front cover of Reading Fu Poetry
Reading Fu Poetry
From the Han to Song Dynasties
Nicholas Morrow Williams
Arc Humanities Press, 2021
The fu genre (or “rhapsody” in English) is one of the major genres of Chinese poetry throughout imperial history. This volume presents close readings of representative works in the genre, spanning over a millennium of its history. Each chapter contains a complete translation of major fu poems, accompanied by an essay presenting the work or works in historical context and also examining their significance in contemporary culture. Ranging in style and topic from the exuberant accumulation of detail in Yang Xiong’s “Shu Capital,” translated by David R. Knechtges, to the luscious lyricism of Wang Bo’s “Spring Longings,” translated by Timothy W. K. Chan, the poems present a panorama of how the genre has been used for both personal and social expression. While the individual essays examine their respective subjects in depth and detail, collectively the essays also offer a sweeping survey of the fu genre from the Han (206 B.C.E.–220 C.E.) through the Song (960–1279 C.E.) dynasty.
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front cover of Reading Nature in the Early Middle Ages
Reading Nature in the Early Middle Ages
Writing, Language, and Creation in the Latin Physiologus, ca. 700–1000
Anna Dorofeeva
Arc Humanities Press, 2023
This book is a new cultural and intellectual history of the natural world in the early medieval Latin West. It examines the complex relationships between language, texts, and the physical world they describe, focusing on the manuscripts of the Physiologus—the foundation of the medieval bestiary. The Physiologus helped to shape the post-Roman worldview about the role and place of human beings in Creation. This process drew on classical ideas, but in its emphasis on allegory, etymology, and a plurality of readings, it was original and distinctive. This study demonstrates precisely how the early medieval re-contextualization of existing knowledge, together with a substantial amount of new writing, set the course of ideas about faith and nature for centuries to come. In doing so, it establishes the importance of multi-text miscellanies for early medieval written culture.
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front cover of Re-Assessing the Global Turn in Medieval Art History
Re-Assessing the Global Turn in Medieval Art History
Christina Normore
Arc Humanities Press, 2018
The growth in debates concerning the concept of 'the global' in medieval art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives, specializations, and scholarly training. And while these problems affect Byzantine, Islamic, Western medieval, and East Asian art history, there has been little conversation among scholars in these fields. A cutting-edge work on global medieval art, this volume offers a starting point for conversations among scholars working on multiple cultural regions.
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front cover of Recreating the Medieval Globe
Recreating the Medieval Globe
Acts of Recycling, Revision, and Relocation
Joseph Shack
Arc Humanities Press, 2020
The creative reuse of materials, texts, and ideas was a common phenomenon in the medieval world. The seven chapters offer here a synchronic and diachronic consideration of the receptions and meanings of events and artifacts, analyzing the processes that allowed medieval works to remain relevant in sociocultural contexts far removed from those in which they originated. In the process, they elucidate the global valences of recycling, revision, and relocation throughout the interconnected Middle Ages, and their continued relevance for the shaping of modernity. The essays examine cases in the Arab and Muslim world, China and Mongolia, and the Prussian-Lithuanian frontier of eastern Europe.
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front cover of Remapping Travel Narratives, 1000-1700
Remapping Travel Narratives, 1000-1700
To the East and Back Again
Montserrat Piera
Arc Humanities Press, 2018
With a specific focus on travel narratives, this collection looks at how various Islamic and eastern cultural threads weaved themselves, through travel and trading networks, into Western European/Christian visual culture and discourse and, ultimately, into the artistic explosion which has been labeled the "Renaissance."  Scholars from across humanities disciplines examine Islamic, Jewish, Spanish, Italian, and English works from a truly comparative and non-parochial perspective, to explore the transfer through travel of cultural and religious values and artistic and scientific practices, from the eleventh to the seventeenth centuries.
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front cover of The Rise and Demise of the Myth of the Rus’ Land
The Rise and Demise of the Myth of the Rus’ Land
Charles J. Halperin
Arc Humanities Press, 2023
The concept of the Rus’ Land (russkaia zemlia) became and remained an historical myth of modern Russian nationalism as the equivalent of “Russia,” but it was actually a political myth, manipulated to provide legitimacy. Its meaning was dynastic—territories ruled by a member of the Riurikid/Volodimerovich princely clan. This book traces the history of its use from the tenth to the seventeenth century, outlining its changing religious (pagan to Christian) and geographic elements (from the Dnieper River valley in Ukraine in Kievan Rus’ to Muscovy in Russia) and considers alternative “land” concepts which failed to rise to the ideological heights of the Rus’ Land. Although the Rus’ Land was never an ethnic or national concept, and never expanded its appeal beyond an elite lay and clerical audience, understanding its evolution sheds light upon the cultural and intellectual history of the medieval and early modern East Slavs.
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front cover of Ritual, Spectacle, and Theatre in Late Medieval Seville
Ritual, Spectacle, and Theatre in Late Medieval Seville
Performing Empire
Christopher Swift
Arc Humanities Press, 2023
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theatre by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville as the imperial centre of Christian Spain.
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front cover of Rituals in Slavic Pre-Christian Religion
Rituals in Slavic Pre-Christian Religion
Festivals, Banqueting, and Divination
Juan Antonio Álvarez-Pedrosa
Arc Humanities Press, 2023
The authors comprehensively analyze all the available information regarding the ritual practices of Slavic pre-Christian religion that can be found in written medieval texts. After investigating every kind of reference to such practices, they offer a reconstruction of Slavic pre-Christian religion on the basis of these medieval testimonies. In doing so, they overcome the challenges presented by the fact that all of these sources are indirect, since the Slavs did not acquire literacy until they became Christians. Thus the writers of these texts mostly professed a monotheistic religion, being Christians and in some cases Muslims. The picture that they offer is biased and determined by their own faith. The present analysis innovatively combines testimonies from every Slavic area (Eastern, Western, and Southern), showing their mutual correspondences and emphasizing the relationship between the Slavic pre-Christian religion and its Indo-European roots.
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