This is a history of the early days of Uganda. The account has an African focus because it shows the British takeover through the experiences of an extraordinary leader.

“At this spot in the year 1901 the British flag was first hoisted by Semei Kakanguru, emissary and loyal servant of His Majesty the King. He built here a boma which was for a short time the headquarters of the district. From this beginning came the establishment of peace and the development of orderly progress in this part of Uganda.”

Michael Twaddle was shown this plaque in 1963 by a local government official who said “That man created the Uganda we Ugandans are fighting for today.” And yet the local people had had the plaque removed to a bicycle shed.

How do people regard an African who had an active role in the creation of the imperial state? Was this man “a hero,” “a collaborator,” “a warlord”? The reaction of colonial officials was mixed. One considered him “…in point of general intelligence, progressive ideas and charm of manner…far above all other natives in the Protectorate…” Another dismissed him, along with his companions, as “no better than Masai or Nandi cattle lifters.” And yet another viewed him as “undoubtedly…a partial religious maniac.”

The story of this man is an example of the dilemma for a whole generation of East Africans at the turn of the last century. This book has been compared in its importance to Shepperson’s and Price’s Independent African.

Dorothy Mary Kamenshek was born to immigrant parents in Norwood, Ohio. As a young girl, she played pickup games of sandlot baseball with neighborhood children; no one, however, would have suspected that at the age of seventeen she would become a star athlete at the national level.

The outbreak of World War II and the ensuing draft of able-bodied young men severely depleted the ranks of professional baseball players. In 1943, Philip K. Wrigley, owner of the Chicago Cubs, led the initiative to establish a new league—a women’s league—to fill the ballparks while the war ground on in Europe and the Pacific. Kamenshek was selected and assigned to the Rockford Peaches in their inaugural season and played first base for a total of ten years, becoming a seven-time All-Star and holder of two league batting titles. When injuries finally put an end to her playing days, she went on to a successful and much quieter career in physical therapy. Fame came again in 1992, when Geena Davis portrayed a player loosely based on Kamenshek in the hit movie A League of Their Own.

Kammie on First is a real-life tale that will entertain and inspire young readers, both girls and boys. It is the first book in a new series, Biographies for Young Readers, from Ohio University Press.

What do ordinary women in an African city do in the face of “serious enough” infections in themselves and signs of acute illness in their young children? How do they manage? What does it take to get by? How do they maintain the wellbeing of the household in a setting without what would be considered as basic health provision in an American or European city?

Professor Wallman focuses on women in a densely-populated part of Kampala called Kamwokya. With the help of a team of Ugandans and non-Ugandans, a vivid picture emerges, enhanced by color photographs, sketches and maps.

Women are largely responsible for the management of illness in all members of the family. Young children are at particular risk and the women have to take the first crucial decisions about treatment. Formal health resources are scarce and so they most often resort to an extraordinary range of treatments provided in the informal economy. A holistic picture of all the options that local people recognize is drawn, and an enriched understanding of problems and opportunities for health care in tropical cities emerges.

Multidisciplinary work on sexually transmitted disease is rare, even in this time of AIDS, and the book effectively maps the social contexts of its perception and management. Moreover, it focuses on women as ordinary citizens, selected by residence and not by reference to known medical conditions or high risk behavior. It is important too that the field strategies have encouraged local informants to become active participants in the definition of local problems and their solutions.

When the Civil War broke out in April 1861, Kansas was in a unique position. It had been a state for mere weeks, and already its residents were intimately acquainted with civil strife. Since its organization as a territory in 1854, Kansas had been the focus of a national debate over the place of slavery in the Republic. By 1856, the ideological conflict developed into actual violence, earning the territory the sobriquet “Bleeding Kansas.” Because of this steady escalation in violence, the state’s transition from peace to war was not as abrupt as that of other states.

Kansas’s War illuminates the new state’s main preoccupations: the internal struggle for control of policy and patronage; border security; and issues of race—especially efforts to come to terms with the burgeoning African American population and Native Americans’ coninuing claims to nearly one-fifth of the state’s land. These documents demonstrate how politicians, soldiers, and ordinary Kansans were transformed by the war.

Kant scholars since the early nineteenth century have disaxadgreed about how to interpret his theory of moral motivation. Kant tells us that the feeling of respect is the incentive to moral action, but he is notoriously ambiguous on the question of what exactly this means. In Kant and the Role of Pleasure in Moral Action, Iain Morrisson offers a new view on Kant’s theory of moral action.

In a clear, straightforward style, Morrisson responds to the ongoing interpretive stalemate by taking an original approach to the problem. Whereas previous commentators have attempted to understand Kant’s feeling of respect by studying the relevant textual evidence in isolation, Morrisson illuminates this evidence by determining what Kant’s more general theory of action commits him to regarding moral action. After looking at how Kant’s treatment of desire and feeling can be reconciled with his famous account of free maxim-based action, Morrisson argues that respect moves us to moral action in a way that is structurally parallel to the way in which nonmoral pleasure motivates nonmoral action.

In reconstructing a unified theory of action in Kant, Morrisson integrates a number of distinct elements in his practical philosophy. Kant and the Role of Pleasure in Moral Action is part of a new wave of interest in Kant’s anthropological (that is, psychological) works.

Kant’s revolution in methodology limited metaphysics to the conditions of possible experience. Since, following Hume, analysis—the “method of discovery” in early modern physics—could no longer ground itself in sense or in God’s constituting reason a new arché, “origin” and “principle,” was required, which Kant found in the synthesis of the productive imagination, the common root of sensibility and understanding. Charles Bigger argues that this imaginative “between” recapitulates the ancient Gaia myth which, as used by Plato in the Timaeus, offers a way into this originary arché. Since it depends on myth and the “likely story” rather than on a self-certain apprehension of Being, this facilitates an imaginative approach to the natural sciences which, through its synthetic a priori formations, can claim to be Kantian.

Bigger explores Kant’s ethics as an alternative to metaphysics that holds open the prospect of a Good beyond Being—and phenomenology—whose traces nevertheless appear in original synthesis. Though wary of its reductive implications, Bigger uses Derrida’s difference, a medial, feminine arché, as a way into this creative and procreative metaxu (between). As Emmanuel Levinas suggests, this is Plato’s gap [chaos] between being and becoming, whose possibility, beyond both, lies in chora and the Good. This Open also presents the possibility for a new, yet still Kantian, understanding of the formal and material conditions for the natural sciences.

Katutura, located in Namibia’s major urban center and capital, Windhoek, was a township created by apartheid, and administered in the past by the most rigid machinery of the apartheid era. Namibia became a sovereign state in 1990, and Katutura reflects many of the changes that have taken place. No longer part of a rigidly bounded social system, people in Katutura today have the opportunity to enter and leave as their personal circumstances dictate. Influenced in recent years by significant urban migration and the changing political and economic situation in the new South Africa, as well as a myriad of other factors, this diverse community has held special interest for the author who did fieldwork there for several years prior to 1975. Pendleton’s recent visits provide a rich comparison of life in Katutura township during the peak of the apartheid years and in the post-independence period. In his systematic look at urbanization, poverty, stratification, ethnicity, social structure, and social history, he provides a compassionate view of the survivors of the unstable years of apartheid.

Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the “Red Summer” of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories.

Of these, the best known is the desegregation of Cincinnati’s Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation.

In 2012, Marian’s friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century’s greatest struggles and advances. Spencer’s story will prove inspirational and instructive to citizens and students alike.

“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.

Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.

This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.

Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol.

Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.

Drawing upon a survey of former police officers in the six British colonies of Ghana, Nigeria, Kenya, Uganda, Zambia, and Malawi, Clayton and Killingray examine the work of colonial law enforcement during the last years of British supremacy. In addition to such basic institutional information as the development of police forces from local militia, the training of African recruits, and the africanization of the police forces, the authors examine the typical activities of the colonial police. From investigations of stabbings and theft, to deportation of prostitutes and concern with smuggling, to enforcement of unpopular policies, the authors offer a profile not only of the institution of colonial law enforcement but also of the daily life of the village and the business activities which brought people into contact with the police.

Klondike Women is a compelling collection of historical photographs and first-hand accounts of the adventures, challenges, and disappointments of women on the trails to the Klondike gold fields. In the midst of a depression near the turn of the twentieth century, these women dared to act on the American dream. As they journeyed through the Northwest wilderness, they explored and extended not only the physical frontiers of North America but also the social frontiers about the “women’s place.”

Challenging the myth that the only women who participated in gold rushes were prostitutes and gold-diggers of the euphemistic sort, Melanie Mayer shows us that Klondike women came from all walks of life—socialites to poor immigrants, single women, wives, widows, and children. They planned to make their money through many different undertakings including mining, business, entertainment, professional, and service enterprises. Their approaches to life were as varied as their roles—optimistic or skeptical; cautious or adventuresome; gregarious or self-contained; contemplative or active. There was no typical Klondike woman. Individually, their stories can be funny, hopeful, tragic, or poignant. Taken together, they give rich, complex images of the people, times, and places of the gold rush.

A visually exciting book, Klondike Women features over 150 photographs and illustrations. This volume should appeal not only to the general reader, but to those interested in history, women’s studies, and the Pacific Northwest as well.

Winner of the 2008 Benda Prize

Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights, European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories. The actors were primarily Eurasians, the original backers were Chinese, and audiences were made up of all races and classes. The Komedie Stamboel explores how this new hybrid theater pointed toward possibilities for the transformation of self in a colonial society and sparked debates on moral behavior and mixed-race politics.

While audiences marveled at spectacles involving white-skinned actors, there were also racial frictions between actors and financiers, sexual scandals, fights among actors and patrons, bankruptcies, imprisonments, and a murder.

Matthew Isaac Cohen's evocative social history situates the Komedie Stamboel in the culture of empire and in late nineteenth-century itinerant entertainment. He shows how the theater was used as a symbol of cross-ethnic integration in postcolonial Indonesia and as an emblem of Eurasian cultural accomplishment by Indische Nederlanders. A pioneering study of nineteenth-century Southeast Asian popular culture, The Komedie Stamboel gives a new picture of the region's arts and culture and explores the interplay of currents in global culture, theatrical innovation, and movement in colonial Indonesia.ABOUT THE AUTHOR---Matthew Isaac Cohen is senior lecturer in Drama and Theatre Studies at Royal Holloway University of London. His articles on Southeast Asian performance have appeared in New Theatre Quarterly, Asian Theatre Journal, Journal of the Royal Asiatic Society, and Archipel. As a practicing shadow puppeteer, he has performed in the United States, Europe, and Asia.

Sierra Leone’s unique history, especially in the development and consolidation of British colonialism in West Africa, has made it an important site of historical investigation since the 1950s. Much of the scholarship produced in subsequent decades has focused on the “Krio,” descendants of freed slaves from the West Indies, North America, England, and other areas of West Africa, who settled Freetown, beginning in the late eighteenth century. Two foundational and enduring assumptions have characterized this historiography: the concepts of “Creole” and “Krio” are virtually interchangeable; and the community to which these terms apply was and is largely self-contained, Christian, and English in worldview.

In a bold challenge to the long-standing historiography on Sierra Leone, Gibril Cole carefully disentangles “Krio” from “Creole,” revealing the diversity and permeability of a community that included many who, in fact, were not Christian. In Cole’s persuasive and engaging analysis, Muslim settlers take center stage as critical actors in the dynamic growth of Freetown’s Krio society.

The Krio of West Africa represents the results of some of the first sustained historical research to be undertaken since the end of Sierra Leone’s brutal civil war. It speaks clearly and powerfully not only to those with an interest in the specific history of Sierra Leone, but to histories of Islam in West Africa, the British empire, the Black Atlantic, the Yoruban diaspora, and the slave trade and its aftermath.

This book presents a broad analytical framework for the history of southeastern Ghana within the context of a representative study of one of the country’s most important political and economic forces. The 150,000 Krobo are the most numerous of the Adangme-speaking peoples. They are located in the mountains just inland from the coast and are the fourth largest ethnic group in the country. During the nineteenth century they were one of the small states of the Gold Coast in the formative stages of political and cultural development. After the middle of the nineteenth century they became economically and politically one of the most important groups in the country because of their dominant role in commercial production of export crops. Historical research on Ghana has produced mostly case studies of the large, centralized Akan states. Wilson’s study is an account of one of the smaller societies without which a history of Ghana would be incomplete.

The first African statesman to achieve world recognition was Kwame Nkrumah (1909-1972), who became president of the new Republic of Ghana in 1960. He campaigned ceaselessly for African solidarity and for the liberation of southern Africa from white settler rule. His greatest achievement was to win the right of black peoples in Africa to have a vote and to determine their own destiny. He turned a dream of liberation into a political reality. He was the leader of Ghana who urged Africa to shed the colonial yoke and who inspired black people everywhere to seek their freedom. This revised edition of Birmingham’s fine and accessible biography chronicles the public accomplishments of this extraordinary leader, who faced some of the century’s most challenging political struggles over colonial transition. African nationalism, and pan-Africanism. It also relates some of the personal trials of a complex individual. As a student in America in the late 1930s, Nkrumah, shy, disorganized, but ambitious and persistent, earned four degrees in ten years. For political training he then went to England. Nkrumah found writing difficult throughout his lifetime, but once back in his African homeland, with its oral heritage, Nkrumah blossomed as a charming conversationalist, a speechmaker, and eventually a visionary and inspiring leader. Nkrumah’s crusades were controversial, however, and in the 1960s he gradually lost his heroic stature both among his own people and among his fellow leaders. He lived his last years in exile. This remarkable life story, which touches on many of the issues facing modern Africa, will open a window of understanding for the general leader as well as for graduate and undergraduate classes. In this new edition, Birmingham also examines Nkrumah’s exile and provides insight into the image of Nkrumah that has emerged in the light of research recently published.

A new biography of Ghana’s Kwame Nkrumah, one of the most influential political figures in twentieth-century African history. As the first prime minister and president ofthe West African state of Ghana, Kwame Nkrumah helped shape the global narrative of African decolonization. After leading Ghana to independence in 1957, Nkrumah articulated a political vision that aimed to free the country and the continent—politically, socially, economically, and culturally—from the vestiges of European colonial rule, laying the groundwork for a future in which Africans had a voice as equals on the international stage. Nkrumah spent his childhood in the maturing Gold Coast colonial state. During the interwar and wartime periods he was studying in the United States. He emerged in the postwar era as one of the foremost activists behind the 1945 Manchester Pan-African Congress and the demand for an immediate end to colonial rule. Jeffrey Ahlman’s biography plots Nkrumah’s life across several intersecting networks: colonial, postcolonial, diasporic, national, Cold War, and pan-African. In these contexts, Ahlman portrays Nkrumah not only as an influential political leader and thinker but also as a charismatic, dynamic, and complicated individual seeking to make sense of a world in transition.