front cover of Youngest Recruits
Youngest Recruits
Pre-War, War & Post-War Experiences in Western Côte d’Ivoire
Magali Chelpi-den Hamer
Amsterdam University Press, 2011

Youngest Recruits is an unflinching examination of the complex motivations that drive Ivoirian children in and out of armed groups. Drawing on firsthand experience with child soldiers, Magali Chelpi-Den Hamer argues that the popular narrative about children’s limited agency is insufficient to explain their participation in violent conflicts. Rather she explores in detail the pre- to postwar trajectories of child and adolescent recruits in order to show that even the youngest exercise some degree of reflection and agency when enlisting into the armed forces. In addition to shedding light on an area of great cultural concern, the author invites readers to reflect on the mixed impact of humanitarian interventions that attempt to reintegrate these children into society.

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front cover of The Youth of Early Modern Women
The Youth of Early Modern Women
Edited by Elizabeth S. Cohen and Margaret Reeves
Amsterdam University Press, 2018
Through fifteen essays that work from a rich array of primary sources, this collection makes the novel claim that early modern European women, like men, had a youth. European culture recognised that, between childhood and full adulthood, early modern women experienced distinctive physiological, social, and psychological transformations. Drawing on two mutually shaped layers of inquiry — cultural constructions of youth and lived experiences — these essays exploit a wide variety of sources, including literary and autobiographical works, conduct literature, judicial and asylum records, drawings, and material culture. The geographical and temporal ranges traverse England, Ireland, Italy, France, the Netherlands, Switzerland, Spain, and Mexico from the sixteenth to the eighteenth century. This volume brings fresh attention to representations of female youth, their own life writings, young women’s training for adulthood, courtship, and the emergent sexual lives of young unmarried women.
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Yugoslav Black Wave
Polemical Cinema in Socialist Yugoslavia (1963–1972)
Greg de Cuir Jr.
Amsterdam University Press, 2017
The Yugoslav Black Wave was a controversial and highly contested movement of filmmakers in the 1960s in socialist Yugoslavia—a country situated at the time in a political, cultural, and social middle ground between the communist East and the capitalist West. It remains controversial today, its most provocative films shelved and forgotten—and, in this new era, ripe for rediscovery. This book is the first in English on the Yugoslav Black Wave, and it offers an analysis of the movement, its key players, its sociopolitical engagement, and its place in the larger story of European modernism.
 
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