Este libro (SAA Press Current Perspectives Series) ofrece una visión general de la arqueología de la región oaxaqueña, abordada desde sus orígenes, con los científicos del siglo XIX, hasta los estudios más recientes en la época moderna. Ubicada en el sur de México, esta región mesoamericana ha sido considerada como cuna de civilizaciones debido a su ininterrumpido desarrollo cultural, desde la prehistoria hasta nuestros días. El libro se presenta organizado en una manera cronológica, a fin de que el lector pueda comprender el desarrollo de las antiguas culturas que han convivido a lo largo de varios siglos en este agreste territorio. Ofrece una compilación de los conocimientos emanados de los varios proyectos arqueológicos que se han realizado permanentemente en Oaxaca, que han permitido ir construyendo la historia de los grupos humanos asentados desde la etapa lítica hasta la llegada de la conquista europea en las diversas sub-regiones. Muestra también los diversos enfoques de la arqueología mexicana y norteamericana que la han modelado, y que se han complementado de manera afortunada para hacer de Oaxaca una de las regiones más estudiadas de Mesoamérica.

Between 1893 and 1903, Jesse H. Bratley worked in Indian schools across five reservations in the American West. As a teacher Bratley was charged with forcibly assimilating Native Americans through education. Although tasked with eradicating their culture, Bratley became entranced by it—collecting artifacts and taking glass plate photographs to document the Native America he encountered. Today, the Denver Museum of Nature & Science’s Jesse H. Bratley Collection consists of nearly 500 photographs and 1,000 pottery and basketry pieces, beadwork, weapons, toys, musical instruments, and other objects traced to the S’Klallam, Lakota Sioux, Cheyenne, Arapaho, Havasupai, Hopi, and Seminole peoples.
 
This visual and material archive serves as a lens through which to view a key moment in US history—when Native Americans were sequestered onto reservation lands, forced into unfamiliar labor economies, and attacked for their religious practices. Education, the government hoped, would be the final tool to permanently transform Indigenous bodies through moral instruction in Western dress, foodways, and living habits. Yet Lindsay Montgomery and Chip Colwell posit that Bratley’s collection constitutes “objects of survivance”—things and images that testify not to destruction and loss but to resistance and survival. Interwoven with documents and interviews, Objects of Survivance illuminates how the US government sought to control Native Americans and how Indigenous peoples endured in the face of such oppression.
 
Rejecting the narrative that such objects preserve dying Native cultures, Objects of Survivance reframes the Bratley Collection, showing how tribal members have reconnected to these items, embracing them as part of their past and reclaiming them as part of their contemporary identities. This unique visual and material record of the early American Indian school experience and story of tribal perseverance will be of value to anyone interested in US history, Native American studies, and social justice.

Co-published with the Denver Museum of Nature & Science

Departing from the political economy perspective taken by the vast majority of volumes devoted to Mesoamerican obsidian, Obsidian Reflections is an examination of obsidian's sociocultural dimensions—particularly in regard to Mesoamerican world view, religion, and belief systems.

Exploring the materiality of this volcanic glass rather than only its functionality, this book considers the interplay among people, obsidian, and meaning and how these relationships shaped patterns of procurement, exchange, and use. An international group of scholars hailing from Belize, France, Japan, Mexico, and the United States provides a variety of case studies from Mexico, Guatemala, Belize, and Honduras. The authors draw on archaeological, iconographic, ethnographic, and ethnohistoric data to examine obsidian as a touchstone for cultural meaning, including references to sacrificial precepts, powerful deities, landscape, warfare, social relations, and fertility.

Obsidian Reflections underscores the necessity of understanding obsidian from within its cultural context—the perspective of the indigenous people of Mesoamerica. It will be of great interest to Mesoamericanists as well as students and scholars of lithic studies and material culture.

Finalist for the Colorado Book Award (History)

In Old Blue’s Road, historian James Whiteside shares accounts of his motorcycle adventures across the American West. He details the places he has seen, the people he has met, and the personal musings those encounters prompted on his unique journeys of discovery.
 
In 2005, Whiteside bought a Harley Davidson Heritage Softail, christened it “Old Blue,” and set off on a series of far-reaching motorcycle adventures. Over six years he traveled more than 15,000 miles. Part travelogue and part historical tour, this book takes the reader along for the ride.  Whiteside’s travels to the Pacific Northwest, Yellowstone, Dodge City, Santa Fe, Wounded Knee, and many other locales prompt consideration of myriad topics—the ongoing struggle between Indian and mainstream American culture, the meaning of community, the sustainability of the West's hydraulic society, the creation of the national parks system, the Mormon experience in Utah, the internment of Japanese Americans during World War II, and more.

Delightfully funny and insightful, Old Blue’s Road links the colorful history and vibrant present from Whiteside’s unique vantage point, recognizing and reflecting on the processes of change that made the West what it is today. The book will interest the general reader and western historian alike, leading to new appreciation for the complex ways in which the American West's past and present come together.

On Being Maya and Getting By is an ethnographic study of the two Ek’Balams—a notable archaeological site and adjacent village—of the Yucatán Peninsula. When the archaeological site became a tourist destination, the village became the location of a community-based tourism development project funded by the Mexican government. Overt displays of heritage and a connection to Maya antiquity became important and profitable for the modern Maya villagers. Residents of Ek’Balam are now living in a complex ecosystem of natural and cultural resources where the notion and act of “being Maya” is deeply intertwined with economic development.
 
The book explores how Ek’Balam villagers negotiate and maneuver through a web of social programs, tourists, volunteers, and expectations while living their daily lives. Focusing on the active processes in which residents choose to participate, author Sarah R. Taylor provides insights into how the ideological conflicts surrounding economic development play out in the negotiations between internal community politics and external social actors. The conflicts implicit to conceptions of “community” as a target for development are made explicit through the systematic questioning of what exactly it means to be a member of a local, indigenous, or sustainable community in the process of being developed.
 
On Being Maya and Getting By is a rich description of how one community is actively negotiating with tourism and development and also a call for a more complex analysis of how rural villages are connected to greater urban, national, and global forces.
 

"Everyone was moving to Denver, which was mushrooming all over the prairie and giving every evidence of becoming a metropolis of real proportion" - so recalls Elizabeth Young of her childhood on Colfax Avenue. Her youth ran parallel to that of her hometown: she grew up in the 1890s in the midst of Denver's rapid metamorphosis from frontier town to modern city. Young's memoir provides vivid glimpses of the people and events of this heady era, along with the adventuresome spirit that animated them. On Colfax Avenue captures the sense of joyful self-discovery that comes with childhood - both the author's and Denver's.

There are many studies of local communities during their heydays, but the life of a community in decline is rarely studied. The Once and Future Silver Queen of the Rockies delves into the life of Georgetown, Colorado, after the turn of the twentieth century as mining in Clear Creek County steadily declined and ultimately collapsed.

One of the earliest mining communities in the state, Georgetown began to struggle for survival as the nineteenth century drew to a close. The price of silver dropped precipitously while other mining camps were still opening around the region. The new, bright future once envisioned for the “Silver Queen of the Rockies” began to fade. Yet the community managed to survive and re-create itself in the new world of the twentieth century. Tourism, skiing, and historic preservation replaced mineral extraction as the basis of the regional economy. Today, Georgetown maintains the aesthetic feel of a nineteenth-century mining town and stands as an example of community-supported historic preservation.

This richly illustrated sequel to The Rise of the Silver Queen tells the compelling story of Georgetown’s survival, and ultimate flourishing, after the loss of its principal industry. It is an interesting and engaging addition to the history of Colorado and the West.

"The Only True People" is a timely and rigorous examination of ethnicity among the ancient and modern Maya, focusing on ethnogenesis and exploring the complexities of Maya identity—how it developed, where and when it emerged, and why it continues to change over time. In the volume, a multidisciplinary group of well-known scholars including archaeologists, linguists, ethnographers, ethnohistorians, and epigraphers investigate ethnicity and other forms of group identity at a number of Maya sites and places, from the northern reaches of the Yucatan to the Southern Periphery, and across different time periods, from the Classic period to the modern day.

Each contribution challenges the notion of ethnically homogenous "Maya peoples" for their region and chronology and explores how their work contributes to the definition of "ethnicity" for ancient Maya society. Contributors confront some of the most difficult theoretical debates concerning identity in the literature today: how different ethnic groups define themselves in relation to others; under what circumstances ethnicity is marked by overt expressions of group membership and when it is hidden from view; and the processes that transform ethnic identities and their expressions.

By addressing the social constructs and conditions behind Maya ethnicity, both past and present, "The Only True People" contributes to the understanding of ethnicity as a complex set of relationships among people who lived in real and imagined communities, as well as among people separated by social boundaries. The volume will be a key resource for Mayanists and will be of interest to students and scholars of ethnography, anthropology, and cultural studies as well.

Contributors: McCale Ashenbrener, Ellen E. Bell, Marcello A. Canuto, Juan Castillo Cocom, David A. Freidel, Wolfgang Gabbert, Stanley P. Guente, Jonathan Hill, Charles Andrew Hofling, Martha J. Macri, Damien B. Marken, Matthew Restall, Timoteo Rodriguez, Mathew C. Samson, Edward Schortman, Rebecca Storey

This comprehensive treatment of the smelting industry of Colorado, originally published in 1979, is now back in print with a new preface by the author. Packed with fascinating statistics and mining data, Ores to Metals details the people, technologies, and business decisions that have shaped the smelting industry in the Rockies.

Although mining holds more of the glamour for those in and interested in the minerals industry, smelters have continuously played a critical role in the industry’s evolution since their introduction in Colorado in the 1860s. At that time, miners desperately needed new technology to recover gold and silver from ores resistant to milling. Beginning as small independent enterprises, progressing to larger integrated firms working in urban centers, and finally following a trend toward mergers, the entire industry was absorbed into one large holding company—the American Smelting and Refining Company. Over time, fortunes were won and lost, business success was converted to political success, and advances were made in science and metallurgy. Drawing on archival material, Fell expertly presents the triumphs and troubles of the entrepreneurs who built one of the great industries of the West.

Combining older findings with new data on 1,000 previously undescribed archaeological sites, Origins of the Ñuu presents the cultural evolution of the Mixteca Alta in an up-to-date chronological framework.

The ñuu - the kingdoms of the famous Mixtec codices - are traced back through the Postclassic and Classic periods to their beginnings in the first states of the Terminal Formative, revealing their origin, evolution, and persistence through two cycles of growth and collapse. Challenging assumptions that the Mixtec were peripheral to better-known peoples such as the Aztecs or Maya, the book asserts that the ñuu were a major demographic and economic power in their own right.

Older explanations of multiregional or macroregional systems often portrayed civilizations as rising in a cradle or hearth and spreading outward. New macroregional studies show that civilizations are products of more complex interactions between regions, in which peripheries are not simply shaped by cores but by their interactions with multiple societies at varying distances from major centers. Origins of the Ñuu is a significant contribution to this emerging area of archaeological research.

The Arctic rim of North America presents one of the most daunting environments for humans. Cold and austere, it is lacking in plants but rich in marine mammals-primarily the ringed seal, walrus, and bowhead whale. In this book in the SAA Press Current Perspectives Series, the authors track the history of cultural innovations in the Arctic and Subarctic for the past 12,000 years, including the development of sophisticated architecture, watercraft, fur clothing, hunting technology, and worldviews. Climate change is linked to many of the successes and failures of its inhabitants; warming or cooling periods led to periods of resource abundance or collapse, and in several instances to long-distance migrations. At its western and eastern margins, the Arctic also experienced the impact of Asian and European world systems, from that of the Norse in the East to the Russians in the Bering Strait.

In The Owl Was a Baker’s Daughter, Gillian Cummings gives voice to her version of Ophelia, a young woman shattered by unbearable losses, and questions what makes a mind unwind till the outcome is deemed a suicide. Ophelia’s story, spoken quietly, lyrically, in prose poems whose tone is unapologetically feminine, is bracketed by short, whittled-down once-sonnets featuring other Ophelias, nameless “she” and “you” characters who address the question of madness and its aftermath. These women and girls want to know, what is God when the soul is at its nadir of suffering, and how can one have faith when living with a mind that wants to destroy itself?

If it is true, as Joseph Campbell said, that “the psychotic drowns in the same waters in which the mystic swims with delight,” then Cummings strains the boundaries of this notion: “Is it the same? The desire to end a life / and the need to know how: a flower’s simple bliss?” Her women and girls, part “little heavenling” and part “small hellborn,” understand the emptiness of utmost despair and long for that other emptiness, which can be thought of as union with God, the death of the troublesome ego. Cummings’s poetic ancestors may be Dickinson and Plath and her source here Shakespeare, but more contemporary voices also echo in her poems, those of Lucie Brock-Broido, Larissa Szporluk, and Cynthia Cruz. Here, in The Owl Was a Baker’s Daughter, is what might happen if, after sealing off the doors and turning on the gas, indeed, after dying, a poet had come to embrace the holiness in how “all dissolves: one color, / one moon, all earth, red as love, red as living.”