BiblioVault

Fact Into Figure

Typology in Carlyle, Ruskin, and the Pre-Raphaelite Brotherhood

Herbert L. Sussman

The Ohio State University Press, 1900

FAILURE OF PLANNING

PERMITTING SPRAWL IN SAN DIEGO SUBURBS 1

RICHARD HOGAN

The Ohio State University Press, 2003

Fair Copy

Rebecca Hazelton

The Ohio State University Press, 2012

Fair Copy, byRebecca Hazelton, is a meditation on the difficulties of distinguishing the real from the false, the copy from the original. It is in part an exploration of the disparity between our conception of love as either true or false and the messy reality that it can sometimes be both. If “true” love is not to be found, is an approximation a “fair” substitute? These poems repeatedly question the veracity of memory—sometimes toying with the seductiveness of nostalgia while at other times pleading for the real story. Here, the fairy tale and the everyday nervously coexist, the bride is an uneasy molecule, and happiness comes in the form of a pill. Composed of acrostics from lines by Emily Dickinson, the collection retains a direct and recurrent tie to Dickinson’s work, even while Hazelton deftly branches off into new sonic, rhythmic, and conceptual territories.

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False Documents

Inter-American Cultural History, Literature, and the Lost Decade (1975–1992)

Frans Weiser

The Ohio State University Press, 2020

False Documents: Inter-American Cultural History, Literature, and the Lost Decade (1975–1992) examines the “return of history” that swept across the Americas during the final two decades of the Cold War as Latin American nations redemocratized and US multiculturalism responded to the conservative bicentennial backlash. Revising the predominantly economic and isolationist accounts of the era, Frans Weiser examines the work of journalists and academics from Hispanic America, Brazil, and the United States who adopted fiction to document recent national discord, repositioning challenges to self-determination in a postnational context.
After deconstructing economic accounts of the “two Americas" model of the hemisphere, including the lost decade (1981–1992) and the “end of history” (1975–1992), Weiser considers six case studies during the same period that reach very different conclusions by drawing on cultural history, including works by Tomás Eloy Martínez, Laura Antillano, Ana Maria Machado, Silviano Santiago, John Updike, and Jay Cantor. In order to expose how governments controlled and misrepresented recent events, these writers created false documents, or fake historical texts, that presented themselves as legitimate eyewitness accounts or archival documents. Weiser establishes how this alternative to postmodern irony more effectively galvanized citizen responses. As the first book to contextualize the parallel, hemispheric evolutions of postwar literary criticism and cultural historiography, False Documents responds to the methodological impasse between Latin American and American studies as well as the antagonism between history and literature, arguing that collaboration and synthesis are particularly vital at a moment when the humanities is increasingly under attack.

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Fama and Fiction in Vergil's Aeneid

Antonia Syson

The Ohio State University Press, 2013

What does it mean to “know” what a work of fiction tells us? In Vergil’s Aeneid, the promise and uncertainty of fama convey this challenge. Expansive and flexible, the Latin word fama can mean “fame,” long-lasting “tradition,” and useful “news,” but also ephemeral “rumor” and disruptive “scandal.” Fama is personified as a horrifying winged goddess who reports the truth while keeping an equally tight grip on what’s distorted or made up. Fama reflects the ways talk—or epic song—may merge past and present, human and divine, things remembered and things imagined.

Most importantly, fama marks the epic’s power to bring its story world into our own. The cognitive dynamics of metaphor share in this power, blending the Aeneid’s poetic authority with the imagined force of the gods. Characters and readers are encouraged—even impelled— to seek divine order amidst unsettling words and visions by linking new experiences with existing knowledge. Transformative moments of recognition set the perceptual stage both for the gods’ commands and for the epic’s persuasive efficacy, for pietas (remembrance of ritual and social obligations) and furor (madness).

Antonia Syson’s sensitive close readings offer fresh insights into questions of fictive knowledge and collective memory in the Aeneid. These perspectives invite readers to reconsider some of the epistemological premises underlying inquiry into ancient cultures. Drawing comparisons with the nineteenth-century English novel, Syson highlights continuities between two narrative genres whose cultural contributions and rhetorical claims have often seemed sharply opposed.

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FAREWELL SUMMER

HELEN HOOVEN SANTMYER

The Ohio State University Press, 2001

Fashioning Celebrity

Eighteenth-Century British Actresses and Strategies for Image Making

Laura Engel

The Ohio State University Press, 2011

This volume takes a new approach to the study of late eighteenth-century British actresses by examining the significance of leading actresses’ autobiographical memoirs, portraits, and theatrical roles together as significant strategies for shaping their careers.

In an era when acting was considered a suspicious profession for women, eighteenth-century actresses were “celebrities” in a society obsessed with fashion, gossip, and intrigue. Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image Making, by Laura Engel, considers the lives and careers of four actresses: Sarah Siddons, Mary Robinson, Mary Wells, and Fanny Kemble. Using conventions of the era’s portraiture, fashion, literature, and the theater in order to create their personas on and off stage, these actresses provided a series of techniques for fashioning celebrity that still survive today.

By emphasizing the importance of reading narratives through visual and theatrical frameworks and visual and theatrical representations through narrative models, Engel demonstrates the ways in which actresses’ identities were imagined through a variety of discourses that worked dialectically to construct their complex self-representations.

Fashioning Celebrity suggests that eighteenth-century practices of self-promotion mirror contemporary ideas about marketing, framing, and selling the elusive self, providing a way to begin to chart a history of our contemporary obsession with fame and our preoccupation with the rise and fall of famous women.

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Fashioning Change

The Trope of Clothing in High- and Late-Medieval England

Andrea Denny-Brown

The Ohio State University Press, 2012

Medieval European culture was obsessed with clothing. In Fashioning Change: The Trope of Clothing in High-and Late-Medieval England, Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing’s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as a representational device, one imbued with a surprising philosophical pedigree and a long history of analytical weightiness.

Considering writers as diverse as Boethius, Alain de Lille, William Durand, Chaucer, and Lydgate, among others, Denny-Brown tracks the development of a literary and cultural trope that begins in the sixth century and finds its highest expression in the vernacular poetry of fifteenth-century England. Among the topics covered are Boethian discourses on the care of the self, the changing garments of Lady Fortune, novelty in ecclesiastical fashions, the sartorial legacy of Chaucer’s Griselda, and the emergence of the English gallant. These literary treatments of vestimentary variation—which develop an aesthetics of change itself—enhance our understanding of clothing as a phenomenological and philosophical category in medieval Europe and illustrate the centrality of the Middle Ages to theories of aesthetics, of materiality, and of cultural change.

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A Fatal Drifting Apart

Democratic Social Knowledge and Chicago Reform

Laura M. Westhoff

The Ohio State University Press, 2007

The eyes of the country frequently turned to Chicago during the 1890s as the Windy City struggled with the promises and challenges of urban democracy. Americans of all classes feared the social dislocations and economic divisions of urbanization and industrialization, and the effects of political corruption and massive immigration on democratic politics. Yet many reformers were hopeful that new forms of social knowledge and urban reform could reinvigorate democracy. They saw the moment as one of great possibility.

A Fatal Drifting Apart: Democratic Social Knowledge and Chicago Reform explores the efforts of diverse groups within Chicago during the Progressive Era. This backdrop of industrialization, emerging classes, and ethnic and racial pluralism frequently riven with class conflict set the stage on which Chicago reformers took up the seemingly impossible challenge of enacting democracy. Laura M. Westhoff examines historic events and well-known individuals of the period and brings them together in an unusual framework that offers a new perspective on the reorientation of knowledge, civic identity, and democratic culture at the dawn of the twentieth century, which she terms democratic social knowledge. The book raises important questions that continue to resonate: In a democracy, who has the power to define social problems and offer solutions, and whose experience and knowledge are seen as legitimate?

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Fathers, Preachers, Rebels, Men

Black Masculinity in U.S. History and Literature, 1820–1945

Timothy R. Buckner and Peter Caster

The Ohio State University Press, 2011

Fathers, Preachers, Rebels, Men: Black Masculinity in U.S. History and Literature, 1820–1945,edited by Timothy R. Buckner and Peter Caster, brings together scholars of history and literature focused on the lives and writing of black men during the nineteenth and twentieth centuries in the United States. The interdisciplinary study demonstrates the masculine character of cultural practices developed from slavery through segregation. Black masculinity embodies a set of contradictions, including an often mistaken threat of violence, the belief in its legitimacy, and the rhetorical union of truth and fiction surrounding slavery, segregation, resistance, and self-determination. The attention to history and literature is necessary because so many historical depictions of black men are rooted in fiction. The essays of this collection balance historical and literary accounts, and they join new descriptions of familiar figures such as Charles W. Chesnutt and W. E. B. Du Bois with the less familiar but critically important William Johnson and Nat Love.

The 2008 election of Barack Obama is a tremendously significant event in the vexed matter of race in the United States. However, the racial subtext of recent radical political movements and the 2009 arrest of scholar Henry Louis Gates, Jr., demonstrate that the perceived threat posed by black masculinity to the nation’s unity and vitality remains an alarming one in the cultural imagination.

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Fatwas and Court Judgments

A Genre Analysis of Arabic Legal Opinion

Ahmed Fakhri

The Ohio State University Press, 2014

Fatwas and Court Judgments: A Genre Analysis of Arabic Legal Opinion uses a genre analysis approach to investigate how Arabic legal opinion is linguistically and rhetorically constructed in two culturally significant types of texts: secular court judgments and fatwas, the Islamic edicts based on sharii’a law. Ahmed Fakhri’s analysis shows that the court judgments exhibit several Western-inspired features, particularly the complexity of syntax and the rhetorical moves utilized to construct arguments. But the fatwas maintain conventional Arabic patterns of persuasion, such as citing religious texts, relying on affective appeal, and offering moral advice. Showing how these two radically different rhetorical traditions coexist, Fatwas and Court Judgments totally re-conceptualizes Arabic legal argumentation by highlighting its diverse sources and hybridity.

The differences between the two genres stem from elements of their socio-cultural context, such as the role relations of the participants and the characteristics of the institutions to which the genres belong. Moving beyond these contexts, Fatwas and Court Judgments reveals generic practices that have broad implications for understanding various aspects of wider Arab culture, including the tension between modern secular ideologies and traditional religious beliefs, the male-dominated access to discourse, and the prevalence of utilitarian attitudes exhibited in “fatwa shopping.”

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Faulkner and Hemingway

Biography of a Literary Rivalry

Joseph Fruscione

The Ohio State University Press, 2012

In the first book of its kind, Joseph Fruscione examines the contentious relationship of two titans of American modernism—William Faulkner and Ernest Hemingway. At times, each voiced a shared literary and professional respect; at other times, each thought himself the superior craftsman and spoke of the other disparagingly. Their rivalry was rich, nuanced, and vexed, embodying various attitudes—one-upmanship, respect, criticism, and praise. Their intertextual contest—what we might call their modernist dialectic—was manifested textually through their fiction, nonfiction, letters, Nobel Prize addresses, and spoken remarks.

Their intertextual relationship was highly significant for both authors: it was unusual for the reclusive Faulkner to engage so directly and so often with a contemporary, and for the hypercompetitive Hemingway to admit respect for—and possible inferiority to—a rival writer. Their joint awareness spawned an influential, allusive, and sparring intertext in which each had a psychocompetitive hold on the other. Faulkner and Hemingway: Biography of a Literary Rivalry—part analytical study, part literary biography—illustrates how their artistic paths and performed masculinities clashed frequently, as the authors measured themselves against each other and engendered a mutual psychological influence.

Although previous scholarship has noted particular flare-ups and textual similarities, most of it has tended to be more implicit in outlining the broader narrative of Faulkner and Hemingway as longtime rivals. Building on such scholarship, Faulkner and Hemingway offers a more overt study of how these authors’ published and archival work traces a sequence of psychological influence, cross-textual reference, and gender performance over some three decades.

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Fear Icons

Essays

Kisha Lewellyn Schlegel

The Ohio State University Press, 2018

“Who are we to each other when we’re afraid?” Kisha Lewellyn Schlegel asks in Fear Icons, her moving and original debut essay collection. Her answer is a lyric examination of the icons that summon and soothe our fears. From Donald Trump to the Virgin Mary, Darth Vader to the Dalai Lama, Schlegel turns cultural criticism personal with bracing intelligence and vulnerability as she explores what it means to be human, a woman, an artist, and, in particular, a parent: what it means to love a child beyond measure, someone so vulnerable, familiar, and strange. Schlegel looks at fear and faith—the ways the two are more similar than we realize—and the many shapes our faith takes, from nationalism to friendship, from art to religious dogma. Each essay is woven through with other voices—Baldwin, Ashbery, Du Bois, Cixous—positioning Schlegel’s arguments and meditations within a diverse and dynamic literary lineage. Fear Icons is a vital and timely inquiry into the complex relationship between love and fear—and the ways that each intensifies the other.

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Fear, Loathing, and Victorian Xenophobia

Marlene Tromp, Maria Bachman, and Heidi Kaufman

The Ohio State University Press, 2013

In this groundbreaking collection, scholars explore Victorian xenophobia as a rhetorical strategy that transforms “foreign” people, bodies, and objects into perceived invaders with the dangerous power to alter the social fabric of the nation and the identity of the English. Essays in the collected edition look across the cultural landscape of the nineteenth century to trace the myriad tensions that gave rise to fear and loathing of immigrants, aliens, and ethnic/racial/religious others. This volume introduces new ways of reading the fear and loathing of all that was foreign in nineteenth-century British culture, and, in doing so, it captures nuances that often fall beyond the scope of current theoretical models. “Xenophobia” not only offers a distinctive theoretical lens through which to read the nineteenth century; it also advances and enriches our understanding of other critical approaches to the study of difference. Bringing together scholarship from art history, history, literary studies, cultural studies, women’s studies, Jewish studies, and postcolonial studies, Fear, Loathing, and Victorian Xenophobia seeks to open a rich and provocative dialogue on the global dimensions of xenophobia during the nineteenth century.

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FEELING HISTORY

LUCAN, STOICISM, AND THE POETICS OF PASSION

FRANCESCA D'ALESSANDRO BEHR

The Ohio State University Press, 2007

Feeling History is a study of apostrophe (i.e., the rhetorical device in which the narrator talks directly to his characters) in Lucan’s Bellum Civile. Through the narrator’s direct addresses, irony, and grotesque imagery, Lucan appears not as a nihilist, but as a character deeply concerned about ethics. The purpose of this book is to demonstrate how Lucan’s style represents a criticism of the Roman approach to history, epic, ethics, and aesthetics. The book’s chief interest lies in the ethical and moral stance that the poet-narrator takes toward his characters and his audience. To this end, Francesca D’Alessandro Behr studies the ways in which the narrator communicates ethical and moral judgments. Lucan’s retelling of this central historical epic triggers in the mind of the reader questions about the validity of the Roman imperial project as a whole.

An analysis of selected apostrophes from the Bellum Civile allows us to confront issues that are behind Lucan’s disquieting imagery: how can we square the poet’s Stoic perspectives with his poetically conveyed emotional urgency? Lucan’s approach seems inspired by Aristotle, especially his Poetics, as much as by Stoic philosophy. In Lucan’s aesthetic project, participation and alienation work as phases through which the narrator leads the reader to a desired understanding of his work of art. At the same time, the reader is confronted with the ends and limits of the aesthetic enterprise in general.

Lucan’s long-acknowledged political engagement must therefore be connected to his philosophical and aesthetic stance. In the same way that Lucan is unable to break free from the Virgilian model, neither can he develop a defense of morality outside of the Stoic mold. His philosophy is not a crystal ball to read the future or a numbing drug imposing acceptance. The philosophical vision that Lucan finds intellectually and aesthetically compelling does not insulate his characters (and readers) from suffering, nor does it excuse them from wrongdoing. Rather, it obligates them to confront the responsibilities and limits of acting morally in a chaotic world.

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The Feeling of Letting Die

Necroeconomics and Victorian Fiction

Jennifer MacLure

The Ohio State University Press, 2023

In The Feeling of Letting Die, Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows.

Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Die shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.

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Female Piety and the Invention of American Puritanism

Bryce Traister

The Ohio State University Press, 2016

Female Piety and the Invention of American Puritanism reconsiders the standard critical view that women’s religious experiences were either silent consent or hostile response to mainstream Puritan institutions. In this groundbreaking new approach to American Puritanism, Bryce Traister asks how gendered understandings of authentic religious experience contributed to the development of seventeenth-century religious culture and to the “post-religious” historiography of Puritanism in secular modernity. He argues that women were neither marginal nor hostile to the theological and cultural ambitions of seventeenth-century New England religious culture and, indeed, that radicalized female piety was in certain key respects the driving force of New England Puritan culture.

Uncovering the feminine interiority of New England Protestantism, Female Piety and the Invention of American Puritanism positions itself against prevalent historical arguments about the rise of secularism in the modern West. Traister demonstrates that female spirituality became a principal vehicle through which Puritan identity became both absorbed within and foundational for pre-national secular culture. Engaging broadly with debates about religion and secularization, national origins and transnational unsettlements, and gender and cultural authority, this is a foundational reconsideration both of American Puritanism itself and of “American Puritanism” as it has been understood in relation to secular modernity.

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FEMINISM IN THE HEARTLAND

JUDITH EZEKIEL

The Ohio State University Press, 2002

Feminist Narrative Ethics

Tacit Persuasion in Modernist Form

Katherine Saunders Nash

The Ohio State University Press, 2014

Feminist Narrative Ethics: Tacit Persuasion in Modernist Form establishes a new theory of narrative ethics by analyzing rhetorical techniques prompt readers of novels to reconsider their ethical convictions about women’s rights. Katherine Saunders Nash proposes four new theoretical paradigms: the ethics of persuasion (Virginia Woolf), of fair play (Dorothy L. Sayers), of distance (E. M. Forster), and of attention (John Cowper Powys). While offering close readings of novels by each author, this book also provides a new, interdisciplinary basis for coordinating feminist and rhetorical theories, history, and narrative technique.

Despite pronouncements by many theorists about the difficulty—even the impossibility—of doing justice in a single study to both history and form, Feminist Narrative Ethics proves that they can be mutually illuminating. Its approach is not only resolutely rhetorical, but resolutely historical as well. It strikes a felicitous balance between history and form that affords new understanding of the implied author concept.

Feminist Narrative Ethics makes a persuasive case for the necessity of locating authorial agency in the implied (rather than the actual) author and cogently explains why rhetorical theory insists on the concept of an implied (rather than an inferred) author. And it proposes a new facet of agency that rhetorical theorists have heretofore neglected: the ethics of progressive revisions to a project in manuscript.

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FEMINIST REALISM AT THE FIN DE SIÈCLE

The Influence of the Late-Victorian Woman's Press on the Development of the Novel

MOLLY YOUNGKIN

The Ohio State University Press, 2007

Molly Youngkin takes on a major literary problem of the turn-of-the-century: Was the transition from the Victorian novel to the modern novel enabled by antirealist or realist narrative strategies? To answer this question, Youngkin analyzes book reviews that appeared in two prominent feminist periodicals circulated during the late-Victorian era—Shafts and The Woman’s Herald.

Through reviews of the works of important male and female authors of the decade—Thomas Hardy, Sarah Grand, George Gissing, Mona Caird, George Meredith, Ménie Dowie, George Moore, and Henrietta Stannard—these periodicals developed a feminist realist aesthetic that drew on three aspects of woman’s agency (consciousness, spoken word, and action) and emphasized corresponding narrative strategies (internal perspective, dialogue, and description of characters’ actions). Still, these periodicals privileged consciousness over spoken word and action and, by doing so, encouraged authors to push the boundaries of traditional realism and anticipate the modernist aesthetic.

By acknowledging the role of the woman’s press in the development of the novel, this book revises our understanding of the transition from Victorianism to modernism, which often is characterized as antirealist. Late-Victorian authors working within the realist tradition also contributed to this transition, particularly through their engagement with feminist realism. Youngkin deftly illustrates this transition and in so doing proves that it cannot be attributed to antirealist narrative strategies alone.

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The Fertile Earth and the Ordered Cosmos

Reflections on the Newark Earthworks and World Heritage

Edited by M. Elizabeth Weiser, Timothy R. W. Jordan, and Richard D. Shiels

The Ohio State University Press, 2023

Rising in quiet grandeur from the earth in an astoundingly engineered arrangement that ancient peoples mapped to the movements of the moon, Ohio’s Newark Earthworks form the largest geometric earthen complex ever known. In the two thousand years of their existence, they have served as gathering place, ceremonial site, fairground, army encampment, golf course, and park. And, at long last, they (along with neighboring sites) were named a UNESCO World Heritage Site in 2023—a designation that recognizes their international importance as a direct link to the ancient past as well as their continuing cultural and archaeological significance.

The lush photos and wide-ranging essays of The Fertile Earth and the Ordered Cosmos honor this significance, not only to the global community but to local individuals and scholars who have developed intimate connections to the Earthworks. In sharing their experiences with this ancient site, public historians, archaeologists, physicists, architects, and others—including local and Indigenous voices—continue the work of nearly two hundred years of citizen efforts to protect and make accessible the Newark Earthworks after centuries of stewardship by Indigenous people. The resulting volume serves as a rich primer on the site for those unfamiliar with its history and a beautifully produced tribute for those who are already acquainted with its wonders.

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Fictionality and Literature

Core Concepts Revisited

Lasse R. Gammelgaard

The Ohio State University Press, 2022

Taking its cues from Richard Walsh’s influential 2007 book, The Rhetoric of Fictionality, Fictionality and Literature sets out to examine the implications of a rhetorical understanding of fictionality. A rhetorical approach understands fictionality and nonfictionality not as binary opposites but as different means to the same end: influencing an audience’s understanding of the world. Arguing that fiction is not just a feature of particular works, such as novels, but an adaptable instrument used to achieve an author’s specific rhetorical goals, the contributors theorize how to reconceive of core literary features and influences such as author, narrator, plot, character, consciousness, metaphor, metafiction/metalepsis, intertextuality, paratext, ethics, and social justice. Combining analyses of a wide range of texts by Colson Whitehead, Charles Dickens, Kazuo Ishiguro, Toni Morrison, Geoffrey Chaucer, and others with historical events such as the Nat Tate biography hoax and the Anders Breivik murders, contributors discuss not only a rhetorical definition of fictionality but also the wider consequences of such a conception. In addition, some chapters within Fictionality and Literature offer alternatives to a rhetorical paradigm, thus expanding the volume’s representation of the current state of the conversation about fictionality in literature.

Contributors:
H. Porter Abbott, Catherine Gallagher, Lasse R. Gammelgaard, Stefan Iversen, Louise Brix Jacobsen, Rikke Andersen Kraglund, Susan S. Lanser, Jakob Lothe, Maria Mäkelä, Greta Olson, Sylvie Patron, James Phelan, Richard Walsh, Wendy Veronica Xin, Henrik Zetterberg-Nielsen, Simona Zetterberg-Nielsen

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Fictions of Evidence

Witnessing, Literature, and Community in the Late Middle Ages

Jamie K. Taylor

The Ohio State University Press, 2013

Throughout the Middle Ages, witnessing was a crucial way religious and legal “truths” were understood and produced. Religious and secular officials alike harnessed the power of testimony to assert doctrinal, political, or legal responsibilities. Swearing an oath, testifying in court, and signing a deposition were common ways to shape and discipline both devotional and legal communities. In Fictions of Evidence: Witnessing, Literature, and Community in the Late Middle Ages, Jamie K. Taylor traces depictions of witnessing in a wide range of late medieval texts and shows how witnessing practices formed and reformed, policed and challenged medieval communities.

Through close study of texts like the Man of Law’s Tale and Piers Plowman alongside sermon exempla, common law statutes, and pastoral treatises, Fictions of Evidence argues that vernacular literature was a vital site of criticism and dissent. It shows that devotional and legal witnessing practices offered medieval writers a distinct vocabulary they could use to expose how the ethical and legal obligations to one’s community were constructed. And since vernacular writers often challenged the ways ecclesiastical or secular authorities asserted community bonds, they found they could use those same witnessing practices and language to imagine extra-legal or extra-ecclesiastical communities that followed different ethical codes.

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Fictions of the Bad Life

The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010

Claire Thora Solomon

The Ohio State University Press, 2014

The first comprehensive and interdisciplinary study of the prostitute in Latin American literature, Claire Thora Solomon’s book The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010 shows the gender, ethnic, and racial identities that emerge in the literary figure of the prostitute during the consolidation of modern Latin American states in the late nineteenth century in the literary genre of Naturalism. Solomon first examines how legal, medical, and philosophical thought converged in Naturalist literature of prostitution. She then traces the persistence of these styles, themes, and stereotypes about women, sex, ethnicity, and race in the twentieth and twenty-first century literature with a particular emphasis on the historical fiction of prostitution and its selective reconstruction of the past.

Fictions of the Bad Life illustrates how at very different moments—the turn of the twentieth century, the 1920s–30s, and finally the turn of the twenty-first century—the past is rewritten to accommodate contemporary desires for historical belonging and national identity, even as these efforts inevitably re-inscribe the repressed colonial history they wish to change.

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Figurative Design in Hamlet

The Significance of the Dumb Show

Lee Sheridan Cox

The Ohio State University Press, 1900

Financial Basics

A Money-Management Guide for Students, 2nd Edition

Susan Knox

The Ohio State University Press, 2016

Students are confronted with major financial decisions as they enter college, and yet they have little experience with personal finance. Their decisions, if not well made, could adversely affect them throughout their lives. This book is meant to empower students at the beginning of their financial lives with basic, straightforward information on managing bank accounts, creating spending plans, determining how much they can afford to pay for college, making student-loan decisions, establishing a credit history, and other money-management options.
This 2nd edition updates changes in online banking, smartphone apps, credit cards, and student loans but retains basic financial information that ensures students won’t learn about money the hard way. A chapter for parents has been added so they can help their students become financially knowledgeable, and it includes advice for parents about making decisions related to college costs. In addition, a chapter for grandparents contains suggestions on how to help college-bound grandchildren—financially and in other ways—without endangering their own financial security. A basic investments chapter is included for first-time investors.

The intent of Financial Basics is to enhance student readers’ financial knowledge and provide money-management options for finding their own best way to become masters of their money.

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Financial Speculation in Victorian Fiction

Plotting Money and the Novel Genre, 1815–1901

Tamara S. Wagner

The Ohio State University Press, 2010

In Financial Speculation in Victorian Fiction: Plotting Money and the Novel Genre, 1815-1901, Tamara S. Wagner explores the ways in which financial speculation was imagined and turned into narratives in Victorian Britain. Since there clearly was much more to literature’s use of the stock market than a mere reflection of contemporary economic crises alone, a much-needed reappraisal of the Victorians’ fascination with extended fiscal plots and metaphors also asks for a close reading of the ways in which this fascination remodeled the novel genre. It was not merely that interchanges between literary productions and the credit economy’s new instruments became self-consciously worked into fiction. Financial uncertainties functioned as an expression of indeterminacy and inscrutability, of an encompassing sense of instability.

Bringing together canonical and still rarely discussed texts, this study analyzes the making and adaptation of specific motifs, of variously adapted tropes, extended metaphors, and recurring figures, including their transformation of a series of crises into narratives. Since these crises were often personal and emotional as well as financial, the new plots of speculation described maps of some of the major themes of nineteenth-century literature. These maps led across overlapping categories of literary culture, generating zones of intersection between otherwise markedly different subgenres that ranged from silver-fork fiction to the surprisingly protean versions of the sensation novel’s domestic Gothic. Financial plots fascinatingly operated as the intersecting points in these overlapping developments, compelling a reconsideration of literary form.

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Finding Querencia

Essays from In-Between

Harrison Candelaria Fletcher

The Ohio State University Press, 2022

Winner, 2022 New Mexico-Arizona Book Award (Autobiography/Memoir category)

With its roots in the Spanish verb querer—“to want, to love”—the term querencia has been called untranslatable but has come to mean a place of safety and belonging, that which we yearn for when we yearn for home. In this striking essay collection, Harrison Candelaria Fletcher shows that querencia is also a state of being: the peace that arises when we reconcile who we are. A New Mexican of mixed Latinx and white ethnicity, Candelaria Fletcher ventures into the fault lines of culture, landscape, and spirit to discover the source of his lifelong hauntings. Writing in the persona of coyote, New Mexican slang for “mixed,” he explores the hyphenated elements within himself, including his whiteness. Blending memory, imagination, form, and language, each essay spirals outward to investigate, accept, and embrace hybridity. Ultimately, Finding Querencia offers a new vocabulary of mixed-ness, a way to reconcile the crosscurrents of self and soul.

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FISHES OF OHIO

Milton B. Trautman

The Ohio State University Press, 1982

“In 1957, Milton B. Trautman . . . authored one of the finest regional fish books. His first edition of The Fishes of Ohio was unique in its approach by documenting historical changes in fish distribution in the face of man's encroachment and alteration of aquatic ecosystems. . . . Now, 24 years later, a revised edition of this classic work has been made available.

“The objectives of [this] edition are to demonstrate and explain distributional changes from 1750 to 1980, and to provide keys to the 166 species of Ohio fishes. These aims are admirably achieved. The natural factors influencing distribution of fishes are discussed in Part I, which relates the geology, physiography, topography, hydrology, and climatic history of the regions. . . . Part II reviews changes that have occurred from 1750 until 1980, and is an excellent chronicle of modern man's alternation and manipulation of essentially every aquatic ecosystem in Ohio. . . . Part III is a listing of species, synonomy and nomenclatorial history of Ohio’s fishes. . . . Part IV is an informative section of the systematics and nomenclature of fishes that is very useful to beginning students of ichthylogy. The glossary and family and species keys contained in Part V are excellent. Part VI contains the major content of the book, the 166 species accounts. . . .

“The updated range maps, a central focus of Trautman's approach, are excellent and obviously the result of endless efforts. Ohio is one of the most thoroughly surveyed of all states and to translate these data to visual understanding is an unenviable task for which the reader should be deeply appreciative. . . . Also of exceptional quality are the species illustrations originally rendered by Mrs. E. R. Weeks and Trautman himself for the 1957 edition. They are among the best of their kind in a fish reference work, and serve well to facilitate identification of specimens in hand. . . .

“Anyone concerned with or otherwise interested in the fishes, aquatic environments, or general natural history of Ohio or eastern North America should consider this book a valued addition to their library.”
—Ohio Journal of Science

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Five Strands of Fictionality

The Institutional Construction of Contemporary American Fiction

Daniel Punday

The Ohio State University Press, 2010

Fictions, we are so often told, are everywhere in America today. The extravagant claims of advertising are everywhere, much of the day’s news concerns “pseudo-events” like rallies or ceremonies staged so that they can be reported on, and philosophers doubt even the possibility of any knowledge being objective. Thus we seem less and less able to distinguish between the real and the invented.

In Five Strands of Fictionality: The Institutional Construction of Contemporary American Fiction, Daniel Punday examines the “postmodern” expansion of fictionality—the feeling today that the line between the real and the invented is harder to draw—and argues that this feeling reflects a struggle by different cultural groups to define how we tell and use “literary” stories. He discusses the literary texts of John Barth, Alice Walker, and Ishmael Reed; paraliterary forms like science fiction and electronic writing; and resolutely nonliterary texts, especially role-playing games, in terms of how each responds to the institution of literature through its definition of fictionality.

For too long, postmodernism has been described by easy generalizations—relativist, indeterminate, commercialized—that have rendered the term nearly worthless. Punday applies a more nuanced understanding of fictionality to a variety of contemporary narrative forms that occupy different locations within postmodern literary culture. Approaching postmodernism as a configuration of institutions that legitimize fictionality, he illuminates the nature of creative writing and the conflicts between different literary groups in America today.

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Folklore in New World Black Fiction

Writing and the Oral Traditional Aesthetics

Chiji Akoma

The Ohio State University Press, 2007

For a while, tracing African roots in the artistic creations of blacks in the New World tended to generate much attention as if to suggest that the New World does not have profound impact on their creative spirit. In addition, few studies have tried to construct an interpretive model through which an array of works by New World writers could be meaningfully explored on the basis of their African Diasporic identity.

In Folklore in New World Black Fiction, Chiji Akọma offers an interpretive model for the reading of the African New World novel focusing on folklore, not as an ingredient, but as the basis for the narratives. The works examined do not contain folklore materials; they are folklore, constituted by the intersections of African oral narrative aesthetics, New World sensibility, and the written tradition. Specifically Akọma looks at four African Caribbean and African American novelists, Roy A.K. Heath, Wilson Harris, Toni Morrison, and Jean Toomer.

The book seeks to expand the understanding of the forms of folklore as it pertains to black texts. For one, it broadens the dimensions of folklore by looking beyond the oral world of the “simple folk” to the kinds of narrative sophistication associated with writing; it also asserts the importance of performance art in folklore analysis. The study demonstrates the durability of the black aesthetic over artistic forms.

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For All White-Collar Workers

The Possibilities of Radicalism in New York City's Department Store Unions, 1934–1953

Daniel J. Opler

The Ohio State University Press, 2007

In recent decades the American labor movement has fallen on hard times, in part due to its long reliance on blue-collar workers for its membership despite the growing importance of retail and service jobs. In For All White-Collar Workers: The Possibilities of Radicalism in New York City’s Department Store Unions, 1934–1953, Daniel Opler examines early efforts to unionize workers in department and retail stores. Beginning with the origins of the modern labor movement in the mid-1930s, Opler argues that Communist labor organizers created vibrant and powerful unions in New York City’s department stores, only to see those unions—and the CIO’s powerful retail workers’ union—destroyed during the McCarthy era.

In the process of examining these unions, Opler takes the reader far beyond union meetings and contract negotiations, exploring the ways in which consumption, urban life, and changing understandings of public space affected the unions in these eras. As a result, For All White-Collar Workers becomes an exploration of such diverse subjects as the conflicts over midtown Manhattan, the 1939–1940 New York World’s Fair, the link between consumption and patriotism during World War II, private housing developments in 1940s New York City, and suburbanization, all viewed through the lens of the rise and fall of New York City’s department store unions.

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For Love or for Money

Balzac's Rhetorical Realism

Armine Kotin Mortimer

The Ohio State University Press, 2011

Everyone agrees that Balzac is a realistic writer, but what do we actually mean when we say that? This book examines the richness and variety of Balzac’s approaches to realism, employing several different interpretive methods. Taking love and money as the “Prime Movers” of the world of La Comédie humaine, twenty-one chapters provide detailed analyses of the many strategies by which the writing forges the powerful impression of reality, the construction we famously think of as Balzacian realism. Each chapter sets the methods and aims of its analysis, with particular attention to the language that conveys the sense of reality. Plots, devices, or interpretive systems (including genealogies) function as images or reflections of how the novels make their meanings. The analyses converge on the central point: how did Balzac invent realism? No less than this fundamental question lies behind the interpretations this book provides, a question to which the conclusion provides a full answer.

A major book in English devoted entirely to Balzac was overdue. Here is the American voice of Balzac studies, an engaging, insightful, and revealing excursion among the masterworks of one of the most important authors of all time.

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FOR THE UNION

OHIO LEADERS IN THE CIVIL WAR

KENNETH W. WHEELER

The Ohio State University Press, 1998

For Their Own Good

The Transformation of English Working-Class Health Culture, 1880–1970

Lucinda McCray Beier

The Ohio State University Press, 2008

In For Their Own Good Lucinda McCray Beier examines the interactions between working-class health culture and official provision of health services and medical care in three English communities between 1880 and 1970. Based on 239 oral history interviews of laypeople and annual public health reports, this book considers gender, class, political, economic, and cultural aspects of the mid-twentieth-century shift in responsibility for illness, birth, and death from the informal domestic and neighborhood sphere to the purview of professional, institutionally based authorities.

For Their Own Good is a case study, located in a particular place and time, of a phenomenon that has occurred in all Western nations and is now happening worldwide. As in Barrow, Lancaster, and Preston, in most circumstances, the transition from traditional to modern medicine is stimulated and enforced from the top down. Current global struggles with AIDS, overpopulation, malaria, malnutrition, and other killers offer powerful reminders that elite knowledge and strategies rarely result in success unless laypeople are engaged and invested in solutions. Furthermore, as this book demonstrates, the desired transition to Western medicine carries the twin burdens of the loss of lay ability to prevent and manage ill-health, on one hand, and the demand that political elites and medical professionals meet proliferating health care needs and demands, on the other.

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Form and Reform

Reading across the Fifteenth Century

Shannon Gayk and Kathleen Tonry

The Ohio State University Press, 2011

Form and Reform: Reading across the Fifteenth Century challenges the idea of any definitive late medieval moment and explores instead the provocatively diverse, notably untidy, and very rich literary culture of the age. These essays from leading medievalists, edited by Shannon Gayk and Kathleen Tonry, both celebrate and complicate the reemergence of the fifteenth century in literary studies. Moreover, this is the first collection to concentrate on the period between 1450 and 1500—the crucial five decades, this volume argues, that must be understood to comprehend the entire century’s engagement with literary form in shifting historical contexts.

The three parts of the collection read the categories of form and reform in light of both aesthetic and historical contexts, taking up themes of prose and prosody, generic experimentation, and shifts in literary production. The first section considers how attention to material texts might revise our understanding of form; the second revisits devotional writing within and beyond the context of reform; and the final section plays out different perspectives on the work of John Skelton that each challenge and test notions of the fifteenth century in literary history.

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The Forward Movement of the Fourteenth Century

Francis Lee Utley

The Ohio State University Press, 1900

The Fragility of Manhood

Hawthorne, Freud, and the Politics of Gender

David Greven

The Ohio State University Press, 2012

Merging psychoanalytic and queer theory perspectives, The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender reframes Nathaniel Hawthorne’s work as a critique of the normative construction of American male identity. Revising Freudian and Lacanian literary theory and establishing the concepts of narcissism and the gaze as central, David Greven argues that Hawthorne represents normative masculinity as fundamentally dependent on the image. In ways that provocatively intersect with psychoanalytic theory, Hawthorne depicts subjectivity as identification with an illusory and deceptive image of wholeness and unity. As Hawthorne limns it, male narcissism both defines and decenters male heterosexual authority. Moreover, in Greven’s view, Hawthorne critiques hegemonic manhood’s recourse to domination as a symptom of the traumatic instabilities at the core of traditional models of male identity. Hawthorne’s representation of masculinity as psychically fragile has powerful implications for his depictions of female and queer subjectivity in works such as the tales “Rappaccini’s Daughter” and “The Gentle Boy,” the novel The Blithedale Romance, and Hawthorne’s critically neglected late, unfinished writings, such as Septimius Felton. Rereading Freud from a queer theory perspective, Greven reframes Freudian theory as a radical critique of traditional models of gender subjectivity that has fascinating overlaps with Hawthorne’s work. In the chapter “Visual Identity,” Greven also discusses the agonistic relationship between Hawthorne and Herman Melville and the intersection of queer themes, Hellenism, and classical art in their travel writings, The Marble Faun, and Billy Budd.

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Fragments for a History of a Vanishing Humanism

Myra Seaman and Eileen A. Joy

The Ohio State University Press, 2016

Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, and peril, of “being human” or “being post/human” together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman.

This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as “fragments” because the authors do not believe there can ever be a “total history” of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what “the human” (or “post/human”) is has always been an ongoing, never finished cultural project.

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FRAMING ANNA KARENINA

TOLSTOY, WOMEN QUESTION, & VICTORIAN NOV

AMY MANDELKER

The Ohio State University Press, 2004

French and Provençal Lexicography

Urban T. Holmes and K. R. Scholberg

The Ohio State University Press, 1900

The French Face of Nathaniel Hawthorne

Monsieur de l'Aubépine and His Second Empire Critics

Michael Anesko and N. Christine Brookes

The Ohio State University Press, 2011

Most students of American literature probably can recall the playful French nom de plume—Monsieur de l’Aubépine—that Nathaniel Hawthorne occasionally employed to disguise some of his early attempts at authorship. But very few will know that Monsieur de l’Aubépine enjoyed a surprisingly intelligent critical reception in France during his lifetime. No fewer than six—often startling—essays about the American author appeared in leading French periodicals from 1852 to 1864. The French Face of Nathaniel Hawthorne, edited by Michael Anesko and N. Christine Brookes, recuperates these lost (or forgotten) critical assessments, making available to English readers for the first time the full texts of these extraordinary contemporaneous French critical essays. Besides offering elegantly rendered (and helpfully annotated) translations of the essays, Anesko and Brookes analyze them in relation to their immediate historical context and examine their unexpected relevance to later critical trends and arguments.

Literary scholarship in our own time calls more and more for the enlargement of perspective and the adaptation of our reading practices to dismantle the narrower limits of nationalist traditions. The French Face of Nathaniel Hawthorne is a remarkable body of work that can help scholars better understand

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The Freshwater Mussels of Ohio

G. Thomas Watters, Michael A. Hoggarth, and David H. Stansbery

The Ohio State University Press, 2009

Nearly 200 years ago, a naturalist named Rafinesque stood on the banks of the Ohio River and began to describe the freshwater mussels he found there. Since that time these animals have become the most imperiled animals in North America. Dozens of species have become extinct, and it is estimated that two-thirds of the remaining freshwater mussels face a similar fate. Yet, despite their importance, the mussels of Ohio remain a poorly documented and largely mysterious fauna.

The Freshwater Mussels of Ohio by G. Thomas Watters, Michael A. Hoggarth, and David H. Stansbery brings together, for the first time, the most up-to-date research on Ohio’s mussels. Designed for the weekend naturalist and scientist alike, it synthesizes recent work on genetics, biology, and systematics into one book. Each species is illustrated to a degree not found in any other work. Full-page color plates depict shell variation, hinge detail, and beak sculpture. Full-page maps show the distribution of each species based upon the collections of numerous museums (with historical distributions dating from the 1800s). In addition to species accounts, the book has a substantive introduction that includes information on basic biology, human use, and conservation issues. Extensive synonymies, a key to all species, and an illustrated glossary are included as well.

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From Abortion to Pederasty

Addressing Difficult Topics in the Classics Classroom

Nancy Sorkin Rabinowitz and Fiona McHardy

The Ohio State University Press, 2014

This volume had its origins in a very specific situation: the teaching of ancient texts dealing with rape. Ensuing discussions among a group of scholars expanded outwards from this to other sensitive areas. Ancient sources raise a variety of issues—slavery, infanticide, abortion, rape, pederasty, domestic violence, death, sexuality—that may be difficult to discuss in a classroom where some students will have had experiences similar to those described in classical texts. They may therefore be reluctant to speak in class, and even the reading themselves may be painful.

From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom, edited by Nancy Sorkin Rabinowitz and Fiona McHardy, is committed to the proposition that it is important to continue to teach texts that raise these issues, not to avoid them. In this volume, classicists and ancient historians from around the world address how to teach such topics as rape, pederasty, and slavery in the classics classroom. The contributors present the concrete ways in which they themselves have approached such issues in their course planning and in their responses to students’ needs.

A main objective of From Abortion to Pederasty is to combat arguments, from both the left and the right, that the classics are elitist and irrelevant. Indeed, they are so relevant, and so challenging, as to be painful at times. Another objective is to show how Greco-Roman culture and history can provide a way into a discussion that might have been difficult or even traumatic in other settings. Thus it will provide teaching tools for dealing with uncomfortable topics in the classroom, including homophobia and racism.

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FROM OLD WOMAN TO OLDER WOMEN

CONTEMPORARY CULTURE AND WOMEN'S NARRATIVES

SALLY CHIVERS

The Ohio State University Press, 2003

Sally Chivers provides a fascinating look at and challenge to how North American popular culture has portrayed old age as a time of disease, decline, and death. Within contemporary Canadian literary and film production, a tradition of articulate central elderly female characters challenges what the aging body has come to signify in a broader cultural context. Rather than seek positive images of aging, which can do their own prescriptive damage, the author focuses on constructive depictions that provide a basis on which to create new stories and readings of growing old. This type of humanities approach to the study of aging promises neither to fixate on nor avoid consideration of the role of the body in the much broader process of getting older. The progression implied in the title from the solitary symbol of The Old Woman toward a community of older women, indicates not a move toward euphemism, but rather an increasing and necessary awareness of the social and cultural dimensions of aging.

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Fulfilling the 21st Century Land-Grant Mission

Essays in Honor of The Ohio State University’s Sesquicentennial Commemoration

Edited by Stephen M. Gavazzi and David J. Staley

The Ohio State University Press, 2020

Over the past 150 years, land-grant universities—America’s first public institutions of higher learning—have had a profound impact on the well-being of our nation. Founded by the 1862 Morrill Land Grant Act and signed into law by President Abraham Lincoln, land-grant universities were given a three-part mission: to teach, to conduct research, and to engage communities across each state in order to meet their localized needs.
Gathered in honor of The Ohio State University’s sesquicentennial celebration, this collection of essays highlights the significant contributions that Ohio State continues to make as part of its twenty-first-century land-grant mission. Authors from across the university—representing fields as various as agriculture, dance, English, engineering, family science, geography, medicine, social work, and veterinary science—provide contributions that highlight the preeminent status of The Ohio State University. In addition, the perspectives of alumni, staff members, and senior administrators (both present and former) round out the picture of Ohio State as the first among equals regarding its land-grant peers. Overall, contributors draw on rich and varied institutional backgrounds to offer invaluable insights for higher education administrators and scholars across the US.

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