A SCHOLARLY BOOK REPOSITORY17 start with V start with V
Van Halen are known for classic songs like “Runnin’ with the Devil,” "Panama,” and “Jump,” but also for the drama surrounding the exits of its former members. While many have attempted to discover the secrets of Van Halen through an analysis of their musical role models, John Scanlan looks at deeper aesthetic and philosophical influences in Van Halen, a groundbreaking account of this extraordinary band.
Our ancient connections with the sea have developed and multiplied through industrialization and globalization, a trajectory that runs counter to Western depictions of the ocean as a place remote from and immune to human influence. Rozwadowski argues that knowledge about the oceans—created through work and play, scientific investigation, and also through human ambitions for profiting from the sea—has played a central role in defining our relationship with this vast, trackless, and opaque place. It has helped us to exploit marine resources, control ocean space, extend imperial or national power, and attempt to refashion the sea into a more tractable arena for human activity.
But while deepening knowledge of the ocean has animated and strengthened connections between people and the world’s seas, to understand this history we must address questions of how, by whom, and why knowledge of the ocean was created and used—and how we create and use this knowledge today. Only then can we can forge a healthier relationship with our future sea.
This book is a new, beautifully illustrated account of Venus, taking in the most recent research into this mysterious, inhospitable world. The book looks at the history of our observations of the planet, from early astronomy to future space missions, and seeks to shed light on many of the questions that remain unanswered, such as why Venus and the Earth—so similar in size and mass—evolved in such different directions, and how Venus acquired its dense carbon-dioxide atmosphere. Above all, Venus assesses whether life might have escaped from the oven-like temperatures at the surface and evolved to become perpetually airborne—in which case Venus may not be lifeless after all.
This is the first book to address William Wordsworth’s profound identification of the spirit of nature in trees. It looks at what trees meant to him, and how he represented them in his poetry and prose: the symbolic charm of blasted trees, a hawthorn at the heart of Irish folk belief, great oaks that embodied naval strength, yews that tell us about both longevity and the brevity of human life. Linking poetry and literary history with ecology, Versed in Living Nature explores intricate patterns of personal and local connections that enabled trees—as living things, cultural topics, horticultural objects, and even commodities—to be imagined, theorized, discussed, and exchanged. In this book, the literary past becomes the urgent present.
This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo’s monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon’s Empire to the rise of France’s Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo’s was a mind as revolutionary as the time in which he lived.
Drawing on Woolf’s letters, journals, diaries, autobiographical essays, and fiction, Ira Nadel paints a portrait of the writer in situ, whether in the enclosed surroundings of Hyde Park Gate or the open and free-spirited environs of Gordon Square’s Bloomsbury. He shows how Woolf’s experimental style was informed by her own reading life and how her deeply sensitive understanding of history, narrative, art, and friendship were rendered in her prose. He explores the famous Bloomsbury group of intellectuals in which she was immersed as well as her relationships with fascinating figures such as Vita Sackville-West and Lady Ottoline Morrel. Nadel looks at Woolf’s attitudes toward sex and marriage, analyzes her uncertain social and political views, and, finally, offers a sensitive examination of her mental instabilities and the nervous breakdowns that would plague her for most of her life, up until her suicide in 1941.
A moving account of an exceptional writer who ushered in a new era of literature, this biography perfectly captures the intricate relationship between art and life.
This book unravels the intimate narratives woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the narrative explores the concealed world of underwear as a silent communicator of individual desire and societal affiliation. As an indicator of the pulse of fashion, underwear has evolved from minimalism to intricate designs with new materials. Beyond its role in denying our corporeal nature, underwear safeguards and exposes, reflecting our innermost desires and past experiences.
From clean underclothing resisting carnal urges to the protective embrace of fabric, this book illuminates the profound, often hidden stories told by the garments beneath our outer layers. It rewards the reader with historical insights into both women’s and men’s underwear and global cultures of dress.
That Spanish painting is both cerebral and passionate is due to the particular historical forces which shaped it. Stoichita's account will be of crucial interest not just to scholars of Spanish art but to anyone interested in how art responds to ideological pressures.
The French Revolution was marked by a wealth of imagery and visual symbolism that inspired the masses to fight for freedom. Visualizing the Revolution surveys the rich and multifaceted visual culture of the French Revolution, exploring its creation and how it conveyed the new revolutionary sensibilities of the era.
Unlike most studies on art of the French Revolution, Visualizing the Revolution embraces a wide range of artistic genres—including prints, architecture, painting, and sculpture—and also draws upon archival documents to investigate the period’s aesthetic concerns. The authors break new ground in methodology and interpretative practice as they tease out the web of connections between these various historical artifacts and argue for the central place of the arts in the transmission of ideas and the political manipulation of the populace. The book translates the provocatively new visual language revealed in these artworks and writings and shows how its emphasis on metaphor, allegory, and symbolism transformed French mass visual culture. An innovative and lushly illustrated study, Visualizing the Revolution is a worthy new contribution to scholarship on the French Revolution and the history of French art.
Best known for his deeply controversial 1955 novel, Lolita, Vladimir Nabokov (1899-1977) is celebrated as one of the most distinctive literary stylists of the twentieth century. In Vladimir Nabokov, Barbara Wyllie presents a comprehensive account of the life and works of the writer, from his childhood and earliest stories in pre-revolutionary Russia, to The Original of Laura—a novel written almost entirely on index cards published for the first time in 2009, perhaps against Nabokov’s wishes.
This literary biography investigates the author’s poetry and prose, in both Russian and English, and examines the relationship between Nabokov’s extraordinary erudition and the themes that recur throughout his works. His expertise as a specialist in butterflies complemented his wide knowledge of Russian and Western European culture, philosophy, and history, and informed the themes of transformation and transcendence that dominate his work. Wyllie traces his lifelong preoccupations with time, memory, and mortality across both his Russian and English works, and she illuminates his distinctive through detailed analysis of his major novels. Wyllie assesses his poetry and prose style alongside Nabokov’s own autobiography, letters, and critical writings—as well as the only recently-published The Original of Laura—in order to create a complete and updated picture of the writer in the context of his works.
Vladimir Nabokov presents a fascinating portrait of one of the twentieth century’s most eclectic, prolific, and controversial authors. It is an essential read for fans of Nabokov and scholars of twentieth century English and Russian literature.
Vodka is the most versatile of spirits. While people in Eastern Europe and the Baltic often drink it neat, swallowing it in one gulp, others use it in cocktails and mixed drinks—bloody marys, screwdrivers, white russians, and Jell-O shots—or mix it with tonic water or ginger beer to create a refreshing drink. Vodka manufacturers even infuse it with flavors ranging from lemon and strawberry to chocolate, bubble gum, and bacon. Created by distilling fermented grains, potatoes, beets, or other vegetables, this colorless, tasteless, and odorless liquor has been enjoyed by both the rich and the poor throughout its existence, but it has also endured many obstacles along its way to global popularity.
For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the awe-inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants.
The contributors to this collection include historians of art and of science, anthropologists, literary critics and mainstream cultural historians. Their essays encompass a challenging range of subjects, including the explorations of South America, India and Mexico; mountaineering in the Himalayas; space travel; science fiction; and American post-war travel fiction. Voyages and Visions is truly interdisciplinary, and essential reading for anyone interested in travel writing.
With essays by Kasia Boddy, Michael Bravo, Peter Burke, Melissa Calaresu, Jesus Maria Carillo Castillo, Peter Hansen, Edward James, Nigel Leask, Joan-Pau Rubies and Wes Williams.
Simply because they are large scavenging birds, vultures are often viewed as harbingers of death. But, as Thom van Dooren shows in this cultural and natural history, that dominant association leaves us with a very one-dimensional understanding of a group of actually rather fascinating and diverse creatures.
Vulture offers an enlightening new history of this much-misunderstood bird. Vultures vary in type and size, and while some have a diet mainly of bone, others are actually almost completely vegetarian. Most interesting, despite its notorious association with death, the vulture very rarely, if ever, kills for itself. In different cultural mythologies, vultures play a role in disposing of the dead and officiating over human sacrifices, but they have often been viewed as courageous and noble creatures as well—believed to be indispensable in the containment of waste and disease and even to be world creators and divine mothers. Van Dooren explores these many histories, from some of the earliest-known Neolithic sites in which vultures are thought to have consumed the dead to contemporary efforts to reintroduce the bearded vulture into the Alps.
Highlighting the rich diversity of vultures and the many ways in which people have understood and lived with them, Vulture invites a new appreciation and wonder for these incredible birds.
Williams connects the plays for which Havel is best known to his earlier poetry as well as to his development as a writer of profound insight on the arts, his country’s social and political turmoil, and the modern condition at large. He also contextualizes Havel’s oeuvre within his dramatic private life and his ambivalence about being the scion of a patriotic and cosmopolitan Prague family. Reading Havel’s works in Czech alongside his voluminous correspondence, Williams produces a full, rounded picture of a figure of extraordinary artistic and political courage beset with inner paradoxes.
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