through a close reading of the fictions–short and long, early and late–Griffith contends that Mark Twain's strength lay not in comedy or in satire or (as the 19th century understood the term) even in the practice of humor. Rather his genius lay in the joke, specifically the "sick joke." For all his finesse and seeming variety, Twain tells the same joke, with its single cast of doomed and damned characters, its single dead-end conclusion, over and over endlessly.
As he attempted to attain the comic resolution and comically transfigured characters he yearned for, Twain forever played, for Griffith, the role of the Achilles of Zeno's Paradox. Like the tortoise that Achilles cannot overtake in Zeno's tale, the richness of comic life forever remained outside Twain's grasp.
The last third of Griffith's study draws parallels between Mark Twain and Herman Melville. Although the two authors never met and seem not to have read each other's works, they labored under the sense of what, in Moby-Dick, Ishmael calls "a vast practical joke . . . at nobody's expense but [one's] own." The laughter occasioned by this cosmic conspiracy shapes the career of Huckleberry Finn fully as much as it does Ishmael's voyage. Out of the laughter are generated the respective obsessions of Captain Ahab and Bartleby, of Pudd'nhead Wilson and Hadleyburg. Reduced at last to a dry mock, the laughter is the prevailing tone of both Billy Budd and The Mysterious Stranger Manuscripts.
[more]
Acorns and Bitter Roots
Starch Grain Research in the Prehistoric Eastern Woodlands
Timothy C. Messner
University of Alabama Press, 2011
Starch grain analysis in the temperate climates of eastern North America using the Delaware River Watershed as a case study for furthering scholarly understanding of the relationship between native people and their biophysical environment in the Woodland Period
People regularly use plants for a wide range of utilitarian, spiritual, pharmacological, and dietary purposes throughout the world. Scholarly understanding of the nature of these uses in prehistory is particularly limited by the poor preservation of plant resources in the archaeological record. In the last two decades, researchers in the South Pacific and in Central and South America have developed microscopic starch grain analysis, a technique for overcoming the limitations of poorly preserved plant material.Messner’s analysis is based on extensive reviews of the literature on early historic, prehistoric native plant use, and the collation of all available archaeobotanical data, a review of which also guided the author in selecting contemporary botanical specimens to identify and in interpreting starch residues recovered from ancient plant-processing technologies. The evidence presented here sheds light on many local ecological and cultural developments as ancient people shifted their subsistence focus from estuarine to riverine settings. These archaeobotanical datasets, Messner argues, illuminate both the conscious and unintentional translocal movement of ideas and ecologies throughout the Eastern Woodlands.
[more]
Active Romanticism
The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice
Edited by Julie Carr and Jeffrey C. Robinson
University of Alabama Press, 2015
A collection of essays highlighting the pervasive, yet often unacknowledged, role of Romantic poetry and poetics on modern and contemporary innovative poetry
Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated “late-Romantic” poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism’s poetic and political radicalism and the experimental movements in poetry from the late nineteenth century to the present day.
According to editors July Carr and Jeffrey C. Robinson, “active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “Poetry fetter’d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.
Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the wellspring from which it flowed.
Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis.
Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated “late-Romantic” poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism’s poetic and political radicalism and the experimental movements in poetry from the late nineteenth century to the present day.
According to editors July Carr and Jeffrey C. Robinson, “active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “Poetry fetter’d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.
Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the wellspring from which it flowed.
Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis.
[more]
Acts of Mind
Conversations with Contemporary Poets
Richard Jackson
University of Alabama Press, 1984
A good poem is, to borrow from Wallace Stevens, a “poem of the mind in the act of finding / What will suffice” (“Of Modern Poetry”), a poem of the mind that both thinks and feels
Acts of Mind grew out of interviews conducted by the author for Poetry Miscellany. The aim of which was to help develop a method for talking about the work of contemporary poets.
The poets whose views appear in this volume represent a fair cross-section of the more important tendencies and impulses to be found in contemporary poetry and poetics.
Acts of Mind grew out of interviews conducted by the author for Poetry Miscellany. The aim of which was to help develop a method for talking about the work of contemporary poets.
The poets whose views appear in this volume represent a fair cross-section of the more important tendencies and impulses to be found in contemporary poetry and poetics.
[more]
Ad Hominem Arguments
Douglas Walton
University of Alabama Press, 2009
A vital contribution to legal theory and media and civic discourse
In the 1860s, northern newspapers attacked Abraham Lincoln's policies by attacking his character, using the terms "drunk," "baboon," "too slow," "foolish," and "dishonest." Steadily on the increase in political argumentation since then, the argumentum ad hominem, or personal attack argument, has now been carefully refined as an instrument of "oppo tactics" and "going negative" by the public relations experts who craft political campaigns at the national level. In this definitive treatment of one of the most important concepts in argumentation theory and informal logic, Douglas Walton presents a normative framework for identifying and evaluating ad hominem or personal attack arguments.
Personal attack arguments have often proved to be so effective, in election campaigns, for example, that even while condemning them, politicians have not stopped using them. In the media, in the courtroom, and in everyday confrontation, ad hominem arguments are easy to put forward as accusations, are difficult to refute, and often have an extremely powerful effect on persuading an audience.
Walton gives a clear method for analyzing and evaluating cases of ad hominem arguments found in everyday argumentation. His analysis classifies the ad hominem argument into five clearly defined subtypes—abusive (direct), circumstantial, bias, "poisoning the well," and tu quoque ("you're just as bad") arguments—and gives methods for evaluating each type. Each subtype is given a well-defined form as a recognizable type of argument. The numerous case studies show in concrete terms many practical aspects of how to use textual evidence to identify and analyze fallacies and to evaluate argumentation as fallacious or not in particular cases.
[more]
Addressing Postmodernity
Kenneth Burke, Rhetoric, and a Theory of Social Change
Barbara Biesecker
University of Alabama Press, 2000
Reveals the full range of Kenneth Burke's contribution to the possibility of social change
In Addressing Postmodernity, Barbara Biesecker examines the relationship between rhetoric and social change and the ways human beings transform social relations through the purposeful use of symbols. In discerning the conditions of possibility for social transformation and the role of human beings and rhetoric in it, Biesecker turns to the seminal work of Kenneth Burke.
Through a close reading of Burke's major works, A Grammar of Motives, A Rhetoric of Motives, and The Rhetoric of Religion: Studies in Logology, the author addresses the critical topic of the
fragmentation of the contemporary lifeworld revealing postmodernity will have a major impact on Burkeian scholarship and on the rhetorical critique of social relations in general.
Directly confronting the challenges posed by postmodernity to social theorists and critics alike and juxtaposing the work of Burke and Jurgen Habermas, Biesecker argues that a radicalized rereading of Burke's theory of the negative opens the way toward a resolutely rhetorical theory of social change and human agency.
[more]
Adventures of Captain Simon Suggs
Late of the Tallapoosa Volunteers; Together with Taking the Census and Other Alabama Sketches
Johnson Jones Hooper
University of Alabama Press, 1993
A series of sketches written in part to parody some the campaign literature of the era
Originally published in 1845, Adventures of Captain Simon Suggs is a series of sketches written in part to parody some the campaign literature of the era. The character, Simon Suggs, with his motto, “it is good to be shifty in a new country,” fully incarnates a backwoods version of the national archetypes now know as the confidence man, the grafter, the professional flim-flam artist supremely skilled in the arts by which a man gets along in the world. This classic volume of good humor is set in the rough-and-tumble world of frontier life and politics.
[more]
Aesthetics from Classical Greece to the Present
Monroe C. Beardsley
University of Alabama Press, 1975
Seeks to bring present-day philosophy principles into the history of aesthetics
Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.
Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.
[more]
Aesthetics of the Natural Environment
Emily Brady
University of Alabama Press, 2003
How “beauty” in nature is understood and appreciated
Aesthetic experience is one of the fundamental ways that we develop a relationship to our natural surroundings. Emily Brady provides a comprehensive study of this type of experience and the central philosophical issues related to it, developing her own original theory of aesthetic appreciation of nature. She provides useful background to the current debate and an up-to-date critical appraisal of contemporary theories.
The context of the contemporary debate is laid out through a discussion of aesthetic experience and aesthetic qualities; early theories of aesthetic appreciation of nature, including the beautiful, the sublime, and the picturesque; and differences between artistic and environmental appreciation and interpretation. Brady situates her own approach in relation to a set of noncognitive accounts of appreciation. Her "integrated aesthetic" brings together various features of appreciation, including the senses, emotion, and imagination, with a reappraisal of the concept of disinterestedness. These ideas are further developed within the more practical domains of aesthetic judgment and education of the environment and through an examination of the role of aesthetic value in environmental conservation.
Arnold Berleant of Long Island University, a pioneer in this area of research, has declared Brady’s work, “admirably comprehensive coverage of the subject.” Julie C. Van Camp of California State University, Long Beach, has said, “The bibliography is priceless. . . . The discussions of such philosophers as Kant and Dewey seem plausible and understandable to an audience of students and the educated public.” This book will be valuable to readers interested in such wide-ranging subjects as philosophy, aesthetics, ethics, ecology, conservation, environmental policy-making, geography, and landscape architecture.
Aesthetic experience is one of the fundamental ways that we develop a relationship to our natural surroundings. Emily Brady provides a comprehensive study of this type of experience and the central philosophical issues related to it, developing her own original theory of aesthetic appreciation of nature. She provides useful background to the current debate and an up-to-date critical appraisal of contemporary theories.
The context of the contemporary debate is laid out through a discussion of aesthetic experience and aesthetic qualities; early theories of aesthetic appreciation of nature, including the beautiful, the sublime, and the picturesque; and differences between artistic and environmental appreciation and interpretation. Brady situates her own approach in relation to a set of noncognitive accounts of appreciation. Her "integrated aesthetic" brings together various features of appreciation, including the senses, emotion, and imagination, with a reappraisal of the concept of disinterestedness. These ideas are further developed within the more practical domains of aesthetic judgment and education of the environment and through an examination of the role of aesthetic value in environmental conservation.
Arnold Berleant of Long Island University, a pioneer in this area of research, has declared Brady’s work, “admirably comprehensive coverage of the subject.” Julie C. Van Camp of California State University, Long Beach, has said, “The bibliography is priceless. . . . The discussions of such philosophers as Kant and Dewey seem plausible and understandable to an audience of students and the educated public.” This book will be valuable to readers interested in such wide-ranging subjects as philosophy, aesthetics, ethics, ecology, conservation, environmental policy-making, geography, and landscape architecture.
[more]
African Americans in the Reconstruction of Florida, 1865-1877
Joe M. Richardson
University of Alabama Press, 2008
Exploration of African American contributions to the state of Florida during the era of Reconstruction
Despite their shortcomings, “radical” politicians, including African Americans, made worthy contributions to the state of Florida during the era of Reconstruction. Joe Richardson disputes many of the misconceptions about the state’s debt and corruption by exploring how some African American politicians were quite capable and learned their duties quickly. Even more remarkable was the rapidity with which the unlettered ex-slaves absorbed education and adjusted to their status as free men. African Americans in the Reconstruction of Florida delves into the problems encountered by the freed men and traces their successes and failures during the first decade after emancipation.
[more]
After Strange Texts
The Role of Theory in the Study of Literature
Gregory S. Jay and David L. Miller
University of Alabama Press, 1985
After Strange Texts is a collection of essays that will help to advance discussion about the value and significance of literary theory. The editors, Gregory S. Jay and David L. Miller, open the volume with a cogent and philosophically sophisticated survey of the contemporary theoretical scene, and they argue with particular force about the "inescapability" of theory. As Jay and Miller point out, "theory" means, among other things, the techniques by which critics and scholars undertake their "practical" work; if we say we are "against" theory or claim to practice "without" theory, then we are in a real sense simply deceiving ourselves.
All scholars subscribe to theories, and these are embedded in their criticism and scholarship. Whatever the excesses of (and differences between) deconstruction, feminism, the new historicism, and the other theories that Jay and Miller review, they share a commitment to heightening the teacher/critic's self-consciousness about the labor that he or she performs.
*
All scholars subscribe to theories, and these are embedded in their criticism and scholarship. Whatever the excesses of (and differences between) deconstruction, feminism, the new historicism, and the other theories that Jay and Miller review, they share a commitment to heightening the teacher/critic's self-consciousness about the labor that he or she performs.
*
[more]
After the Whale
Melville in the Wake of Moby-Dick
Clark Davis
University of Alabama Press, 1995
Examines Herman Melville’s short fiction and poetry in the context of popular 1850s fiction
The study focuses on Melville’s vision of the purpose and function of language from Moby-Dick through Billy Budd with a special emphasis on how language—in function and form—follows and depends on the function and form of the body, how Melville’s attitude toward words echoes his attitude toward fish. Davis begins by locating and describing the fundamental dialectic formulated in Moby-Dick in the characters of Ahab and Ishmael. This dialectic produces two visions of bodily reality and two corresponding visions of language: Ahab’s, in which language is both weapon and substitute body, and Ishmael’s, in which language is an extension of the body—a medium of explanation, conversation, and play. These two forms of language provide a key to understanding the difficult relationships and formal changes in Melville’s writings after Moby-Dick.
By following each work’s attitude toward the dialectic, we can see the contours of the later career more clearly and so begin a movement away from weakly contextualized readings of individual novels and short stories to a more complete consideration of Melville’s career. Since the rediscovery of Herman Melville in the early decades of this century, criticism has been limited to the prose in general and to a few major works in particular.
Those who have given significant attention to the short fiction and poetry have done so frequently out of context, that is, in multi-author works devoted exclusively to these genres. The result has been a criticism with large gaps, most especially for works from Melville’s later career. The relative lack of interest in the poetry has left us with little understanding of how Melville’s later voices developed, of how the novels evolved into tales, the tales into poetry, and the poetry back into prose. In short, the development of Melville’s art during the final three decades of his life remains a subject of which we have been afforded only glimpses, rarely a continuous attention. After the Whale provides a new, more comprehensive understanding of Melville’s growth as a writer.
*
The study focuses on Melville’s vision of the purpose and function of language from Moby-Dick through Billy Budd with a special emphasis on how language—in function and form—follows and depends on the function and form of the body, how Melville’s attitude toward words echoes his attitude toward fish. Davis begins by locating and describing the fundamental dialectic formulated in Moby-Dick in the characters of Ahab and Ishmael. This dialectic produces two visions of bodily reality and two corresponding visions of language: Ahab’s, in which language is both weapon and substitute body, and Ishmael’s, in which language is an extension of the body—a medium of explanation, conversation, and play. These two forms of language provide a key to understanding the difficult relationships and formal changes in Melville’s writings after Moby-Dick.
By following each work’s attitude toward the dialectic, we can see the contours of the later career more clearly and so begin a movement away from weakly contextualized readings of individual novels and short stories to a more complete consideration of Melville’s career. Since the rediscovery of Herman Melville in the early decades of this century, criticism has been limited to the prose in general and to a few major works in particular.
Those who have given significant attention to the short fiction and poetry have done so frequently out of context, that is, in multi-author works devoted exclusively to these genres. The result has been a criticism with large gaps, most especially for works from Melville’s later career. The relative lack of interest in the poetry has left us with little understanding of how Melville’s later voices developed, of how the novels evolved into tales, the tales into poetry, and the poetry back into prose. In short, the development of Melville’s art during the final three decades of his life remains a subject of which we have been afforded only glimpses, rarely a continuous attention. After the Whale provides a new, more comprehensive understanding of Melville’s growth as a writer.
*
[more]
After Wallace
The 1986 Contest for Governor and Political Change in Alabama
Patrick R. Cotter
University of Alabama Press, 2009
All Alabama elections are colorful, but the 1986 gubernatorial contest may trump them all for its sheer strangeness
With the retirement of an aging and ill George Wallace, both the issues and candidates contending for the office were able to set the course of Alabama politics for generations to follow. Whereas the Wallace regimes were particular to Alabama, and the gubernatorial campaign was conducted in a partial vacuum with his absence, Alabama also experienced a wave of partisan realignment. A once solidly Democratic South was undergoing a tectonic political shift as white voters in large numbers abandoned their traditional Democratic political home for the revived Republicans, a party shaped in many respects by the Wallace presidential bids of 1968 and 1972 and the Reagan revolution of the 1980s.
Alabama's own Democratic Party contributed to this massive shift with self-destructive campaign behavior that disgusted many of its traditional voters who wound up staying home or voting for a little-known Republican. From the gubernatorial election of 1986 came the shaky balance between the two parties that exists today.
After Wallace recollects and analyzes how these shifts occurred, citing extensive newspaper coverage from the time as well as personal observations and poll data collected by the authors. This volume is certain to be a valuable work for any political scientist, especially those with an interest in Alabama or southern politics.
With the retirement of an aging and ill George Wallace, both the issues and candidates contending for the office were able to set the course of Alabama politics for generations to follow. Whereas the Wallace regimes were particular to Alabama, and the gubernatorial campaign was conducted in a partial vacuum with his absence, Alabama also experienced a wave of partisan realignment. A once solidly Democratic South was undergoing a tectonic political shift as white voters in large numbers abandoned their traditional Democratic political home for the revived Republicans, a party shaped in many respects by the Wallace presidential bids of 1968 and 1972 and the Reagan revolution of the 1980s.
Alabama's own Democratic Party contributed to this massive shift with self-destructive campaign behavior that disgusted many of its traditional voters who wound up staying home or voting for a little-known Republican. From the gubernatorial election of 1986 came the shaky balance between the two parties that exists today.
After Wallace recollects and analyzes how these shifts occurred, citing extensive newspaper coverage from the time as well as personal observations and poll data collected by the authors. This volume is certain to be a valuable work for any political scientist, especially those with an interest in Alabama or southern politics.
[more]
After War Times
An African American Childhood in Reconstruction-Era Florida
T. Thomas Fortune
University of Alabama Press, 2014
Twenty-three autobiographical articles by noted African American journalist T. Thomas Fortune, comprising a late-life memoir of his childhood in Reconstruction-era Florida
T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida, lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.
By 1890, Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “I propose to start a crusade,” he proclaimed in June 1900, “to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “the Great Migration.”
By focusing on Thomas’s ruminations about his disillusion with post–Civil War Florida, Weinfeld highlights the sources of Fortune’s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow–era racial discrimination and violence. Decades after he left the South, Fortune’s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida, lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.
By 1890, Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “I propose to start a crusade,” he proclaimed in June 1900, “to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “the Great Migration.”
By focusing on Thomas’s ruminations about his disillusion with post–Civil War Florida, Weinfeld highlights the sources of Fortune’s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow–era racial discrimination and violence. Decades after he left the South, Fortune’s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
[more]
An Agenda for Antiquity
Henry Fairfield Osborn and Vertebrate Paleontology at the American Museum of Natural History, 1890-1935
Ronald Rainger
University of Alabama Press, 1991
How and why vertebrate paleontology flourished at New York’s American Museum of Natural History in the early 20th century
With a main focus on Henry Fairfield Osborn (1857-1935), a prominent scientist and administrator who dominated vertebrate paleontology in that era and played a pivotal role in creating a leading institution and a manor program of research in that field.
Born into a wealthy New York family, Osborn was in a unique position to follow vigorously his scientific interests in vertebrate paleontology and further worldwide science education through use of the considerable social, political, and financial resources at his command. Yet he was able to guide the development of the American Museum of Natural History’s program in vertebrate paleontology in such a manner as to avoid conflict with the values and beliefs associated with the interests of the upper-class elite who supported the program.
His ties to a wide network of influential figures, including the trustees of the American Museum, provided him with the political and financial resources necessary to build a major program in vertebrate paleontology. An ambitious and energetic man, Osborn took advantage of those opportunities to promote his field of study and to establish himself as a leading administrator at the American Museum, Colombia University, and the New York Zoological Society.
With a main focus on Henry Fairfield Osborn (1857-1935), a prominent scientist and administrator who dominated vertebrate paleontology in that era and played a pivotal role in creating a leading institution and a manor program of research in that field.
Born into a wealthy New York family, Osborn was in a unique position to follow vigorously his scientific interests in vertebrate paleontology and further worldwide science education through use of the considerable social, political, and financial resources at his command. Yet he was able to guide the development of the American Museum of Natural History’s program in vertebrate paleontology in such a manner as to avoid conflict with the values and beliefs associated with the interests of the upper-class elite who supported the program.
His ties to a wide network of influential figures, including the trustees of the American Museum, provided him with the political and financial resources necessary to build a major program in vertebrate paleontology. An ambitious and energetic man, Osborn took advantage of those opportunities to promote his field of study and to establish himself as a leading administrator at the American Museum, Colombia University, and the New York Zoological Society.
[more]
Aggression and Sufferings
Settler Violence, Native Resistance, and the Coalescence of the Old South
F. Evan Nooe
University of Alabama Press, 2024
A bold reconceptualization of how settler expansion and narratives of victimhood, honor, and revenge drove the conquest and erasure of the Native South and fed the emergence of a distinct white southern identity
In 1823, Tennessee historian John Haywood encapsulated a foundational sentiment among the white citizenry of Tennessee when he wrote of a “long continued course of aggression and sufferings” between whites and Native Americans. According to F. Evan Nooe, “aggression” and “sufferings” are broad categories that can be used to represent the framework of factors contributing to the coalescence of the white South.
Traditionally, the concept of coalescence is an anthropological model used to examine the transformation of Indigenous communities in the Eastern Woodlands from chieftaincies to Native tribes, confederacies, and nations in response to colonialism. Applying this concept to white southerners, Nooe argues that through the experiences and selective memory of settlers in the antebellum South, white southerners incorporated their aggression against and suffering at the hands of the Indigenous peoples of the Southeast in the coalescence of a regional identity built upon the violent dispossession of the Native South. This, in turn, formed a precursor to Confederate identity and its later iterations in the long nineteenth century.
Geographically, Aggression and Sufferings prioritizes events in South Carolina, Florida, Tennessee, Georgia, and Alabama. Nooe considers how divergent systems of violence and justice between Native Americans and white settlers (such as blood revenge and concepts of honor) functioned in the region and examines the involved societies’ conflicting standards on how to equitably resolve interpersonal violence. Finally, Nooe explores how white southerners constructed, propagated, and perpetuated harrowing tales of colonizers as both victims and heroes in the violent expulsion of the region’s Native peoples from their homelands. This constructed sense of regional history and identity continued to flower into the antebellum period, during western expansion, and well through the twentieth century.
In 1823, Tennessee historian John Haywood encapsulated a foundational sentiment among the white citizenry of Tennessee when he wrote of a “long continued course of aggression and sufferings” between whites and Native Americans. According to F. Evan Nooe, “aggression” and “sufferings” are broad categories that can be used to represent the framework of factors contributing to the coalescence of the white South.
Traditionally, the concept of coalescence is an anthropological model used to examine the transformation of Indigenous communities in the Eastern Woodlands from chieftaincies to Native tribes, confederacies, and nations in response to colonialism. Applying this concept to white southerners, Nooe argues that through the experiences and selective memory of settlers in the antebellum South, white southerners incorporated their aggression against and suffering at the hands of the Indigenous peoples of the Southeast in the coalescence of a regional identity built upon the violent dispossession of the Native South. This, in turn, formed a precursor to Confederate identity and its later iterations in the long nineteenth century.
Geographically, Aggression and Sufferings prioritizes events in South Carolina, Florida, Tennessee, Georgia, and Alabama. Nooe considers how divergent systems of violence and justice between Native Americans and white settlers (such as blood revenge and concepts of honor) functioned in the region and examines the involved societies’ conflicting standards on how to equitably resolve interpersonal violence. Finally, Nooe explores how white southerners constructed, propagated, and perpetuated harrowing tales of colonizers as both victims and heroes in the violent expulsion of the region’s Native peoples from their homelands. This constructed sense of regional history and identity continued to flower into the antebellum period, during western expansion, and well through the twentieth century.
[more]
Ain't Nothin' But a Winner
Bear Bryant, The Goal Line Stand, and a Chance of a Lifetime
Barry Krauss and Joe M. Moore With a Foreword by Don Shula
University of Alabama Press, 2006
A rollicking memoir from the linebacker at the heart of the most famous Alabama football play of all time
No university has won more football championships than Alabama, and Barry Krauss played a key role in one of them. The linebacker’s fourth down stop of Penn State’s Mike Guman in the Sugar Bowl on January 1, 1979, was recently named by ESPN as one of the ten most important plays of the 20th century.
The Goal Line Stand, as the play became known, immortalized Krauss among legions of fans. More than twenty-five years later, people still tell him exactly what they were doing and how they felt when he collided in mid-air with Guman that New Year’s Day—and almost never mention his twelve-year career in the NFL.
In this entertaining and well-illustrated memoir, Krauss tells of scrimmaging on front lawns with friends as a kid in Pompano Beach, Florida, and of his childhood dream to play for Don Shula. He acknowledges how Coach Bear Bryant tamed his free spirit and shaped him into the football player—and the man—he became. In addition, he emphasizes the importance of team, weaving together the personal stories of his Alabama teammates on the field during the Goal Line Stand, and acknowledges their significant roles in winning the game and the championship.
Ain’t Nothin’ But a Winner offers an insider’s look at how a team is built, tested, and becomes a national champion—and how that process sometimes calls upon an individual to rise to the challenge presented by his own personal gut check.
No university has won more football championships than Alabama, and Barry Krauss played a key role in one of them. The linebacker’s fourth down stop of Penn State’s Mike Guman in the Sugar Bowl on January 1, 1979, was recently named by ESPN as one of the ten most important plays of the 20th century.
The Goal Line Stand, as the play became known, immortalized Krauss among legions of fans. More than twenty-five years later, people still tell him exactly what they were doing and how they felt when he collided in mid-air with Guman that New Year’s Day—and almost never mention his twelve-year career in the NFL.
In this entertaining and well-illustrated memoir, Krauss tells of scrimmaging on front lawns with friends as a kid in Pompano Beach, Florida, and of his childhood dream to play for Don Shula. He acknowledges how Coach Bear Bryant tamed his free spirit and shaped him into the football player—and the man—he became. In addition, he emphasizes the importance of team, weaving together the personal stories of his Alabama teammates on the field during the Goal Line Stand, and acknowledges their significant roles in winning the game and the championship.
Ain’t Nothin’ But a Winner offers an insider’s look at how a team is built, tested, and becomes a national champion—and how that process sometimes calls upon an individual to rise to the challenge presented by his own personal gut check.
[more]
Air Power and Armies
Sir John Cotesworth Slessor, and foreword by Phillip Meilinger
University of Alabama Press, 2009
An account of Sir John Cotesworth Slessor (1897–1979), one of Great Britain's most influential airmen
Sir John Slessor played a significant role in building the World War II Anglo-American air power partnership as an air planner on the Royal Air Force Staff, the British Chiefs of Staff, and the Combined Chiefs of Staff. He coordinated allied strategy in 1940–41, helped create an Anglo-American bomber alliance in 1942, and drafted the compromise at the Casablanca Conference that broke a deadlock in Anglo-American strategic debate.
Slessor was instrumental in defeating the U-boat menace as RAF Coastal Commander, and later shared responsibility for directing Allied air operations in the Mediterranean. Few aspects of the allied air effort escaped his influence: pilot training, aircraft procurement, and dissemination of operational intelligence and information all depended to a degree on Slessor. His influence on Anglo-American operational planning paved the way for a level of cooperation and combined action never before undertaken by the military forces of two great nations.
Sir John Slessor played a significant role in building the World War II Anglo-American air power partnership as an air planner on the Royal Air Force Staff, the British Chiefs of Staff, and the Combined Chiefs of Staff. He coordinated allied strategy in 1940–41, helped create an Anglo-American bomber alliance in 1942, and drafted the compromise at the Casablanca Conference that broke a deadlock in Anglo-American strategic debate.
Slessor was instrumental in defeating the U-boat menace as RAF Coastal Commander, and later shared responsibility for directing Allied air operations in the Mediterranean. Few aspects of the allied air effort escaped his influence: pilot training, aircraft procurement, and dissemination of operational intelligence and information all depended to a degree on Slessor. His influence on Anglo-American operational planning paved the way for a level of cooperation and combined action never before undertaken by the military forces of two great nations.
[more]
Air Power in War
Arthur W. Tedder
University of Alabama Press, 2010
The architect of the successful air strategy which led to Allied victory
Arthur Tedder, who was knighted and raised to the peerage for his contributions to the Allied victory in World War II, served in the British air force in World War I and played an important role in professionalizing and organizing British air forces between the two world wars. During World War II, he held a succession of increasingly vital air force posts.
In addition to his achievements as Air Commander-in-Chief in the North African theater early in the war, Tedder’s most lasting contribution was as Deputy Supreme Commander under Dwight D. Eisenhower. He deserves much credit for keeping the Allied command functioning and harmonious. He was also the architect of the successful air strategy Eisenhower adopted for the Normandy invasion of 1944, which departed from both the British and American existing doctrine and models by concentrating on German rail systems rather than on either civilian or industrial targets.
Arthur Tedder, who was knighted and raised to the peerage for his contributions to the Allied victory in World War II, served in the British air force in World War I and played an important role in professionalizing and organizing British air forces between the two world wars. During World War II, he held a succession of increasingly vital air force posts.
In addition to his achievements as Air Commander-in-Chief in the North African theater early in the war, Tedder’s most lasting contribution was as Deputy Supreme Commander under Dwight D. Eisenhower. He deserves much credit for keeping the Allied command functioning and harmonious. He was also the architect of the successful air strategy Eisenhower adopted for the Normandy invasion of 1944, which departed from both the British and American existing doctrine and models by concentrating on German rail systems rather than on either civilian or industrial targets.
[more]
The Airship
Incantations
Adam Tipps Weinstein
University of Alabama Press, 2021
A hypnotic tale of a Jewish refugee from Europe and his three years stranded aboard the Vasari
The Airship is the entrancing fictional biography of Nathan Cohen, who was deported from the US in 1912 under the Alien Act and spent the first years of World War I on a passenger ship, shuttled between the US and Argentina. Newspapers called him “The Wandering Jew” and “The Man Without a Country,” speculating he would spend the rest of his life at sea.
Adam Tipps Weinstein provides a wise, rich, nuanced, and mischievous exploration of Cohen’s emigration from Bauska, in the Russian Pale of Settlement, to Las Pampas, in Argentina. The Airship is finally Cohen’s wish for a new line of flight, which he realizes when he launches his beloved Laika, aboard a scavenged hot-air balloon.
Told through a series of incantations—spells, songs, folk tales, ghosts, charms—the book traces Cohen’s biography across time and a great expanse of geography. The concepts of home and homeland are stretched until they break. Was there ever a home? The Airship incants these paradoxes of location, nationality, faith, and belonging in a bordered and borderless world.
The Airship is the entrancing fictional biography of Nathan Cohen, who was deported from the US in 1912 under the Alien Act and spent the first years of World War I on a passenger ship, shuttled between the US and Argentina. Newspapers called him “The Wandering Jew” and “The Man Without a Country,” speculating he would spend the rest of his life at sea.
Adam Tipps Weinstein provides a wise, rich, nuanced, and mischievous exploration of Cohen’s emigration from Bauska, in the Russian Pale of Settlement, to Las Pampas, in Argentina. The Airship is finally Cohen’s wish for a new line of flight, which he realizes when he launches his beloved Laika, aboard a scavenged hot-air balloon.
Told through a series of incantations—spells, songs, folk tales, ghosts, charms—the book traces Cohen’s biography across time and a great expanse of geography. The concepts of home and homeland are stretched until they break. Was there ever a home? The Airship incants these paradoxes of location, nationality, faith, and belonging in a bordered and borderless world.
[more]
Alabama Afternoons
Profiles and Conversations
Roy Hoffman
University of Alabama Press, 2011
A collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman
Alabama Afternoons is a collection of portraits of many notable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Theresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”
Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html
Alabama Afternoons is a collection of portraits of many notable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Theresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”
Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html
[more]
Alabama and the Borderlands
From Prehistory To Statehood
Edited by R. Reid Badger and Lawrence A. Clayton
University of Alabama Press, 1985
Brings together the nation's leading scholars on the prehistory and early history of Alabama and the southeastern US
This fascinating collection was born of a concern with Alabama's past and the need to explore and explain that legacy, so often hidden by the veils of time, ignorance, or misunderstanding. In 1981 The University of Alabama celebrated its 150th anniversary, and each College contributed to the celebration by sponsoring a special symposium. The College of Arts and Sciences brought together the nation's leading scholars on the prehistory and early history of Alabama and the Southeastern United States, and for two memorable days in September 1981 several hundred interested listeners heard those scholars present their interpretations of Alabama's remarkable past.
The organizers of the symposium deliberately chose to focus on Alabama's history before statehood. Alabama as a constituent state of the Old South is well known. Alabama as a home of Indian cultures and civilizations of a high order, as an object of desire, exploration, and conquest in the sixteenth century, and as a borderland disputed by rival European nationalities for almost 300 years is less well known. The resulting essays in this collection prove as interesting, enlightening, and provocative to the casual reader as to the professional scholar, for they are intended to bring to the general reader artifacts and documents that reveal the realities and romance of that older Alabama.
Topics in the collection range from the Mississippian Period in archaeology and the de Soto expedition (and other early European explorations and settlements of Alabama) to the 1780 Siege of Mobile.
[more]
Alabama Blast Furnaces
Joseph H. Woodward, with an introduction by James R. Bennett
University of Alabama Press, 2007
Go to resource on all the furnaces that made Alabama internationally significant in the iron and steel industry
This work is the first and remains the only source of information on all blast furnaces built and operated in Alabama, from the first known charcoal furnace of 1815 (Cedar Creek Furnace in Franklin County) to the coke-fired giants built before the onset of the Great Depression. Woodward surveys the iron industry from the early, small local market furnaces through the rise of the iron industry in support of the Confederate war effort, to the giant internationally important industry that developed in the 1890s. The bulk of the book consists of individual illustrated histories of all blast furnaces ever constructed and operated in the state, furnaces that went into production and four that were built but never went into blast.
Written to provide a record of every blast furnace built in Alabama from 1815 to 1940, this book was widely acclaimed and today remains one of the most quoted references on the iron and steel industry.
[more]
Alabama Canoe Rides and Float Trips
John Foshee
University of Alabama Press, 1986
A detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state
John Foshee’s popular and informative Alabama Canoe Rides and Float Trips has been a favorite of canoeing enthusiasts since 1975, providing a detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state. The trips highlighted in the book range from 3½ to 14 miles in length, with difficulty factors varying from leisurely float trips to Class 4 rapids.
This handy guide will assist beginning and expert canoeists in the selection of and preparation for a variety of float experiences. The author gives suggestions for river safety and makes recommendations for equipment. In addition, he points out major danger areas and obstacles that may be encountered and includes information on river access and use of topographical maps. An appendix contains brief descriptions of the rides, including their put-ins and take-outs, and follows the general format of the individual trip descriptions.
John Foshee’s popular and informative Alabama Canoe Rides and Float Trips has been a favorite of canoeing enthusiasts since 1975, providing a detailed guide to 102 canoe trips on the Cahaba River and 40 other creeks and rivers within the state. The trips highlighted in the book range from 3½ to 14 miles in length, with difficulty factors varying from leisurely float trips to Class 4 rapids.
This handy guide will assist beginning and expert canoeists in the selection of and preparation for a variety of float experiences. The author gives suggestions for river safety and makes recommendations for equipment. In addition, he points out major danger areas and obstacles that may be encountered and includes information on river access and use of topographical maps. An appendix contains brief descriptions of the rides, including their put-ins and take-outs, and follows the general format of the individual trip descriptions.
[more]
Alabama Creates
200 Years of Art and Artists
Edited by Elliot A. Knight
University of Alabama Press, 2019
A visually rich survey of two hundred years of Alabama fine arts and artists
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.
[more]
Alabama Founders
Fourteen Political and Military Leaders Who Shaped the State
Herbert James Lewis
University of Alabama Press, 2018
A biographical history of the forefathers who shaped the identity of Alabama politically, legally, economically, militarily, and geographically
While much has been written about the significant events in the history of early Alabama, there has been little information available about the people who participated in those events. In Alabama Founders:Fourteen Political and Military Leaders Who Shaped the State Herbert James Lewis provides an important examination of the lives of fourteen political and military leaders. These were the men who opened Alabama for settlement, secured Alabama’s status as a territory in 1817 and as a state in 1819, and helped lay the foundation for the political and economic infrastructure of Alabama in its early years as a state.
While well researched and thorough, this book does not purport to be a definitive history of Alabama’s founding. Lewis has instead narrowed his focus to only those he believes to be key figures—in clearing the territory for settlement, serving in the territorial government, working to achieve statehood, playing a key role at the Constitutional Convention of 1819, or being elected to important offices in the first years of statehood.
The founders who readied the Alabama Territory for statehood include Judge Harry Toulmin, Henry Hitchcock, and Reuben Saffold II. William Wyatt Bibb and his brother Thomas Bibb respectively served as the first two governors of the state, and Charles Tait, known as the “Patron of Alabama,” shepherded Alabama’s admission bill through the US Senate. Military figures who played roles in surveying and clearing the territory for further settlement and development include General John Coffee, Andrew Jackson’s aide and land surveyor, and Samuel Dale, frontiersman and hero of the “Canoe Fight.” Those who were instrumental to the outcome of the Constitutional Convention of 1819 and served the state well in its early days include John W. Walker, Clement Comer Clay, Gabriel Moore, Israel Pickens, and William Rufus King.
While much has been written about the significant events in the history of early Alabama, there has been little information available about the people who participated in those events. In Alabama Founders:Fourteen Political and Military Leaders Who Shaped the State Herbert James Lewis provides an important examination of the lives of fourteen political and military leaders. These were the men who opened Alabama for settlement, secured Alabama’s status as a territory in 1817 and as a state in 1819, and helped lay the foundation for the political and economic infrastructure of Alabama in its early years as a state.
While well researched and thorough, this book does not purport to be a definitive history of Alabama’s founding. Lewis has instead narrowed his focus to only those he believes to be key figures—in clearing the territory for settlement, serving in the territorial government, working to achieve statehood, playing a key role at the Constitutional Convention of 1819, or being elected to important offices in the first years of statehood.
The founders who readied the Alabama Territory for statehood include Judge Harry Toulmin, Henry Hitchcock, and Reuben Saffold II. William Wyatt Bibb and his brother Thomas Bibb respectively served as the first two governors of the state, and Charles Tait, known as the “Patron of Alabama,” shepherded Alabama’s admission bill through the US Senate. Military figures who played roles in surveying and clearing the territory for further settlement and development include General John Coffee, Andrew Jackson’s aide and land surveyor, and Samuel Dale, frontiersman and hero of the “Canoe Fight.” Those who were instrumental to the outcome of the Constitutional Convention of 1819 and served the state well in its early days include John W. Walker, Clement Comer Clay, Gabriel Moore, Israel Pickens, and William Rufus King.
[more]
Alabama Governors
A Political History of the State
Samuel L. Webb
University of Alabama Press, 2014
An entirely revised and updated edition of the best-selling 2001 original
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama’s years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become a valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama’s years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become a valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
[more]
Alabama Governors
A Political History of the State
Samuel L. Webb
University of Alabama Press, 2001
The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf.
Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.
[more]
Alabama in the Twentieth Century
Wayne Flynt
University of Alabama Press, 2006
An authoritative popular history that places the state in regional and national context
Alabama is a state full of contrasts. On the one hand, it has elected the lowest number of women to the state legislature of any state in the union; yet according to historians it produced two of the ten most important American women of the 20th century—Helen Keller and Rosa Parks. Its people are fanatically devoted to conservative religious values; yet they openly idolize tarnished football programs as the source of their heroes. Citizens who are puzzled by Alabama's maddening resistance to change or its incredibly strong sense of tradition and community will find important clues and new understanding within these pages.
Written by passionate Alabamian and accomplished historian Wayne Flynt, Alabama in the Twentieth Century offers supporting arguments for both detractors and admirers of the state. A native son who has lived, loved, taught, debated, and grieved within the state for 60 of the 100 years described, the author does not flinch from pointing out Alabama's failures, such as the woeful yoke of a 1901 state constitution, the oldest one in the nation; neither is he restrained in calling attention to the state's triumphs against great odds, such as its phenomenal number of military heroes and gifted athletes, its dazzling array of writers, folk artists, and musicians, or its haunting physical beauty despite decades of abuse.
Chapters are organized by topic—politics, the economy, education, African Americans, women, the military, sport, religion, literature, art, journalism—rather than chronologically, so the reader can digest the whole sweep of the century on a particular subject. Flynt’s writing style is engaging, descriptive, free of clutter, yet based on sound scholarship. This book offers teachers and readers alike the vast range and complexity of Alabama's triumphs and low points in a defining century.
*
Alabama is a state full of contrasts. On the one hand, it has elected the lowest number of women to the state legislature of any state in the union; yet according to historians it produced two of the ten most important American women of the 20th century—Helen Keller and Rosa Parks. Its people are fanatically devoted to conservative religious values; yet they openly idolize tarnished football programs as the source of their heroes. Citizens who are puzzled by Alabama's maddening resistance to change or its incredibly strong sense of tradition and community will find important clues and new understanding within these pages.
Written by passionate Alabamian and accomplished historian Wayne Flynt, Alabama in the Twentieth Century offers supporting arguments for both detractors and admirers of the state. A native son who has lived, loved, taught, debated, and grieved within the state for 60 of the 100 years described, the author does not flinch from pointing out Alabama's failures, such as the woeful yoke of a 1901 state constitution, the oldest one in the nation; neither is he restrained in calling attention to the state's triumphs against great odds, such as its phenomenal number of military heroes and gifted athletes, its dazzling array of writers, folk artists, and musicians, or its haunting physical beauty despite decades of abuse.
Chapters are organized by topic—politics, the economy, education, African Americans, women, the military, sport, religion, literature, art, journalism—rather than chronologically, so the reader can digest the whole sweep of the century on a particular subject. Flynt’s writing style is engaging, descriptive, free of clutter, yet based on sound scholarship. This book offers teachers and readers alike the vast range and complexity of Alabama's triumphs and low points in a defining century.
*
[more]
Alabama Justice
The Cases and Faces That Changed a Nation
Steven P. Brown
University of Alabama Press, 2020
WINNER OF THE ANNE B. & JAMES B. MCMILLAN PRIZE IN SOUTHERN HISTORY
Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes
Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.
Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.
In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes
Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.
Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.
In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
[more]
Alabama Politics in the Twenty-First Century
William H. Stewart
University of Alabama Press, 2016
An expansive and accessible primer on Alabama state politics, past and present, which provides an in-depth appreciation and understanding of the twenty-second state’s distinctive political machinery
Why does Alabama rank so low on many of the indicators of quality of life? Why did some of the most dramatic developments in the civil rights revolution of the 1960s take place in Alabama? Why is it that a few interest groups seem to have the most political power in Alabama? William H. Stewart’s Alabama Politics in the Twenty-First Century explores these questions and more, illuminating many of the often misunderstood details of contemporary Alabama politics in this cohesive and comprehensive publication.
The Alabama state government, especially as a specimen of Deep South politics, is a topic of frequent discussion by its general public—second only to college football. However, there remains a surprising lack of literature focusing on the workings of the state’s bureaucracy in an extensive and systematic way. Bearing in mind the Yellowhammer State’s long and rich political history, Stewart concentrates on Alabama’s statecraft from the first decade of the twenty-first century through the November 2010 elections and considers what the widespread Republican victories mean for their constituents. He also studies several different themes prominent during the 2010 elections, including the growing number and influence of special interest groups, the respective polarization of whites and blacks into the Republican and Democratic parties, and the increasingly unwieldy state constitution.
This fascinating and revealing text provides a wealth of information about an extremely complex state government. Featuring detailed descriptions of important concepts and events presented in a thorough and intelligible manner, Alabama Politics in the Twenty-First Century is perfect for scholars, students, everyday Alabamians, or anyone who wants the inside scoop on the subtle inner workings of the Cotton State’s politics.
Why does Alabama rank so low on many of the indicators of quality of life? Why did some of the most dramatic developments in the civil rights revolution of the 1960s take place in Alabama? Why is it that a few interest groups seem to have the most political power in Alabama? William H. Stewart’s Alabama Politics in the Twenty-First Century explores these questions and more, illuminating many of the often misunderstood details of contemporary Alabama politics in this cohesive and comprehensive publication.
The Alabama state government, especially as a specimen of Deep South politics, is a topic of frequent discussion by its general public—second only to college football. However, there remains a surprising lack of literature focusing on the workings of the state’s bureaucracy in an extensive and systematic way. Bearing in mind the Yellowhammer State’s long and rich political history, Stewart concentrates on Alabama’s statecraft from the first decade of the twenty-first century through the November 2010 elections and considers what the widespread Republican victories mean for their constituents. He also studies several different themes prominent during the 2010 elections, including the growing number and influence of special interest groups, the respective polarization of whites and blacks into the Republican and Democratic parties, and the increasingly unwieldy state constitution.
This fascinating and revealing text provides a wealth of information about an extremely complex state government. Featuring detailed descriptions of important concepts and events presented in a thorough and intelligible manner, Alabama Politics in the Twenty-First Century is perfect for scholars, students, everyday Alabamians, or anyone who wants the inside scoop on the subtle inner workings of the Cotton State’s politics.
[more]
Alabama Railroads
Wayne Cline
University of Alabama Press, 1997
A comprehensive, illustrated history that shows Alabama's important role in the development of the nation's railroad system
Alabama Railroads is the first extensive history of the state’s railway system, from the chartering of the Tuscumbia Railway Company in January 1830, to the maturity of the system in the latter half of the 20th century, when Amtrak assumed control of the nation’s passenger service.
Railroads built Alabama. Without them the state’s vast natural resources could not have been developed. Scores of Alabama towns, including the city of Birmingham, owe their existence to the railroads. Moreover, Alabama legislators were instrumental in securing passage of momentous land grant legislation that brought the railroad—and settlers—to every section of the American frontier.
During the Civil War, the state’s rail system was a primary objective of Union raiders, and an Alabama rail connection into Chattanooga proved to be a vital key to victory. After the war, the railroad shaped politics and economic development in the state. Indeed, most of the important events of the first 100 years of Alabama history were influenced in a significant manner by the railroad. Alabama Railroads chronicles these events—from land grant legislation and the strategic importance of Alabama’s railroads in the Civil War to the founding of Birmingham and the development of the state’s agricultural, mineral, and timber regions.
Wayne Cline traces the development of all the major lines as well as the most prominent short lines, from the day in 1832 when the first horse-drawn cars rolled over primitive tracks at Tuscumbia, to the night in 1971 at Sylacauga when the final operating order was issued for one of the 20th century’s most famous streamliners. Along the way we meet the varied cast of colorful characters who pioneered the railway system that serves the state today. With more than 100 rare and vintage illustrations from the 19th and early 20th centuries, Alabama Railroads places Alabama’s rail heritage in a national context and allows students of southern history as well as railroad enthusiasts to view this Deep South state from an entirely fresh perspective.
Alabama Railroads is the first extensive history of the state’s railway system, from the chartering of the Tuscumbia Railway Company in January 1830, to the maturity of the system in the latter half of the 20th century, when Amtrak assumed control of the nation’s passenger service.
Railroads built Alabama. Without them the state’s vast natural resources could not have been developed. Scores of Alabama towns, including the city of Birmingham, owe their existence to the railroads. Moreover, Alabama legislators were instrumental in securing passage of momentous land grant legislation that brought the railroad—and settlers—to every section of the American frontier.
During the Civil War, the state’s rail system was a primary objective of Union raiders, and an Alabama rail connection into Chattanooga proved to be a vital key to victory. After the war, the railroad shaped politics and economic development in the state. Indeed, most of the important events of the first 100 years of Alabama history were influenced in a significant manner by the railroad. Alabama Railroads chronicles these events—from land grant legislation and the strategic importance of Alabama’s railroads in the Civil War to the founding of Birmingham and the development of the state’s agricultural, mineral, and timber regions.
Wayne Cline traces the development of all the major lines as well as the most prominent short lines, from the day in 1832 when the first horse-drawn cars rolled over primitive tracks at Tuscumbia, to the night in 1971 at Sylacauga when the final operating order was issued for one of the 20th century’s most famous streamliners. Along the way we meet the varied cast of colorful characters who pioneered the railway system that serves the state today. With more than 100 rare and vintage illustrations from the 19th and early 20th centuries, Alabama Railroads places Alabama’s rail heritage in a national context and allows students of southern history as well as railroad enthusiasts to view this Deep South state from an entirely fresh perspective.
[more]
An Alabama Songbook
Ballads, Folksongs, and Spirituals Collected by Byron Arnold
Robert W. Halli Jr.
University of Alabama Press, 2004
A lavish presentation of 208 folksongs collected throughout Alabama in the 1940s
Alabama is a state rich in folksong tradition, from old English ballads sung along the Tennessee River to children’s game songs played in Mobile, from the rhythmic work songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical heritage of blacks and whites, rich and poor, hill folk and cotton farmers, these songs endure as a living part of the state’s varied past.
In the mid 1940s Byron Arnold, an eager young music professor from The University of Alabama, set out to find and record as many of these songs as he could and was rewarded by unstinting cooperation from many informants. Mrs. Julia Greer Marechal of Mobile, for example, was 90 years old, blind, and a semi-invalid, but she sang for Arnold for three hours, allowing the recording of 33 songs and exhausting Arnold and his technician. Helped by such living repositories as Mrs. Marechal, the Arnold collection grew to well over 500 songs, augmented by field notes and remarkable biographical information on the singers.
An Alabama Songbook is the result of Arnold’s efforts and those of his informants across the state and has been shaped by Robert W. Halli Jr. into a narrative enriched by more than 200 significant songs-lullabies, Civil War anthems, African-American gospel and secular songs, fiddle tunes, temperance songs, love ballads, play-party rhymes, and work songs. In the tradition of Alan Lomax’s The Folk Songs of North America and Vance Randolph’s Ozark Folksongs, this volume will appeal to general audiences, folklorists, ethnomusicologists, preservationists, traditional musicians, and historians.
Alabama is a state rich in folksong tradition, from old English ballads sung along the Tennessee River to children’s game songs played in Mobile, from the rhythmic work songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical heritage of blacks and whites, rich and poor, hill folk and cotton farmers, these songs endure as a living part of the state’s varied past.
In the mid 1940s Byron Arnold, an eager young music professor from The University of Alabama, set out to find and record as many of these songs as he could and was rewarded by unstinting cooperation from many informants. Mrs. Julia Greer Marechal of Mobile, for example, was 90 years old, blind, and a semi-invalid, but she sang for Arnold for three hours, allowing the recording of 33 songs and exhausting Arnold and his technician. Helped by such living repositories as Mrs. Marechal, the Arnold collection grew to well over 500 songs, augmented by field notes and remarkable biographical information on the singers.
An Alabama Songbook is the result of Arnold’s efforts and those of his informants across the state and has been shaped by Robert W. Halli Jr. into a narrative enriched by more than 200 significant songs-lullabies, Civil War anthems, African-American gospel and secular songs, fiddle tunes, temperance songs, love ballads, play-party rhymes, and work songs. In the tradition of Alan Lomax’s The Folk Songs of North America and Vance Randolph’s Ozark Folksongs, this volume will appeal to general audiences, folklorists, ethnomusicologists, preservationists, traditional musicians, and historians.
[more]
Alabama
The History of a Deep South State
William Warren Rogers
University of Alabama Press, 1994
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by European nations, later to become a permanent part of the United States. A cotton and slave state for more than half of the 19th century, Alabama declared its independence and joined another nation, the Confederate States of America, for its more than four-year history. The state assumed an uneasy and uncertain place in the 19th century’s last 35 years. Its role in the 20th century has been tumultuous but painfully predictable. This comprehensive history, written in the last decade of that century, presents, explains, and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Alabama: The History of a Deep South State is the first completely new comprehensive account of the state since A.B. Moore’s 1935 work. Divided into three main sections, the first concluding in 1865, the second in 1920, and the third bringing the story to the present, the book’s organization is both chronological and topical.
General readers will welcome this modern history of Alabama, which examines such traditional subjects as politics, military events, economics, and broad social movements. Of equal value are sections devoted to race, Indians, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural elements—from literature to sport—that have enriched Alabama’s history. The roles of individual leaders, from politicians to creative artists, are discussed. There is as well strong emphasis on the common people, those Alabamians who have been rightly described as the “bone and sinew” of the state.
Each section of the book was written by a scholar who has devoted much of his or her professional life to the study of that period of Alabama’s past, and although the three sections reflect individual style and interpretation, the authors have collaborated closely on overall themes and organization. The result is an objective look at the colorful, often controversial, state’s past. The work relies both on primary sources and such important secondary sources as monographs, articles, and unpublished theses and dissertations to provide fresh insights, new approaches, and new interpretations.
[more]
Alabama
The History of a Deep South State, Bicentennial Edition
William Warren Rogers, Robert David Ward, Leah Rawls Atkins, and Wayne Flynt
University of Alabama Press, 2018
A new and up-to-date edition of Alabama’s history to celebrate the state’s bicentennial
Alabama: The History of a Deep South State, Bicentennial Edition is a comprehensive narrative account of the state from its earliest days to the present. This edition, updated to celebrate the state’s bicentennial year, offers a detailed survey of the colorful, dramatic, and often controversial turns in Alabama’s evolution. Organized chronologically and divided into three main sections—the first concluding in 1865, the second in 1920, and the third bringing the story to the present—makes clear and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by a number of European nations prior to becoming a permanent part of the United States in 1819. A cotton and slave state for more than half of the nineteenth century, Alabama seceded in 1861 to join the Confederate States of America, and occupied an uneasy and uncertain place in America’s post-Civil War landscape. Alabama’s role in the twentieth century has been equally tumultuous and dramatic.
General readers as well as scholars will welcome this up-to-date and scrupulously researched history of Alabama, which examines such traditional subjects as politics, military history, economics, race, and class. It contains essential accounts devoted to Native Americans, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural developments, from literature to sport, that have enriched Alabama’s history. The stories of individual leaders, from politicians to creative artists, are also highlighted. A key facet of this landmark historical narrative is the strong emphasis placed on the common everyday people of Alabama, those who have been rightly described as the “bone and sinew” of the state.
Alabama: The History of a Deep South State, Bicentennial Edition is a comprehensive narrative account of the state from its earliest days to the present. This edition, updated to celebrate the state’s bicentennial year, offers a detailed survey of the colorful, dramatic, and often controversial turns in Alabama’s evolution. Organized chronologically and divided into three main sections—the first concluding in 1865, the second in 1920, and the third bringing the story to the present—makes clear and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by a number of European nations prior to becoming a permanent part of the United States in 1819. A cotton and slave state for more than half of the nineteenth century, Alabama seceded in 1861 to join the Confederate States of America, and occupied an uneasy and uncertain place in America’s post-Civil War landscape. Alabama’s role in the twentieth century has been equally tumultuous and dramatic.
General readers as well as scholars will welcome this up-to-date and scrupulously researched history of Alabama, which examines such traditional subjects as politics, military history, economics, race, and class. It contains essential accounts devoted to Native Americans, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural developments, from literature to sport, that have enriched Alabama’s history. The stories of individual leaders, from politicians to creative artists, are also highlighted. A key facet of this landmark historical narrative is the strong emphasis placed on the common everyday people of Alabama, those who have been rightly described as the “bone and sinew” of the state.
[more]
Alabama
The Making of an American State
Edwin C. Bridges
University of Alabama Press, 2016
A thorough, accessible, and heavily illustrated history of Alabama
Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.
From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.
Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.
Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.
Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.
From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.
Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.
Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.
[more]
Alabama Wildlife, Volume 5
Edited by Ericha Shelton-Nix
University of Alabama Press, 2017
Collects the most recent findings of virtually all experts in the field as of 2012
Alabama Wildlife, Volume 5 offers a comprehensive update and provides a wealth of new information concerning changes and developments relative to the conservation status of wild animal populations of the state that have occurred in the decade since publication of the previous four volumes in 2004. Enhancements include the addition of any new or rediscovered taxon, species priority status changes, and taxonomic changes, plus the addition of the crayfishes, which were left out previously because so little was known about these understudied taxa.
A complete taxonomic checklist is included, which lists each imperiled taxon along with its priority designation followed by detailed species accounts. The eighty-four crayfish species accounts are comprised of a physical description (including a photograph, when available), distribution map, habitat summary, key life history, ecological information, basis for its status classification, and specific conservation and management recommendations. This revised expansion of the Alabama Wildlife set will be helpful to those seeking to broaden their knowledge of Alabama’s vast wildlife resources and will greatly influence future studies in the conservation of many of the imperiled species.
Alabama Wildlife, Volume 5 offers a comprehensive update and provides a wealth of new information concerning changes and developments relative to the conservation status of wild animal populations of the state that have occurred in the decade since publication of the previous four volumes in 2004. Enhancements include the addition of any new or rediscovered taxon, species priority status changes, and taxonomic changes, plus the addition of the crayfishes, which were left out previously because so little was known about these understudied taxa.
A complete taxonomic checklist is included, which lists each imperiled taxon along with its priority designation followed by detailed species accounts. The eighty-four crayfish species accounts are comprised of a physical description (including a photograph, when available), distribution map, habitat summary, key life history, ecological information, basis for its status classification, and specific conservation and management recommendations. This revised expansion of the Alabama Wildlife set will be helpful to those seeking to broaden their knowledge of Alabama’s vast wildlife resources and will greatly influence future studies in the conservation of many of the imperiled species.
[more]
Alabama's Civil Rights Trail
An Illustrated Guide to the Cradle of Freedom
Frye Gaillard
University of Alabama Press, 2009
Alabama’s great civil rights events in a compact and accessible narrative, paired with a practical guide to Alabama’s preserved civil rights sites and monuments
No other state has embraced and preserved its civil rights history more thoroughly than Alabama. Nor is there a place where that history is richer. Alabama’s Civil Rights Trail tells of Alabama’s great civil rights events, as well as its lesser-known moments, in a compact and accessible narrative, paired with a practical guide to Alabama’s preserved civil rights sites and monuments.
In this history of Alabama’s civil rights movement, Cradle of Freedom (University of Alabama Press, 2004), Frye Gaillard contends that Alabama played the lead role in a historic movement that made all citizens of the nation, black and white, more free. This book, geared toward the casual traveler and the serious student alike, showcases in a vividly illustrated and compelling manner, valuable and rich details. It provides a user-friendly, graphic tool for the growing number of travelers, students, and civil rights pilgrims who visit the state annually.
The story of the civil rights movement in Alabama is told city by city, region by region, and town by town, with entries on Montgomery, Birmingham, Selma, Tuscaloosa, Tuskegee, and Mobile, as well as chapters on the Black Belt and the Alabama hill country. Smaller but important locales such as Greensboro, Monroeville, and Scottsboro are included, as are more obscure sites like Hale County’s Safe House Black History Museum and the birthplace of the Black Panther Party in Lowndes County
No other state has embraced and preserved its civil rights history more thoroughly than Alabama. Nor is there a place where that history is richer. Alabama’s Civil Rights Trail tells of Alabama’s great civil rights events, as well as its lesser-known moments, in a compact and accessible narrative, paired with a practical guide to Alabama’s preserved civil rights sites and monuments.
In this history of Alabama’s civil rights movement, Cradle of Freedom (University of Alabama Press, 2004), Frye Gaillard contends that Alabama played the lead role in a historic movement that made all citizens of the nation, black and white, more free. This book, geared toward the casual traveler and the serious student alike, showcases in a vividly illustrated and compelling manner, valuable and rich details. It provides a user-friendly, graphic tool for the growing number of travelers, students, and civil rights pilgrims who visit the state annually.
The story of the civil rights movement in Alabama is told city by city, region by region, and town by town, with entries on Montgomery, Birmingham, Selma, Tuscaloosa, Tuskegee, and Mobile, as well as chapters on the Black Belt and the Alabama hill country. Smaller but important locales such as Greensboro, Monroeville, and Scottsboro are included, as are more obscure sites like Hale County’s Safe House Black History Museum and the birthplace of the Black Panther Party in Lowndes County
[more]
Alabama's Outlaw Sheriff, Stephen S. Renfroe
William Warren Rogers
University of Alabama Press, 2005
A vignette of local Southern history
Among the villains, heroes, rogues and demigods who inhabit Southern folklore, Stephen S. Renfroe deserves a place. In the twentieth-century a few popular magazine and newspaper articles have been written about Renfroe, while Carl Carmer’s Stars Fell on Alabama, published in 1934, devoted several pages to him. Other than this, all is previously know about the enigmatic sheriff who because an outlaw is in the form of a legend.
In general, Renfroe appeared in the Black Belt town of Livingston, Alabama in the late 1860s and quickly became a member of the Ku Klux Klan. Allegedly playing a major role in driving out carpetbaggers and ridding Sumter County of Radical Republican rule, he was awarded with the office of sheriff. However, he reverted to a pattern of crime that earned him disgrace and ostracism.
As to his origins, his background, and the details of his career—much has been speculated but little has been documented. Although no statue commemorates Renfroe’s role as a statesman, educator, or solider (his highest military rank was that of private), a case can be made that he helped shape the course of politics in Alabama’s Black Belt.
Among the villains, heroes, rogues and demigods who inhabit Southern folklore, Stephen S. Renfroe deserves a place. In the twentieth-century a few popular magazine and newspaper articles have been written about Renfroe, while Carl Carmer’s Stars Fell on Alabama, published in 1934, devoted several pages to him. Other than this, all is previously know about the enigmatic sheriff who because an outlaw is in the form of a legend.
In general, Renfroe appeared in the Black Belt town of Livingston, Alabama in the late 1860s and quickly became a member of the Ku Klux Klan. Allegedly playing a major role in driving out carpetbaggers and ridding Sumter County of Radical Republican rule, he was awarded with the office of sheriff. However, he reverted to a pattern of crime that earned him disgrace and ostracism.
As to his origins, his background, and the details of his career—much has been speculated but little has been documented. Although no statue commemorates Renfroe’s role as a statesman, educator, or solider (his highest military rank was that of private), a case can be made that he helped shape the course of politics in Alabama’s Black Belt.
[more]
Albert Murray and the Aesthetic Imagination of a Nation
Edited by Barbara A. Baker
University of Alabama Press, 2010
The first book-length study of the writings, work, and life of Renaissance man and Alabama native Albert Murray
This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.
Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.
Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
[more]
Alexander Hamilton's Public Administration
Richard T. Green
University of Alabama Press, 2019
Examines how Hamilton’s thoughts and experiences about public administration theory and practice have shaped the nation
American public administration inherited from Alexander Hamilton a distinct republican framework through which we derive many of our modern governing standards and practices. His administrative theory flowed from his republican vision, prescribing not only the how of administration but also what should be done and why. Administration and policy merged seamlessly in his mind, each conditioning the other. His Anti-Federalist detractors clearly saw this and fought his vision tooth and nail.
That conflict endures to this day because Americans still have not settled on just one vision of the American republic. That is why, Richard Green argues, Hamilton is a pivotal figure in our current reckoning. If we want to more fully understand ourselves and our ways of governing today, we must start by understanding Hamilton, and we cannot do that without exploring his administrative theory and practice in depth.
Alexander Hamilton’s Public Administration considers Hamilton both as a founder of the American republic, steeped in the currents of political philosophy and science of his day, and as its chief administrative theorist and craftsman, deeply involved in establishing the early institutions and policies that would bring his interpretation of the written Constitution to life. Accordingly, this book addresses the complex mix of classical and modern ideas that informed his vision of a modern commercial and administrative republic; the administrative ideas, institutions, and practices that flowed from that vision; and the substantive policies he deemed essential to its realization. Green’s analysis grows out of an immersion in Hamilton’s extant papers, including reports, letters, pamphlets, and essays. Readers will find a comprehensive explanation of his theoretical contributions and a richly detailed account of his ideas and practices in historical context.
American public administration inherited from Alexander Hamilton a distinct republican framework through which we derive many of our modern governing standards and practices. His administrative theory flowed from his republican vision, prescribing not only the how of administration but also what should be done and why. Administration and policy merged seamlessly in his mind, each conditioning the other. His Anti-Federalist detractors clearly saw this and fought his vision tooth and nail.
That conflict endures to this day because Americans still have not settled on just one vision of the American republic. That is why, Richard Green argues, Hamilton is a pivotal figure in our current reckoning. If we want to more fully understand ourselves and our ways of governing today, we must start by understanding Hamilton, and we cannot do that without exploring his administrative theory and practice in depth.
Alexander Hamilton’s Public Administration considers Hamilton both as a founder of the American republic, steeped in the currents of political philosophy and science of his day, and as its chief administrative theorist and craftsman, deeply involved in establishing the early institutions and policies that would bring his interpretation of the written Constitution to life. Accordingly, this book addresses the complex mix of classical and modern ideas that informed his vision of a modern commercial and administrative republic; the administrative ideas, institutions, and practices that flowed from that vision; and the substantive policies he deemed essential to its realization. Green’s analysis grows out of an immersion in Hamilton’s extant papers, including reports, letters, pamphlets, and essays. Readers will find a comprehensive explanation of his theoretical contributions and a richly detailed account of his ideas and practices in historical context.
[more]
Alias Simon Suggs
The Life and Times of Johnson Jones Hooper
William Stanley Hoole
University of Alabama Press, 2008
A study of realism and folk literature and of the sources and techniques of storytelling
Alias Simon Suggs is a study in the life and writings of Johnson J. Hooper of Alabama, and is a masterful contribution to American biography and to American literature.
Extensively documented with illuminating footnotes and revealing references, its style is direct and captivating and will appeal to those who enjoy entertaining biography will relish the privilege of reading it.
Alias Simon Suggs is a study in the life and writings of Johnson J. Hooper of Alabama, and is a masterful contribution to American biography and to American literature.
Extensively documented with illuminating footnotes and revealing references, its style is direct and captivating and will appeal to those who enjoy entertaining biography will relish the privilege of reading it.
[more]
All the Lost Girls
Confessions of a Southern Daughter
Patricia Foster
University of Alabama Press, 2002
Winner of the PEN/Jerard Fund Award
Patricia Foster’s lyrical yet often painful memoir explores the life of a white middle-class girl who grew up in rural south Alabama in the 1950s and 1960s, a time and place that did not tolerate deviation from traditional gender roles. Her mother raised Foster and her sister as “honorary boys,” girls with the ambition of men but the temperament of women.
An unhappy, intelligent woman who kept a heartbreaking secret from everyone close to her, Foster's mother was driven by a repressed rage that fed her obsession for middle-class respectability. By the time Foster reached age fifteen, her efforts to reconcile the contradictory expectations that she be at once ambitious and restrained had left her nervous and needy inside even while she tried to cultivate the appearance of the model student, sister, and daughter. It was only a psychological and physical breakdown that helped her to realize that she couldn't save her driven, complicated mother and must struggle instead for both understanding and autonomy.
Patricia Foster’s lyrical yet often painful memoir explores the life of a white middle-class girl who grew up in rural south Alabama in the 1950s and 1960s, a time and place that did not tolerate deviation from traditional gender roles. Her mother raised Foster and her sister as “honorary boys,” girls with the ambition of men but the temperament of women.
An unhappy, intelligent woman who kept a heartbreaking secret from everyone close to her, Foster's mother was driven by a repressed rage that fed her obsession for middle-class respectability. By the time Foster reached age fifteen, her efforts to reconcile the contradictory expectations that she be at once ambitious and restrained had left her nervous and needy inside even while she tried to cultivate the appearance of the model student, sister, and daughter. It was only a psychological and physical breakdown that helped her to realize that she couldn't save her driven, complicated mother and must struggle instead for both understanding and autonomy.
[more]
Almost Family
Roy Hoffman
University of Alabama Press, 2000
The complex friendship between a black housekeeper and her Jewish employer is at the heart of Hoffman’s prize-winning novel about life in the civil rights era South
Nebraska Waters is black. Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold out their window, and into their homes, they are like family—almost.
As Nebraska makes her way, day in and out, to Vivian’s house to cook and help tend the Gold children, the “almost” threatens to widen into a great divide. The two women’s husbands affect their relationship, as do their children, Viv Waters and Benjamin Gold, born the same year and coming of age in a changing South. The bond between the women both strengthens and frays.
Winner of the Lillian Smith Book Award and Alabama Library Association Award for fiction, Roy Hoffman’s Almost Family explores the relationship that begins when one person goes to work for another, and their friendship—across lines of race, income, and religion—develops degrees of understanding yet growing misunderstanding.
Nebraska Waters is black. Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold out their window, and into their homes, they are like family—almost.
As Nebraska makes her way, day in and out, to Vivian’s house to cook and help tend the Gold children, the “almost” threatens to widen into a great divide. The two women’s husbands affect their relationship, as do their children, Viv Waters and Benjamin Gold, born the same year and coming of age in a changing South. The bond between the women both strengthens and frays.
Winner of the Lillian Smith Book Award and Alabama Library Association Award for fiction, Roy Hoffman’s Almost Family explores the relationship that begins when one person goes to work for another, and their friendship—across lines of race, income, and religion—develops degrees of understanding yet growing misunderstanding.
[more]
Almost Family
35th Anniversary Edition
Roy Hoffman
University of Alabama Press, 2018
The complex friendship between a black housekeeper and her Jewish employer is at the heart of Hoffman’s prize-winning novel about life in the civil rights era South
Nebraska Waters is black. Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold out their window, and into their homes, they are like family—almost.
As Nebraska makes her way, day in and out, to Vivian’s house to cook and help tend the Gold children, the “almost” threatens to widen into a great divide. The two women’s husbands affect their relationship, as do their children, Viv Waters and Benjamin Gold, born the same year and coming of age in a changing South. The bond between the women both strengthens and frays.
Winner of the Lillian Smith Book Award and Alabama Library Association Award for fiction, Roy Hoffman’s Almost Family explores the relationship that begins when one person goes to work for another, and their friendship—across lines of race, income, and religion—develops degrees of understanding yet growing misunderstanding. This edition commemorates the 35th anniversary of the book’s publication and features a foreword by the author and includes a discussion guide for readers and book clubs.
Nebraska Waters is black. Vivian Gold is Jewish. In an Alabama kitchen where, for nearly thirty years, they share cups of coffee, fret over their children, and watch the civil rights movement unfold out their window, and into their homes, they are like family—almost.
As Nebraska makes her way, day in and out, to Vivian’s house to cook and help tend the Gold children, the “almost” threatens to widen into a great divide. The two women’s husbands affect their relationship, as do their children, Viv Waters and Benjamin Gold, born the same year and coming of age in a changing South. The bond between the women both strengthens and frays.
Winner of the Lillian Smith Book Award and Alabama Library Association Award for fiction, Roy Hoffman’s Almost Family explores the relationship that begins when one person goes to work for another, and their friendship—across lines of race, income, and religion—develops degrees of understanding yet growing misunderstanding. This edition commemorates the 35th anniversary of the book’s publication and features a foreword by the author and includes a discussion guide for readers and book clubs.
[more]
Alone in Mexico
The Astonishing Travels of Karl Heller, 1845–1848
Karl Bartolomeus Heller, and translated and edited by Terry Rugeley
University of Alabama Press, 2007
The first-ever English translation of the memoirs of botanist and naturalist Karl Heller
This volume is the first-ever English translation of the memoirs of Karl Heller, a twenty-year-old aspiring Austrian botanist who traveled to Mexico in 1845 to collect specimens. He passed through the Caribbean, lived for a time in the mountains of Veracruz, and journeyed to Mexico City through the cities of Puebla and Cholula. After a brief residence in the capital, Heller moved westward to examine the volcanoes and silver mines near Toluca. When the United States invaded Mexico in 1846–47 conditions became chaotic, and the enterprising botanist was forced to flee to Yucatán. Heller lived in the port city of Campeche, but visited Mèrida, the ruins of Uxmal, and the remote southern area of the Champotòn River. From there Heller, traveling by canoe, journeyed through southern Tabasco and northern Chiapas and finally returned to Vienna through Cuba and the United States bringing back thousands of samples of Mexican plants and animals.
Heller's account is one of the few documents we have from travelers who visited Mexico in this period, and it is particularly useful in describing conditions outside the capital of Mexico City. In 1853 Heller published his German-language account as Reisen in Mexiko, but the work has remained virtually unknown to English or Spanish readers. This edition now provides a complete, annotated, and highly readable translation.
This volume is the first-ever English translation of the memoirs of Karl Heller, a twenty-year-old aspiring Austrian botanist who traveled to Mexico in 1845 to collect specimens. He passed through the Caribbean, lived for a time in the mountains of Veracruz, and journeyed to Mexico City through the cities of Puebla and Cholula. After a brief residence in the capital, Heller moved westward to examine the volcanoes and silver mines near Toluca. When the United States invaded Mexico in 1846–47 conditions became chaotic, and the enterprising botanist was forced to flee to Yucatán. Heller lived in the port city of Campeche, but visited Mèrida, the ruins of Uxmal, and the remote southern area of the Champotòn River. From there Heller, traveling by canoe, journeyed through southern Tabasco and northern Chiapas and finally returned to Vienna through Cuba and the United States bringing back thousands of samples of Mexican plants and animals.
Heller's account is one of the few documents we have from travelers who visited Mexico in this period, and it is particularly useful in describing conditions outside the capital of Mexico City. In 1853 Heller published his German-language account as Reisen in Mexiko, but the work has remained virtually unknown to English or Spanish readers. This edition now provides a complete, annotated, and highly readable translation.
[more]
Always Crashing in the Same Car
A Novel after David Bowie
Lance Olsen
University of Alabama Press, 2023
A prismatic, imaginative exploration of David Bowie’s last days
An intricate collage-novel fusing and confusing fact and imagination, Always Crashing in the Same Car is a prismatic exploration of David Bowie through multiple voices and perspectives—the protean musician himself, an academic trying to compose a critical monograph about him, friends, lovers, musicologists, and others in Bowie’s orbit.
At its core beat questions about how we read others, how we are read by them, how (if at all) we can tell the past with something even close to accuracy, what it feels like being the opposite of young and still committed to bracing, volatile innovation.
Set during Bowie’s last months—those during which he worked on his acclaimed final album Black Star while battling liver cancer and the consequences of a sixth heart attack—yet washing back and forth across his exhilarating, kaleidoscopically costumed life, Always Crashing in the Same Car enacts a poetics of impermanence, of art, of love, of truth, even of death, that apparently most permanent of conditions.
[more]
Amelia Gayle Gorgas
A Biography
Mary Tabb Johnston
University of Alabama Press, 1978
The definitive biography Amelia Gayle Gorgas, one of the most influential people in the history of the University of Alabama
Amelia Gayle Gorgas (June 1, 1826–January 3, 1913) was the head librarian and postmaster of the University of Alabama for 25 years in the late nineteenth and early twentieth centuries. After the University's original library was burned by Union troops just days before Lee's surrender at Appomattox, Gorgas played a central role in the creation of a new library, expanding the collection from 6,000 to 20,000 volumes. She worked till the age of 80 in 1907, and, in gratitude for her years of service, the University's main library is named in her honor. This book tells her story.
Amelia was the daughter of John Gayle, governor of Alabama from 1831 to 1835, and the wife of Josiah Gorgas, chief of ordnance for the Confederate armies. Their six children included William Crawford Gorgas, surgeon-general of the United States Army. Brought up in the antebellum South, Gorgas nevertheless was a leader in the physical and intellectual reconstruction of the University after the Civil War, both providing some stablizing continuity but also embracing change.
The life of Amelia Gayle Gorgas disproves stereotypes of fragile Southern women. Readers of her story can see in episode after episode the strength, resiliency, and perseverance that the times called for. The extensive and penetrating scholarship of Mary Tabb Johnston and Elizabeth Johnston Lipscomb present Gorgas's story in brisk and enticing detail that will delight readers interesting in the University of Alabama and Southern history.
Amelia Gayle Gorgas (June 1, 1826–January 3, 1913) was the head librarian and postmaster of the University of Alabama for 25 years in the late nineteenth and early twentieth centuries. After the University's original library was burned by Union troops just days before Lee's surrender at Appomattox, Gorgas played a central role in the creation of a new library, expanding the collection from 6,000 to 20,000 volumes. She worked till the age of 80 in 1907, and, in gratitude for her years of service, the University's main library is named in her honor. This book tells her story.
Amelia was the daughter of John Gayle, governor of Alabama from 1831 to 1835, and the wife of Josiah Gorgas, chief of ordnance for the Confederate armies. Their six children included William Crawford Gorgas, surgeon-general of the United States Army. Brought up in the antebellum South, Gorgas nevertheless was a leader in the physical and intellectual reconstruction of the University after the Civil War, both providing some stablizing continuity but also embracing change.
The life of Amelia Gayle Gorgas disproves stereotypes of fragile Southern women. Readers of her story can see in episode after episode the strength, resiliency, and perseverance that the times called for. The extensive and penetrating scholarship of Mary Tabb Johnston and Elizabeth Johnston Lipscomb present Gorgas's story in brisk and enticing detail that will delight readers interesting in the University of Alabama and Southern history.
[more]
The American Counterfeit
Authenticity and Identity in American Literature and Culture
Mary McAleer Balkun
University of Alabama Press, 2006
Fakery, authenticity, and identity in American literature and culture at the turn of the 20th century
Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real.
When counterfeiting is applied to individual identities, it fosters fluidity in social boundaries and the games of social climbing and passing that have come to be representative of American culture: the Horatio Alger story, the con man or huckster, the social climber, the ethnically ambiguous.
Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real.
When counterfeiting is applied to individual identities, it fosters fluidity in social boundaries and the games of social climbing and passing that have come to be representative of American culture: the Horatio Alger story, the con man or huckster, the social climber, the ethnically ambiguous.
Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
[more]
American Culture, Canons, and the Case of Elizabeth Stoddard
Robert McClure Smith
University of Alabama Press, 2003
Reconsiders the centrality of a remarkable American writer of the ante- and postbellum periods
Elizabeth Stoddard was a gifted writer of fiction, poetry, and journalism; successfully published within her own lifetime; esteemed by such writers as William Dean Howells and Nathaniel Hawthorne; and situated at the epicenter of New York’s literary world. Nonetheless, she has been almost excluded from literary memory and importance. This book seeks to understand why. By reconsidering Stoddard’s life and work and her current marginal status in the evolving canon of American literary studies, it raises important questions about women’s writing in the 19th century and canon formation in the 20th century.
Essays in this study locate Stoddard in the context of her contemporaries, such as Dickinson and Hawthorne, while others situate her work in the context of major 19th-century cultural forces and issues, among them the Civil War and Reconstruction, race and ethnicity, anorexia and female invalidism, nationalism and localism, and incest. One essay examines the development of Stoddard’s work in the light of her biography, and others probe her stylistic and philosophic originality, the journalistic roots of her voice, and the elliptical themes of her short fiction. Stoddard’s lifelong project to articulate the nature and dynamics of woman’s subjectivity, her challenging treatment of female appetite and will, and her depiction of the complex and often ambivalent relationships that white middle-class women had to their domestic spaces are also thoughtfully considered.
The editors argue that the neglect of Elizabeth Stoddard’s contribution to American literature is a compelling example of the contingency of critical values and the instability of literary history. This study asks the question, “Will Stoddard endure?” Will she continue to drift into oblivion or will a new generation of readers and critics secure her tenuous legacy?
Elizabeth Stoddard was a gifted writer of fiction, poetry, and journalism; successfully published within her own lifetime; esteemed by such writers as William Dean Howells and Nathaniel Hawthorne; and situated at the epicenter of New York’s literary world. Nonetheless, she has been almost excluded from literary memory and importance. This book seeks to understand why. By reconsidering Stoddard’s life and work and her current marginal status in the evolving canon of American literary studies, it raises important questions about women’s writing in the 19th century and canon formation in the 20th century.
Essays in this study locate Stoddard in the context of her contemporaries, such as Dickinson and Hawthorne, while others situate her work in the context of major 19th-century cultural forces and issues, among them the Civil War and Reconstruction, race and ethnicity, anorexia and female invalidism, nationalism and localism, and incest. One essay examines the development of Stoddard’s work in the light of her biography, and others probe her stylistic and philosophic originality, the journalistic roots of her voice, and the elliptical themes of her short fiction. Stoddard’s lifelong project to articulate the nature and dynamics of woman’s subjectivity, her challenging treatment of female appetite and will, and her depiction of the complex and often ambivalent relationships that white middle-class women had to their domestic spaces are also thoughtfully considered.
The editors argue that the neglect of Elizabeth Stoddard’s contribution to American literature is a compelling example of the contingency of critical values and the instability of literary history. This study asks the question, “Will Stoddard endure?” Will she continue to drift into oblivion or will a new generation of readers and critics secure her tenuous legacy?
[more]
American Denominational History
Perspectives on the Past, Prospects for the Future
Edited by Keith Harper
University of Alabama Press, 2008
Brings various important topics and groups in American religious history the rigor of scholarly assessment of the current literature
Fruitful questions that are posed by the positions and experiences of the various groups are carefully examined. American Denominational History points the way for the next decade of scholarly effort.
Fruitful questions that are posed by the positions and experiences of the various groups are carefully examined. American Denominational History points the way for the next decade of scholarly effort.
[more]
American Drama in the Age of Film
Zander Brietzke
University of Alabama Press, 2007
Examines the strengths and weaknesses of both the dramatic and cinematic arts
Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa?
American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events.
But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa?
American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptations of ten major plays, Brietzke seeks to highlight the inherent powers of each medium and draw conclusions not just about how they differ, but how they ought to differ as well. He contrasts both stage and film productions of, among other works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s Afraid of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a Hot Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In reading the dual productions of these works, Brietzke finds that cinema has indeed stolen much of theater’s former thunder, by making drama more intimate, and visceral than most live events.
But theater is still vital and matters greatly, Brietzke argues, though for reasons that run counter to many of the virtues traditionally attributed to it as an art form, such as intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater by challenging those common pieties and offering a new critical paradigm, one that champions spectacle and simultaneity as the most, not least, important elements of drama.
[more]
American Examples
New Conversations about Religion, Volume Four
Edited by Candace Lukasik, Joshua Urich, and Michael J. Altman
University of Alabama Press, 2025
Case studies that vividly reimagine the meaning and applications of American religious history
[more]
American Examples
New Conversations about Religion, Volume One
Edited by Michael J. Altman
University of Alabama Press, 2022
Fresh new perspectives on the study of religion, ranging from a church-architecture mecca of Southeast Indiana to what an atheist parent believes
American Examples: New Conversations about Religion, Volume One is the first in a series of annual anthologies published in partnership with the Department of Religious Studies at The University of Alabama. The American Examples initiative gathers scholars from around the world for a series of workshops designed to generate big questions about the study of religion in America. Bypassing traditional white Protestant narratives in favor of new perspectives on belief, social formation, and identity, American Examples fellows offer dynamic perspectives on American faith that challenge our understandings of both America and religion as categories.
In the first volume of this exciting academic project, five topically and methodologically diverse scholars vividly reimagine the potential applications of religious history. The five chapters of this inaugural volume use case studies from America, broadly conceived, to ask larger theoretical questions that are of interest to scholars beyond the subfield of American religious history.
Prea Persaud’s chapter explores the place of Hinduism among the “creole religions” of the Caribbean, while Hannah Scheidt captures what atheist parents say to each other about value systems. Travis Warren Cooper explains how the modernist church architecture of Columbus, Indiana, became central to that city’s identity. Samah Choudhury dissects how Muslim American comedians navigate Western ideas of knowledge and self to make their jokes, and their own selves legible, and Emily D. Crews uses ethnographic fieldwork to read the female reproductive body among Nigerian Pentecostal congregations. Editor Michael J. Altman also provides a brief, rich introduction assessing the state of the discipline of religious history and how the American Examples project can lead the field forward.
Visit americanexamples.ua.edu for more information on the group and news about upcoming projects.
American Examples: New Conversations about Religion, Volume One is the first in a series of annual anthologies published in partnership with the Department of Religious Studies at The University of Alabama. The American Examples initiative gathers scholars from around the world for a series of workshops designed to generate big questions about the study of religion in America. Bypassing traditional white Protestant narratives in favor of new perspectives on belief, social formation, and identity, American Examples fellows offer dynamic perspectives on American faith that challenge our understandings of both America and religion as categories.
In the first volume of this exciting academic project, five topically and methodologically diverse scholars vividly reimagine the potential applications of religious history. The five chapters of this inaugural volume use case studies from America, broadly conceived, to ask larger theoretical questions that are of interest to scholars beyond the subfield of American religious history.
Prea Persaud’s chapter explores the place of Hinduism among the “creole religions” of the Caribbean, while Hannah Scheidt captures what atheist parents say to each other about value systems. Travis Warren Cooper explains how the modernist church architecture of Columbus, Indiana, became central to that city’s identity. Samah Choudhury dissects how Muslim American comedians navigate Western ideas of knowledge and self to make their jokes, and their own selves legible, and Emily D. Crews uses ethnographic fieldwork to read the female reproductive body among Nigerian Pentecostal congregations. Editor Michael J. Altman also provides a brief, rich introduction assessing the state of the discipline of religious history and how the American Examples project can lead the field forward.
Visit americanexamples.ua.edu for more information on the group and news about upcoming projects.
[more]
American Examples
New Conversations about Religion, Volume Three
Edited by Cody Musselman, Erik Kline, Dana Lloyd, and Michael J. Altman
University of Alabama Press, 2024
American Examples: New Conversations about Religion, Volume Three, is the third in a series of annual anthologies produced by the American Examples workshop hosted by the Department of Religious Studies at the University of Alabama. In the latest volume from this innovative academic project, ten topically and methodologically diverse scholars vividly reimagine the meaning and applications of American religious history. These ten chapters use case studies from America, broadly conceived, to ask trenchant theoretical questions that are of interest to scholars and students within and beyond the subfield of American religious history.
Visit americanexamples.ua.edu for more information on upcoming workshop dates and future projects.
[more]
American Examples
New Conversations about Religion, Volume Two
Edited by Samah Choudhury, Prea Persaud, and Michael J. Altman
University of Alabama Press, 2022
Fresh new perspectives on the study of religion, ranging from SoulCycle to Mark Twain
American Examples: New Conversations about Religion, Volume Two, is the second in a series of annual anthologies produced by the American Examples workshop hosted by the Department of Religious Studies at The University of Alabama. In the latest volume from this dynamic academic project, nine scholars with diverse topics and methodologies vividly reimagine the meaning of all three words in the phrase “American religious history.” The essays use case studies from America, broadly conceived, to ask trenchant theoretical questions that are of interest to scholars and students beyond the subfield of American religious history.
Cody Musselman uses a Weberian analysis to explore questions of identity, authority, and authenticity in the world of SoulCycle while Zachary T. Smith finds commonality between the rhetoric and practices of scholarship and mixed martial arts. Erik Kline provides a new perspective on the psychedelic mysticism of the 1960s, and Brook Wilensky-Lanford takes stock of the cultural power of parody in Mark Twain’s last work of fiction. Christopher Cannon Jones examines the reciprocal relationship between religious texts and cultural contexts by comparing early Mormon missions to Hawai‘i and Jamaica and Lindsey Jackson explores what debates over circumcision can tell us about gender stereotypes and motherhood. Dana Lloyd uses the 1988 Supreme Court decision in Lyng v. Northwest Indian Cemetery Protective Association as a case study in order to consider how Indigenous religion and sovereignty have been understood and adjudicated in the American legal system. Matt Sheedy studies the identity categories of “atheist” and “ex-Muslim” and Brad Stoddard uses ethnographic fieldwork to evaluate the role of religious pluralism in regulating and policing correctional institutions. Editors Samah Choudhury and Prea Persaud provide an introduction that reconsiders the trajectory of the American Examples project in light of the siege on the US Capitol in January 2021 and the continuing COVID pandemic.
Visit americanexamples.ua.edu for more information on upcoming workshop dates and future projects.
CONTRIBUTORS
Michael J. Altman / Samah Choudhury / Lindsey Jackson / Christopher Cannon Jones / / Erik Kline / Dana Lloyd / Cody Musselman / Prea Persaud / Matt Sheedy / Zachary T. Smith / Brad Stoddard / Brook Wilensky-Lanford
American Examples: New Conversations about Religion, Volume Two, is the second in a series of annual anthologies produced by the American Examples workshop hosted by the Department of Religious Studies at The University of Alabama. In the latest volume from this dynamic academic project, nine scholars with diverse topics and methodologies vividly reimagine the meaning of all three words in the phrase “American religious history.” The essays use case studies from America, broadly conceived, to ask trenchant theoretical questions that are of interest to scholars and students beyond the subfield of American religious history.
Cody Musselman uses a Weberian analysis to explore questions of identity, authority, and authenticity in the world of SoulCycle while Zachary T. Smith finds commonality between the rhetoric and practices of scholarship and mixed martial arts. Erik Kline provides a new perspective on the psychedelic mysticism of the 1960s, and Brook Wilensky-Lanford takes stock of the cultural power of parody in Mark Twain’s last work of fiction. Christopher Cannon Jones examines the reciprocal relationship between religious texts and cultural contexts by comparing early Mormon missions to Hawai‘i and Jamaica and Lindsey Jackson explores what debates over circumcision can tell us about gender stereotypes and motherhood. Dana Lloyd uses the 1988 Supreme Court decision in Lyng v. Northwest Indian Cemetery Protective Association as a case study in order to consider how Indigenous religion and sovereignty have been understood and adjudicated in the American legal system. Matt Sheedy studies the identity categories of “atheist” and “ex-Muslim” and Brad Stoddard uses ethnographic fieldwork to evaluate the role of religious pluralism in regulating and policing correctional institutions. Editors Samah Choudhury and Prea Persaud provide an introduction that reconsiders the trajectory of the American Examples project in light of the siege on the US Capitol in January 2021 and the continuing COVID pandemic.
Visit americanexamples.ua.edu for more information on upcoming workshop dates and future projects.
CONTRIBUTORS
Michael J. Altman / Samah Choudhury / Lindsey Jackson / Christopher Cannon Jones / / Erik Kline / Dana Lloyd / Cody Musselman / Prea Persaud / Matt Sheedy / Zachary T. Smith / Brad Stoddard / Brook Wilensky-Lanford
[more]
American Indians and the Market Economy, 1775-1850
Edited by Lance Greene and Mark R. Plane,with a foreword by Timothy K. Perttula
University of Alabama Press, 2011
Provides a clear view of the realities of the economic and social interactions between Native groups and the expanding Euro-American population
The last quarter of the 18th century was a period of extensive political, economic, and social change in North America, as the continent-wide struggle between European superpowers waned. Native groups found themselves enmeshed in the market economy and new state forms of control, among other new threats to their cultural survival. Native populations throughout North America actively engaged the expanding marketplace in a variety of economic and social forms. These actions, often driven by and expressed through changes in material culture, were supported by a desire to maintain distinctive ethnic identities.
Illustrating the diversity of Native adaptations in an increasingly hostile and marginalized world, this volume is continental in scope—ranging from Connecticut to the Carolinas, and westward through Texas and Colorado. Calling on various theoretical perspectives, the authors provide nuanced perspectives on material culture use as a manipulation of the market economy. A thorough examination of artifacts used by Native Americans, whether of Euro-American or Native origin, this volume provides a clear view of the realities of the economic and social interactions between Native groups and the expanding Euro-American population and the engagement of these Native groups in determining their own fate.
The last quarter of the 18th century was a period of extensive political, economic, and social change in North America, as the continent-wide struggle between European superpowers waned. Native groups found themselves enmeshed in the market economy and new state forms of control, among other new threats to their cultural survival. Native populations throughout North America actively engaged the expanding marketplace in a variety of economic and social forms. These actions, often driven by and expressed through changes in material culture, were supported by a desire to maintain distinctive ethnic identities.
Illustrating the diversity of Native adaptations in an increasingly hostile and marginalized world, this volume is continental in scope—ranging from Connecticut to the Carolinas, and westward through Texas and Colorado. Calling on various theoretical perspectives, the authors provide nuanced perspectives on material culture use as a manipulation of the market economy. A thorough examination of artifacts used by Native Americans, whether of Euro-American or Native origin, this volume provides a clear view of the realities of the economic and social interactions between Native groups and the expanding Euro-American population and the engagement of these Native groups in determining their own fate.
[more]
American Literary Minimalism
Robert C. Clark
University of Alabama Press, 2015
Fills a need for a comprehensive study of this twentieth-century literary movement
Although a handful of books and articles have been written about American literary Minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Ann Beattie was asked how she felt about being “classed as a minimalist,” she began her answer: “none of us have ever known what that means.” Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary Minimalism. Robert C. Clark’s American Literary Minimalism fills this significant gap.
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the Imagists and literary Impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “form is thought,” and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of Minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway’s In Our Time; Raymond Carver’s Cathedral; Jay McInerney’s Bright Lights, Big City; Susan Minot’s Monkeys; Sandra Cisneros’s Caramelo; and Cormac McCarthy’s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.
Although a handful of books and articles have been written about American literary Minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Ann Beattie was asked how she felt about being “classed as a minimalist,” she began her answer: “none of us have ever known what that means.” Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary Minimalism. Robert C. Clark’s American Literary Minimalism fills this significant gap.
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the Imagists and literary Impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “form is thought,” and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of Minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway’s In Our Time; Raymond Carver’s Cathedral; Jay McInerney’s Bright Lights, Big City; Susan Minot’s Monkeys; Sandra Cisneros’s Caramelo; and Cormac McCarthy’s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.
[more]
American Poetry as Transactional Art
Stephen Fredman
University of Alabama Press, 2020
Explores the ways American poetry engages with visual art, music, fiction, spirituality, and performance art
Many people think of poetry as a hermetic art, as though poets wrote only about themselves or as if the subject of poetry were finally only poetry—its forms and traditions. Indeed much of what constitutes poetry in the lyric tradition depends on a stringently controlled point of view and aims for a timeless, intransitive utterance. Stephen Fredman’s study proposes a different perspective.
American Poetry as Transactional Art explores a salient quality of much avant-garde American poetry that has so far lacked sustained treatment: namely, its role as a transactional art. Specifically Fredman describes this role as the ways it consistently engages in conversation, talk, correspondence, going beyond the scope of its own subjects and forms—its existential interactions with the outside world. Poetry operating in this vein draws together images, ideas, practices, rituals, and verbal techniques from around the globe, and across time—not to equate them, but to establish dialogue, to invite as many guests as possible to the World Party, which Robert Duncan has called the “symposium of the whole.”
Fredman invites new readers into contemporary poetry by providing lucid and nuanced analyses of specific poems and specific interchanges between poets and their surroundings. He explores such topics as poetry’s transactions with spiritual traditions and practices over the course of the twentieth century; the impact of World War II on the poetry of Charles Olson and George Oppen; exchanges between poetry and other art forms including sculpture, performance art, and ambient music; the battle between poetry and prose in the early work of Paul Auster and in Lyn Hejinian’s My Life. The epilogue looks briefly at another crucial transactional occasion: teaching American poetry in the classroom in a way that demonstrates that it is at the center of the arts and at the heart of American culture.
Many people think of poetry as a hermetic art, as though poets wrote only about themselves or as if the subject of poetry were finally only poetry—its forms and traditions. Indeed much of what constitutes poetry in the lyric tradition depends on a stringently controlled point of view and aims for a timeless, intransitive utterance. Stephen Fredman’s study proposes a different perspective.
American Poetry as Transactional Art explores a salient quality of much avant-garde American poetry that has so far lacked sustained treatment: namely, its role as a transactional art. Specifically Fredman describes this role as the ways it consistently engages in conversation, talk, correspondence, going beyond the scope of its own subjects and forms—its existential interactions with the outside world. Poetry operating in this vein draws together images, ideas, practices, rituals, and verbal techniques from around the globe, and across time—not to equate them, but to establish dialogue, to invite as many guests as possible to the World Party, which Robert Duncan has called the “symposium of the whole.”
Fredman invites new readers into contemporary poetry by providing lucid and nuanced analyses of specific poems and specific interchanges between poets and their surroundings. He explores such topics as poetry’s transactions with spiritual traditions and practices over the course of the twentieth century; the impact of World War II on the poetry of Charles Olson and George Oppen; exchanges between poetry and other art forms including sculpture, performance art, and ambient music; the battle between poetry and prose in the early work of Paul Auster and in Lyn Hejinian’s My Life. The epilogue looks briefly at another crucial transactional occasion: teaching American poetry in the classroom in a way that demonstrates that it is at the center of the arts and at the heart of American culture.
[more]
American Public Administration
Past, Present, Future
Frederick C. Mosher
University of Alabama Press, 1975
A seminal collection of essays, addressing such questions as the evolving roles of civil servants, the education and training of civil servants, and the ways to balance civil servants’ expertise with respect for democratic governance
This collection of essays highlights the “peculiarly American” issues of public administration ranging from 1870 to 1974, when they were first published. Every contributor was assigned a period of American history and given the opportunity to write on what he or she deemed the most important or relevant concern of that period. This method, employed for this book and the connected National Association of Schools of Public Affairs and Administration conference, resulted in a wide-reaching, if eclectic, collection. Supplanted by Mosher’s impressive summarization of the field throughout the years, the book still holds prominence as a source for scholars, workers, and students alike in public administration.
The essays raise such issues as the education of civil servants, the changes necessitated by crises, the growth of social sciences in governmental concerns, and primarily, the role of public administrators in America. Each author is a distinguished expert in his own right, and each essay can stand alone as a remarkable insight into the changing world of public administration within American society. Frederick Mosher’s expertise and supervision shapes this work into a remarkable and holistic perspective on public administration over time.
This collection of essays highlights the “peculiarly American” issues of public administration ranging from 1870 to 1974, when they were first published. Every contributor was assigned a period of American history and given the opportunity to write on what he or she deemed the most important or relevant concern of that period. This method, employed for this book and the connected National Association of Schools of Public Affairs and Administration conference, resulted in a wide-reaching, if eclectic, collection. Supplanted by Mosher’s impressive summarization of the field throughout the years, the book still holds prominence as a source for scholars, workers, and students alike in public administration.
The essays raise such issues as the education of civil servants, the changes necessitated by crises, the growth of social sciences in governmental concerns, and primarily, the role of public administrators in America. Each author is a distinguished expert in his own right, and each essay can stand alone as a remarkable insight into the changing world of public administration within American society. Frederick Mosher’s expertise and supervision shapes this work into a remarkable and holistic perspective on public administration over time.
[more]
An American Rabbi in Korea
A Chaplain's Journey in the Forgotten War
Milton J. Rosen, translated and edited by Stanley R. Rosen
University of Alabama Press, 2004
A firsthand account of the American Jewish experience on the front lines of the Korean War
During the height of the Korean conflict, 1950–51, Orthodox Jewish chaplain Milton J. Rosen wrote 19 feature-length articles for Der Morgen Zhornal, a Yiddish daily in New York, documenting his wartime experiences as well as those of the servicemen under his care. An American Rabbi in Korea is an English translation of Rosen's important articles prepared by his son and annotated with background about Rosen's military service, a general introduction to the war and conflict on the Korean peninsula, and numerous maps and photographs.
Rosen was among those nearly caught in the Chinese entrapment of American and Allied forces in North Korea in late 1950, and some of his most poignant writing details the trying circumstances that faced both soldiers and civilians during that time. As chaplain, Rosen was able to offer a unique account of the American Jewish experience on the frontlines and in the United States military while also describing the impact of the American presence on Korean citizens and their culture. His interest in Korean attitudes toward Jews is also a significant theme within these articles. The sum is a readable account of war and its turmoil from an astute and compassionate observer.
During the height of the Korean conflict, 1950–51, Orthodox Jewish chaplain Milton J. Rosen wrote 19 feature-length articles for Der Morgen Zhornal, a Yiddish daily in New York, documenting his wartime experiences as well as those of the servicemen under his care. An American Rabbi in Korea is an English translation of Rosen's important articles prepared by his son and annotated with background about Rosen's military service, a general introduction to the war and conflict on the Korean peninsula, and numerous maps and photographs.
Rosen was among those nearly caught in the Chinese entrapment of American and Allied forces in North Korea in late 1950, and some of his most poignant writing details the trying circumstances that faced both soldiers and civilians during that time. As chaplain, Rosen was able to offer a unique account of the American Jewish experience on the frontlines and in the United States military while also describing the impact of the American presence on Korean citizens and their culture. His interest in Korean attitudes toward Jews is also a significant theme within these articles. The sum is a readable account of war and its turmoil from an astute and compassionate observer.
[more]
American Science in the Age of Jackson
George H. Daniels
University of Alabama Press, 1968
Shows how American scientists emerged from a disorganized group of amateurs into a professional body sharing a common orientation and common goals
In this first effort to define an American scientific community, originally published in 1968, George Daniels has chosen for special study the 56 scientists most published in the 16 scientific journals identified as “national” during the period 1815 to 1845. In this reprint edition, with a new preface and introduction, Daniels shows how American scientists emerged from a disorganized group of amateurs into a professional body sharing a common orientation and common goals.
In this first effort to define an American scientific community, originally published in 1968, George Daniels has chosen for special study the 56 scientists most published in the 16 scientific journals identified as “national” during the period 1815 to 1845. In this reprint edition, with a new preface and introduction, Daniels shows how American scientists emerged from a disorganized group of amateurs into a professional body sharing a common orientation and common goals.
[more]
The American Southeast at the End of the Ice Age
Edited by D. Shane Miller, Ashley M. Smallwood, and Jesse W. Tune
University of Alabama Press, 2022
The definitive book on what is known about the Late Pleistocene and Early Holocene archaeological record in the Southeast
The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.
The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
The 1996 benchmark volume The Paleoindian and Early Archaic Southeast, edited by David G. Anderson and Kenneth E. Sassaman, was the first study to summarize what was known of the peoples who lived in the Southeast when ice sheets covered the northern part of the continent and mammals such as mammoths, saber-toothed cats, and ground sloths roamed the landscape.
The American Southeast at the End of the Ice Age provides an updated, definitive synthesis of current archaeological research gleaned from an array of experts in the region. It is organized in three parts: state records, the regional perspective, and reflections and future directions. Chapters survey a diversity of topics including the distribution of the earliest archaeological sites in the region, chipped-stone tool technology, the expanding role of submerged archaeology, hunter-gatherer lifeways, past climate changes and the extinction of megafauna on the transitional landscape, and evidence of demographic changes at the end of the Ice Age. Discussion of the ethical responsibilities regarding the use of private collections and the relationship of archaeologists and the avocational community, insight from outside the Southeast, and considerations for future research round out the volume.
[more]
America's Battalion
Marines in the First Gulf War
Otto J. Lehrack
University of Alabama Press, 2008
Tells the experiences of one unit, the 3rd Battalion, 3rd Marines, during Operation Desert Storm
Building from interviews with the members of the battalion, Otto Lehrack examines the nature of warfare in the Persian Gulf. The terrain of the Arabian Peninsula and the disposition of the enemy dictated conventional warfare requiring battalion and regimental assaults coordinated at the division level, so interviewees are primarily the officers and senior non-commissioned officers concerned.
The 3rd of the 3rd, also known as “America’s Battalion,” had just returned from deployment in the summer of 1990 when they were required to immediately re-deploy to a strange land to face a battle-hardened enemy after Iraq invaded Kuwait. Theirs was only the second Marine battalion to arrive in Saudi Arabia. They participated in the first allied ground operation of the war, played a key role in the battle for the city of Khafji, and were the first to infiltrate the Iraqi wire and minefield barrier in order to provide flank security for the beginning of the allied offensive.
Facing an enemy that had used some of the most fearsome weapons of mass destruction—chemical and biological agents—against its former opponents and against its own people, the Marines had been prepared for the worst. Lehrack has documented this unit’s remarkable performance through the accounts of those who participated in the historic events in the Persian Gulf and returned home to tell of them.
Building from interviews with the members of the battalion, Otto Lehrack examines the nature of warfare in the Persian Gulf. The terrain of the Arabian Peninsula and the disposition of the enemy dictated conventional warfare requiring battalion and regimental assaults coordinated at the division level, so interviewees are primarily the officers and senior non-commissioned officers concerned.
The 3rd of the 3rd, also known as “America’s Battalion,” had just returned from deployment in the summer of 1990 when they were required to immediately re-deploy to a strange land to face a battle-hardened enemy after Iraq invaded Kuwait. Theirs was only the second Marine battalion to arrive in Saudi Arabia. They participated in the first allied ground operation of the war, played a key role in the battle for the city of Khafji, and were the first to infiltrate the Iraqi wire and minefield barrier in order to provide flank security for the beginning of the allied offensive.
Facing an enemy that had used some of the most fearsome weapons of mass destruction—chemical and biological agents—against its former opponents and against its own people, the Marines had been prepared for the worst. Lehrack has documented this unit’s remarkable performance through the accounts of those who participated in the historic events in the Persian Gulf and returned home to tell of them.
[more]
America's Pursuit of Precision Bombing, 1910-1945
Stephen L. McFarland
University of Alabama Press, 2008
The refinement of American military technology
[more]
The Americas That Might Have Been
Native American Social Systems through Time
Julian Granberry
University of Alabama Press, 2005
Imagines the development of the Western Hemisphere without European contact and colonization
This work answers the hypothetical question: What would the Americas be like today—politically, economically, culturally—if Columbus and the Europeans had never found them, and how would American peoples interact with the world’s other societies? It assumes that Columbus did not embark from Spain in 1492 and that no Europeans found or settled the New World afterward, leaving the peoples of the two American continents free to follow the natural course of their Native lives.
The Americas That Might Have Been is a professional but layman-accessible, fact-based, nonfiction account of the major Native American political states that were thriving in the New World in 1492. Granberry considers a contemporary New World in which the glories of Aztec Mexico, Maya Middle America, and Inca Peru survived intact. He imagines the roles that the Iroquois Confederacy of the American Northeast, the powerful city-states along the Mississippi River in the Midwest and Southeast, the Navajo Nation and the Pueblo culture of the Southwest, the Eskimo Nation in the Far North, and the Taino/Arawak chiefdoms of the Caribbean would play in American and world politics in the 21st Century.
Following a critical examination of the data using empirical archaeology, linguistics, and ethnohistory, Granberry presents a reasoned and compelling discussion of native cultures and the paths they would have logically taken over the past five centuries. He reveals the spectacular futures these brilliant pre-Columbian societies might have had, if not for one epochal meeting that set off a chain of events so overwhelming to them that the course of human history was forever changed.
This work answers the hypothetical question: What would the Americas be like today—politically, economically, culturally—if Columbus and the Europeans had never found them, and how would American peoples interact with the world’s other societies? It assumes that Columbus did not embark from Spain in 1492 and that no Europeans found or settled the New World afterward, leaving the peoples of the two American continents free to follow the natural course of their Native lives.
The Americas That Might Have Been is a professional but layman-accessible, fact-based, nonfiction account of the major Native American political states that were thriving in the New World in 1492. Granberry considers a contemporary New World in which the glories of Aztec Mexico, Maya Middle America, and Inca Peru survived intact. He imagines the roles that the Iroquois Confederacy of the American Northeast, the powerful city-states along the Mississippi River in the Midwest and Southeast, the Navajo Nation and the Pueblo culture of the Southwest, the Eskimo Nation in the Far North, and the Taino/Arawak chiefdoms of the Caribbean would play in American and world politics in the 21st Century.
Following a critical examination of the data using empirical archaeology, linguistics, and ethnohistory, Granberry presents a reasoned and compelling discussion of native cultures and the paths they would have logically taken over the past five centuries. He reveals the spectacular futures these brilliant pre-Columbian societies might have had, if not for one epochal meeting that set off a chain of events so overwhelming to them that the course of human history was forever changed.
[more]
Among the Garifuna
Family Tales and Ethnography from the Caribbean Coast
Marilyn McKillop Wells
University of Alabama Press, 2015
An intimate ethnographic narrative of one indigenous family in the twentieth-century Caribbean
Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.
In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.
The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.
In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.
Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.
In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.
The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.
In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.
Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
[more]
Among the Swamp People
Life in Alabama's Mobile-Tensaw River Delta
Watt Key
University of Alabama Press, 2015
Colorful and lively personal essays about life in the wilds of Alabama’s Mobile-Tensaw River Delta
Among the Swamp People is the story of author Watt Key’s discovery of the Mobile-Tensaw River Delta. “The swamp” consists of almost 260,000 acres of wetlands located just north of Mobile Bay. There he leases a habitable outcropping of land and constructs a primitive cabin from driftwood to serve as a private getaway. His story is one that chronicles the beauties of the delta’s unparalleled natural wonders, the difficulties of survival within it, and an extraordinary community of characters—by turns generous and violent, gracious and paranoid, hilarious and reckless—who live, thrive, and perish there.
There is no way into the delta except by small boat. To most it would appear a maze of rivers and creeks between stunted swamp trees and mud. Key observes that there are few places where one can step out of a boat without “sinking to the knees in muck the consistency of axle grease. It is the only place I know where gloom and beauty can coexist at such extremes. And it never occurred to me that a land seemingly so bleak could hide such beauty and adventure.”
It also chronicles Key’s maturation as a writer, from a twenty-five-year-old computer programmer with no formal training as a writer to a highly successful, award-winning writer of fiction for a young adult audience with three acclaimed novels published to date.
In learning to make a place for himself in the wild, as in learning to write, Key’s story is one of “hoping someone—even if just myself—would find value in my creations.”
Among the Swamp People is the story of author Watt Key’s discovery of the Mobile-Tensaw River Delta. “The swamp” consists of almost 260,000 acres of wetlands located just north of Mobile Bay. There he leases a habitable outcropping of land and constructs a primitive cabin from driftwood to serve as a private getaway. His story is one that chronicles the beauties of the delta’s unparalleled natural wonders, the difficulties of survival within it, and an extraordinary community of characters—by turns generous and violent, gracious and paranoid, hilarious and reckless—who live, thrive, and perish there.
There is no way into the delta except by small boat. To most it would appear a maze of rivers and creeks between stunted swamp trees and mud. Key observes that there are few places where one can step out of a boat without “sinking to the knees in muck the consistency of axle grease. It is the only place I know where gloom and beauty can coexist at such extremes. And it never occurred to me that a land seemingly so bleak could hide such beauty and adventure.”
It also chronicles Key’s maturation as a writer, from a twenty-five-year-old computer programmer with no formal training as a writer to a highly successful, award-winning writer of fiction for a young adult audience with three acclaimed novels published to date.
In learning to make a place for himself in the wild, as in learning to write, Key’s story is one of “hoping someone—even if just myself—would find value in my creations.”
[more]
Amphibious Campaign For West Florida and Louisiana
Wilburt S. Brown
University of Alabama Press, 1969
“A retired major general of the Marine Corps offers here an interpretive history of the campaign culminating in the battle of New Orleans, based on a meticulous review of the sources and employing the perceptive of modern military doctrine. Written with a military regard for precision . . . [the book] nevertheless gathers force and even suspense though its emphasis on the importance f the events at hand . . [T]his is now probably the best book on the topic.”—Choice
[more]
Amulets, Effigies, Fetishes, and Charms
Native American Artifacts and Spirit Stones from the Northeast
Edward J. Lenik
University of Alabama Press, 2016
Rounds out Edward J. Lenik’s comprehensive and expert study of the rock art of northeastern Native Americans
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.
Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.
The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.
Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.
The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
[more]
Amythia
Crisis in the Natural History of Western Culture
Loyal D. Rue
University of Alabama Press, 1989
A provocative analysis of the ways our culture suffers amythia
Amythia results when cosmology and morality are not effectively integrated by a root metaphor, and the only possibility for the future is to transpose the old Christian God as Person to a root metaphor that is even older in origin, the concept of the Covenant tradition inherited from Israel but now understood in a nonsupernaturalist manner.
Rue asserts that amythia is a critical condition within the natural history of Western culture. The argument of the book begins with a theoretical perspective on the place of human culture within the scope of natural history and proceeds to establish the conceptual foundations for a natural history of culture.
Following an overview of the natural history of Western culture to expose the origins and depth of the contemporary intellectual and moral crisis, Rue moves on to specify and justify the limits of distinctiveness and plausibility appropriate for the task of transposing Covenant tradition. Finally, an appeal is made to the mythmakers of contemporary culture to take up the challenge of amythia.
Amythia results when cosmology and morality are not effectively integrated by a root metaphor, and the only possibility for the future is to transpose the old Christian God as Person to a root metaphor that is even older in origin, the concept of the Covenant tradition inherited from Israel but now understood in a nonsupernaturalist manner.
Rue asserts that amythia is a critical condition within the natural history of Western culture. The argument of the book begins with a theoretical perspective on the place of human culture within the scope of natural history and proceeds to establish the conceptual foundations for a natural history of culture.
Following an overview of the natural history of Western culture to expose the origins and depth of the contemporary intellectual and moral crisis, Rue moves on to specify and justify the limits of distinctiveness and plausibility appropriate for the task of transposing Covenant tradition. Finally, an appeal is made to the mythmakers of contemporary culture to take up the challenge of amythia.
[more]
Ancient Borinquen
Archaeology and Ethnohistory of Native Puerto Rico
Edited by Peter E. Siegel
University of Alabama Press, 2008
A comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology
Ancient Borinquen is a re-examination of the archaeology of Puerto Rico, drawing data from beyond the boundaries of the island itself because in prehistoric times the waters between islands would not have been viewed as a boundary in the contemporary sense of the term. The last few decades have witnessed a growth of intense archaeological research on the island, from material culture in the form of lithics, ceramics, and rock art; to nutritional, architecture, and environmental studies; to rituals and social patterns; to the aftermath of Conquest.
It is unlikely that prehistoric occupants recognized the same boundaries and responded to the same political forces that operated in the formation of current nations, states, or cities. Yet, archaeologists traditionally have produced such volumes and they generally represent anchors for ongoing research in a specific region, in this case the island of Puerto Rico, its immediate neighbors, and the wider Caribbean basin.
Ancient Borinquen provides a comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology, and it reflects and illuminates similar concerns elsewhere in the West Indies, lowland South America, and Central America.
Ancient Borinquen is a re-examination of the archaeology of Puerto Rico, drawing data from beyond the boundaries of the island itself because in prehistoric times the waters between islands would not have been viewed as a boundary in the contemporary sense of the term. The last few decades have witnessed a growth of intense archaeological research on the island, from material culture in the form of lithics, ceramics, and rock art; to nutritional, architecture, and environmental studies; to rituals and social patterns; to the aftermath of Conquest.
It is unlikely that prehistoric occupants recognized the same boundaries and responded to the same political forces that operated in the formation of current nations, states, or cities. Yet, archaeologists traditionally have produced such volumes and they generally represent anchors for ongoing research in a specific region, in this case the island of Puerto Rico, its immediate neighbors, and the wider Caribbean basin.
Ancient Borinquen provides a comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology, and it reflects and illuminates similar concerns elsewhere in the West Indies, lowland South America, and Central America.
[more]
Ancient Chiefdoms of the Tombigbee
John H. Blitz
University of Alabama Press, 1993
A Dan Josselyn Memorial Publication
Focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi
Within the last 50 years archaeologists have discovered that around the 10th century AD, native southeastern peoples began a process of cultural change far more complex than anything that had occurred previously. These late prehistoric societies—known as Mississippian—have come to be regarded as chiefdoms. The chiefdoms are of great anthropological interest because in these kinds of societies social hierarchies or rank and status were first institutionalized.
Ancient Chiefdoms of the Tombigbee focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi. Exploring the relationships involving polity size, degree of social ranking, and resource control provides insights into cycles of chiefdom development and fragmentation. Blitz concludes that the sanctified, security maintenance roles of communal food storage management and war leadership were a sufficient basis for formal chiefly authority but insufficient for economically based social stratification.
Focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi
Within the last 50 years archaeologists have discovered that around the 10th century AD, native southeastern peoples began a process of cultural change far more complex than anything that had occurred previously. These late prehistoric societies—known as Mississippian—have come to be regarded as chiefdoms. The chiefdoms are of great anthropological interest because in these kinds of societies social hierarchies or rank and status were first institutionalized.
Ancient Chiefdoms of the Tombigbee focuses on both the small- and large-scale Mississippian societies in the Tombigbee-Black Warrior River region of Alabama and Mississippi. Exploring the relationships involving polity size, degree of social ranking, and resource control provides insights into cycles of chiefdom development and fragmentation. Blitz concludes that the sanctified, security maintenance roles of communal food storage management and war leadership were a sufficient basis for formal chiefly authority but insufficient for economically based social stratification.
[more]
Ancient Indigenous Cuisines
Archaeological Explorations of the Midcontinent
Edited by Susan M. Kooiman, Jodie A. O'Gorman, and Autumn N. Painter
University of Alabama Press, 2025
New essays from foodways archaeology related to cuisine in social, cultural, and environmental contexts
[more]
Ancient Maya Traders of Ambergris Caye
Thomas H. Guderjan
University of Alabama Press, 2007
Focuses on the maritime trade network sites on Ambergris Caye, Belize, where excavations have revealed remnants of very small villages, or camps, along the Caribbean coastline
[more]
Ancient Muses
Archaeology and the Arts
Edited by John H. Jameson Jr., John E. Ehrenhard, and Christine A. Finn
University of Alabama Press, 2003
Examines how information derived from archaeological investigations can be presented artistically to educate the general public
Known widely in Europe as “interpretive narrative archaeology,” the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This book is the first compilation of international case studies of the various artistic methods used in this new form of education—one that makes archaeology “come alive” for the nonprofessional. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery—all can effectively communicate archaeological processes and cultural values to public audiences.
The contributors to this volume are a diverse group of archaeologists, educators, and artisans who have direct experience in schools, museums, and at archaeological sites. Citing specific examples, such as the film The English Patient, science fiction mysteries, and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize, and demystify the research process. A 16-page color section illuminates their examples, and an accompanying CD includes relevant videos, music, web sites, and additional color images.
*
Known widely in Europe as “interpretive narrative archaeology,” the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This book is the first compilation of international case studies of the various artistic methods used in this new form of education—one that makes archaeology “come alive” for the nonprofessional. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery—all can effectively communicate archaeological processes and cultural values to public audiences.
The contributors to this volume are a diverse group of archaeologists, educators, and artisans who have direct experience in schools, museums, and at archaeological sites. Citing specific examples, such as the film The English Patient, science fiction mysteries, and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize, and demystify the research process. A 16-page color section illuminates their examples, and an accompanying CD includes relevant videos, music, web sites, and additional color images.
*
[more]
Ancient Ocean Crossings
Reconsidering the Case for Contacts with the Pre-Columbian Americas
Stephen C. Jett
University of Alabama Press, 2017
Paints a compelling picture of impressive pre-Columbian cultures and Old World civilizations that, contrary to many prevailing notions, were not isolated from one another
In Ancient Ocean Crossings: Reconsidering the Case for Contacts with the Pre-Columbian Americas, Stephen Jett encourages readers to reevaluate the common belief that there was no significant interchange between the chiefdoms and civilizations of Eurasia and Africa and peoples who occupied the alleged terra incognita beyond the great oceans.
More than a hundred centuries separate the time that Ice Age hunters are conventionally thought to have crossed a land bridge from Asia into North America and the arrival of Columbus in the Bahamas in 1492. Traditional belief has long held that earth’s two hemispheres were essentially cut off from one another as a result of the post-Pleistocene meltwater-fed rising oceans that covered that bridge. The oceans, along with arctic climates and daunting terrestrial distances, formed impermeable barriers to interhemispheric communication. This viewpoint implies that the cultures of the Old World and those of the Americas developed independently.
Drawing on abundant and concrete evidence to support his theory for significant pre-Columbian contacts, Jett suggests that many ancient peoples had both the seafaring capabilities and the motives to cross the oceans and, in fact, did so repeatedly and with great impact. His deep and broad work synthesizes information and ideas from archaeology, geography, linguistics, climatology, oceanography, ethnobotany, genetics, medicine, and the history of navigation and seafaring, making an innovative and persuasive multidisciplinary case for a new understanding of human societies and their diffuse but interconnected development.
In Ancient Ocean Crossings: Reconsidering the Case for Contacts with the Pre-Columbian Americas, Stephen Jett encourages readers to reevaluate the common belief that there was no significant interchange between the chiefdoms and civilizations of Eurasia and Africa and peoples who occupied the alleged terra incognita beyond the great oceans.
More than a hundred centuries separate the time that Ice Age hunters are conventionally thought to have crossed a land bridge from Asia into North America and the arrival of Columbus in the Bahamas in 1492. Traditional belief has long held that earth’s two hemispheres were essentially cut off from one another as a result of the post-Pleistocene meltwater-fed rising oceans that covered that bridge. The oceans, along with arctic climates and daunting terrestrial distances, formed impermeable barriers to interhemispheric communication. This viewpoint implies that the cultures of the Old World and those of the Americas developed independently.
Drawing on abundant and concrete evidence to support his theory for significant pre-Columbian contacts, Jett suggests that many ancient peoples had both the seafaring capabilities and the motives to cross the oceans and, in fact, did so repeatedly and with great impact. His deep and broad work synthesizes information and ideas from archaeology, geography, linguistics, climatology, oceanography, ethnobotany, genetics, medicine, and the history of navigation and seafaring, making an innovative and persuasive multidisciplinary case for a new understanding of human societies and their diffuse but interconnected development.
[more]
Ancient Rhetorics and Digital Networks
Edited by Michele Kennerly and Damien Smith Pfister
University of Alabama Press, 2018
An examination of two seemingly incongruous areas of study: classical models of argumentation and modern modes of digital communication
What can ancient rhetorical theory possibly tell us about the role of new digital media technologies in contemporary public culture? Some central issues we currently deal with—making sense of information abundance, persuading others in our social network, navigating new media ecologies, and shaping broader cultural currents—also pressed upon the ancients.
Ancient Rhetorics and Digital Networks makes this connection explicit, reexamining key figures, texts, concepts, and sensibilities from ancient rhetoric in light of the glow of digital networks, or, ordered conversely, surveying the angles and tangles of digital networks from viewpoints afforded by ancient rhetoric. By providing an orientation grounded in ancient rhetorics, this collection simultaneously historicizes contemporary developments and reenergizes ancient rhetorical vocabularies.
Contributors engage with a variety of digital phenomena including remix, big data, identity and anonymity, memes and virals, visual images, decorum, and networking. Taken together, the essays in Ancient Rhetorics and Digital Networks help us to understand and navigate some of the fundamental communicative issues we deal with today.
What can ancient rhetorical theory possibly tell us about the role of new digital media technologies in contemporary public culture? Some central issues we currently deal with—making sense of information abundance, persuading others in our social network, navigating new media ecologies, and shaping broader cultural currents—also pressed upon the ancients.
Ancient Rhetorics and Digital Networks makes this connection explicit, reexamining key figures, texts, concepts, and sensibilities from ancient rhetoric in light of the glow of digital networks, or, ordered conversely, surveying the angles and tangles of digital networks from viewpoints afforded by ancient rhetoric. By providing an orientation grounded in ancient rhetorics, this collection simultaneously historicizes contemporary developments and reenergizes ancient rhetorical vocabularies.
Contributors engage with a variety of digital phenomena including remix, big data, identity and anonymity, memes and virals, visual images, decorum, and networking. Taken together, the essays in Ancient Rhetorics and Digital Networks help us to understand and navigate some of the fundamental communicative issues we deal with today.
[more]
And I Said No Lord
A Twenty-One-Year-Old in Mississippi in 1964
Joel Katz
University of Alabama Press, 2014
Photographer and writer Joel Katz presents a pictorial chronicle of his travels through the shifting islands of fear and loss, freedom and deliverance that was segregated Mississippi during the Freedom Summer of 1964
In June 1964, college student Joel Katz boarded a Greyhound bus in Hartford, Connecticut, for Jackson, Mississippi. He carried few possessions—a small bag of clothes, a written invitation to call on Frank Barber, who was special assistant to Governor Paul Johnson, and a Honeywell Pentax H1-A camera with three lenses.
A few days after his arrival in Jackson, the city’s Daily News ran on its front page an FBI alert seeking Andrew Goodman, James Chaney, and Michael Schwerner, three field workers from the Congress of Racial Equality (CORE) who’d gone missing while investigating a church burning in Neshoba County. In the uneasy silence of their disappearance, Katz began a seven-week journey across the state. Along the way, he met the people of Mississippi, black and white, of all ages and classes, from the humble to the grand. These Mississippians encouraged or obstructed change in their traditional culture or simply observed the edifice of that culture tremble and fall.
During 1964’s Freedom Summer, Katz met ministers making history and journalists writing it. He photographed Martin Luther King Jr. and James Abernathy, taught at a freedom school, interviewed a leader of the White Citizens Councils, was harassed by Jackson police, and escaped death in Vicksburg. Six weeks after Katz arrived in Mississippi, the FBI found the bodies of Goodman, Chaney, and Schwerner in an earthen dam.
Inspired by the social documentary photographs of Walker Evans and Robert Frank, Katz snapped hauntingly quotidian photos on his Pentax camera. Amid acts of brutal savagery and transcendent courage that transfixed the nation, Katz discovered resilient individuals living quiet lives worthy of witness. And I Said No Lord is a moving and luminous record of Americans in evolution.
In June 1964, college student Joel Katz boarded a Greyhound bus in Hartford, Connecticut, for Jackson, Mississippi. He carried few possessions—a small bag of clothes, a written invitation to call on Frank Barber, who was special assistant to Governor Paul Johnson, and a Honeywell Pentax H1-A camera with three lenses.
A few days after his arrival in Jackson, the city’s Daily News ran on its front page an FBI alert seeking Andrew Goodman, James Chaney, and Michael Schwerner, three field workers from the Congress of Racial Equality (CORE) who’d gone missing while investigating a church burning in Neshoba County. In the uneasy silence of their disappearance, Katz began a seven-week journey across the state. Along the way, he met the people of Mississippi, black and white, of all ages and classes, from the humble to the grand. These Mississippians encouraged or obstructed change in their traditional culture or simply observed the edifice of that culture tremble and fall.
During 1964’s Freedom Summer, Katz met ministers making history and journalists writing it. He photographed Martin Luther King Jr. and James Abernathy, taught at a freedom school, interviewed a leader of the White Citizens Councils, was harassed by Jackson police, and escaped death in Vicksburg. Six weeks after Katz arrived in Mississippi, the FBI found the bodies of Goodman, Chaney, and Schwerner in an earthen dam.
Inspired by the social documentary photographs of Walker Evans and Robert Frank, Katz snapped hauntingly quotidian photos on his Pentax camera. Amid acts of brutal savagery and transcendent courage that transfixed the nation, Katz discovered resilient individuals living quiet lives worthy of witness. And I Said No Lord is a moving and luminous record of Americans in evolution.
[more]
André Michaux in North America
Journals and Letters, 1785–1797
Translated from the French, Edited, and Annotated by Charlie Williams, Eliane M. Norman, and Walter Kingsley Taylor
University of Alabama Press, 2020
Journals and letters, translated from the original French, bring Michaux’s work to modern readers and scientists
Known to today’s biologists primarily as the “Michx.” at the end of more than 700 plant names, André Michaux was an intrepid French naturalist. Under the directive of King Louis XVI, he was commissioned to search out and grow new, rare, and never-before-described plant species and ship them back to his homeland in order to improve French forestry, agriculture, and horticulture. He made major botanical discoveries and published them in his two landmark books, Histoire des chênes de l’Amérique (1801), a compendium of all oak species recognized from eastern North America, and Flora Boreali-Americana (1803), the first account of all plants known in eastern North America.
Straddling the fields of documentary editing, history of the early republic, history of science, botany, and American studies, André Michaux in North America: Journals and Letters, 1785–1797 is the first complete English edition of Michaux’s American journals. This copiously annotated translation includes important excerpts from his little-known correspondence as well as a substantial introduction situating Michaux and his work in the larger scientific context of the day.
To carry out his mission, Michaux traveled from the Bahamas to Hudson Bay and west to the Mississippi River on nine separate journeys, all indicated on a finely rendered, color-coded map in this volume. His writings detail the many hardships—debilitating disease, robberies, dangerous wild animals, even shipwreck—that Michaux endured on the North American frontier and on his return home. But they also convey the soaring joys of exploration in a new world where nature still reigned supreme, a paradise of plants never before known to Western science. The thrill of discovery drove Michaux ever onward, even ultimately to his untimely death in 1802 on the remote island of Madagascar.
Known to today’s biologists primarily as the “Michx.” at the end of more than 700 plant names, André Michaux was an intrepid French naturalist. Under the directive of King Louis XVI, he was commissioned to search out and grow new, rare, and never-before-described plant species and ship them back to his homeland in order to improve French forestry, agriculture, and horticulture. He made major botanical discoveries and published them in his two landmark books, Histoire des chênes de l’Amérique (1801), a compendium of all oak species recognized from eastern North America, and Flora Boreali-Americana (1803), the first account of all plants known in eastern North America.
Straddling the fields of documentary editing, history of the early republic, history of science, botany, and American studies, André Michaux in North America: Journals and Letters, 1785–1797 is the first complete English edition of Michaux’s American journals. This copiously annotated translation includes important excerpts from his little-known correspondence as well as a substantial introduction situating Michaux and his work in the larger scientific context of the day.
To carry out his mission, Michaux traveled from the Bahamas to Hudson Bay and west to the Mississippi River on nine separate journeys, all indicated on a finely rendered, color-coded map in this volume. His writings detail the many hardships—debilitating disease, robberies, dangerous wild animals, even shipwreck—that Michaux endured on the North American frontier and on his return home. But they also convey the soaring joys of exploration in a new world where nature still reigned supreme, a paradise of plants never before known to Western science. The thrill of discovery drove Michaux ever onward, even ultimately to his untimely death in 1802 on the remote island of Madagascar.
[more]
Animal, Vegetable, Digital
Experiments in New Media Aesthetics and Environmental Poetics
Elizabeth Swanstrom
University of Alabama Press, 2016
Winner of the Elizabeth Agee Prize in American Literature
An audacious, interdisciplinary study that combines the burgeoning fields of digital aesthetics and eco-criticism
In Animal, Vegetable, Digital, Elizabeth Swanstrom makes a confident and spirited argument for the use of digital art in support of ameliorating human engagement with the environment and suggests a four-part framework for analyzing and discussing such applications.
Through close readings of a panoply of texts, artworks, and cultural artifacts, Swanstrom demonstrates that the division popular culture has for decades observed between nature and technology is artificial. Not only is digital technology not necessarily a brick in the road to a dystopian future of environmental disaster, but digital art forms can be a revivifying bridge that returns people to a more immediate relationship to nature as well as their own embodied selves.
To analyze and understand the intersection of digital art and nature, Animal, Vegetable, Digital explores four aesthetic techniques: coding, collapsing, corresponding, and conserving. “Coding” denotes the way artists use operational computer code to blur distinctions between the reader and text, and, hence, the world. Inviting a fluid conception of the boundary between human and technology, “collapsing” voids simplistic assumptions about the human body’s innate perimeter. The process of translation between natural and human-readable signs that enables communication is described as “corresponding.” “Conserving” is the application of digital art by artists to democratize large- and small-scale preservation efforts.
A fascinating synthesis of literary criticism, communications and journalism, science and technology, and rhetoric that draws on such disparate phenomena as simulated environments, video games, and popular culture, Animal, Vegetable, Digital posits that partnerships between digital aesthetics and environmental criticism are possible that reconnect humankind to nature and reaffirm its kinship with other living and nonliving things.
An audacious, interdisciplinary study that combines the burgeoning fields of digital aesthetics and eco-criticism
In Animal, Vegetable, Digital, Elizabeth Swanstrom makes a confident and spirited argument for the use of digital art in support of ameliorating human engagement with the environment and suggests a four-part framework for analyzing and discussing such applications.
Through close readings of a panoply of texts, artworks, and cultural artifacts, Swanstrom demonstrates that the division popular culture has for decades observed between nature and technology is artificial. Not only is digital technology not necessarily a brick in the road to a dystopian future of environmental disaster, but digital art forms can be a revivifying bridge that returns people to a more immediate relationship to nature as well as their own embodied selves.
To analyze and understand the intersection of digital art and nature, Animal, Vegetable, Digital explores four aesthetic techniques: coding, collapsing, corresponding, and conserving. “Coding” denotes the way artists use operational computer code to blur distinctions between the reader and text, and, hence, the world. Inviting a fluid conception of the boundary between human and technology, “collapsing” voids simplistic assumptions about the human body’s innate perimeter. The process of translation between natural and human-readable signs that enables communication is described as “corresponding.” “Conserving” is the application of digital art by artists to democratize large- and small-scale preservation efforts.
A fascinating synthesis of literary criticism, communications and journalism, science and technology, and rhetoric that draws on such disparate phenomena as simulated environments, video games, and popular culture, Animal, Vegetable, Digital posits that partnerships between digital aesthetics and environmental criticism are possible that reconnect humankind to nature and reaffirm its kinship with other living and nonliving things.
[more]
Anna's Shtetl
Lawrence A. Coben
University of Alabama Press, 2007
A rare view of a childhood in a European ghetto
Anna Spector was born in 1905 in Korsun, a Ukrainian town on the Ros River, eighty miles south of Kiev. Held by Poland until 1768 and annexed by the Tsar in 1793 Korsun and its fluid ethnic population were characteristic of the Pale of Settlement in Eastern Europe: comprised of Ukrainians, Cossacks, Jews and other groups living uneasily together in relationships punctuated by violence. Anna’s father left Korsun in 1912 to immigrate to America, and Anna left in 1919, having lived through the Great War, the Bolshevik Revolution, and part of the ensuing civil war, as well as several episodes of more or less organized pogroms—deadly anti-Jewish riots begun by various invading military detachments during the Russian Civil War and joined by some of Korsun’s peasants.
In the early 1990s Anna met Lawrence A. Coben, a medical doctor seeking information about the shtetls to recapture a sense of his own heritage. Anna had near-perfect recall of her daily life as a girl and young woman in the last days in one of those historic but doomed communities. Her rare account, the product of some 300 interviews, is valuable because most personal memoirs of ghetto life are written by men. Also, very often, Christian neighbors appear in ghetto accounts as a stolid peasant mass assembled on market days, as destructive mobs, or as an arrogant and distant collection of government officials and nobility. Anna’s story is exceptionally rich in a sense of the Korsun Christians as friends, neighbors, and individuals.
Although the Jewish communities in Eastern Europe are now virtually gone, less than 100 years ago they counted a population of millions. The firsthand records we have from that lost world are therefore important, and this view from the underrecorded lives of women and the young is particularly welcome.
[more]
Annotated Bibliography of Southern American English
James B. McMillan
University of Alabama Press, 1989
A collection of the total range of scholarly and popular writing on English as spoken from Maryland to Texas and from Kentucky to Florida
The only book-length bibliography on the speech of the American South, this volume focuses on the pronunciation, vocabulary, grammar, naming practices, word play, and other aspects of language that have interested researchers and writers for two centuries. Compiled here are the works of linguists, historians, anthropologists, sociologists, and educators, as well as popular commentators.
With over 3,800 entries, this invaluable resource is a testament to the significance of Southern speech, long recognized as a distinguishing feature of the South, and the abiding interest of Southerners in their speech as a mark of their identity. The entries encompass Southern dialects in all their distinctive varieties—from Appalachian to African American, and sea islander to urbanite.
The only book-length bibliography on the speech of the American South, this volume focuses on the pronunciation, vocabulary, grammar, naming practices, word play, and other aspects of language that have interested researchers and writers for two centuries. Compiled here are the works of linguists, historians, anthropologists, sociologists, and educators, as well as popular commentators.
With over 3,800 entries, this invaluable resource is a testament to the significance of Southern speech, long recognized as a distinguishing feature of the South, and the abiding interest of Southerners in their speech as a mark of their identity. The entries encompass Southern dialects in all their distinctive varieties—from Appalachian to African American, and sea islander to urbanite.
[more]
Another Governess / The Least Blacksmith
A Diptych
Joanna Ruocco
University of Alabama Press, 2012
Stark and vibrant, the two halves of this sutured book expose the Frankenstein-like scars of the assemblage we call “human”
In “Another Governess” a woman in a decaying manor tries to piece together her own story. In “The Least Blacksmith” a man cannot help but fail his older brother as they struggle to run their father’s forge.
Each of the stories stands alone, sharing neither characters nor settings. But together, they ask the same question: What are the wages of being? The relentless darkness of these tales is punctured by hope—the violent hope of the speaking subject.
In “Another Governess” a woman in a decaying manor tries to piece together her own story. In “The Least Blacksmith” a man cannot help but fail his older brother as they struggle to run their father’s forge.
Each of the stories stands alone, sharing neither characters nor settings. But together, they ask the same question: What are the wages of being? The relentless darkness of these tales is punctured by hope—the violent hope of the speaking subject.
[more]
Another South
Experimental Writing in the South
Edited by Bill Lavender, with an introduction by Hank Lazer
University of Alabama Press, 2002
Gathers the best work of flourishing but often-neglected avant-garde southern poets
Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor.
Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry.
Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor.
Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry.
Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
[more]
Another's Country
Archaeological and Historical Perspectives on Cultural Interactions in the Southern Colonies
Edited by J.W. Joseph and Martha Zierden
University of Alabama Press, 2001
An engaging look at the rise and fall of cultural diversity in the colonial South and its role in shaping a distinct southern identity
The 18th-century South was a true melting pot, bringing together colonists from England, France, Germany, Ireland, Switzerland, and other locations, in addition to African slaves—all of whom shared in the experiences of adapting to a new environment and interacting with American Indians. The shared process of immigration, adaptation, and creolization resulted in a rich and diverse historic mosaic of cultures.
The cultural encounters of these groups of settlers would ultimately define the meaning of life in the nineteenth-century South. The much-studied plantation society of that era and the Confederacy that sprang from it have become the enduring identities of the South. A full understanding of southern history is not possible, however, without first understanding the intermingling and interactions of the region’s eighteenth-century settlers. In the essays collected here, some of the South’s leading historical archaeologists examine various aspects of the colonial experience, attempting to understand how cultural identity was expressed, why cultural diversity was eventually replaced by a common identity, and how the various cultures intermeshed.
Written in accessible language, this book will be valuable to archaeologists and non-archaeologists alike. Cultural, architectural, and military historians, cultural anthropologists, geographers, genealogists, and others interested in the cultural legacy of the South will find much of value in this book.
The 18th-century South was a true melting pot, bringing together colonists from England, France, Germany, Ireland, Switzerland, and other locations, in addition to African slaves—all of whom shared in the experiences of adapting to a new environment and interacting with American Indians. The shared process of immigration, adaptation, and creolization resulted in a rich and diverse historic mosaic of cultures.
The cultural encounters of these groups of settlers would ultimately define the meaning of life in the nineteenth-century South. The much-studied plantation society of that era and the Confederacy that sprang from it have become the enduring identities of the South. A full understanding of southern history is not possible, however, without first understanding the intermingling and interactions of the region’s eighteenth-century settlers. In the essays collected here, some of the South’s leading historical archaeologists examine various aspects of the colonial experience, attempting to understand how cultural identity was expressed, why cultural diversity was eventually replaced by a common identity, and how the various cultures intermeshed.
Written in accessible language, this book will be valuable to archaeologists and non-archaeologists alike. Cultural, architectural, and military historians, cultural anthropologists, geographers, genealogists, and others interested in the cultural legacy of the South will find much of value in this book.
[more]
Ante-Bellum Alabama
Town and Country
Weymouth T. Jordan
University of Alabama Press, 1986
Offers insights into important facets of Alabama’s ante-bellum history
Ante-Bellum Alabama: Town and Country was written to give the reader insight into important facets of Alabama’s ante-bellum history. Presented in the form of case studies from the pre-Civil War period, the book deals with a city, a town, a planter’s family, rural social life, attitudes concerning race, and Alabama’s early agricultural and industrial development.
Ante-bellum Alabama’s primary interest was agriculture; the chief crop was King Cotton; and most of the people were agriculturalists. Towns and cities came into existence to supply the agricultural needs of the state and to process and distribute farm commodities. Similarly, Alabama’s industrial development began with the manufacture of implements for farm use, in response to the state’s agricultural needs. Rural-agriculture influences dominated the American scene; and in this respect Alabama was typical of her region as well as of most of the United States.
Ante-Bellum Alabama: Town and Country was written to give the reader insight into important facets of Alabama’s ante-bellum history. Presented in the form of case studies from the pre-Civil War period, the book deals with a city, a town, a planter’s family, rural social life, attitudes concerning race, and Alabama’s early agricultural and industrial development.
Ante-bellum Alabama’s primary interest was agriculture; the chief crop was King Cotton; and most of the people were agriculturalists. Towns and cities came into existence to supply the agricultural needs of the state and to process and distribute farm commodities. Similarly, Alabama’s industrial development began with the manufacture of implements for farm use, in response to the state’s agricultural needs. Rural-agriculture influences dominated the American scene; and in this respect Alabama was typical of her region as well as of most of the United States.
[more]
Anthropologists and Indians in the New South
Edited by Rachel Bonney and J. Anthony Paredes; Foreword by Raymond D. Fogelson
University of Alabama Press, 2001
Choice Outstanding Academic Title for 2002
A clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past
Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of “wannabe” Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in “Old South” days.
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the “lost Indian ancestor” myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.
A clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past
Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of “wannabe” Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in “Old South” days.
Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans.
This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the “lost Indian ancestor” myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.
[more]
Anthropology and the Politics of Representation
Gabriela Vargas-Cetina
University of Alabama Press, 2013
Examines the inherently problematic nature of representation and description of living people in ethnography and in anthropological work
In Anthropology and the Politics of Representation volume editor Gabriela Vargas-Cetina brings together a group of international scholars who, through their fieldwork experiences, reflect on the epistemological, political, and personal implications of their own work. To do so, they focus on such topics as ethnography, anthropologists’ engagement in identity politics, representational practices, the contexts of anthropological research and work, and the effects of personal choices regarding self-involvement in local causes that may extend beyond purely ethnographic goals.
Such reflections raise a number of ethnographic questions: What are ethnographic goals? Who sets the agenda for ethnographic writing? How does fieldwork change the anthropologist’s identity? Do ethnography and ethnographers have an impact on local lives and self-representation? How do anthropologists balance long-held respect for cultural diversity with advocacy for local people? How does an author choose what to say and write, and what not to disclose? Should anthropologists support causes that may require going against their informed knowledge of local lives?
In Anthropology and the Politics of Representation volume editor Gabriela Vargas-Cetina brings together a group of international scholars who, through their fieldwork experiences, reflect on the epistemological, political, and personal implications of their own work. To do so, they focus on such topics as ethnography, anthropologists’ engagement in identity politics, representational practices, the contexts of anthropological research and work, and the effects of personal choices regarding self-involvement in local causes that may extend beyond purely ethnographic goals.
Such reflections raise a number of ethnographic questions: What are ethnographic goals? Who sets the agenda for ethnographic writing? How does fieldwork change the anthropologist’s identity? Do ethnography and ethnographers have an impact on local lives and self-representation? How do anthropologists balance long-held respect for cultural diversity with advocacy for local people? How does an author choose what to say and write, and what not to disclose? Should anthropologists support causes that may require going against their informed knowledge of local lives?
[more]
The Anthropology of Florida
Aleš Hrdlicka
University of Alabama Press, 2007
A fundamental work on the peopling of the Americas
This volume, originally published in 1922, constitutes the most complete summary of anthropological information on Florida up until that point. Not only does it consider all previous research on Florida archaeology, physical anthropology, and aboriginal history, it also contains Hrdlicka’s analysis of every human bone from Florida that he could find in collections. He made remarkably accurate observations about the general physical types of prehistoric Florida Indians and how they compared to native peoples of surrounding regions.
This volume, originally published in 1922, constitutes the most complete summary of anthropological information on Florida up until that point. Not only does it consider all previous research on Florida archaeology, physical anthropology, and aboriginal history, it also contains Hrdlicka’s analysis of every human bone from Florida that he could find in collections. He made remarkably accurate observations about the general physical types of prehistoric Florida Indians and how they compared to native peoples of surrounding regions.
[more]
Antiquities of the Southern Indians, Particularly of the Georgia Tribes
Charles C. Jones, edited and with an introduction by Frank T. Schnell
University of Alabama Press, 1999
A Dan Josselyn Memorial Publication
This reissue of Charles Jones’s classic investigations of the Mound Builders will be an invaluable resource for archaeologists today
Long a classic of southeastern archaeology, Charles Jones’s Antiquities of the Southern Indians was a groundbreaking work that linked historic tribes with prehistoric “antiquities.” Published in 1873, it predated the work of Cyrus Thomas and Clarence Moore and remains a rich resource for modern scholars.
Jones was a pioneer of archaeology who not only excavated important sites but also related his findings to other sites, to contemporary Indians, and to artifacts from other areas. His work covers all of the southeastern states, from Virginia to Louisiana, and is noted for its insights into the De Soto expedition and the history of the Creek Indians.
Best known for refuting the popular myth of the Mound Builders, Jones proposed a connection between living Native Americans of the 1800s and the prehistoric peoples who had created the Southeast’s large earthen mounds. His early research and culture comparisons led to the eventual demise of the Mound Builder myth.
For this reissue of Jones’s book, a new introduction by Frank Schnell places Jones’s work in the context of his times and relates it to current research in the Southeast. An engagingly written work enhanced by numerous maps and engravings, Antiquities of the Southern Indians will serve today’s scholars and fascinate all readers interested in the region’s prehistory.
[more]
Antisubmarine Warrior in the Pacific
Six Subs Sunk in Twelve Days
John A. Williamson
University of Alabama Press, 2005
A first-hand account of the USS England's accomplishments, written by its commanding officer
The USS England was a 1200-ton, 306-foot, long-hull destroyer escort. Commissioned into service in late 1943 and dispatched to the Pacific the following February, the England and its crew, in one 12-day period in 1944, sank more submarines than any other ship in U.S. naval history: of the six targets attacked, all six were destroyed. For this distinction, legendary in the annals of antisubmarine warfare, the ship and her crew were honored with the Presidential Unit Citation.
After convoying in the Atlantic, John A. Williamson was assigned to the England—first as its executive officer, then as its commanding officer—from the time of her commissioning until she was dry-docked for battle damage repairs in the Philadelphia Naval Yard fifteen months later. Besides being a key participant in the remarkable antisubmarine actions, Williamson commanded the England in the battle of Okinawa, where she was attacked by kamikaze planes.
Williamson narrates his memoir with authority and authenticity, describes naval tactics and weaponry precisely, and provides information gleaned from translations of the orders from the Japanese high command to Submarine Squadron 7. The author details the challenges of communal life aboard ship and explains the intense loyalty that bonds crew members for life. Ultimately, Williamson offers a compelling portrait of himself, an inexperienced naval officer who, having come of age in Alabama during the Depression, rose to become the most successful World War II antisubmarine warfare officer in the Pacific.
*
[more]
Anything but Novel
Pushing the Margins in Latin American Post-Utopian Historical Narrative
Jennie Irene Daniels
University of Alabama Press, 2024
The first in-depth study in English to analyze post-utopian historical novels written during and in the wake of brutal Latin American dictatorships and authoritarian regimes
During neoliberal reforms in the 1980s and 1990s, murder, repression, and exile had reduced the number of intellectuals and Leftists, and many succumbed to or were coopted by market forces and ideologies. The opposition to the economic violence of neoliberal projects lacked a united front, and feasible alternatives to the contemporary order no longer seemed to exist. In this context, some Latin American literary intellectuals penned post-utopian historical novels as a means to reconstruct memory of significant moments in national history. Through the distortion and superimposition of distinct genres within the narratives, authors of post-utopian historical novels incorporated literary, cultural, and political traditions to expose contemporary challenges that were rooted in unresolved past conflicts.
In Anything but Novel, Jennie Irene Daniels closely examines four post-utopian novels—César Aira’s Ema, la cautiva, Rubem Fonseca’s O Selvagem da Ópera, José Miguel Varas’s El correo de Bagdad, and Santiago Páez’s Crónicas del Breve Reino—to make their contributions more accessible and to synthesize and highlight the literary and social interventions they make. Although the countries the novels focus on (Argentina, Brazil, Chile, and Ecuador) differ widely in politics, regime changes, historical precedents, geography, and demographics, the development of a shared subgenre among the literary elite suggests a common experience and interpretation of contemporary events across Latin America. These novels complement one another, extending shared themes and critiques.
Daniels argues the novels demonstrate that alternatives exist to neoliberalism even in times when it appears there are none. Another contribution of these novels is their repositioning of the Latin American literary intellectuals who have advocated for the marginalized in their societies. Their work has opened new avenues and developed previous lines of research in feminist, queer, and ethnic studies and for nonwhite, nonmale writers.
[more]
Apalachicola Valley Archaeology, Volume 1
Prehistory through the Middle Woodland Period
Nancy Marie White
University of Alabama Press, 2024
The definitive archaeological record and what is known or speculated about the ancient Apalachicola and lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia
In this meticulously researched volume, Nancy Marie White provides a major holistic synthesis of the archaeological record and what is known or surmised about the peoples of the Apalachicola and lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia. White transforms a neglected research area into a lively saga that spans the time of the first human settlement, around 14,000 years ago, through the Middle Woodland period, ending about AD 700.
White reveals that Paleoindian habitation was more extensive than once surmised. Archaic sites were widespread, and those societies persisted when the Ice Age ended 10,000 years ago. Pottery appeared in the Late Archaic period (before 4000 BP), and Early Woodland–period burial mounds demonstrate a flowering of religious and ritual systems. Middle Woodland societies expanded this mortuary ceremony, and the complex pottery of the Swift Creek and the early Weeden Island ceramic series show an increased fascination with the ornate and unusual. Yet, basic Native American lifeways continued with gathering-fishing-hunting subsistence traditions similar to those of their ancestors.
This volume and its companion form the definitive work on the Apalachicola–lower Chattahoochee Valley region for both scholars and general readers interested in Native Americans of the Southeast.
[more]
Apalachicola Valley Archaeology, Volume 2
The Late Woodland Period through Recent History
Nancy Marie White
University of Alabama Press
Synthesizes the archaeology of the Apalachicola–lower Chattahoochee Valley region of northwest Florida, southeast Alabama, and southwest Georgia, from 1,300 years ago to recent times
[more]
Applications of Research in Music Behavior
Clifford K. Madsen
University of Alabama Press, 1991
Landmark collection of writing about music and music education
Applications of Research in Music Behavior stresses the practical applications and implications of investigating music behavior in a systematic, objective manner. Specifically, the book focuses on factors influencing the teaching of children; efficient methods for instructing future teachers; elements affecting musical perception, likes, and dislikes; and innovative efforts to investigate new areas of study. Recent studies by twenty-six nationally known educators that use objective strategies associated with experimental and behavioral research are presented to illustrate how people learn about music and how people are taught to make music.
The research studies are introduced by an article emphasizing the usefulness of research literature in devising a teaching strategy and are grouped into four sections: Teaching Music to Children, Teaching Future Teachers, Preference and Perception, and New Horizons. The concluding article is an allegorical proposal for balance and perspective in the consideration of music education.
Applications of Research in Music Behavior stresses the practical applications and implications of investigating music behavior in a systematic, objective manner. Specifically, the book focuses on factors influencing the teaching of children; efficient methods for instructing future teachers; elements affecting musical perception, likes, and dislikes; and innovative efforts to investigate new areas of study. Recent studies by twenty-six nationally known educators that use objective strategies associated with experimental and behavioral research are presented to illustrate how people learn about music and how people are taught to make music.
The research studies are introduced by an article emphasizing the usefulness of research literature in devising a teaching strategy and are grouped into four sections: Teaching Music to Children, Teaching Future Teachers, Preference and Perception, and New Horizons. The concluding article is an allegorical proposal for balance and perspective in the consideration of music education.
[more]
An Apprehension of Splendor
A Biography in Photographs of F. Scott Fitzgerald and His Family
Shawn Sudia-Skehan
University of Alabama Press
A unique collection of Fitzgerald family photographs, many never before published, hand selected by a curator of the Scott and Zelda Fitzgerald Museum
Enter the Jazz Age glamour of F. Scott and Zelda Fitzgerald and their daughter, Scottie. An Apprehension of Splendor is a rich pictorial biography that illuminates the lives of this brilliant literary family in 344 rare photographs, 180 of which have never been published.
The Fitzgeralds are chiefly known from a small number of iconic, posed images, but the dashing couple and their daughter amassed hundreds of candid snapshots now housed in archives and university library collections throughout North America. These rare photos reveal the full, vivid lives behind the icons—a Buffalo boy cradling a velvety puppy, a jaunty southern gamine in the shade of a loblolly pine laughing at a secret, the stoic gloom of an enlistee in a scratchy woolen uniform, a plot taking shape in the mind of a fledgling writer with bed-tousled hair, an amorous young couple struggling to light a cigarette in the chiaroscuro of a Riviera beach, an unhappy baby tugged through the snow in a laundry basket lashed to a sled, and a myriad of other images that will rekindle fascination with the Fitzgeralds and their time.
With unparalleled access to the family’s personal papers and photographs, Shawn Sudia-Skehan, former director of acquisitions at the Scott and Zelda Fitzgerald Museum, handpicked and annotated this collection of images that brings readers closer to the Fitzgeralds than any other work. Readers of Tender Is the Night, The Beautiful and Damned, and many other works by F. Scott and Zelda will recognize some of the places and experiences that inspired their unforgettable fictions.
A captivating portrait of Jazz Age celebrity, young passion, and artistic ambition, An Apprehension of Splendor returns the perfume to the luminous flower of the Fitzgeralds.
Enter the Jazz Age glamour of F. Scott and Zelda Fitzgerald and their daughter, Scottie. An Apprehension of Splendor is a rich pictorial biography that illuminates the lives of this brilliant literary family in 344 rare photographs, 180 of which have never been published.
The Fitzgeralds are chiefly known from a small number of iconic, posed images, but the dashing couple and their daughter amassed hundreds of candid snapshots now housed in archives and university library collections throughout North America. These rare photos reveal the full, vivid lives behind the icons—a Buffalo boy cradling a velvety puppy, a jaunty southern gamine in the shade of a loblolly pine laughing at a secret, the stoic gloom of an enlistee in a scratchy woolen uniform, a plot taking shape in the mind of a fledgling writer with bed-tousled hair, an amorous young couple struggling to light a cigarette in the chiaroscuro of a Riviera beach, an unhappy baby tugged through the snow in a laundry basket lashed to a sled, and a myriad of other images that will rekindle fascination with the Fitzgeralds and their time.
With unparalleled access to the family’s personal papers and photographs, Shawn Sudia-Skehan, former director of acquisitions at the Scott and Zelda Fitzgerald Museum, handpicked and annotated this collection of images that brings readers closer to the Fitzgeralds than any other work. Readers of Tender Is the Night, The Beautiful and Damned, and many other works by F. Scott and Zelda will recognize some of the places and experiences that inspired their unforgettable fictions.
A captivating portrait of Jazz Age celebrity, young passion, and artistic ambition, An Apprehension of Splendor returns the perfume to the luminous flower of the Fitzgeralds.
[more]
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