front cover of Yale Papyri in the Beinecke Rare Book and Manuscript Library IV
Yale Papyri in the Beinecke Rare Book and Manuscript Library IV
Hélène Cuvigny, Ruth Duttenhöfer, Ann Ellis Hanson, editors
University of Michigan Press, 2021
Yale Papyri in the Beinecke Rare Book and Manuscript Library IV springs from work undertaken at Yale University’s Beinecke Rare Book and Manuscript Library, at its Papyrological Summer Institute in 2003. This fourth volume of Yale papyri presents three groups of texts dating from the second century BCE to the seventh century CE. Editions are presented in chronological order, and include items such as samples of scribal training, mathematical tables and exercises, schoolroom work, letters, tax- receipts, contracts, and petitions. Contributors in addition to the volume editors include Daniel Markovich, Charles W. Hedrick, Jr., Jitse H. F. Dijkstra, Kevin Wilkinson, AnneMarie Luijendijk, Richard L. Phillips, Gary Reger, Shane Berg, Elizabeth Penland, George Bevan, Josiah E. Davis, Mariam Dandamayeva, Andrew T. Crislip, and Jean Gascou.
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Yale Papyri in the Beinecke Rare Book and Manuscript Library IV (P. Yale IV)
Hélène Cuvigny, Ruth Duttenhöfer, and Ann Ellis Hanson, editors
University of Michigan Press, 2021

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Yeats
An Annual of Critical and Textual Studies, Volume XII, 1994
Richard J. Finneran, Editor
University of Michigan Press, 1996
This latest volume of Yeats continues the tradition of excellence with nine new critical essays and a host of book reviews. Highlights include "Yeats at Fifty," a recent essay by A. Walton Litz; a consideration of the art in the Cuala Press Broadsides by Elizabeth Bergmann Loizeaux; and a discussion of the textual and interpretive history of The Green Helmet and Other Poems by David Holdeman. Other contributors include Brian Arkins on style in Yeats's poetry, David Clark on "Her Vision in a Wood," Peter Denman on Ferguson and Yeats, Shelley Sharp on Yeats's theater, and Janis E. Tedesco on the sexual dynamic of A Vision. Rounding out the volume are the annual bibliography of Yeats's scholarship by K. P. S. Jochum and a compilation of dissertation abstracts.
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Yes, There Will Be Singing
Marilyn Krysl
University of Michigan Press, 2014
Yes, There Will Be Singing brings together Marilyn Krysl’s essays on the origins of language and poetry, poetic form, the poetry of witness, and poetry’s collaboration with the healing arts. Beginning with pieces on her own origins as a poet, she branches into poetry’s profound spiritual and political possibilities, drawing on rich examples from poets such as Anna Akhmatova, W.S. Merwin, and Vénus Khoury-Ghata. Krysl concludes with a selection of stories of her nursing and humanitarian work, powerfully connecting poetic expression with a generous and compassionate worldview.
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Yiddish Empire
The Vilna Troupe, Jewish Theater, and the Art of Itinerancy
Debra Caplan
University of Michigan Press, 2018
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
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The Yomut Turkmen
A Study of Social Organization among a Central Asian Turkic-Speaking Population
William Irons
University of Michigan Press, 1975
The Yomut Turkmen of Central Asia are a nomadic people who migrate seasonally with their flocks. They live in the region where northern Iran, Afghanistan, and southern Turkmenistan meet, east of the Caspian Sea. In this monograph, William Irons describes the Yomut Turkmen’s political structure, kinship system, and social organization.
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Yosano Akiko and The Tale of Genji
G. G. Rowley
University of Michigan Press, 2000
Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji.
The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.
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Yosano Akiko and The Tale of Genji
G. G. Rowley
University of Michigan Press, 2000
Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji.

The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.
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You Alone Are Dancing
Brenda Flanagan
University of Michigan Press, 1996
Rape, the devastation of hurricane Flora, a child's tragic death, and an indifferent and corrupt government are some of the numerous problems challenging the people of Rosehill. Set on the fictional island of Santabella and spanning three years, You Alone Are Dancing follows the life of young Beatrice Salandy, balancing her ambitions, obligations, and love for Sonny Allen. Determined to create his own opportunities, Sonny leaves Rosehill for the United States in a swirl of promises and expectations. Beatrice remains on Rosehill, sharing her neighbors' struggle, adding their pain to her own, but sharing as well their music and their laughter, their history and their allegiance to it.
Like Santabella, set in an indifferent blue sea, Rosehill is part of a larger neglected Caribbean society, and Beatrice must learn to negotiate its tides and ebbs, overcome its storm and ensure its lulls, as she peruses what has to be done. She succeeds--but at a price that changes her life forever, as it does that of Sonny and all of Rosehill.
"In Brenda Flanagan's novel, You Alone Are Dancing, there's talk and talk, the life-long dance of talk--it's lyrical, raucous, sorrowful, vibrant, inventive. And there you are, on the island, in the midst and mix of it all. What the best musicians do with wood and brass and air, Brenda Flanagan does with words--she gives them voice and life."
--Janet Kauffman, author of Places in the World a Woman Could Walk

Brenda Flanagan, a native of Trinidad, is Professor of English at Eastern Michigan University, where she teaches creative writing and African-American and Caribbean literature. Flanagan is a three-time Hopwood award winner, including one for this novel. She is also the author of a play, When the Jumbie Bird Calls, and a forthcoming short story collection, In Praise of Older Women and Other Crimes. Her poetry and short fiction have appeared in Caliban, Calalloo, the Caribbean Review, and the Indiana Review, among others.
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You Must Revise Your Life
William Stafford
University of Michigan Press, 1987
Stafford reflects on the writing process and on the influences on his art
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You Work Tomorrow
An Anthology of American Labor Poetry, 1929-41
John Marsh, Editor
University of Michigan Press, 2007
"An outstanding piece of scholarship and a welcome contribution to the field, this collection of neglected but powerful poetry speaks to our own time as much as it does to its own era."
---Nicholas Coles, University of Pittsburgh
"Opens up a dramatic new aspect of American literature for study, discussion, and enjoyment. The collection of poems is original and engaging and is sure to be useful for classes in literature, American history, and labor studies."
---Alan Wald, University of Michigan
You Work Tomorrow provides a glimpse into a relatively unknown aspect of American literary and labor history---the remarkable but largely forgotten poems published in union newspapers during the turbulent 1930s. Members of all unions---including autoworkers, musicians, teachers, tenant farmers, garment workers, artists, and electricians---wrote thousands of poems during this period that described their working, living, and political conditions. From this wealth of material, John Marsh has chosen poetry that is both aesthetically appealing and historically relevant, dispelling the myth that labor poetry consisted solely of amateurish and predictable sloganeering. A foreword by contemporary poet Jim Daniels is followed by John Marsh's substantive introduction, detailing the cultural and political significance of union poetry.
John Marsh is Assistant Professor of English at the University of Illinois at Urbana-Champaign and Coordinator of The Odyssey Project, a year-long, college-accredited course in the humanities offered at no cost to adults living below or slightly above the federal poverty level.
A volume in the series Class : Culture
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Young Sidney Hook
Marxist and Pragmatist
Christopher Phelps
University of Michigan Press, 2005
One of the most controversial figures in the history of American philosophy, Sidney Hook was "an intellectual street fighter" and "probably the greatest polemicist" of the twentieth century (Edward Shils).  Widely known as a Cold War liberal and an intellectual progenitor of neoconservativism, Hook began life as a feisty radical. This now-classic intellectual biography reconstructs Hook's youthful project of fusing American pragmatism and Marxism to create a distinctive approach to philosophy and a politics of revolutionary democratic socialism, carefully charting his interaction with intellectuals such as John Dewey and Max Eastman and his relationship to the Socialist Party, the Communist Party, the American Workers Party, and other political currents.


"This book is the best treatment of the best American Marxist philosopher-and the best philosopher to emerge from American slums. Young Sidney Hook is essential reading for anyone interested in democratic theory and practice in America."
---Cornel West

"A very detailed, and fascinating account of Hook's formative years . . . [a] first-rate contribution to the history of American leftist intellectual life."
---Richard Rorty, Raritan

"Fascinating . . . well researched and packed with information."
---Times Literary Supplement

"Succeeds in establishing the young Hook as a dedicated revolutionary Marxist."
---Amos Perlmutter, Washington Times

"A brilliant, lucid portrait of a scholar, adversarial by temperament, who turned his extraordinary powers of analysis and polemic successively against capitalism, Stalinism, and the New Left."
---Alan Wald, Monthly Review

"The best study of Hook's thought. . . . Supersedes all earlier treatments."
---David A. Hollinger and Charles Capper, The American Intellectual Tradition

"A major contribution to our understanding of Hook and the American Marxist tradition. . . . Extremely insightful."
---American Studies

"Persuasive. . . . Discovers not just a brilliant interpreter of Marx and the Russian Revolution, but a remarkable advocate and practitioner of the Americanization of Marxism."
---In These Times

"Phelps's effort to uncover, explore, and analyze Hook's forgotten leftism must be judged an unqualified success."
---Left History

"Penetrating, closely argued, and lucid. . . . An important contribution to the history of American radicalism in the 1930s."
---Labor History

One of the most controversial figures in the history of American philosophy, Sidney Hook was "an intellectual street fighter," who began his career as a brilliant Marxist thinker and "probably the greatest polemicist of [the 20th] century" (Edward Shils) before breaking with the Communist Party in the late 1930s. Turning in his later years to an allegiance with American conservatives including Richard Nixon and Ronald Reagan, Hook is now widely known as an intellectual father of the neoconservative movement.
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The Younge Site
An Archaeological Record from Michigan
Emerson F. Greenman
University of Michigan Press, 1937
In 1935, archaeologist Emerson F. Greenman excavated the Younge site of Lapeer County, Michigan. In this volume, he describes the site and the archaeological material found there, including the remains of two large enclosures, 57 burials, pottery, tobacco pipes, and stone and bone tools.
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Youth without Representation
The Absence of Young Adults in Parliaments, Cabinets, and Candidacies
Daniel Stockemer and Aksel Sundström
University of Michigan Press, 2022

Officeholders in contemporary parliaments and cabinets are more likely than not to be male, wealthy, middle-aged or older, and from the dominant ethnicity, whereas young adults have an insufficient presence in political office. Young adults—those aged 35 years or under—comprise a mere ten percent of all parliamentarians globally, and three percent of all cabinet members. Compared to their presence in the world’s population, this age group faces an underrepresentation of one to three in parliament and one to ten in cabinet. In this book, Stockemer and Sundström provide a holistic account of youths’ marginalization in legislatures, cabinets, and candidacies for office through a comparative lens. They argue that youths’ underrepresentation in political office constitutes a democratic deficit and provide ample evidence for why they think that youth must be present in politics at much higher rates. They further embed this book within what they label a vicious cycle of political alienation, which involves the declining political sophistication of the young, their waning electoral participation, and their insufficient of representation in office. Empirically, the authors combine a global focus with in-depth studies, discussing the country-level, party-level, and individual-level factors that bar young adults’ entry to positions of political power. This is the first comprehensive book on youth representation and it has relevance for those broadly interested in issues of representation, democracy, inequality, and comparative politics.

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Yuarn Music Dramas
Studies in Prosody and Structure and a Complete Catalogue of Northern Arias in the Dramatic Style
Dale R. Johnson
University of Michigan Press, 1981
Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii]
Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]
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Yuthu
Community and Ritual in an Early Andean Village
Allison R. Davis
University of Michigan Press, 2011

The crown jewel of the Inka Empire was their capital, Cusco. So celebrated was the Cusco of Inka times that we sometimes forget how little we know of earlier times in the region. This book presents Allison Davis’ pioneering excavations at the high-altitude Formative site of Yuthu. Davis presents all her data on early households and evidence for the villagers’ subsistence strategies, craft production, and mortuary practices. From her excavations we learn a great deal about daily life and public rituals, each conducted in a different sector of Yuthu. An unexpected bonus of Davis’ excavations was the discovery that some well-known Inka practices actually had their origin in the early villages of the Cusco region. Before her work at Yuthu, so few early houses and ceremonial structures had been published in detail for the Cusco area that we had much less evidence for understanding sacred versus secular space. Davis’ excavations contribute to our understanding of one of the most important transitions in Andean history: the shift from autonomous egalitarian villages to multicommunity polities with hereditary inequality. She is able to link archaeological houses, sites, and multisite clusters to socially meaningful units such as families, villages, and communities. Davis is also able to combine her excavations with settlement pattern data to develop a regional picture of the Formative period in Cusco. This volume is not only the first excavation report on a Formative village in the Cusco area, but is also a study that contributes new data on many traditional Andean themes, including zonal complementarity, sacred landscapes, community composition, mummies and ancestor veneration, ritual canals and religious rites, and intra-village subdivisions.

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