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Machiavelli in the Making
Claude Lefort; Translated from the French by Michael B. Smith
Northwestern University Press, 2011

Machiavelli in the Making is both a novel interpretation of the Florentine’s work and a critical document for understanding influential French scholar and public intellectual Claude Lefort’s later writings on democracy and totalitarianism. Lefort extricates Machiavelli’s thought from the dominant interpretations of him as the founder of “objective” political science, which, having liberated itself from the religious and moralizing tendencies of medieval political reflection, attempts to arrive at a realistic discourse on the operations of raw power. Lefort ultimately finds that Machiavelli’s discourse opens the “place of the political” which had previously been occupied by theology and morality.

 
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Mahabharata
Adapted and edited by David R. Slavitt
Northwestern University Press, 2015

Within its 200,000 verse lines in Sanskrit the Mahabharata takes on many roles: epic poem, foundational text of Hinduism, and, more broadly, the engaging story of a dynastic struggle and the passing of an age when man and gods intermingled. David R. Slavitt’s sparkling new edition condenses the epic for the general reader.

At its core, the Mahabharata is the story of the rivalry between the Pandavas and the Kauravas, two related noble families who are struggling for control of a kingdom in ancient northern India. Slavitt’s readable, plot-driven, single-volume account describes an arc from the conception and birth of Bhishma to that hero's death, while also introducing the four goals of life at the center of Hinduism: dharma (righteousness, morality, duty), artha (purpose), kāma (pleasure), and moksa (spiritual liberation). The Mahabharata is engaging, thrilling, funny, charming, and finally awesome, with a range in timbre from the impish naivete of fairy tales to the solemnity of our greatest epics, and this single-volume edition is the best introduction available.

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The Makepeace Experiment
Abram Tertz
Northwestern University Press, 1989
Lenny Makepeace uses magic and propaganda to lead Russia to a Marxist utopia.
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Makeshift Chicago Stages
A Century of Theater and Performance
Edited by Megan E. Geigner, Stuart J. Hecht, and Jasmine Jamillah Mahmoud
Northwestern University Press, 2021
Since Chicago’s founding, theater has blossomed in the city’s makeshift spaces, from taverns to parks, living rooms to storefronts. Makeshift Chicago Stages brings together leading historians to share the history of theater and performance in the Second City. The essays collected here theorize a regional theater history and aesthetic that are inherently improvisational, rough-and-tumble, and marginal, reflecting the realities of a hypersegregated city and its neighborhoods. Space and place have contributed to Chicago’s reputation for gritty, ensemble-led work, part of a makeshift ethos that exposes the policies of the city and the transgressive possibilities of performance.
 
This book examines the rise and proliferation of Chicago’s performance spaces, which have rooted the city’s dynamic, thriving theater community. Chapters cover well‑known, groundbreaking, and understudied theatrical sites, ensembles, and artists, including the 1893 Columbian Exposition Midway Plaisance, the 57th Street Artist Colony, the Fine Arts Building, the Goodman Theatre, the Federal Theatre Project, the Kingston Mines and Body Politic Theaters, ImprovOlympics (later iO), Teatro Vista, Theaster Gates, and the Chicago Home Theater Festival. By putting space at the center of the city’s theater history, the authors in Makeshift Chicago Stages spotlight the roles of neighborhoods, racial dynamics, atypical venues, and borders as integral to understanding the work and aesthetics of Chicago’s artists, ensembles, and repertoires, which have influenced theater practices worldwide. Featuring rich archival work and oral histories, this anthology will prove a valuable resource for theater historians, as well as anyone interested in Chicago’s cultural heritage.
 
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Making Modernism Soviet
The Russian Avant-Garde in the Early Soviet Era, 1918-1928
Pamela Kachurin
Northwestern University Press, 2013
Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
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The Making of a Terrorist
On Classic German Rogues
Jeffrey Champlin
Northwestern University Press, 2015

In The Making of a Terrorist, Jeffrey Champlin examines key figures from three canonical texts from the German-language literature of the late eighteenth and early nineteenth centuries: Goethe’s Gotz von Berlichingen, Schiller’s Die Rauber, and Kleist’s Michael Kohlhaas. Champlin situates these readings within a larger theoretical and historical context, exploring the mechanics, aesthetics, and poetics of terror while explicating the emergence of the terrorist personality in modernity. In engaging and accessible prose, Champlin explores the ethical dimensions of violence and interrogates an ethics of textual violence.

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Man from Nebraska
A Play
Tracy Letts
Northwestern University Press, 2006
A luxury sedan, a church pew, a cafeteria table, a favorite TV show, and visits to a nursing home form the comfortable cycles of the dull daily life of middle-aged insurance salesman Ken Carpenter. Then one night, he awakens to find that he no longer believes in God. To the surprise of his very understanding (to a point) wife and his two grown daughters who think he has lost his mind, Ken decides to find himself and his faith by flying to London, where he was stationed while in the Air Force. He navigates through the new and somewhat dangerous realm of British counter-culture and ultimately finds his way back home. Tracy Letts's moving, funny, and spiritually complex play dares to ask the big questions, and by doing so, reveals the hidden yearning and emotion that spur the eccentric behavior of seemingly ordinary people.
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The Man with the Black Coat
Russia's Literature of the Absurd
Daniil Kharms and Alexander Vvedensky
Northwestern University Press, 1997

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The Manageable Cold
Poems
Timothy McBride
Northwestern University Press, 2010
Displaying a confidence and maturity rarely found in a first collection, Timothy McBride’s The Manageable Cold is a record of a sustained encounter with some of the most vital aspects of a life—childhood, language, romance, the body, the natural world.

The Manageable Cold showcases McBride’s mastery of a wide range of forms and subjects. Whether his attention is focused on boxing, jazz, or contranyms, McBride breathes new life into the sonnet and the villanelle and handles blank verse with the utmost ease. The combination of traditional techniques and McBride’s thoroughly modern sensibility gives rise to poems that seem simultaneously utterly fresh and immemorially old, calling to mind the rigorously embodied works of Robert Frost, Howard Nemerov, and Mary Oliver. Timothy McBride is a science writer and editor. His poems have appeared in Shenandoah, Seneca Review, and Poetry Northwest, among other publications. The Manageable Cold is his first book of poetry.
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A Map of Signs and Scents
New and Selected Poems, 1979–2014
Amjad Nasser / Translated from the Arabic by Fady Joudah and Khaled Mattawa
Northwestern University Press, 2016
Featuring poems from earlier collections of Amjad Nasser’s work and many newer uncollected poems never made available in English, A Map of Signs and Scents introduces the work of an important Arabic poet to a broader contemporary Anglophone readership. This special annotation edition helps readers view the multifaceted contexts within which Nasser has created his award-winning poems.
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Mapping Warsaw
The Spatial Poetics of a Postwar City
Ewa Wampuszyc
Northwestern University Press, 2018
Inspired by the spatial turn in the humanities and social sciences, Mapping Warsaw is an interdisciplinary study that combines urban studies, cinema studies, cultural studies, history, literature, and photography. It examines Warsaw's post-World War II reconstruction through images and language.

Juxtaposing close readings of photo books, socialist-era newsreels called the Polska Kronika Filmowa, the comedies of Leonard Buczkowski and Jan Fethke, the writing and films of Tadeusz Konwicki, and a case study on the Palace of Culture and Science—a "gift" from none other than Stalin—this study investigates the rhetorical and visual, rather than physical, reconstruction of Warsaw in various medias and genres. 

Ewa Wampuszyc roots her analysis in the historical context of the postwar decade and shows how and why Poland's capital became an essential part of a propaganda program inspired by communist ideology and the needs of a newly established socialist People's Republic. Mapping Warsaw demonstrates how physical space manifests itself in culture, and how culture, history, and politics leave an indelible mark on places. It points out ways in which we take for granted our perception of space and the meanings we assign to it.
 
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Maps and Mirrors
Topologies of Art and Politics
Steve Martinot
Northwestern University Press, 2001
Maps and Mirrors explores the links and gaps between the aesthetic and the political at the intersection of philosophy and literature. Testing the major voices of aesthetic and literary theory, it raises important questions about the implicit political contexts and commitments of thinkers from Kant to de Man. Taken together the essays provide a tour of the complexities and richness of contemporary modes of critique.
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Mardi and a Voyage Thither
Volulme Three, Scholarly Edition
Herman Melville
Northwestern University Press, 1970
Presented as narratives of his own South Sea experiences, Melville's first two books had roused incredulity in many readers. Their disbelief, he declared, had been "the main inducement" in altering his plan for his third book, Mardi: and a Voyage Thither (1849). Melville wanted to exploit the "rich poetical material" of Polynesia and also to escape feeling "irked, cramped, & fettered" by a narrative of facts. "I began to feel . . . a longing to plume my pinions for a flight," he told his English publisher.

This scholarly edition aims to present a text as close to the author's intention as surviving evidence permits. Based on collations of all editions publishing during Melville's lifetime, it incorporates author corrections and many emendations made by the present editors. This edition of Mardi is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
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Mardi and a Voyage Thither
Volume Three
Herman Melville
Northwestern University Press, 1998
Presented as narratives of his own South Sea experiences, Melville's first two books had roused incredulity in many readers. Their disbelief, he declared, had been "the main inducement" in altering his plan for his third book, Mardi: and a Voyage Thither (1849). Melville wanted to exploit the "rich poetical material" of Polynesia and also to escape feeling "irked, cramped, & fettered" by a narrative of facts. "I began to feel . . . a longing to plume my pinions for a flight," he told his English publisher.

Mardi began as a sequel to Typee (1846) and Omoo (1847), but changed radically while he was writing it and emerged as an altogether independent and original work. In its combination of adventure, allegorical romance, realistic portraits of characters and scenes from nature, philosophical speculation, and travelogue-satire, Mardi was Melville's first attempt to create a great work of fiction.

This edition of is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
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Margarita, How Beautiful the Sea
Sergio Ramírez
Northwestern University Press, 2008
León, Nicaragua, 1907. During a tribute he delivers during his triumphal return to his native city, Rubén Darío writes on the fan of a little girl one of his most famous poems, "Margarita, How Beautiful the Sea."

In 1956 in a cafe in León, a group of literati gather, dedicated, among other things, to the rigorous reconstruction of the legend surrounding Darío—but also to conspire. There will be an attempt against dictator Somoza's life, and that little girl with the fan a half-century before will not be a disinterested party.

In Margarita, How Beautiful the Sea, Sergio Ramírez encompasses, in a complete metaphor of reality and legend, the entire history of his country. The narrative moves along paths fifty years apart, which inevitably converge. The story becomes a fascinating exercise on the power of memory, on the influence of the past, fictitious or not, in the finality of reality.

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Maroon
Danielle Legros Georges
Northwestern University Press, 2001

Maroon is the debut collection of Haitian-American poet Danielle Legros Georges, who writes of the pain of exile, the beauty of nature, and the delights of love in highly rhythmic, highly original language. The range of her voice is remarkable— from the comic to the tragic to the lyric. Her poetry is electric with an overpowering zest for life and vitality of language, as she examines the traumatic experiences that brought her parents to America and searches for a more complete understanding of self. 

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Martin Buber's Ontology
An Analysis of I and Thou
Robert Wood
Northwestern University Press, 1969
At the turn of the century Martin Buber arrived on the philosophic scene. His path to maturity was one long struggle with the problem of unity—in particular with the problem of the unity of spirit and life—and he saw the problem itself to be rooted in the supposition of the primacy of the subject-object relation, with subjects "over here," objects "over there," and their relation a matter of subjects "taking in" objects or, alternatively, constituting them. But Buber moved into a position which undercuts the subject-object dichotomy and initiates a second "Copernican revolution" in philosophical thought.
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Marx on Suicide
Karl Marx
Northwestern University Press, 1999
In 1846, two years before the publication of The Communist Manifesto and twenty-one years before the publication of Das Kapital, Karl Marx published an essay titled "Peuchet on Suicide." Based on the writings of Jacques Peuchet, a leading French police administrator, economist, and statistician whose memoirs included discussions of suicides in Paris, Marx's essay is not a straightforward translation of Peuchet but instead an essay reflecting his own strong positions on the subjects addressed in Peuchet's work.
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Mask Improvisation for Actor Training and Performance
The Compelling Image
Sears Eldredge
Northwestern University Press, 1996
Because mask improvisation work is relatively new in American theater training, this book is designed not only to acquaint readers with the theory of mask improvisation but to instruct them in the techniques of method as well.

Featuring dozens of improvisational exercises in the innovative spirit of Viola Spolin, and supplemented with practical appendices on mask design and construction, forms and checklists, and other classroom materials, this book is an invaluable tool for teacher and student alike, as well as compelling reading for anyone interested in acquiring a deeper understanding of masks as agents of transformation, creativity, and performance.
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Master and Margarita
A Critical Companion
Laura Weeks
Northwestern University Press, 1996
An edited collection, part of the acclaimed AATSEEL Critical Companions series, that guides readers through Mikhail Bulgakov's satirical masterpiece. The introduction places The Master and Margarita and Bulgakov within Russian history and literature, and essays by prominent scholars offer opinion and analysis of the novel's structure, its place in current criticism, its connection to Goethe, and its symbolism and motifs. There is also an abundance of primary source material, including an excerpt from an earlier version of the novel, and related correspondence and diary entries.
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Matanza
Thomas P. Anderson
Northwestern University Press, 1995
This authoritative account of the matanza narrates the circumstances leading up to the 1932 communist revolt in El Salvador, a pivotal event in Central American history. It investigates the proximate and underlying causes of the conflict and follows the progression of the rebellion and subsequent slaughter (matanza) of thousands of peasants, even those merely suspected of participating in the uprising. It provides a vivid, detailed chronicle of the revolt in various Salvadoran towns as well as the social aspects, battles, military engagements, and innumerable casualties. 

In light of the scarcity of first-hand information and primary sources, Anderson makes remarkable use of interviews and oral histories to develop this invaluable and searing record of injustice.
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Materada
Fulvio Tomizza
Northwestern University Press, 1999
Francesco Koslovic—even his name straddles two cultures. And during the spring of 1955, in the village of Materada on the Istrian Peninsula, his two worlds are coming apart. Materada, the first volume of Fulvio Tomizza's celebrated Istrian Trilogy, depicts the Istrian exodus of the hundreds of thousands who had once thrived in a rich ethnic mixture of Italians and Slavs. Complicating Koslovic's own departure is his attempt to keep the land that he and his brother have worked all their lives.

A picture of a disappearing way of life, a tale of feud and displacement, and imbued with the tastes, tales, and songs of his native Istria, Koslovic's story is a testament to the intertwined ethnic roots of Balkan history.
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The Matter of Evil
From Speculative Realism to Ethical Pessimism
Drew M. Dalton
Northwestern University Press, 2024
A provocative and entirely new account of ethical reasoning that reconceives the traditional understanding of ethical action negatively

In this radical reconsideration of ethical reasoning in contemporary European philosophy, Drew M. Dalton makes the case for an absolutely grounded account of ethical normativity developed from a scientifically informed and purely materialistic metaphysics. Expanding on speculative realist arguments, Dalton argues that the limits placed on the nature of ethical judgments by Kant’s critique can be overcome through a moral evaluation of the laws of nature—specifically, the entropic principle that undergirds the laws of physics, chemistry, and biology. In order to extract a moral meaning from this simple material fact, Dalton scrutinizes the presumptions of classical accounts and traditional understandings of good and evil within the history of Western philosophy and ultimately asserts that ethical normativity can be reestablished absolutely without reverting to dogmatism.

By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence.
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Matthew Arnold the Ethnologist
Frederic E. Faverty
Northwestern University Press, 1951
Matthew Arnold the Ethnologist, originally published in 1951, makes the original argument that the renowned English critic Matthew Arnold contributed to the climate of “racialism” current during his lifetime. Frederic E. Faverty shows that in his essays on national character, Arnold used anthropological concepts of race and language, albeit inconsistently. Faverty’s critique of Arnold draws particular attention to the lack of a specifically cultural (rather than racial) analysis of the type pioneered by his contemporary Edward Burnett Tylor.
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Mayakovsky
Plays
Vladimir Mayakovsky
Northwestern University Press, 1995
One of Russia's greatest poets, Vladimir Mayakovsky (1893–1930) was a Futurist, early Bolshevik, and champion of the avant-garde. Despite his revolutionary youth, he became increasingly disillusioned with Soviet society, and three of his plays—all banned until after Stalin's death—reflect his changing assessments of the Revolution.

Mayakovsky: Plays includes Mystery Bouffe, a mock medieval mystery written in 1918 to celebrate the first anniversary of the Revolution; The Bathhouse, a sharp attack on Soviet bureaucracy subtitled "a drama of circus and fireworks"; and The Bedbug, in which a worker with bourgeois pretensions is frozen and resurrected fifty years later, when the world has become a material paradise. The collection also includes Mayakovsky's more personal first play, Vladimir Mayakovsky: A Tragedy.
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Meaning and Mortality in Kierkegaard and Heidegger
Origins of the Existential Philosophy of Death
Adam Buben
Northwestern University Press, 2016
Death is one of those few topics that attract the attention of just about every significant thinker in the history of Western philosophy, and this attention has resulted in diverse and complex views on death and what comes after. In Meaning and Mortality, Adam Buben offers a remarkably useful new framework for understanding the ways in which philosophy has discussed death by focusing first on two traditional strains in the discussion, the Platonic and the Epicurean. After providing a thorough account of this ancient dichotomy, he describes the development of an alternative means of handling death in Søren Kierkegaard and Martin Heidegger, whose work on death tends to overshadow Kierkegaard's despite the undeniable influence exerted on him by the nineteenth-century Dane. Buben argues that Kierkegaard and Heidegger prescribe a peculiar way of living with death that offers a kind of compromise between the Platonic and the Epicurean strains.
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Meaning of Modern Art
Karsten Harries
Northwestern University Press, 1968
That modern art is different from earlier art is so obvious as to be hardly worth mentioning. Yet there is little agreement as to the meaning or the importance of this difference. Indeed, contemporary aestheticians, especially, seem to feel that modern art does not depart in any essential way from the art of the past. One reason for this view is that, with the exception of Marxism, the leading philosophical schools today are ahistorical in orientation. This is as true of phenomenology and existentialism as it is of contemporary analytic philosophy. As a result there have been few attempts by philosophers to understand the meaning of the history of art—an understanding fundamental to any grasp of the difference between modern art and its predecessors.

Art expresses an ideal image of man, and an essential part of understanding the meaning of a work of art is understanding this image. When the ideal image changes, art, too, must change. It is thus possible to look at the emergence of modern art as a function of the disintegration of the Platonic-Christian conception of man. The artist no longer has an obvious, generally accepted route to follow. One sign of this is that there is no one style today comparable to Romanesque, Gothic, Renaissance, or Baroque. This lack of direction has given the artist a new freedom. Today there is a great variety of answers to the question, "What is art?" Such variety, however, betrays an uncertainty about the meaning of art. An uneasiness about the meaning of art has led modern artists to enter into dialogue with art historians, psychologists and philosophers. Perhaps this interpretation can contribute to that dialogue.
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Medallions
Zofia Nalkowska
Northwestern University Press, 2000
Medallions is a collection of eight documentary stories originally published in Poland in 1946 that recount Nazi war crimes under the German occupation of the country. The author, Zofia Nalkowska, was a member of a special committee for the investigation of Nazi crimes in Poland, and the stories reflect facts she learned from victims and witnesses to atrocities inflicted on Polish civilians.

Considered a masterpiece of antifascist world literature, Medallions stands as the culmination of Nalkowska's literary style, a style the Polish writer Witold Gombrowicz once described as "the iron capital of her art and one of the very few exportables in our national literature." More than mere historical record, Medallions offers the reader startling immediacy, the repetition of an event as it persists in the testimonial present, in the scars on the consciousness and conscience of individuals.
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Media Laboratories
Late Modernist Authorship in South America
Sarah Ann Wells
Northwestern University Press, 2017
Winner, LASA Best Book Published in 2017, Southern Cone Section, Humanities category

Media Laboratories explores a pivotal time for South American literature of the 1930s and ’40s. Cinema, radio, and the typewriter, once seen as promising catalysts for new kinds of writing, began to be challenged by authors, workers, and the public. What happens when media no longer seem novel and potentially democratic but rather consolidated and dominant? Moving among authors from Brazil, Argentina, and Uruguay, and among the genres of fiction, the essay, popular journalism, and experimental little magazines, Sarah Ann Wells shows how writers on the periphery of global modernity were fashioning alternative approaches to these media. Analyzing authors such as Clarice Lispector, Jorge Luis Borges, and Felisberto Hernández, along with their lesser-known contemporaries, Media Laboratories casts a wide net: from spectators of Hollywood and Soviet montage films, to inventors of imaginary media, to proletarian typists who embodied the machine-human encounters of the period. The text navigates contemporary scholarly and popular debates about the relationship of literature to technological innovation, media archaeology, sound studies, populism, and global modernisms. Ultimately, Wells underscores a question that remains relevant: what possibilities emerge when the enthusiasm for new media has been replaced by anxiety over their potentially pernicious effects in a globalizing, yet vastly unequal, world?
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Medieval English Lyrics
A Critical Anthology
R.T. Davies
Northwestern University Press, 1963
The songs, carols, and poems of medieval England evoke a people whose principal literary preoccupations were their passions, religious and otherwise. This comprehensive collection presents 187 poems, earthy and ethereal, from this tradition.

All too often, this great body of poetry is represented in anthologies by a scattering of all-too-well-known poems, or by one or two unfamiliar ones for which there are often inadequate linguistic and critical notes. R.T. Davis, Lecturer in English Literature at the University of Liverpool, has incorporated extensive linguistic and critical notes on the lyrics in this collection, and even the student without experience with Middle English will be able to read and appreciate the works. In addition to being the first critical anthology of medieval English lyrics ever published, it is a revealing portrait of a people far removed from us in time, but very much like ourselves.
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Melville Biography
An Inside Narrative
Hershel Parker
Northwestern University Press, 2013

Melville Biography: An Inside Narrative is Hershel Parker’s history of the writing of Melville biographies, enriched by a lifetime of intimate working partnerships with great Melville scholars of different generations and by the author’s experience of successive phases of literary criticism. Throughout this bold book, Hershel Parker champions archival-based biography and the all-but-lost art of embodying such scholarship in literary criticism. First is a mesmerizing autobiographical account of what went into creating the award-winning and comprehensive  Herman Melville: A Biography. Then Parker traces six decades of the “unholy war” waged against biographical scholarship, in which critics repeatedly imposed the theory of organic unity on Melville’s disrupted life—not just on his writings—while truncating his body of work and ignoring his study of art and aesthetics. In this connection, Parker celebrates discoveries made by “divine amateurs,” before throwing open his workshop to challenge ambitious readers with research projects. This is a book for Melville fans and Parker fans, as well as for readers, writers, and would-be writers of biography.

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Melville
The Making of the Poet
Hershel Parker
Northwestern University Press, 2007

“Who would have looked for philosophy in whales, or for poetry in blubber?” the London John Bull remarked in October of 1851. And yet, the reviewer went on, “few books which professedly deal in metaphysics, or claim the parentage of the muses, contain as much true philosophy and as much genuine poetry as the tale of the Pequod's whaling expedition.” A decade and a half before surprising the world with a book of Civil war poetry, Melville was already confident of what was “poetic” in his prose. As Hershel Parker demonstrates in this book, Melville was steeped in poetry long before he called himself a poet. 

Here Parker, the dean of Melville studies, gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet. His work corrects two of the most pernicious misconceptions about Melville perpetuated by earlier critics: that he repudiated fiction writing after Pierre, and that he hadn’t begun writing poetry (let alone had a book of poems ready for publication) as early as 1860. In clearing up these misapprehensions, Parker gives a thorough and thoroughly involving account of Melville’s development as a poet. Parker demonstrates for the first time just how crucial poetry was to Melville from childhood to old age, especially its re-emergence in his life after 1849. Drawing on Melville's shrewd annotations of great British poets and on his probing, skeptical engagement with commentaries on poetry (particularly by the great Scots reviewers), Parker paints a richly textured portrait of a hitherto unseen side of Herman Melville.


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Melville's Prisoners
Harrison Hayford
Northwestern University Press, 2003
Bringing together in one volume the essays of the world's foremost authority on Herman Melville, this collection is both an essential companion and guide to any reading of the American master's work and a model of literary interpretation that is at once precise, judicious, and inspired. The book allows those who (sometimes unknowingly) felt Harrison Hayford's influence to experience firsthand the interpretive force of his critical method and, through his work, to rediscover the compelling mysteries and intricacies of Melville's writing.

Written over many years, these essays retain the power to enlighten and surprise-and often, as Hershel Parker notes in his Foreword, to dazzle. Along with the never-before-published essay from which the book takes its title, Melville's Prisoners includes "Loomings," widely viewed as the single best piece of criticism ever written on Moby-Dick, and "Unnecessary Duplicates," a classic of textual speculation on Melville's methods. Others offer, along with their enduring insights into Melville's work, example after example of a capacious and astonishingly energetic mind at work and at play-a long view of how scholarship at its best is done. In sum, this volume constitutes the finest set of scholarly-critical essays ever written one of America's great writers.
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Memoir of Italo Svevo
Livia Veneziani Svevo
Northwestern University Press, 2001
Writer Italo Svevo had many things in common with other writers: a long struggle for recognition; a friendship with a noteworthy author (in Svevo's case, James Joyce); and a long list of neuroses. His choice of a wife, however, was anything but common. Livia Veneziani Svevo tirelessly worked on her husband's behalf after his tragic early death and also penned this remarkable portrait of a serious artist and a loving (if quirky) marriage. Memoir of Italo Svevo tells the story of how a successful middle-aged businessman, as obsessed with smoking as with his abandoned literary ambitions, somehow became one of the great authors of the twentieth century.
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Memorial
Ferdinando Camon
Northwestern University Press, 1996
Memorial is the third part of the celebrated trilogy Camon called "the cycle of the lowliest," which traced one of the most important but least recognized events of modern history: the death of Italy's peasant civilization.

Camon's northern Italy was primitive and poor; little more than strong religious beliefs helped sustain its people through years of poverty, hunger, and disease. With the arrival of modern life and its "civilizing" aspects, the peasant ways, and all they stood for, changed forever.
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Memories of Eden
A Journey Through Jewish Baghdad
Violette Shamash
Northwestern University Press, 2010

According to legend, the Garden of Eden was located in Iraq, and for millennia, Jews resided peacefully in metropolitan Baghdad. Memories of Eden: A Journey Through Jewish Baghdad reconstructs the last years of the oldest Jewish Diaspora community in the world through the recollections of Violette Shamash, a Jewish woman who was born in Baghdad in 1912, sent to her daughter Mira Rocca and son-in-law, the British journalist Tony Rocca. The result is a deeply textured memoir—an intimate portrait of an individual life, yet revealing of the complex dynamics of the Middle East in the twentieth century.

Toward the end of her long life, Violette Shamash began writing letters, notes, and essays and sending them to the Roccas. The resulting book begins near the end of Ottoman rule and runs through the British Mandate, the emergence of an independent Iraq, and the start of dictatorial government. Shamash clearly loved the world in which she grew up but is altogether honest in her depiction of the transformation of attitudes toward Baghdad’s Jewish population. Shamash’s world is finally shattered by the Farhud, the name given to the massacre of hundreds of Iraqi Jews over three days in 1941. An event that has received very slight historical coverage, the Farhud is further described and placed in context in a concluding essay by Tony Rocca.

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Memory of the Body
Essays on Theater and Death
Jan Kott
Northwestern University Press, 1992
To see through the eyes of essayist and dramaturge Jan Kott is to gain in knowledge not just of the theater but also of human culture. Since his Shakespeare Our Contemporary appeared in English in 1964, Kott's work has altered—and strengthened—the way critics and the public approach the theater as a whole. The Memory of the Body highlights a number of dramatic personalities and personages: authors and directors Witkiewicz, Brecht, Kantor, Grotoswki, Ingmar Bergman, Wedekind; Tilly Newes on the stage in turn-of-the-century Vienna; the all-too-mortal, two-thirds divine Gilgamesh; and a shaman in rural Korea. In a style flecked with passion, poignancy, and wit, Kott moves beyond a mere discussion of theater to speak of eroticism, painting, love, and death.
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Mendelssohn Is on the Roof
Jiri Weil
Northwestern University Press, 1998
Julius Schlesinger, aspiring SS officer, has received orders to remove from the roof of Prague's concert hall the statue of the Jewish composer Felix Mendelssohn. But which of the figures adorning the roof is the Jew? Remembering his course on racial science, Schlesinger instructs his men to pull down the statue with the biggest nose. Only as the statue they have carefully chosen begins to topple does he recognize that it is not Mendelssohn; it is Richard Wagner.

Thus begins a story of disarming simplicity that traces the transformation of ordinary lives in Nazi-occupied Prague. Death abetted by the petty malevolence of Nazi functionaries wins all the battles but ultimately loses the war, defeated by the fragile flowering of courage and defiance.

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The Mercy of Eternity
A Memoir of Depression and Grace
Eric G. Wilson
Northwestern University Press, 2010
In his best-selling book Against Happiness: In Praise of Melancholy, Eric G. Wilson challenged our culture’s blindly insistent pursuit of happiness at all costs. In his harrowing yet ultimately hopeful memoir, The Mercy of Eternity, the author turns an unsparing eye on his own continuing struggle with bipolar depression and finds, within the very illness that causes so much suffering, the resources for hope, forgiveness, and love.

As a bright student-athlete on his way to West Point, Eric Wilson seemed to be well on the way to a fulfilling life. Yet he was haunted by overwhelming feelings of his deep insignificance. As he grew older, the traditional means of fulfillment—marriage and professional success—did nothing to assuage the descents into darkness and destructive behavior. Therapy and medication have offered some relief, but the birth of his daughter ultimately forces his hand. In some ways, the answer has been in front of him the whole time, for English professor Wilson finds in the literature of Coleridge, Blake, and others the lessons that depression might teach. When he comes upon “negative theology”—the school of thought that finds God in the “dark night of the soul”—Wilson discovers the framework for a radical call to forgive depression. 

Only by forgiving this capricious, impersonal force is Wilson able to find the grace to move beyond the cycles of destructive self-absorption.Wilson admits that he continues to struggle, but in facing his depression instead of trying to escape it, he finds wisdom and grace.

Beautifully and accessibly written, The Mercy of Eternity is a brief yet profound meditation on the largest question of life.
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The Merleau-Ponty Aesthetics Reader
Philosophy and Painting
Edited and with an Introduction by Galen A. Johnson; Michael B. Smith, Translation Editor
Northwestern University Press, 1993
Merleau-Ponty's essays on aesthetics are some of the major accomplishments of his philosophical career, and rank even today among the most sophisticated reflections on art in all of twentieth-century philosophy. His essays on painting, "Cezanne's Doubt" (1945), "Indirect Language and the Voices of Silence" (1952), and "Eye and Mind" (1960), have inspired new approaches to epistemology, ontology, and the philosophy of history. Galen A. Johnson has gathered these essays for the first time into a single volume and augmented them with essays by distinguished scholars and artists, including M.C. Dillon, Mikel Dufrenne, and René Magritte. Together the essays demonstrate the continuing significance of Merleau-Ponty's ideas about art for contemporary philosophy on both sides of the Atlantic.
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The Merleau-Ponty Reader
Leonard Lawlor and Ted Toadvine
Northwestern University Press, 2007
The first reader to offer a comprehensive view of Maurice Merleau-Ponty’s (1908-1961) work, this selection collects in one volume the foundational essays necessary for understanding the core of this critical twentieth-century philosopher’s thought.

Arranged chronologically, the essays are grouped in three sections corresponding to the major periods of Merleau-Ponty’s work: First, the years prior to his appointment to the Sorbonne in 1949, the early, existentialist period during which he wrote important works on the phenomenology of perception and the primacy of perception; second, the years of his work as professor of child psychology and pedagogy at the Sorbonne, a period especially concerned with language; and finally, his years as chair of modern philosophy at the Collège de France, a time devoted to the articulation of a new ontology and philosophy of nature. The editors, who provide an interpretive introduction, also include previously unpublished working notes found in Merleau-Ponty’s papers after his death. Translations of all selections have been updated and several appear here in English for the first time.

By contextualizing Merleau-Ponty’s writings on the philosophy of art and politics within the overall development of his thought, this volume allows readers to see both the breadth of his contribution to twentieth-century philosophy and the convergence of the various strands of his reflection.
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Merleau-Ponty’s Developmental Ontology
David Morris
Northwestern University Press, 2018
Winner of the 2020 Edward Goodwin Ballard Prize in Phenomenology

Merleau-Ponty's Developmental Ontology
shows how the philosophy of Maurice Merleau-Ponty, from its very beginnings, seeks to find sense or meaning within nature, and how this quest calls for and develops into a radically new ontology. 

David Morris first gives an illuminating analysis of sense, showing how it requires understanding nature as engendering new norms. He then presents innovative studies of Merleau-Ponty's The Structure of Behavior and Phenomenology of Perception, revealing how these early works are oriented by the problem of sense and already lead to difficulties about nature, temporality, and ontology that preoccupy Merleau-Ponty's later work. Morris shows how resolving these difficulties requires seeking sense through its appearance in nature, prior to experience—ultimately leading to radically new concepts of nature, time, and philosophy.

Merleau-Ponty's Developmental Ontology makes key issues in Merleau-Ponty's philosophy clear and accessible to a broad audience while also advancing original philosophical conclusions.
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Merleau-Ponty's Last Vision
A Proposal for the Completion of "The Visible and the Invisible"
Douglas Low
Northwestern University Press, 2000
Few writers' unfinished works are considered among their most important, but such is the case with Merleau-Ponty's The Visible and the Invisible. What exists of it is a mere beginning, yet it bridged modernism and postmodernism in philosophy. Low uses material from some of Merleau-Ponty's later works as the basis for completion. Working from this material and the philosopher's own outline, Low presents how this important work would have looked had Merleau-Ponty lived to complete it.
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Merleau-Ponty's Ontology
Second Edition
M.C. Dillon
Northwestern University Press, 1997
Originally published in 1988, M.C. Dillon's classic study of Merleau-Ponty is now available in a revised second edition containing a new preface and a new chapter on "Truth in Art." Dillon's thesis is that Merleau-Ponty has developed the first genuine alternative to ontological dualism seen in Western philosophy. From his early work on the philosophical significance of the human body to his later ontology of flesh, Merleau-Ponty shows that the perennial problems growing out of dualistic conceptions of mind and body, subject and object, immanence and transcendence can be resolved within the framework of a new way of thinking based on the exemplar of the worldly embodiment of thought.
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Merleau-Ponty’s Philosophy of Nature
Ted Toadvine
Northwestern University Press, 2009

In our time, Ted Toadvine observes, the philosophical question of nature is almost entirely forgotten—obscured in part by a myopic focus on solving "environmental problems" without asking how these problems are framed. But an "environmental crisis," existing as it does in the human world of value and significance, is at heart a philosophical crisis. In this book, Toadvine demonstrates how Maurice Merleau-Ponty’s phenomenology has a special power to address such a crisis—a philosophical power far better suited to the questions than other modern approaches, with their over-reliance on assumptions drawn from the natural sciences.

The book examines key moments in the development of Merleau-Ponty’s philosophy of nature while roughly following the historical sequence of his major works. Toadvine begins by setting out an ontology of nature proposed in Merleau-Ponty’s first book, The Structure of Behavior. He takes up the theme of the expressive role of reflection in Phenomenology of Perception, as it negotiates the area between nature’s own "self-unfolding" and human subjectivity. Merleau-Ponty’s notion of "intertwining" and his account of space provide a transition to Toadvine’s study of the philosopher’s later work—in which the concept of "chiasm," the crossing or intertwining of sense and the sensible, forms the key to Merleau-Ponty’s mature ontology—and ultimately to the relationship between humans and nature.

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Metamorphoses
A Play
Mary Zimmerman
Northwestern University Press, 2002
Called by Time the "theater event of the year," Mary Zimmerman's Metamorphoses brings Ovid's tales to stunning visual life. Set in and around a large pool of water onstage, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including "Best Play," Metamorphoses earned Zimmerman a Tony for "Best Direction of a Play."
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Meteor in the Madhouse
Leon Forrest
Northwestern University Press, 2001
Forrest's long-awaited last work follows the last days of journalist Joubert Jones and his long relationship with his friend and mentor, the idealistic and doomed poet Leonard Foster.
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Method Acting and Its Discontents
On American Psycho-Drama
Shonni Enelow
Northwestern University Press, 2015

Winner of the 2016 George Jean Nathan Award

Method Acting and Its Discontents: On American Psycho-Drama
provides a new understanding of a crucial chapter in American theater history. Enelow’s consideration of the broader cultural climate of the late 1950s and early 1960s, specifically the debates within psychology and psychoanalysis, the period’s racial and sexual politics, and the rise of mass media, gives us a nuanced, complex picture of Lee Strasberg and the Actors Studio and contemporaneous works of drama. Combining cultural analysis, dramaturgical criticism, and performance theory, Enelow shows how Method acting’s contradictions reveal powerful tensions inside mid-century notions of individual and collective identity.

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Mexican Village and Other Works
Josefina Niggli
Northwestern University Press, 2007
Born in Monterrey, Nuevo León, Mexico in 1910, Josefina María Niggli was one of the first Latina writers to have her work published in the United States—and thus one of the first to introduce American audiences to the culture and people flourishing along the U.S.–Mexico border. Well ahead of what is now called Chicano literature, her writings—spanning a broad range of genres, subjects, and styles—offer an insider's view of the everyday lives little known or noted outside of their native milieu. In Niggli's plays, for instance, these often invisible working class Mexicans were literally elevated to the public stage, their hidden reality given expression.

A long-overdue gathering of Niggli's work, this volume showcases the writer's remarkable literary versatility, as well as the groundbreaking nature of her writing, which in many ways established a blueprint for future generations of writers and readers of Chicano literature. This collection includes Niggli's most famous and influential work, Mexican Village—a literary chronicle of Hidalgo, Mexico, which explores the distinct nature and tensions of Mexican life—along with her novel Step Down, Elder Brother, and five of her most well-known plays.
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Michael Haneke
The Intermedial Void
Christopher Rowe
Northwestern University Press, 2017
The two primary goals of this ambitious study are to provide a new framework in which to interpret the films of Michael Haneke, including Funny Games, Caché, and others, and to show how the concept of intermediality can be used to expand the possibilities of film and media studies, tying the two more closely together. Christopher Rowe argues that Haneke’s practice of introducing nonfilmic media into his films is not simply an aspect of his interest in society’s oversaturation in various forms of media. Instead, the use of video, television, photography, literary voice, and other media must be understood as modes of expression that fundamentally oppose the film medium itself. The “intermedial void” is a product of the absolute incommensurability of these media forms as perceptual and affective phenomena. Close analysis of specific films shows how their relationship to noncinematic media transforms the nature of the film image, and of film spectatorship.
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The Michel Henry Reader
Edited by Scott Davidson and Frédéric Seyler
Northwestern University Press, 2019
From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called “radical.” His phenomenology leads back to the original dimension of life—to a reality that precedes and conditions the natural sciences and even objectivity as such.
 
The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry’s most important essays. Sixteen chapters are divided into four parts that demonstrate the profound implications of Henry’s philosophy of life: for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.
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The Middle Included
Logos in Aristotle
Aygün, Ömer
Northwestern University Press, 2016
The Middle Included is the first comprehensive account of the Ancient Greek word logos in Aristotelian philosophy. Logos means many things in the Aristotelian corpus: essential formula, proportion, reason, and language. Surveying these meanings in Aristotle’s logic, physics, and ethics, Ömer Aygün persuasively demonstrates that these divers meanings of logos all refer to a basic sense of “gathering” or “inclusiveness.” In this sense, logos functions as a counterpart to a formal version of the principles of non-contradiction and of the excluded middle in his corpus. Aygün thus shifts Aristotle’s traditional image from that of the father of formal logic, classificatory thinking, and exclusion to a more nuanced image of him as a thinker of inclusion.
 
The Middle Included also explores human language in Aristotelian philosophy. After an account of acoustic phenomena and animal communication, Aygün argues that human language for Aristotle is the ability to understand and relay both first-hand experiences and non-first-hand experiences. This definition is key to understanding many core human experiences such as science, history, news media, education, sophistry, and indeed philosophy itself. Logos is thus never associated with any other animal nor with anything divine—it remains strictly and rigorously secular, humane, and yet full of the wonder.
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Midrash and Theory
Ancient Jewish Exegesis and Contempory Literary Studies
David Stern
Northwestern University Press, 1998
In Midrash and Theory, David Stern presents an approach to midrashic literature through the prism of contemporary theory.

As midrash--the literature of classical Jewish Scriptural interpretation--has become the focus of new interest in contemporary literary circles, it has been invoked as a precursor of post-structuralist theory and criticism. At the same time, the midrashic imagination has undergone a revival in the larger Jewish community and shown itself capable of exercising a powerful influence and hold on a new type of contemporary Jewish writing. Stern examines this resurgence of fascination with ancient Jewish interpretation from the persepctive of the cultural relevance of midrash and its connection to its original historical and literary contexts.
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Migrant Psalms
Poems
Darrel Alejandro Holnes
Northwestern University Press, 2021
Migrant Psalms prays for a way to make sense of immigration to the United States—now that we realize the American Dream was always an impossible one. Both reverent and daring, this verse interrogates religion, race, class, family, and sexuality. Written as a call to action, the collection pulls together prayer, popular culture, and technology to tell a twenty‑first-century migrant story.
 
Migrant Psalms gives us a rare look inside a Panamanian experience of migration, describing the harsh realities of mothers, children, and teens who entered the United States—or tried to do so. Holnes’s poems find the universal through specificity; their exploration of expatriation, assimilation, and naturalization transcends the author’s personal experience to speak to what it means to be “other” anywhere.
 
The collection begins with “Kyrie,” a coming‑to‑America chronicle that spans three years in Texas, modeled after the liturgical Christian prayer Kyrie Eleison (Lord, have mercy). Other poems experiment with macaronic language and form to parallel shifts in the speaker’s status from immigrant to citizen, ending with “The 21st Century Poem,” which probes what’s “real” in today’s New York City. Through the speaker’s quest to become an American, this collection asks: Who are we becoming as individuals, as a society, as a nation, as a world? And is faith enough to enact change? Or is it just the first step?
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Miguel Mármol
Roque Dalton
Northwestern University Press, 1995
Miguel Mármol is the testimony of a revolutionary, as recorded by Salvadoran writer, Roque Dalton, which documents the historical and political events of El Salvador through the first decades of the 20th century. This Latin American classic describes the growth and development of the workers' movement and the communist party in El Salvador and Guatemala, and contains Mármol's impressions of post-revolutionary Russia in the twenties, describing in vivid detail the brutality and repression of the Martínez dictatorship and the reemergence of the workers' movement after Martínez was ousted. It also gives a broad and clear picture of the lives of the ordinary peasant and worker in Central America, their sufferings, their hopes and their struggles.
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Milestones
A Bilingual Edition
Marina Tsvetaeva, translated from the Russian by Robin Kemball
Northwestern University Press, 2003
Milestones is an apt title for this collection, for the eighty-four poems within show a poet passing from mere talent into mastery of her craft. Composed between January and December of 1916, these poems find the twenty-four year-old Tsvetaeva thirsting for the fullness of life while at the same time contemplating the inevitability of death—a theme she was to revisit many times in her career. Tsvetaeva's work of the time also reflects her knowledge of (and pride in) her native culture, especially the centrality of Moscow as the ultimate destination of all Russians. Throughout the verse she opens up to the sensual wonders of nature—sky, forest, wind, and not least her beloved daughter Alya, who would come to figure greatly in the work and legacy of her mother.

Milestones lays out a sensual feast of moods, themes, styles, and rhythms—all the ingredients that would in time reveal Tsvetaeva as one of the most daring and original poets of her time.
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The Military and the Press
An Uneasy Truce
Michael Sweeney
Northwestern University Press, 2006
Because news is a weapon of war--affecting public opinion, troop morale, even strategy--for more than a century America's wartime officials have sought to control or influence the press, most recently by "embedding" reporters within military units in Iraq. This second front, where press freedom and military imperatives often do battle, is the territory explored in The Military and the Press, a history of how press-military relations have evolved during the twentieth and twenty-first century in response to the demands of politics, economics, technology, and legal and social forces.

Author Michael S. Sweeney takes a chronological approach, considering freedoms and restraints such as the First Amendment, court decisions, and government and military directives that have affected the press during World Wars I and II, the Korean War, the Vietnam War, and the more recent conflicts. He explores the ongoing themes of wartime censorship and propaganda, as well as operational security in the battle zone. In chapters addressing the recent shift in military strategy in dealing with the press, Sweeney discusses new forms of control--from embedding journalists and discouraging unaccredited "unilaterals" to developing the news agenda through a barrage of briefings, sound bites, and visuals and appeals to patriotism that border on domestic propaganda. With profiles of a few specific journalists--from Richard Harding Davis covering the Spanish-American War to Christiane Amanpour reporting from the conflicts in Bosnia and Iraq--this deft blend of journalistic history and analysis should serve as a call-to-arms to a public not always well served by a military-press standoff.
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Millennium Park Chicago
Cheryl Kent
Northwestern University Press, 2011
Since it opened in 2004, Millennium Park has become an essential destination for visitors to and residents of Chicago, second only to Navy Pier. As with many of Chicago’s architectural and artistic marvels, how the park came to be is a story of outsize ambition, luck, political maneuvering, and turning obstacles into opportunities. Cheryl Kent’s lavishly illustrated book is the best general introduction to the park’s history and each of its attractions. 

Each chapter describes a conceptual, design, and construction process that defied the odds. From Anish Kapoor’s Cloud Gate (affectionately called “the Bean”) to Frank Gehry’s Jay Pritzker Pavilion, projects that could have been modest and conventional instead blossomed into trophy pieces to rival Picasso’s sculpture in Daley Plaza. In every case, the story of how that transformation occurred shows individuals who invested themselves in the spirit of the enterprise and accomplished more than they ever thought they could. Its millions of visitors attest to Millennium Park’s enduring appeal. Cheryl Kent’s book will be both an essential guide to the park and a keepsake for those who have enjoyed its unique attractions.
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Milosz and the Problem of Evil
Lukasz Tischner; Translated from the Polish by Stanley Bill
Northwestern University Press, 2015

While scholars have chronicled Czesław Miłosz’s engagement with religious belief, no previous book-length treatment has focused on his struggles with theodicy in both poetry and thought. Miłosz wrestled with the problem of believing in a just God given the powerful evidence to the contrary in the natural world as he observed it and in the horrors of World War II and its aftermath in Poland. Rather than attempt to survey Miłosz’s vast oeuvre, Łukasz Tischner focuses on several key works—The Land of Ulro, The World, The Issa Valley, A Treatise on Morals, A Treatise on Poetry, and From the Rising of the Sun—carefully tracing the development of Miłosz’s moral arguments, especially in relation to the key texts that influenced him, among them the Bible, the Gnostic writings, and the works of Blake, Hegel, Kierkegaard, and Scho­penhauer. The result is a book that examines Miłosz as both a thinker and an artist, shedding new light on all aspects of his oeuvre.

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Milton's Modernities
Poetry, Philosophy, and History from the Seventeenth Century to the Present
Edited by Feisal G. Mohamed and Patrick Fadely
Northwestern University Press, 2017
The phrase “early modern” challenges readers and scholars to explore ways in which that period expands and refines contemporary views of the modern. The original essays in  Milton’s Modernities undertake such exploration in the context of the work of  John Milton, a poet whose prodigious energies simultaneously point to the past and future.
 
Bristling with insights on Milton’s major works, Milton’s Modernities offers fresh perspectives on the thinkers central to our theorizations of modernity: from Lucretius and Spinoza, Hegel and Kant, to Benjamin and Deleuze. At the volume's core is an embrace of the possibilities unleashed by current trends in philosophy, variously styled as the return to ethics, or metaphysics, or religion. These make all the more visible Milton’s dialogues with later modernity, dialogues that promise to generate much critical discussion in early modern studies and beyond.
 
Such approaches necessarily challenge many prevailing assumptions that have guided recent Milton criticism—assumptions about context and periodization, for instance. In this way, Milton’s Modernities powerfully broadens the historical archive beyond the materiality of events and things, incorporating as well intellectual currents, hybrids, and insights.
 
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Mimesis and the Human Animal
On the Biogenetic Foundations of Literary Representation
Robert Storey
Northwestern University Press, 1996
In Mimesis and the Human Animal, Robert Storey argues that human culture derives from human biology and that literary representation therefore must have a biological basis. As he ponders the question "What does it mean to say that art imitates life?" he must consider both "What is life?" and "What is art?"

A unique approach to the subject of mimesis, Storey's book goes beyond the politicizing of literature grounded in literary theory to develop a scientific basis for the creation of literature and art.
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Mimetic Lives
Tolstoy, Dostoevsky, and Character in the Novel
Chloë Kitzinger
Northwestern University Press, 2021
What makes some characters seem so real? Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel explores this question through readings of major works by Leo Tolstoy and Fyodor Dostoevsky. Working at the height of the Russian realist tradition, Tolstoy and Dostoevsky each discovered unprecedented techniques for intensifying the aesthetic illusion that Chloë Kitzinger calls mimetic life—the reader’s sense of a character’s autonomous, embodied existence. At the same time, both authors tested the practical limits of that illusion by extending it toward the novel’s formal and generic bounds: philosophy, history, journalism, theology, myth.
 
Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces a productive tension between mimetic characterization and the author’s ambition to transform the reader. She shows how Tolstoy and Dostoevsky create lifelike characters and why the dream of carrying the illusion of “life” beyond the novel consistently fails. Mimetic Lives challenges the contemporary truism that novels educate us by providing enduring models for the perspectives of others, with whom we can then better empathize. Seen close, the realist novel’s power to create a world of compelling fictional persons underscores its resources as a form for thought and its limits as a direct source of spiritual, social, or political change.
 
Drawing on scholarship in Russian literary studies as well as the theory of the novel, Kitzinger’s lucid work of criticism will intrigue and challenge scholars working in both fields. 
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Miracle Marks
Poems
Purvi Shah
Northwestern University Press, 2019
In her second full-length poetry collection, Miracle Marks, activist Purvi Shah charts women’s status through pointed explorations of Hindu iconography and philosophy and powerful critiques of American racism. In these searing, revelatory poems, Shah reminds us that surviving birth as an infant girl and living as a woman is miraculous—as such, every girl is a miracle mark. And because education is often denied to girls, writing by women is a miracle.

In Miracle Marks, Shah probes belonging, devotion, and social inequity, delving into what it means to be a woman, and what it means to be. Through sound energy and white space, these poems chart multiple realities, including the miracles of women’s labors and survivals. This collection spurs dialogue across audiences and communities and lights a way for brown girls and women who relish in spirit, intellect, politics, and justice.
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The Mirror of the Sea
Joseph Conrad
Northwestern University Press, 1988
First published in 1906, The Mirror of the Sea was the first of Joseph Conrad's two autobiographical memoirs. Discussing it, he called the book "a very intimate revelation. . . . I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation without bitterness and without repining, from the first hour to the last."
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Mirrors Beneath the Earth
Short Fiction by Chicano Writers
Ray González
Northwestern University Press, 1992
Mirrors Beneath the Earth is an historic and unique collection of contemporary Chicano fiction: 31 stories depicting the richly varied experiences of Mexican-Americans in the U.S. Some, like Sandra Cisneros, Rudolfo Anaya, Ana Castillo, are already celebrated writers. The special strength of this anthology is that it introduces others who have never before been published in book form, like Ana Baca, Patricia Blanca, Rafael Jesus Gonzalez, and Natalia Trevino. These writers open our eyes and enrich our understanding.
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Miscellaneous Writings
G.W.F. Hegel
Northwestern University Press, 2000
This anthology, reflecting virtually every stage of G. W. F. Hegel's life and every area of his interests, provides the most complete picture yet of the intellectual development and activity of this towering figure of philosophy. Previously scattered and often hard to find, the writings collected here are of markedly different genres: introductions, rough drafts, book reviews, poems, speeches, sermons, individual treatises, even student notes and other firsthand reports. By virtue of their heterogeneity, these works bring out the full scope of Hegel's intellectual interests and activities, and often surprising sides of his personality and intellectual character emerge as he plays the unaccustomed roles of poet, priest, reformer, and polemicist.
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Miss Muriel and Other Stories
Ann Petry, foreword by Jamilah Lemieux
Northwestern University Press, 2017
A young black girl watches as her aunt’s multiple suitors disrupt her  family’s privacy. The same girl, now on the cusp of adulthood, shares her family’s growing fears that her father has disappeared. Acclaimed author Ann Petry penned these and the other unforgettable narratives in Miss Muriel and Other Stories more than seventy years ago, yet in them contemporary readers recognize characters who exist today and dilemmas that recur again and again: the reluctance of African Americans to seek help from the police, the rage that erupts in a black man worn down by brutality, the tyranny that the young can visit on their elders regardless of race. Originally published between 1945 and 1971, Petry’s stories capture the essence of African American experience since the 1940s.
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Missing
A Memoir
Cornelia Maude Spelman
Northwestern University Press, 2010

Acclaimed children’s book author Cornelia Maude Spelman’s memoir of her family springs from a meeting and subsequent friendship with the late, legendary New Yorker editor William MaxwellIn the 1920s, he and her parents had been friends as undergraduates at the University of Illinois at Urbana-Champaign. When Spelman hints at what she thinks of as the failure of her parents’ lives, he counters that “in a good novel one doesn’t look for a success story, but for a story that moves one with its human drama and richness of experience.”

At their final meeting, Maxwell encourages her to tell her mother’s story. Missing is Spelman’s response to Maxwell’s wisdom. With the pacing of the mystery novels her mother loved, and using everything from letters and interviews to the family’s quotidian paper trail—medical records, telegrams, and other oft-overlooked clues to a family’s history—Spelman reconstructs her mother’s life and untimely death. Along the way, she unravels mysteries of her family, including the fate of her long lost older brother.

Spelman skillfully draws the reader into the elation and sorrow that accompany the discovery of a family’s past. A profoundly loving yet honest elegy, Missing is, like the woman it memorializes, complex and beautiful.

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Moby-Dick, or The Whale
150th Anniversary Edition
Herman Melville, edited by Harrison Hayford, Hershel Parker, and G. Thomas Tanselle
Northwestern University Press, 2001
This edition of Moby-Dick, released in honor of the book's sesquicentennial, is the authoritative text of one of the world's great adventure stories. A crew of whalers sets out in pursuit of a fierce white whale. Their names ring through the canon of American literature: Ishmael, the narrator; Queequeg, a South Seas harpooner; Starbuck, the sober and serious chief mate; and above all Captain Ahab, part-Faust and part-Job, obsessed with the destruction of his foe.

This text of Moby-Dick is an Approved Text of the Center for Scholarly Editions (Modern Language Association of America).
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Moby-Dick, or The Whale
Volume 6, Scholarly Edition
Herman Melville, edited by Harrison Hayford, Hershel Parker, and G. Thomas Tanselle
Northwestern University Press, 1988
In Moby Dick Melville set out to write a "mighty book" on "a mighty theme." The editors of this critical text affirm that he succeeded. Nevertheless, their prolonged examination of the novel reveals textual flaws and anomalies that help to explain Melville's fears that his great work was in some ways a hash or a botch. A lengthy historical note also gives a fresh account of Melville's earlier literary career and his working conditions as he wrote; it also analyzes the book's contemporary reception and outlines how it finally achieved fame. Other sections review theories of the book's genesis, detail the circumstances of its publication, and present documents closely relating to the story.

This scholarly edition is based on collations of both editions published during Melville's lifetime, it adopts 185 revisions and corrections from the English edition and incorporates 237 emendations by the series editors. This is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
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Mocking Desire
Drago Jancar
Northwestern University Press, 1998
The first novel by the preeminent Slovenian author Drago Jančar to be published in English, Mocking Desire is a brilliant exploration of conflicting states of experience and comprehension.

Gregor Gradnik, a Slovenian writer, enters the sensual and seething life of New Orleans to teach a creative writing class at a university. Gregor at first acts as only an observer, yet seductive New Orleans soon draws him into a series of bizarre erotic, professional, and social relationships. A profound and entertaining work, Mocking Desire provides the English-speaking world with the perfect introduction to one of Eastern Europe's leading writers.
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Modernism - Dada - Postmodernism
Richard Sheppard
Northwestern University Press, 1999
This new collection updates, integrates, and contextualizes Richard Sheppard's essays on the historical avant-garde. Sheppard examines responses of modernist writers, artists, and philosophers to a changed sense of reality and human nature. With its combination of previously published and new essays and its perspective on the theoretical avant-garde-modernism debate in the U.S., the volume provides the specialist and the general reader insight into European scholarly discourse on this hotly debated subject.
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Monkey Secret
Diane Glancy
Northwestern University Press, 1995
Monkey Secret collects three short stories and a powerful novella by the Cherokee-German-English poet and prose writer Diane Glancy. Her tales of Native American life explore that essential American territory, the border-between: between past and present, between native and immigrant cultures, between self and society.
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The Monster I Am Today
Leontyne Price and a Life in Verse
Kevin Simmonds
Northwestern University Press, 2021
Leontyne Price remains one of the twentieth century’s most revered opera singers and, notably, the first African American to achieve such international acclaim. In movements encompassing poetry and prose, writer and musician Kevin Simmonds explores Price as an icon, a diva, a woman, and a patriot—and himself as a fan, a budding singer, and a gay man—through passages that move polyphonically through the contested spaces of Black identity, Black sound, Black sensibility, and Black history.
 
Structured operatically into overture, acts, and postlude, The Monster I Am Today guides the reader through associative shifts from arias like “weather events” and Price’s forty-two-minute final ovation to memories of Simmonds’s coming of age in New Orleans. As he melds lyric forms with the biography of one of classical music’s greatest virtuosos, Simmonds composes a duet that spotlights Price’s profound influence on him as a person and an artist: “That’s how I hear: Her.”
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Monstrous Martyrdoms
Three Plays
Eric Bentley
Northwestern University Press, 2004
Winner of 2006 International Association of Theatre Critics Thalia Prize
Recipient of 2007 The Robert Chesley Foundation Lifetime Achievement Award in Playwriting
Winner of 2006 Village Voice OBIE Awards Lifetime Achievement Award


"The road will be red with monstrous martyrdoms, but we shall win." Oscar Wilde wrote these words at the end of the nineteenth century after serving two years at hard labor for the crime of being homosexual. This modern martyrdom is the subject of Lord Alfred's Lover, Eric Bentley's Brechtian dramatization of Wilde's last days.

H for Hamlet is another variation on the modern martyr play, this time in homage to Pirandello. The protagonist thinks, or once thought, he was Hamlet. Fantasy? Perhaps. But, to paraphrase Marianne Moore, there was a real toad in the imaginary garden--a real martyr in the toy theatre.

In German Requiem, Bentley takes inspiration from Heinrich von Kleist's play The Schroffenstein Family, which in turn is a version of Shakespeare's Romeo and Juliet. The young star-crossed lovers in his play are martyrs of an internecine conflict much like those seen in recent history in Ireland and the Middle East.
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Montaigne and the Origins of Modern Philosophy
Ann Hartle
Northwestern University Press, 2013

Montaigne’s Essays are rightfully studied as giving birth to the literary form of that name. Ann Hartle’s Montaigne and the Origins of Modern Philosophy argues that the essay is actually the perfect expression of Montaigne as what he called "a new figure: an unpremeditated and accidental philosopher." Unpremeditated philosophy is philosophy made sociable—brought down from the heavens to the street, where it might be engaged in by a wider audience. In the same philosophical act, Montaigne both transforms philosophy and invents "society," a distinctly modern form of association. Through this transformation, a new, modern character emerges: the individual, who is neither master nor slave and who possesses the new virtues of integrity and generosity. In Montaigne’s radically new philosophical project, Hartle finds intimations of both modern epistemology and modern political philosophy.

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Moral Emotions
Reclaiming the Evidence of the Heart
Anthony J. Steinbock
Northwestern University Press, 2014
Winner, 2015 CSCP Symposium Book Award

Moral Emotions builds upon the philosophical theory of persons begun in Phenomenology and Mysticism and marks a new stage of phenomenology. Author Anthony J. Steinbock finds personhood analyzing key emotions, called moral emotions. Moral Emotions offers a systematic account of the moral emotions, described here as pride, shame, and guilt as emotions of self-givenness; repentance, hope, and despair as emotions of possibility; and trusting, loving, and humility as emotions of otherness.
 
The author argues these reveal basic structures of interpersonal experience. By exhibiting their own kind of cognition and evidence, the moral emotions not only help to clarify the meaning of person, they reveal novel concepts of freedom, critique, and normativity. As such, they are able to engage our contemporary social imaginaries at the impasse of modernity and postmodernity.
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The Moral Obligation to Be Intelligent
Selected Essays
Lionel Trilling
Northwestern University Press, 2008

Bringing together the thoughts of one of American literature’s sharpest cultural critics, this compendium will open the eyes of a whole new audience to the work of Lionel Trilling. Trilling was a strenuous thinker who was proud to think “too much.” As an intellectual he did not spare his own kind, and though he did not consider himself a rationalist, he was grounded in the world.

This collection features 32 of Trilling’s essays on a range of topics, from Jane Austen to George Orwell and from the Kinsey Report to Lolita. Also included are Trilling’s seminal essays “Art and Neurosis” and “Manners, Morals, and the Novel.” Many of the pieces made their initial appearances in periodicals such as The Partisan Review and Commentary; most were later reprinted in essay collections. This new gathering of his writings demonstrates again Trilling’s patient, thorough style. Considering “the problems of life”—in art, literature, culture, and intellectual life—was, to him, a vital occupation, even if he did not expect to get anything as simple or encouraging as “answers.” The intellectual journey was the true goal.

No matter the subject, Trilling’s arguments come together easily, as if constructing complicated defenses and attacks were singularly simple for his well-honed mind. The more he wrote on a subject and the more intricate his reasoning, the more clear that subject became; his elaboration is all function and no filler. Wrestling with Trilling’s challenging work still yields rewards today, his ideas speaking to issues that transcend decades and even centuries.

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More Stories from the Round Barn
Jacqueline Dougan Jackson
Northwestern University Press, 2002
In this much anticipated companion volume to Stories from the Round Barn, Jackson assembles a collection of rich narratives and a cast of inspirational characters to joyously illustrate life. In the tradition of Willa Cather, Jackson writes of innocence, simplicity, and what happens when both are messily shattered by the intrusion of animals, children, war, epidemics, and progress itself. With wit and compassion Jackson recollects the hardships and satisfactions of farm life as lived according to her grandfather's motto: "Life as Well as a Living."
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More Than Life
Georg Simmel and Walter Benjamin on Art
Stéphane Symons
Northwestern University Press, 2017
More Than Life: Georg Simmel and Walter Benjamin on Art is the first book to trace the philosophical relation between Georg Simmel and his one-time student Walter Benjamin, two of the most influential German thinkers of the twentieth century.

Reading Simmel’s work, particularly his essays on Michelangelo, Rembrandt, and Rodin, alongside Benjamin’s concept of Unscheinbarkeit (inconspicuousness) and his writings on Charlie Chaplin, More Than Life demonstrates that both Simmel and Benjamin conceive of art as the creation of something entirely new rather than as a mimetic reproduction of a given. The two thinkers diverge in that Simmel emphasizes the presence of a continuous movement of life, whereas Benjamin highlights the priority of discontinuous, interruptive moments.

With the aim of further elucidating Simmel and Benjamin’s ideas on art, Stéphane Symons presents a number of in-depth analyses of specific artworks that were not discussed by these authors. Through an insightful examination of both the conceptual affinities and the philosophical differences between Simmel and Benjamin , Symons reconstructs a crucial episode in twentieth-century debates on art and aesthetics.  
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More Than Meat and Raiment
Poems
Angela Jackson
Northwestern University Press, 2022
Angela Jackson returns with a poetic collage that draws on imagery from the African American South and the South Side of Chicago, storytelling, the Black Arts Movement, and Hausa folklore. Deftly intertwining narrative and free verse, she expresses the complexities, beauty, and haunts of the multilayered Black voice. Jackson offers a stirring mixture of the music, food, and soul that have come to characterize her lyrical work.
 
The speakers of these poems reflect on memory and saga, history and legend. Voices recall evenings spent catching fireflies with a younger sister, the aroma of homemade rolls, the father who squeezes papers into his wallet alongside bills in order to appear wealthy (“a flock of green birds rustling inside / to get out for some extravagance”). A Black girl watches TV and dreams of the perfect partner. A citizen contends with the unrelenting devastation of police violence in a work reminiscent of Gwendolyn Brooks’s “verse journalism.” A mother loses her daughter only to witness her rebirth: “Praise be / the human being / that is being.”
 
In “For Our People,” an homage to Margaret Walker, Jackson summons the resilience and imagination of African Americans, celebrating “each of us injured or exalted, betrayer or betrayed, muted / and declamatory, all one, each of us all of us, each a private star beloved in the universe.” Lauded as one of American poetry’s most vivid voices, Jackson continues her reign among the country’s foremost wordsmiths. This sublime collection delves deep into the porch stories and folktales that have carried the Black voice through all its histories.
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Mortal Imitations of Divine Life
The Nature of the Soul in Aristotle's De Anima
Eli Diamond
Northwestern University Press, 2015

In Mortal Imitations of Divine Life, Diamond offers an interpretation of De Anima, which explains how and why Aristotle places souls in a hierarchy of value. Aristotle’s central intention in De Anima is to discover the nature and essence of soul—the prin­ciple of living beings. He does so by identifying the common structures underlying every living activity, whether it be eating, perceiving, thinking, or moving through space. As Diamond demonstrates through close readings of De Anima, the nature of the soul is most clearly seen in its divine life, while the embodied soul’s other activi­ties are progressively clear approximations of this principle. This interpretation shows how Aristotle’s psychology and biology cannot be properly understood apart from his theological conception of God as life, and offers a new explanation of De Anima’s unity of purpose and structure.


 
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The Mortal Storm
Phyllis Bottome
Northwestern University Press, 1998
A highly acclaimed anti-fascist novel, The Mortal Storm was Phyllis Bottome's dramatic warning against the warmongering, antisemitism, and misogyny of the Nazis. The story pits the developing political and feminist consciousness of Freya Roth against the Nazi machine that will destroy the fabric of her family and nation. In its combination of adventure and love story, political analysis and history, The Mortal Storm remains a powerful reminder of the greatest crisis of the twentieth century, as well as a riveting personal saga.
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Mortality and Morality
A Search for Good After Auschwitz
Hans Jonas
Northwestern University Press, 1996
Mortality and Morality both consummates and demonstrates the basic thrust of Jonas's thought: the inseparability of ethics and metaphysics, the reality of values at the center of being.
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Morte Darthur
Sir Thomas Malory
Northwestern University Press, 1968
The Morte Darthur is a superb story of adventure and love, honor and betrayal, and one of the classics of world literature. Malory perfected his art during the writing of the long and complex work and the earlier parts, though excellent, lack the dramatic power and pervasive tragic irony of the passion, war, and society that constitutes the last quarter of the book. By presenting the last quarter alone, this edition focuses on the greatness of Malory's achievement and allows the reader to see it and enjoy it more fully.
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Moscow to the End of the Line
Venedikt Erofeev, translated from the Russian by H. William Tjalsma
Northwestern University Press, 1994
In this classic of Russian humor and social commentary, a fired cable fitter goes on a binge and hopes a train to Petushki (where his "most beloved of trollops" awaits). On the way he bestows upon angels, fellow passengers, and the world at large a magnificent monologue on alcohol, politics, society, alcohol, philosophy, the pains of love, and, of course, alcohol.
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Mother in Summer
Susan Hahn
Northwestern University Press, 2002
Mother in Summer is a collection of poems offering candid, powerful insight into the grief of losing a parent.
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Mother Tongues
Poems
Tsitsi Ella Jaji
Northwestern University Press, 2019

Winner of the 2018 Cave Canem Northwestern University Press Poetry Prize

Tsitsi Ella Jaji’s second full-length collection of poems, Mother Tongues, begins at home, with the first words and loves we learn, and the most intimate vows we swear. How deep does your language go back? Jaji’s artful verse is a three-tiered gourd of sustenance, vessel, and folklore. The tongues speak the beginnings and the present; they capture and claim the losses, the ironies, and a poet’s human evolution. Mother Tongues is a collection of language unto itself that translates directly to the heart.

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Mothers and Daughters
Women of the Intelligentsia in Nineteenth-Century Russia
Barbara Alpern Engel
Northwestern University Press, 2000
The first psychosocial study of the female intelligentsia in Russia, Mothers and Daughters explains how and why women radicals of the nineteenth century diverged from their male counterparts, describes the forces that led women to rebel, and discusses their legacy to future generations. Throughout, Engel brings nineteenth-century women to life, humanizing history as she presents a case study of how the personal became political in a time and place different from our own.
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Motive and Intention
An Essay in the Appreciation of Action
Roy Lawrence
Northwestern University Press, 1972
Motive and Intention is a critique of certain conceptual foundations of the description and judgment of human action. Drawing on sources such as narrative history, Roy Lawrence analyzes examples of such assessments and provides and independent base for appraising familiar and tenacious theoretical presumptions. In so doing he illuminates many persistent issues of common interest in the social science
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Mouth Filled with Night
Poems
Rodney Gomez
Northwestern University Press, 2014

The winner of the Drinking Gourd Chapbook Poetry Prize, Rodney Gomez’s collection Mouth Filled with Night employs familiar emblems of Mexican American identity to repeatedly subvert expectations while intensifying the dilemmas of affiliation. The poems run beyond more conventional ideas of agency, identity, and experience, creating a newly invigorated imaginative space. As a collection, Mouth Filled with Night gains particular momentum—a pitched anxiety that slowly grows throughout the volume—to create a poetic experience unique to the chapbook form.

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Multi-Mediated Dostoevsky
Transposing Novels into Opera, Film, and Drama
Alexander Burry
Northwestern University Press, 2011
Since their publication, the works of Dostoevsky have provided rich fodder for adaptations to opera, film, and drama. While Dostoevsky gave his blessing to the idea of adapting his work to other forms, he believed that "each art form corresponds to a series of poetic thoughts, so that one idea cannot be expressed in another non-corresponding form." In Multi-Mediated Dostoevsky, Alexander Burry argues that twentieth-century adaptations (which he calls "transpositions") of four of Dostoevsky’s works—Sergei Prokofiev’s opera The Gambler, Leos Janacek’s opera From the Dead House, Akira Kurosawa’s film The Idiot, and Adrzej Wajda’s drama The Devils—follow Dostoevsky’s precept by bringing to light underdeveloped or unappreciated aspects of Dostoevsky’s texts rather than by slavishly attempting to recreate their sources. Burry’s interdisciplinary approach gives his study broad appeal to scholars as well as to students of Russian, comparative literature, music, film, drama, and cultural studies.
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Murder and Its Consequences
Essays on Capital Punishment in America
Leigh B Bienen
Northwestern University Press, 2010

The essays in Murder and Its Consequences span several periods in the history of capital punishment in America and the professional career of Leigh Bienen, a leading researcher on the death penalty. “A Good Murder” describes the subtle relationship between high-profile murders and the death penalty, while “The Proportionality Review of Capital Cases” places the well-known study of proportionality in New Jersey within a nationwide context.

“Anomalies” suggests that the arcane protocols written for lethal injection have little to do with insuring humane executions, but rather are concerned with protecting the sensibilities of witnesses and the liability of corrections officials. Other essays address the groundbreaking developments surrounding the death penalty in Illinois, and take a retrospective look at the evolution of her own and the country’s thinking about this complex, divisive topic.

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The Murder of the Jews in Latvia 1941-1945
Bernhard Press
Northwestern University Press, 2000
At the end of June 1941, Latvia fell into the hands of the Germans. This book is an account of life and death during the subsequent Nazi reign of terror. Press describes his escape from the Riga ghetto, his three years in hiding, and the trials that awaited the surviving Jews of Riga after it was "liberated" by the Red Army. Recounting his own harrowing experience and detailing the plight of Eastern European Jews faced with the anti-Semitism of their homelands, the Germans, and the Soviets, Press recovers a lost chapter in the history of the Holocaust.
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Muriel Spark
The Biography
Martin Stannard
Northwestern University Press, 2011
Born in 1918 into a working-class Edinburgh family, Muriel Spark became the epitome of literary chic and one of the great writers of the twentieth century. Her autobiography, Curriculum Vitae: A Volume of Autobiography, recorded her early years but politely blurred her darker moments: troubled relations with her family, a terrifying period of hallucinations, and disastrous affairs with the men she loved. At the age of nineteen, Spark left Scotland to get married in southern Rhodesia, only to divorce and escape back to Britain in 1944. After converting to Catholicism in 1954, she began writing novels that propelled her into the literary stratosphere. These came to include Memento Mori, The Girls of Slender Means, and A Far Cry from Kensington

Spark achieved international celebrity with The Prime of Miss Jean Brodie (1961), later adapted into a successful play and film. John Updike, Tennessee Williams, Evelyn Waugh, and Graham Greene, among others, applauded her work. She lived part-time in New York City, had an office at the New Yorker, and became friends with Shirley Hazzard and W. H. Auden. Spark ultimately settled in Italy, where for more than thirty years—until her death in 2006—she shared a house with the artist Penelope Jardine. Spark gave Martin Stannard full access to her papers. He interviewed her many times as well as speaking to her colleagues, friends, and family members. The result is an indelible portrait of one of the most significant and emotionally complicated writers of the twentieth century, full of strong feeling, sharp wit, and unabashed ambition.
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Muscle Works
Physical Culture and the Performance of Masculinity
Broderick D. V. Chow
Northwestern University Press, 2024
Men’s fitness as a performancefrom nineteenth-century theatrical exhibitions to health and wellness practices today
 
This book recounts the story of fitness culture from its beginnings as spectacles of strongmen, weightlifters, acrobats, and wrestlers to its legitimization in the twentieth-century in the form of competitive sports and health and wellness practices. Broderick D. V. Chow shows how these modes of display contribute to the construction and deconstruction of definitions of masculinity.
 
Attending to its theatrical origins, Chow argues for a more nuanced understanding of fitness culture, one informed by the legacies of self-described Strongest Man in the World Eugen Sandow and the history of fakery in strongman performance; the philosophy of weightlifter George Hackenschmidt and the performances of martial artist Bruce Lee; and the intersections of fatigue, resistance training, and whiteness. Muscle Works: Physical Culture and the Performance of Masculinity moves beyond the gym and across the archive, working out techniques, poses, and performances to consider how, as gendered subjects, we inhabit and make worlds through our bodies.
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Music of Another World
Szymon Laks
Northwestern University Press, 2000
Compassionate yet detached, ironic yet pitilessly honest, Szymon Laks, the kapellmeister of the Auschwitz orchestra, presents a disturbing description of a phenomenon seldom mentioned in the literature of the Holocaust: the presence of music among the crematoria. His story is a testament to the human spirit and to music itself, the beauty of which Laks and others honored even as the lives of so many were destroyed.
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Muslims in Kenyan Politics
Political Involvement, Marginalization, and Minority Status
Hassan J. Ndzovu
Northwestern University Press, 2014
Muslims in Kenyan Politics explores the changing relationship between Muslims and the state in Kenya from precolonial times to the present, culminating in the radicalization of a section of the Muslim population in recent decades. The politicization of Islam in Kenya is deeply connected with the sense of marginalization that shapes Muslims’ understanding of Kenyan politics and government policies.

Kenya’s Muslim population comprises ethnic Arabs, Indians, and black Africans, and its status has varied historically. Under British rule, an imposed racial hierarchy affected Muslims particularly, thwarting the development of a united political voice. Drawing on a broad range of interviews and historical research, Ndzovu presents a nuanced picture of political associations during the postcolonial period and explores the role of Kenyan Muslims as political actors.

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My Brother's Madness
A Memoir
Paul Pines
Northwestern University Press, 2007
My Brother's Madness is based on the author's relationship with his brother—who had a psychotic breakdown in his late forties—and explores the unfolding of two intertwined lives and the nature of delusion. Circumstances lead one brother from juvenile crime on the streets of Brooklyn to war-torn Vietnam, to a fast-track life as a Hollywood publicist to owning and operating The Tin Palace, one of New York's most legendary jazz clubs, while his brother falls into, and fights his way back from, a delusional psychosis.

My Brother's Madness is part thriller, part exploration that not only describes the causes, character, and journey of mental illness, but also makes sense of it. It is ultimately a story of our own humanity, and answers the question, Am I my brother's keeper?

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My Chicago
Jane Byrne
Northwestern University Press, 2003
By the end of her first meeting with the late mayor Richard J. Daley, Jane Byrne had been questioned, berated, and told she might, one day, reach the House but probably not the Senate-and she had also reduced him to tears. That would be but the first of many altercations in her pioneering political career.

My Chicago is the story of Jane Byrne's rise from young campaign worker to the mayor's office, all within the bruising arena of Chicago politics. Part sociopolitical history, part memoir, it begins with a history of the city and her early life, before she enters politics as a paid staff member of JFK's presidential campaign and, soon after, begins service in the Chicago Machine, but not of it.

Her view from the inside allows Byrne to sketch portraits of Daley, for whom she eventually worked, members of the Kennedy family, and Presidents Carter and Reagan. And, of course, it provides a fascinating perspective on the battle to succeed Daley, which ended with her own triumph over the Machine and a controversial term as mayor, which saw her begin development across the city and (famously) move into the Cabrini-Green housing project. The first memoir by a Chicago mayor in two generations, My Chicago is a valuable history as well as an entertaining look at no-holds-barred city politics.
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