This remarkable biography features a white American pacifist minister whose tireless work for justice and human rights helped reshape Black civil rights in the U.S. and Africa. George M. Houser (1916–2015) was one of the most important civil rights and antiwar activists of the twentieth century. A conscientious objector during World War II, in 1942 Houser cofounded and led the Congress of Racial Equality (CORE), whose embrace of nonviolent protest strategies and tactics characterized the modern American Civil Rights Movement. Beginning in the 1950s, Houser played a critical role in pan-Africanist anticolonial movements, and his more than thirty-year dedication to the cause of human rights and self-determination helped prepare the ground for the toppling of the South African apartheid regime. Throughout his life, Houser shunned publicity, preferring to let his actions speak his faith. Sheila Collins’s well-researched biography recounts the events that informed Houser’s life of activism—from his childhood experiences as the son of missionaries in the Philippines to his early grounding in the Social Gospel and the teachings of Mohandas Gandhi. In light of the corruption the U.S. and the world face today, Houser’s story of faith and decisive action for human rights and social justice is one for our time.

Can the revolutionary government of Yoweri Museveni’s National Resistance Movement put Uganda back on the road from decay to development?

These informed assessments put the present situation in context. The contributors assembled as Museveni’s guerrillas were launching their final bid for power. They have finalized their contributions in the light of the Museveni government’s initial period of power.

Contributions by Ugandan academics and politicians interlock with those by scholars from across the world who have a concern for Uganda. Historians examine the period of colonialism. There are political studies of the quarter century since independence. There are detailed analyses of the economic realities for the Ugandan government in the period of international debt. The central role of education in national development is given due prominence.

Ali A. Mazrui ends the book by asking ‘Is Africa Decaying?’ The editors have put the consideration of the case of Uganda’s recent history within the context of Africa’s development crisis. Uganda has presented in an aggravated form the crisis common to many other African countries: infrastructural breakdown, mounting foreign debt, military regimes and waves of refugees.

The immediate postcolonial moment brought both promise and peril for the states of Africa and their security. The process of decolonization generated instability, and the emergent Cold War caught up the still-fragile independent states in a global ideological struggle between superpowers. While the political story of these states has been written in detail, the story of their militaries has been largely inaccessible, leaving only sketches of the coups, mutinies, and overall failures of security that outside observers could chronicle. Ujamaa’s Army traces the evolution of the Tanzania People’s Defence Force from its inception in 1964 following the broader East African uprisings to its fully realized form on the eve of Tanzania’s 1978 conflict with Uganda. The book gathers primary interviews with key military actors within Tanzania and interweaves their narratives with archival sources to produce a detailed history of the culmination of President Julius Nyerere’s ideological project and the military leadership’s vision of a professional and effective force for guarding the nation and supporting liberation struggles across southern Africa.

In twentieth-century Kenya, age and gender were powerful cultural and political forces that animated household and generational relationships. They also shaped East Africans’ contact with and influence on emergent colonial and global ideas about age and masculinity. Kenyan men and boys came of age achieving their manhood through changing rites of passage and access to new outlets such as town life, crime, anticolonial violence, and nationalism. And as they did, the colonial government appropriated masculinity and maturity as means of statecraft and control.

In An Uncertain Age, Paul Ocobock positions age and gender at the heart of everyday life and state building in Kenya. He excavates in unprecedented ways how the evolving concept of “youth” motivated and energized colonial power and the movements against it, exploring the masculinities boys and young men debated and performed as they crisscrossed the colony in search of wages or took the Mau Mau oath. Yet he also considers how British officials’ own ideas about masculinity shaped not only young African men’s ideas about manhood but the very nature of colonial rule.

An Uncertain Age joins a growing number of histories that have begun to break down monolithic male identities to push the historiographies of Kenya and empire into new territory.

There are many collections of African oral traditions, but few as carefully organized as The Uncoiling Python. Harold Scheub, one of the world’s leading scholars of African oral traditions and folklore, explores the ways in which oral traditions have served to combat and subvert colonial domination in South Africa. From the time colonial forces first came to southern Africa in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of oral tradition as a means of survival.

In open insurrections and other subversive activities Africans resisted the daily humiliations of colonial rule, but perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.

Ohio’s long quiltmaking heritage prepared the wayfor the contemporary “pioneer” artists of the 1970s and 1980s, who, through individual vision and dedication, have created a new art form and added a new chapter to quilt history. Uncommon Threads: Ohio’s Art Quilt Revolution reveals for the first time the remarkable role Ohio artists, curators, institutions, and organizations have played in the evolution of today’s internationalart quilt movement.

Against the backdrop of America’s counterculture and civil rights movements, author Gayle A. Pritchard’s compelling narrative threads its way through the emergence of the art quilt, from artists working in isolation to the explosive “big bang” of the first Quilt National and its inevitable reverberations. Pritchard provides a fascinating and personal glimpse into the private world of these unique artists through in-depth interviews, rare photographs, and abundant quilt illustrations.

As Uncommon Threads demonstrates, the art quilt movement could not have occurred without Ohio’s unparalleled contribution. Quilt lovers around theworld will relish discovering this tale of the uncommon energy, vision, creativity, and devotion to self-expression that truly made a quilt revolution.

Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker. The first printing sold out in three weeks. This new Swallow Press edition includes an introduction by noted modernist scholar Elizabeth Podnieks, as well as editor Gunther Stuhlmann’s erudite but controversial foreword to the 1995 edition. Together, they place the collection in its historical context and sort out the individuals and events recorded in the diary that served as its inspiration. The new Swallow Press edition also restores the thirteen stories to the order Nin specified for the first commercial edition in 1948.

The Turkic Muslims known as the Uighur have long faced social and economic disadvantages in China because of their minority status. Under the Heel of the Dragon: Islam, Racism, Crime, and the Uighur in China offers a unique insight into current conflicts resulting from the rise of Islamic fundamentalism and the Chinese government’s oppression of religious minorities, issues that have heightened the degree of polarization between the Uighur and the dominant Chinese ethnic group, the Han.

Author Blaine Kaltman’s study is based on in-depth interviews that he conducted in Chinese without the aid of an interpreter or the knowledge of the Chinese government. These riveting conversations expose the thoughts of a wide socioeconomic spectrum of Han and Uighur, revealing their mutual prejudices. The Uighur believe that the Han discriminate against them in almost every aspect of their lives, and this perception of racism motivates Uighur prejudice against the Han.

Kaltman reports that criminal activity by Uighur is directed against their perceived oppressors, the Han Chinese. Uighur also resist Han authority by flouting the laws—such as tax and licensing regulations or prohibitions on the use or sale of hashish—that they consider to be imposed on them by an alien regime. Under the Heel of the Dragon offers a unique insight into a misunderstood world and a detailed explanation of the cultural perceptions that drive these misconceptions.

This long-awaited book is a considerable revision in the understanding of the history of colonial Kenya and, more widely, colonialism in Africa. There is a substantial amount of new work and this is interlocked with shared areas of concern that the authors have been exploring since 1976.

The authors investigate major themes. These include the conquest origins and subsequent development of the colonial state, the contradictory social forces that articulated African societies to European capitalism, and the creation of new political communities and changing meanings of ethnicity in Africa, in the context of social differentiation and class formation. There is substantial new work on the problems of Mau Mau and of wealth, poverty and civic virtue in Kikuyu political thought.

The authors make a fresh contribution to a deeper historical understanding of the development of contemporary Kenyan society and, in particular, of the British and Kukuyu origins of Mau Mau and the emergency of the 1950s.

They also highlight some of the shortcomings of ideas about development, explore the limitations of narrowly structuralist Marxist theory of the state, and reflect on the role of history in the future of Africa.

Book One on State and Class will be used by students of African history as well as of colonial Kenya; it is also concerned with the theory of history and of political science.

This long-awaited book is a considerable revision in the understanding of the history of colonial Kenya and, more widely, colonialism in Africa. There is a substantial amount of new work and this is interlocked with shared areas of concern that the authors have been exploring since 1976.

The authors investigate major themes. These include the conquest origins and subsequent development of the colonial state, the contradictory social forces that articulated African societies to European capitalism, and the creation of new political communities and changing meanings of ethnicity in Africa, in the context of social differentiation and class formation. There is substantial new work on the problems of Mau Mau and of wealth, poverty and civic virtue in Kikuyu political thought.

The authors make a fresh contribution to a deeper historical understanding of the development of contemporary Kenyan society and, in particular, of the British and Kukuyu origins of Mau Mau and the emergency of the 1950s.

They also highlight some of the shortcomings of ideas about development, explore the limitations of narrowly structuralist Marxist theory of the state, and reflect on the role of history in the future of Africa.

Book Two on Violence and Ethnicity gives new insights into popular consciousness, into revolutionary change and into the subtle realities of ethnicity; it will be of particular value to readers of Ngugi.

Portuguese and Brazilian slave-traders shipped at least four million slaves to Brazil—in contrast to the five hundred thousand slaves that English vessels brought to the Americas. Controlling the vast number of slaves in Brazil became of primary importance. The Unpast: Elite Violence and Social Control in Brazil, 1954–2000 documents the ways in which the brutal methods used on plantations led directly to the phenomenon of Brazilian death squads.

The Unpast examines how and why, after the abolition of slavery, elites in Brazil imported new methods of killing, torturing, or disfiguring dissidents and the poor to maintain dominance. Bringing a critical-historical analysis to events following the 1954 suicide of President Getúlio Vargas, R. S. Rose takes the reader along a fifty-year path that helped to shape a nation’s morals. He covers the misunderstood presidency of João Goulart; the overthrow of his government by a U.S.-assisted military; the appalling dictatorship that followed; the efforts to rid the countryside of troublemakers; and the ongoing attempt to cleanse the urban environment of the needy, an endeavor that produced 32,675 victims in just two Brazilian states between 1954 and 2000.

The largest and most comprehensive documentation of suspected death-squad victims ever undertaken, The Unpast is an exposé of practices and attitudes toward the poor in Latin America’s largest country.

Unruly Ideas: A History of Kitawala in Congo recounts the multifaceted history of the Congolese religious movement Kitawala from its colonial beginnings in the 1920s through its continued practice in some of the most conflict-riven parts of the eastern Democratic Republic of Congo today. Drawing on a rich body of original oral, ethnographic, and archival research, Nicole Eggers uses Kitawala as a lens through which to address the complex relationship between politics, religion, healing, and violence in central African history. Kitawala, which has roots in the African Watchtower (Jehovah’s Witness) movement, has long been viewed both by scholars and by popular historians as a form of male-dominated, anticolonial insurgency. But just as Kitawalists were never exclusively male, their teachings and activities were never directed solely at the Belgian colonial state, and their yearnings for self-rule were never entirely about the secular realms of authority. A more comprehensive look at the oral and archival evidence reveals they were and are concerned with the morality of power more broadly: on state, communal, and individual levels. Moreover, Kitawalist doctrine is itself unruly, and its preachers, prophets, and practitioners have articulated innumerable interpretations—most quite different from Watchtower Christianity—across space and time. More than a case study of a particular religious movement, Unruly Ideas is a conceptual history of power that investigates how communities and individuals in the region have historically imagined power, sought to access it, wielded it, and policed the morality of its uses. By focusing on power and its intellectual and social history in Congo, Unruly Ideas creates an analytical space in which readers can understand the differing manifestations of Kitawala—from its overtly political and sometimes violent moments to those more aptly characterized as individual quests for spiritual and physical therapy—as varying themes in the same story: the pursuit of wellness in the context of malady. On a more practical level, the book raises important questions about the project of writing histories of places like eastern Congo: a region where the repercussions of decades of political neglect, upheaval, and violence force us to reconsider how we can think about and use oral and archival sources. Finally, the book investigates the embodied and gendered nature of field research and interrogates the intersubjective and reciprocal nature of knowledge production.

To take the mess of life and make meaning from it is what all poets seek to do. For Will Wells, recipient of the thirteenth annual Hollis Summers Poetry Prize, this includes reaching across centuries and continents, into the minds and hearts of disparate individuals—Albert Einstein, Andrea Yates, the traveler from Porlock, Dante, or Holocaust survivors, including his own grandmother—to extract the personal value embedded there for him.

By turns funny, shocking, gentle, and musing, the poems of Unsettled Accounts reflect Will Wells’s constant attention to his environment and to his past—and to our environment and our past—and his persistent effort to keep them real and whole by turning them into art.

Ping-Pong with the Nazis

Bored couriers have kicked off boots and set
their pipes aside, a Dutch interior.
The slapped ball clacks over the table
like a telegraphic code, then trickles
like faint hope across the marble floor.
How quickly he bends to retrieve it
and puts it back in play, the Jewish boy
living with false papers in a villa
owned by his mother’s Gentile friends, and now
commandeered by retreating Germans
as divisional headquarters. The young
blond soldiers, deferential to a social
better, muss his blond locks like the kid
brothers back in the fatherland, like big
brothers steeped in genial menace.
He begs another game, so they relent.
As the ball resumes its chatter across
the no-man’s-land strung with a net,
he calculates the risk that each shot brings.
And so do they. He holds his pee and serves.

Told in unflinching detail, this is the story of the Twenty-Ninth Ohio Volunteer Infantry, also known as the Giddings Regiment or the Abolition Regiment, after its founder, radical abolitionist Congressman J. R. Giddings. The men who enlisted in the Twenty-Ninth OVI were, according to its lore, handpicked to ensure each was as pure in his antislavery beliefs as its founder. Whether these soldiers would fight harder than other soldiers, and whether the people of their hometowns would remain devoted to the ideals of the regiment, were questions that could only be tested by the experiment of war.

The Untried Life is the story of these men from their very first regimental formation in a county fairground to the devastation of Gettysburg and the march to Atlanta and back again, enduring disease and Confederate prisons. It brings to vivid life the comradeship and loneliness that pervaded their days on the march. Dozens of unforgettable characters emerge, animated by their own letters and diaries: Corporal Nathan Parmenter, whose modest upbringing belies the eloquence of his writings; Colonel Lewis Buckley, one of the Twenty-Ninth’s most charismatic officers; and Chaplain Lyman Ames, whose care of the sick and wounded challenged his spiritual beliefs.

The Untried Life shows how the common soldier lived—his entertainments, methods of cooking, medical treatment, and struggle to maintain family connections—and separates the facts from the mythology created in the decades after the war.

At a time when the traditional sheltered workshop model has fallen under rightful criticism, and a new paradigm for disability programming is not yet in place, Upcycling Sheltered Workshops offers a revolutionary alternative. As many push to dismantle sheltered workshops, Susan Dlouhy and Patty Mitchell present the Creative Abundance Model, a proven method that redirects sheltered workshops from routine to creativity, putting participants in the driver’s seat.

The Creative Abundance Model does away with the repetitive tasks that characterize traditional workshops. Instead, it is a structured but more open program that incorporates art, music, and other creative pursuits, freeing participants to discover their individual skills and talents. The authors both advocate for the model and provide instructions for implementing it, outlining such steps as obtaining funding, gaining the support and participation of the surrounding community, and preparing studios. Case studies from around the nation and inspiring photographs illustrate Dlouhy and Mitchell’s methods and document the many ways in which participants in Creative Abundance thrive.

For two spring days in 2001, John Updike visited Cincinnati, Ohio, engaging and charming his audiences, reading from his fiction, fielding questions, sitting for an interview, participating in a panel discussion, and touring the Queen City.

Successful writers typically spend a portion of their lives traveling the country to give readings and lectures. While a significant experience for author and audience alike, this public spectacle, once covered in detailed newspaper accounts, now is barely noticed by the media. Updike in Cincinnati—composed of a wealth of materials, including session transcripts, short stories discussed and read by the author, photographs, and anecdotal observations about Updike's performance and personal interactions--is unique in its comprehensive coverage of a literary visit by a major American author.

Updike's eloquence, intelligence, improvisational skills, and gift for comedy are all on display. With natural grace, he discusses a range of topics, including his novels and short stories, his mother and oldest son as writers, Pete Rose and Shoeless Joe Jackson, the Nobel Prize, his appearance on The Simpsons, the Cold War, and Hamlet.

Augmented with commentary by critics W. H. Pritchard and Donald Greiner, and an introduction and interview by James Schiff, Updike in Cincinnati provides an engaging and detailed portrait of one of America's contemporary literary giants.