“Abducted by Circumstance is a thrilling crime story, a dark and complex psychological study, a rich contemplation on contemporary life. It is also a masterful moral drama about the centuries-old conflicts that arise from the juxtaposition of the flesh and spirit.”
—Allen Wier, author of Tehano
“David Madden continues to push the envelope of literary fiction in subtle and profoundly sophisticated ways. Abducted by Circumstance is a quirky, utterly compelling novel in pieces that in its very structure speaks to the work’s twenty-first-century theme: how do we find connection in a fragmented world? In this new book Madden is at the height of his considerable power.”
—Robert Olen Butler
In Abducted by Circumstance, David Madden offers his readers a unique experience simultaneously terrifying and exhilarating.
Carol Seaborg makes a risky visit in zero weather to a lighthouse near her house in The Thousand Islands of New York on the Canadian border. A self-confident, attractive woman of about 55 suddenly appears on the observation deck looking out over frozen Lake Ontario. Carol admires the woman as her ideal.
Suddenly, the woman disappears, apparently abducted by a serial rapist and killer, stimulating in Carol an immediate empathy that, enhanced by the power of her imagination, is so great as to make her unique. Carol projects her own emotions, imagination, and intellect into Glenda’s experience.
To render that empathy and imagination, Madden channels everything that the people around her say and do through Carol’s perceptions so intimately that he shifts frequently and without transition into her thoughts, which focus mostly on the abducted woman, whose name newscasters reveal is Glenda Hamilton.
As Carol imagines Glenda gradually coping with her abductor, she speaks directly, sometimes out loud, to her, encouraging her, advising her, expressing fear for her.
If Carol’s external experiences are passive almost to paralysis, her memories reveal that her life has been full of more venturesome relationships and events (she once rode across Greece alone on a bicycle) than most wives and mothers in their late thirties have. Carol’s emotions and imagination are highly charged and exquisitely presented.
The circumstances and relationships of her past and present predispose Carol to empathize with Glenda. Carol’s own life among a crude, remote second husband, a somewhat estranged adolescent son, a bright five-year-old daughter, a father who is a rather cold philosophy teacher, and the strong spiritual presence of her mother who committed suicide, is simple and routine. The events involving Glenda’s disappearance take place during the week before Carol’s second surgery for breast cancer.
Gradually, as she takes late night drives with her little girl, visits her ex-boyfriend’s father in a nursing home, drives by her ex-lover’s house and business, and visits the campus where her father is a prominent teacher, the reader realizes, some pages before Carol herself does, that she has been abducted by the circumstances of her life.
Although it is grounded in the realistic detail of everyday life, Abducted by Circumstance is unique in conception, style, and characterization. Madden immerses the reader in an extraordinarily rich and unforgettable psychological experience.
Thoroughly absorbing from start to finish, Abducted by Circumstance explores Carol’s troubled psyche with the rare precision and insight that have long distinguished David Madden’s fiction.
Since 1961, each of David Madden’s highly praised novels and two books of short stories has had some quality of uniqueness, among them Cassandra Singing, Sharpshooter: A Novel of the Civil War, Bijou, and The Suicide’s Wife. Twice nominated for the Pulitzer Prize, David Madden received the Robert Penn Warren Award from the Fellowship of Southern Writers.
In August 1998 Kim Trevathan summoned his beloved 45-pound German shepherd mix, Jasper, and paddled a canoe down the Tennessee River, an adventure chronicled in Paddling the Tennessee River: A Voyage on Easy Water. Twenty years later, in Against the Current: Paddling Upstream on the Tennessee River, he invites readers on a voyage of light-hearted rumination about time, memory, and change as he paddles the same river in the same boat—but this time going upstream, starting out in early spring instead of late summer. In sparkling prose, Trevathan describes the life of the river before and after the dams, the sometimes daunting condition of its environment, its banks’ host of evolving communities—and also the joys and follies of having a new puppy, 65-pound Maggie, for a shipmate.
Trevathan discusses the Tennessee River’s varied contributions to the cultures that hug its waterway (Kentuckians refer to it as a lake, but Tennesseans call it a river), and the writer’s intimate style proves a perfect lens for the passageway from Kentucky to Tennessee to Alabama and back to Tennessee. In choice observations and chance encounters along the route, Trevathan uncovers meaningful differences among the Tennessee Valley’s people—and not a few differences in himself, now an older, wiser adventurer.
Whether he is struggling to calm his land-loving companion, confronting his body’s newfound aches and pains, craving a hard-to-find cheeseburger, or scouting for a safe place to camp for the night, Trevathan perseveres in his quest to reacquaint himself with the river and to discover new things about it. And, owing to his masterful sense of detail, cadence, and narrative craft, Trevathan keeps the reader at the heart of the journey. The Tennessee River is a remarkable landmark, and this text exhibits its past and present qualities with a perspective only Trevathan can provide.
Drawn mainly from the centennial anniversary symposium on James Agee held at the University of Tennessee in the fall of 2009, the essays of Agee at 100 are as diverse in topic and purpose as is Agee’s work itself. Often devalued during his life by those who thought his breadth a hindrance to greatness, Agee’s achievements as a poet, novelist, journalist, essayist, critic, documentarian, and screenwriter are now more fully recognized. With its use of previously unknown and recently recovered materials as well as established works, this groundbreaking new collection is a timely contribution to the resurgence of interest in Agee’s significance.
The essays in this collection range from the scholarly to the personal, and all offer insight into Agee’s writing, his cultural influence, and ultimately Agee himself. Dwight Garner opens with his reflective essay on “Why Agee Matters.” Several essays present almost entirely new material on Agee. Paul Ashdown writes on Agee’s book reviews, which, unlike Agee’s film criticism, have received scant attention. With evidence from two largely unstudied manuscripts, Jeffrey Couchman sets the record straight on Agee’s contribution to the screenplay for The African Queen and delves as well into his television “miniseries” screenplay Mr. Lincoln. John Wranovics treats Agee’s lesser-known films--the documentaries In the Street and The Quiet One and the Filipino epic Genghis Khan. Jeffrey J. Folks wrestles with Agee’s “culture of repudiation” while James A. Crank investigates his perplexing treatment of race in his prose. Jesse Graves and Andrew Crooke provide new analyses of Let Us Now Praise Famous Men, and Michael A. Lofaro and Philip Stogdon both discuss Lofaro’s recently restored text of A Death in the Family. David Madden closes the collection with his short story “Seeing Agee in Lincoln,” an imagined letter from Agee to his longtime confidante Father Flye.
The contributors to Agee at 100 utilize materials new and old to reveal the true importance of Agee's range of cultural sensibility and literary ability. Film scholars will also find this collection particularly engrossing, as will anyone fascinated by the work of the author rightly deemed the “sovereign prince of the English language.”
Michael A. Lofaro is Lindsay Young Professor of American Literature and American and Cultural Studies at the University of Tennessee. Most recently, he restored James Agee’s A Death in the Family and is the general editor of the projected eleven-volume The Works of James Agee.
Born into a relatively privileged family, Geraldyne Pierce Zimmerman earned a reputation as a maverick in her lifelong home of Orangeburg, South Carolina, a semirural community where race and class were very much governed by the Jim Crow laws. Educated at Nashville’s Fisk University, Zimmerman returned to Orangeburg to teach school, serve her community, and champion equal rights for African Americans and women.
Kibibi V. Mack-Shelton offers a vivid portrayal of the kind of black family seldom recognized for its role in the development of the African American community after the Civil War. At a time when “separate but equal” usually meant suffering and injustice for the black community, South Carolina families such as the Tatnalls, Pierces, and Zimmermans achieved a level of financial and social success rivaling that of many white families.
Drawing heavily on the oral accounts of Geraldyne Pierce Zimmerman, Mack-Shelton draws the reader into the lives of the African American elite of the early twentieth century. Her captivating narrative style brings to life many complicated topics: how skin color affected interracial interactions and class distinctions within the black community itself, the role of education for women and for African Americans in general, and the ways in which cultural ideas about family and community are simultaneously preserved and transformed over the span of
Refreshing and engaging, Ahead of Her Time in Yesteryear is a fascinating biography for any reader interested in a new perspective on small-town black culture in the Jim Crow South.
In the century and a half since the Civil War, various entities, both private and public, have earnestly sought to safeguard the legacy of that seismic conflict through the preservation of its battlefields. In Altogether Fitting and Proper—a title taken from Lincoln’s Gettysburg Address—Timothy B. Smith provides the most comprehensive synthesis ever written of the long, often fraught history of those preservation efforts, which began even as the war was still raging and have continued up through the present day.
Smith traces the story of battlefield park establishment from the war and the Reconstruction era through the “Golden Age of Preservation” at the turn of the century, to the New Deal period and well beyond. He pays close attention to the evolution of public policy, as the creation and oversight of parks shifted from the War Department to the National Park Service, and explores the evolving ways in which the Civil War has been remembered over the years, most significantly with regard to its causes: slavery and race. While Smith’s primary focus is on the famous national parks—Gettysburg, Shiloh, Antietam, Chickamauga, and others—he also examines the endeavors of state and local governments, as well as an assortment of private organizations, to establish parks and monuments for lesser-known battle sites. The ongoing conflicts between preservationists and commercial developers form another key element of the narrative.
As Smith makes clear, the story of battlefield preservation is in many ways a story of people—from Civil War veterans like Henry Boynton, the Medal of Honor winner who oversaw the development of the first national military park at Chickamauga, to Jim Lighthizer, the president of the Civil War Trust, the private charitable organization spearheading the twenty-first-century preservation movement. In their dedication to this particular cause, such individuals and the groups they represent have kept a central event in American history alive in our collective memory.
Ambrose Bierce and the Dance of Death uses psychoanalytic theory in combination with historical, cultural, and literary contexts to examine the complex motif of death in a full range of Bierce’s writings. Scholarly interest in Bierce, whose work has long been undervalued, has grown significantly in recent years. This new book contributes to the ongoing reassessment by providing new contexts for joining the texts in his canon in meaningful ways.
Previous attempts to consider Bierce from a psychological perspective have been superficial, often reductive Freudian readings of individual stories such as “An Occurrence at Owl Creek Bridge” and “The Death of Halpin Frayser.” This new volume not only updates these interpretations with insights from post-Freudian theorists but uses contemporary death theory as a framework to analyze the sources and expressions of Bierce’s attitudes about death and dying. This approach makes it possible to discern links among texts that resolve some of the still puzzling ambiguities that have—until now—precluded a fuller understanding of both the man and his writings.
Lively and engaging, Ambrose Bierce and the Dance of Death adds valuable new insights not only to the study of Bierce but to that of nineteenth-century American literature in general.
Choice Magazine Outstanding Academic Book??
“John Shields's book is a provocative challenge to the venerable Adamic myth so exhaustively deployed in examinations of early American literature and in American studies. Moreover, The American Aeneas builds wonderfully on Shields's considerable work on Phillis Wheatley. “?—American Literature??
“The American Aeneas should be of interest to classicists and American studies scholars alike.” ?—The New England Quarterly??
John Shields exposes a significant cultural blindness within American consciousness. Noting the biblical character Adam as an archetype who has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation’s cultural identity—a secular one deriving from the classical tradition—has been seriously neglected.??Shields shows how Adam and Aeneas—Vergil’s hero of the Aeneid— in crossing over to American from Europe, dynamically intermingled in the thought of the earliest American writers. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of “pastlessness” that the long-standing emphasis on the Adamic myth has generated.
John C. Shields is the editor of The Collected Works of Phillis Wheatley and the author of The American Aeneas: Classical Origins of the American Self, which won a Choice Outstanding Academic Book award and an honorable mention in the Harry Levin Prize competition, sponsored by the American Comparative Literature Association.
After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions—from memorials and poetry to cinematic and fictional narratives—that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia.
Underpinning the book is the notion of “prosthetic memory,” which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America’s self-conception, specifically her coinage of the “New Vietnam Syndrome,” and the country’s role in world affairs when it comes to contemporary military interventions.
With the notable exception of the Veterans’ Memorial in Washington, Eastman’s focus is on works produced from the Persian Gulf War (1990–91) through the post-9/11 “War on Terror.” She looks not only at American representations of the war—from movies like Randall Wallace’s We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others—but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women’s Memorial and another to Sandie Frazier’s novel I Married Vietnam and Oliver Stone’s film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn’s Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war’s repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study.
With its up-to-date perspective on recent works that have heretofore received scant critical notice, this book offers new ways of thinking about one of the most polemic chapters in U.S. history.
SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.
From 1979 to 2000, the Southern Baptist Convention (SBC) was mired in conflict, with the biblicist and autonomist parties fighting openly for control. This highly polarizing struggle ended in a schism that created major changes within the SBC and also resulted in the formation of several new Baptist groups. Discussions of the schism, academic and otherwise, generally ignore the church’s clergywomen for the roles they played and the contributions they made to the fracturing of the largest Protestant group in the United States. Ordained women are typically treated as a contentious issue between the parties. Only recently are scholars beginning to take seriously these women’s contributions and interpretations as active participants in the struggle.
Anatomy of a Schism is the first book on the Southern Baptist split to place ordained women’s narratives at the center of interpretation. Author Eileen Campbell-Reed brings her unique perspective as a pastoral theologian in conducting qualitative interviews with five Baptist clergywomen and allowing their narratives to focus attention on both psychological and theological issues of the split. The stories she uncovers offer a compelling new structure for understanding the path of Southern Baptists at the close of the twentieth century. The narratives of Anna, Martha, Joanna, Rebecca, and Chloe reframe the story of Southern Baptists and reinterpret the rupture and realignment in broad and significant ways. Together they offer an understanding of the schism from three interdisciplinary perspectives—gendered, psychological, and theological—not previously available together. In conversation with other historical events and documents, the women’s narratives collaborate to provide specific perspectives with universal implications for understanding changes in Baptist life over the last four decades.
The schism’s outcomes held profound consequences for Baptist individuals and communities. Anatomy of Schism is an illuminating ethnographic and qualitative study sure to be indispensable to scholars of theology, history, and women’s studies alike.
“Bowen has probed the working of Andrew Johnson’s mind. His analysis illuminates the character of East Tennessee’s tailor president and the contradictions—as well as the consistency—of his policies toward slavery and toward blacks.”— LaWanda Cox, author of Lincoln and Black Freedom: A Study in Presidential Leadership
Andrew Johnson, who was thrust into the office of presidency by Lincoln’s assassination, described himself as a “friend of the colored man.” Twentieth century historians have assessed Johnson’s racial attitudes differently.
In his revisionist study, David Bowen explores Johnson’s racist bias more deeply than other historians to date, and maintains that racism was, in fact, a prime motivator of his policies as a public official. A slave owner who defended the institution until the Civil War, Jonson accepted emancipation. Once Johnson became president, however, his racial prejudice reasserted itself as a significant influence on his Reconstruction policies.
Bowen’s study deftly analyzes the difficult personality of the seventeenth president and the political influences that molded him. This portrait of a man who, despite his many egalitarian notions, practiced racism, will intrigue historians and readers interested in Civil War and Reconstruction history alike.
The Author: David Warren Bowen, formerly on the staff of The Papers of Andrew Johnson, teaches history at Livingston University
Few figures in American political history are as reviled as Andrew Johnson, the seventeenth president of the United States. Taking office after the assassination of Abraham Lincoln, he clashed constantly with Congress during the tumultuous early years of Reconstruction. He opposed federally-mandated black suffrage and the Fourteenth Amendment and vetoed the Freedmen’s Bureau and Civil Rights bills.
In this new book, Paul H. Bergeron, a respected Johnson scholar, brings a new perspective on this often vilified figure. Previous books have judged Johnson out of the context of his times or through a partisan lens. But this volume—based on Bergeron’s work as the editor of The Papers of Andrew Johnson—takes a more balanced approach to Johnson and his career.
Admiring Johnson's unswerving devotion to the Union, Lincoln appointed him as military governor of Tennessee, a post, Bergeron argues, that enhanced Johnson's executive experience and his national stature. While governor, Johnson implemented the emancipation of slaves in the state and laid the foundation for a new civilian government. Bergeron also notes that Johnson developed a close connection with the president which eventually resulted in his vice-presidential candidacy. In many respects, therefore, Johnson's Civil War years served as preparation for his presidency. Bergeron moves beyond simplistic arguments based on Johnson’s racism to place his presidency within the politics of the day. Putting aside earlier analyses of the conflict between Johnson and the Republican Radicals as ideological disputes, Bergeron discusses these battles as a political power struggle. In doing so, he does not deny Johnson’s racism but provides a more nuanced and effective perspective on the issues as Johnson tried to pursue the “politics of the possible.”
Bergeron interprets Johnson as a strong-willed, decisive, fearless, authoritarian leader in the tradition of Andrew Jackson. While never excusing Johnson’s inflexibility and extreme racism, Bergeron makes the case that, in proper context, Johnson can be seen at times as a surprisingly effective commander-in-chief—one whose approach to the problems of reestablishing the Union was defensible and consistent.
With its fresh insight on the man and his times, Andrew Johnson’s Civil War and Reconstruction is indispensable reading for students and scholars of the U.S. presidency and the Civil War and Reconstruction periods.
Androgynous Democracy examines how the notions of gender equality propounded by transcendentalists and other nineteenth-century writers were further developed and complicated by the rise of literary modernism. Aaron Shaheen specifically investigates the ways in which intellectual discussions of androgyny, once detached from earlier gonadal-based models, were used by various American authors to formulate their own paradigms of democratic national cohesion. Indeed, Henry James, Frank Norris, Charlotte Perkins Gilman, John Crowe Ransom, Grace Lumpkin, W. E. B. Du Bois, and Marita Bonner all expressed a deep fascination with androgyny—an interest that bore directly on their thoughts about some of the most prominent issues America confronted as it moved into the first decades of the twentieth century.
Shaheen not only considers the work of each of these seven writers individually, but he also reveals the interconnectedness of their ideas. He shows that Henry James used the concept of androgyny to make sense of the discord between the North and the South in the years immediately following the Civil War, while Norris and Gilman used it to formulate a new model of citizenship in the wake of America’s industrial ascendancy. The author next explores the uses Ransom and Lumpkin made of androgyny in assessing the threat of radicalism once the Great Depression had weakened the country’s faith in both capitalism and religious fundamentalism. Finally, he looks at how androgyny was instrumental in the discussions of racial uplift and urban migration generated by Du Bois and Bonner.
Thoroughly documented, this engrossing volume will be a valuable resource in the fields of American literary criticism, feminism and gender theory, queer theory, and politics and nationalism.
Aaron Shaheen is UC Foundation Assistant Professor of English at the University of Tennessee at Chattanooga. He has published articles in the Southern Literary Journal, American Literary Realism, and the Henry James Review.
Anthropology: Weaving Our Discipline with Community presents examples of anthropologists working with Native communities to preserve and protect cultural heritage.Ray Fogelson provides a glimpse of his work with the Eastern Band of Cherokee Indians in the late 1950s and early 1960s. Linguist Hartwell Francis shares his work on language preservation in the community today. Jim Sarbaugh and Lisa Lefler focus on traditional knowledge and health among the Cherokee. Trey Adcock explores the reasons that American Indians are strikingly underrepresented among both the student bodies and faculty of institutions of higher education. Brandon Lundy and his colleagues discuss the co-production of knowledge in ethnographic interviews with business, NGO, and government representatives in Guinea-Bissau.These papers were presented at the 2014 annual meeting of the Southern Anthropological Society (SAS) in Cherokee, North Carolina.
“A singular achievement. Mark Banker reveals an almost paradoxical Appalachia that trumps all the stereotypes. Interweaving his family history with the region’s latest scholarship, Banker uncovers deep psychological and economic interconnections between East Tennessee’s ‘three Appalachias’—its tourist-laden Smokies, its urbanized Valley, and its strip-mined Plateau.”
—Paul Salstrom, author of Appalachia’s Path to Dependency
"Banker weaves a story of Appalachia that is at once a national and regional history, a family saga, and a personal odyssey. This book reads like a conversation with a good friend who is well-read and well-informed, thoughtful, wise, and passionate about his subject. He brings new insights to those who know the region well, but, more importantly, he will introduce the region's complexities to a wider audience."
—Jean Haskell, coeditor, <i>Encyclopedia of Appalachia</i>
Appalachians All intertwines the histories of three communities—Knoxville with its urban life, Cades Cove with its farming, logging, and tourism legacies, and the Clearfork Valley with its coal production—to tell a larger story of East Tennessee and its inhabitants. Combining a perceptive account of how industrialization shaped developments in these communities since the Civil War with a heartfelt reflection on Appalachian identity, Mark Banker provides a significant new regional history with implications that extend well beyond East Tennessee’s boundaries.
Writing with the keen eye of a native son who left the area only to return years later, Banker uses elements of his own autobiography to underscore the ways in which East Tennesseans, particularly “successful” urban dwellers, often distance themselves from an Appalachian identity. This understandable albeit regrettable response, Banker suggests, diminishes and demeans both the individual and region, making stereotypically “Appalachian” conditions self-perpetuating. Whether exploring grassroots activism in the Clearfork Valley, the agrarian traditions and subsequent displacement of Cades Cove residents, or Knoxvillians’ efforts to promote trade, tourism, and industry, Banker’s detailed historical excursions reveal not only a profound richness and complexity in the East Tennessee experience but also a profound interconnectedness.
Synthesizing the extensive research and revisionist interpretations of Appalachia that have emerged over the last thirty years, Banker offers a new lens for constructively viewing East Tennessee and its past. He challenges readers to reconsider ideas that have long diminished the region and to re-imagine Appalachia. And ultimately, while Appalachians All speaks most directly to East Tennesseans and other Appalachian residents, it also carries important lessons for any reader seeking to understand the crucial connections between history, self, and place.
Mark T. Banker, a history teacher at Webb School of Knoxville, resides on the farm where he was raised in nearby Roane County. He earned his PhD at the University of New Mexico and is the author of Presbyterian Missions and Cultural Interaction in the Far Southwest, 1850–1950. His articles have appeared in the Journal of Presbyterian History, Journal of the West, OAH Magazine of History, and Appalachian Journal.
In many communities across North America in the 1960s and 1970s, the rural-relocation movement became both a way of life and a path forward for many people inclined to buck the mainstream—and Paul Salstrom embraced it. His experiences in rural Lincoln County, West Virginia, led him to the self-sufficient, “neighborly networking” lifestyle well known in many Appalachian communities since the early nineteenth century.
In Appalachia’s Alternative to Mainstream America, Salstrom outlines his Appalachian experiences in a memoir, revisiting this back-to-the-land tradition that guided his cultural experience during this time. While he pursued a number of experimental alternatives to a mainstream way of life during the late 1960s, it was not until he landed in Lincoln County a few years later that he found himself engaging in an alternative way of living that didn’t feel “experimental” at all. This distinctive way of life was largely characterized by a closer connection to the earth—local sufficiency informed by homesteading, subsistence farming, and gardening—and the community-wide trading of favors in a spirit of mutual aid.
Over time, Salstrom’s engagement in this “neighborly” occupation has nurtured an informed belief that Americans will be drawn back to landed customs, taking care of the earth and of one another to thrive as individuals and communities. Facing today’s pandemics, climate change, and deepening political divisions, says Salstrom, Americans urgently need to create a groundswell of localized food security and energy production.
In this innovative work, Julia King moves nimbly among a variety of sources and disciplinary approaches—archaeological, historical, architectural, literary, and art-historical—to show how places take on, convey, and maintain meanings. Focusing on the beautiful Chesapeake Bay region of Maryland, King looks at the ways in which various groups, from patriots and politicians of the antebellum era to present-day archaeologists and preservationists, have transformed key landscapes into historical, indeed sacred, spaces.
The sites King examines include the region’s vanishing tobacco farms; St. Mary’s City, established as Maryland’s first capital by English settlers in the seventeenth century; and Point Lookout, the location of a prison for captured Confederate soldiers during the Civil War. As the author explores the historical narratives associated with such places, she uncovers some surprisingly durable myths as well as competing ones. St. Mary’s City, for example, early on became the center of Maryland’s “founding narrative” of religious tolerance, a view commemorated in nineteenth-century celebrations and reflected even today in local museum exhibits and preserved buildings. And at Point Lookout, one private group has established a Confederate Memorial Park dedicated to those who died at the prison, thus nurturing the Lost Cause ideology that arose in the South in the late 1800s, while nearby the custodians of a 1,000-acre state park avoid controversy by largely ignoring the area’s Civil War history, preferring instead to concentrate on recreation and tourism, an unusually popular element of which has become the recounting of ghost stories.
As King shows, the narratives that now constitute the public memory in southern Maryland tend to overlook the region’s more vexing legacies, particularly those involving slavery and race. Noting how even her own discipline of historical archaeology has been complicit in perpetuating old narratives, King calls for research—particularly archaeological research—that produces new stories and “counter-narratives” that challenge old perceptions and interpretations and thus convey a more nuanced grasp of a complicated past.
Julia A. King is an associate professor of anthropology at St. Mary’s College of Maryland, where she coordinates the Museum Studies Program and directs the SlackWater Center, a consortium devoted to exploring, documenting, and interpreting the changing landscapes of Chesapeake communities. She is also coeditor, with Dennis B. Blanton, of Indian and European Contact in Context: The Mid-Atlantic Region.
This book presents archaeology addressing all periods in the Native Southeast as a tribute to the career of Jefferson Chapman, longtime director of the Frank H. McClung Museum of Natural History and Culture at the University of Tennessee, Knoxville. Written by Chapman’s colleagues and former students, the chapters add to our current understanding of early native southeastern peoples as well as Chapman’s original work and legacy to the field of archaeology. Some chapters review, reevaluate, and reinterpret archaeological evidence using new data, contemporary methods, or alternative theoretical perspectives— something that Chapman, too, fostered throughout his career. Others address the history and significance of archaeological collections curated at the Frank H. McClung Museum of Natural History and Culture, where Chapman was the director for nearly thirty years. The essays cover a broad range of archaeological material studies and methods and in doing so carry forth Chapman’s legacy.
While many associate the concept commonly referred to as the “military-industrial complex” with President Dwight D. Eisenhower’s 1961 farewell address, the roots of it existed two hundred years earlier. This concept, as Benjamin Franklin Cooling writes, was “part of historical lore” as a burgeoning American nation discovered the inextricable relationship between arms and the State. In Arming America through the Centuries, Cooling examines the origins and development of the military-industrial complex (MIC) over the course of American history. He argues that the evolution of America’s military-industrial-business-political experience is the basis for a contemporary American Sparta. Cooling explores the influence of industry on security, the increasing prevalence of outsourcing, ever-present economic and political influence, and the evolving nature of modern warfare. He connects the budding military-industrial relations of the colonial era and Industrial Revolution to their formal interdependence during the Cold War down to the present-day resurrection of Great Power competition. Across eight chronological chapters, Cooling weaves together threads of industry, finance, privatization, appropriations, and technology to create a rich historical tapestry of US national defense in one comprehensive volume.
Integrating information from both recent works as well as canonical, older sources, Cooling’s ambitious single-volume synthesis is a uniquely accessible and illuminating survey not only for scholars and policymakers but for students and general readers as well.
In 1979, David Brill became one of the first of a new generation to complete the Georgia-to-Maine hike on the Appalachian Trail. As Far as the Eye Can See, now a classic, chronicles his six-month, 2,100 mile walk, a quest to live simply and deliberately, with room to grow, to breathe, to change, to discover what really mattered to him.
This new edition includes two new chapters: “A Passage, at Midlife along the Smokies AT” and “On the Trail of Benton MacKaye—Again.” They recount a time of reawakening in the author’s life, when Brill pulled his backpack off its peg in the shed and took to the trail once more, returning to the woods not as visitor but as a man who felt most at home in the forested mountains of the Appalachians. In the process, he rediscovered—as most hikers do—the centering experience of exploring earth with feet and the healing power of the natural world.
William S. Newton (1823–1882) served the Union primarily as an assistant surgeon with the 91st Ohio Volunteer Infantry, but also spent a few months as acting surgeon with the 2nd Virginia Cavalry (US). Toward the end of the war, he was promoted to surgeon for the 193rd Ohio Volunteer Infantry. Newton’s units fought in the Appalachian Highlands, mostly in Virginia and West Virginia. He treated wounded soldiers after significant battles including Opequon and Cedar Creek. In May 1864, following the Battle of Cloyd’s Mountain, John Hunt Morgan’s Raiders captured Newton and other medical personnel. After three weeks, Newton and his fellow prisoners were given the option of either treating Confederate soldiers or going to Libby Prison; they chose the latter. Newton spent only three days at Libby Prison before being released, but the experience took a significant toll on his health.
The letters in this volume, addressed mostly to Newton’s wife, Frances, provide a window into fighting in the Appalachian borderlands, where the differences between battle, guerilla warfare, and occupation were often blurred. As a noncombatant, the doctor observed life beyond troop movements and the brutality of war. Newton’s detailed letters cover his living quarters, race relations, transportation and communication, the comfort of a good meal, and the antics of his teenage son Ned. This book provides new insights into the medical and social history of the war, the war in Western Virginia, local and regional history, the perspective of a noncombatant, life on the home front, and the porous lines between home and battlefront.
In 2013, the New York Times identified Nashville as America’s “it” city—a leading hub of music, culture, technology, food, and business. But long before, the Tennessee capital was known as the “Athens of the South,” as a reflection of the city’s reputation for and investment in its institutions of higher education, which especially blossomed after the end of the Civil War and through the New South Era from 1865 to 1930.
This wide-ranging book chronicles the founding and growth of Nashville’s institutions of higher education and their impressive impact on the city, region, and nation at large. Local colleges and universities also heavily influenced Nashville’s brand of modernity as evidenced by the construction of a Parthenon replica, the centerpiece of the 1897 Centennial Exposition. By the turn of the twentieth century, Vanderbilt University had become one of the country’s premier private schools, while nearby Peabody College was a leading teacher-training institution. Nashville also became known as a center for the education of African Americans. Fisk University joined the ranks of the nation’s most prestigious black liberal-arts universities, while Meharry Medical College emerged as one of the country’s few training centers for African American medical professionals. Following the agricultural-industrial model, Tennessee A&I became the state’s first black public college. Meanwhile, various other schools— Ward-Belmont, a junior college for women; David Lipscomb College, the instructional arm of the Church of Christ; and Roger Williams University, which trained black men and women as teachers and preachers—made important contributions to the higher educational landscape. In sum, Nashville was distinguished not only by the quantity of its schools but by their quality.
Linking these institutions to the progressive and educational reforms of the era, Mary Ellen Pethel also explores their impact in shaping Nashville’s expansion, on changing gender roles, and on leisure activity in the city, which included the rise and popularity of collegiate sports. In her conclusion, she shows that Nashville’s present-day reputation as a dynamic place to live, learn, and work is due in no small part to the role that higher education continues to play in the city’s growth and development.
MARY ELLEN PETHEL is the archivist and a member of the Social Science Department at Harpeth Hall School in Nashville. At Belmont University, also in Nashville, Dr. Pethel is a Global Leadership Studies Fellow and teaches in the Honors Department.
Confederate newspapers were beset by troubles: paper shortages, high ink prices, printers striking for higher pay, faulty telegraphic news service, and subscription prices insufficient to support their operations. But they also had the potential to be politically powerful, and their reporting of information—accurate or biased—shaped perceptions of the Civil War and its trajectory.
The Atlanta Daily Intelligencer Covers the Civil War investigates how Atlanta’s most important newspaper reported the Civil War in its news articles, editorial columns, and related items in its issues from April 1861 to April 1865. The authors show how The Intelligencer narrated the war’s important events based on the news it received, at what points the paper (and the Confederate press, generally) got the facts right or wrong based on the authors’ original research on the literature, and how the paper’s editorial columns reflected on those events from an unabashedly pro-Confederate point of view.
While their book focuses on The Intelligencer, Stephen Davis and Bill Hendrick also contribute to the scholarship on Confederate newspapers, emphasizing the papers’ role as voices of Confederate patriotism, Southern nationalism, and contributors to wartime public morale. Their well-documented, detailed study adds to our understanding of the relationship between public opinion and misleading propaganda
Browse our collection.
See BiblioVault's publisher services.
Files for college accessibility offices.
BiblioVault ® 2001 - 2023
The University of Chicago Press