Born a German Jew in 1915, Rudy Baum was eighty-six years old when he sealed the garage door of his Dallas home, turned on the car ignition, and tried to end his life. After confronting her father’s attempted suicide, Karen Baum Gordon, Rudy’s daughter, began a sincere effort to understand the sequence of events that led her father to that dreadful day in 2002. What she found were hidden scars of generational struggles reaching back to the camps and ghettos of the Third Reich.
In The Last Letter: A Father’s Struggle, a Daughter’s Quest, and the Long Shadow of the Holocaust, Gordon explores not only her father’s life story, but also the stories and events that shaped the lives of her grandparents—two Holocaust victims that Rudy tried in vain to save in the late 1930s and early years of World War II. This investigation of her family’s history is grounded in eighty-eight letters written mostly by Julie Baum, Rudy’s mother and Karen’s grandmother, to Rudy between November 1936 and October 1941. In five parts, Gordon examines pieces of these well-worn, handwritten letters and other archival documents in order to discover what her family experienced during the Nazi period and the psychological impact that reverberated from it in the generations that followed.
Part of the Legacies of War series, The Last Letter is a captivating family memoir that spans events from the 1930s and Hitler’s rise to power, through World War II and the Holocaust, to the present-day United States. In recreating the fatal journeys of her grandparents and tracing her father’s efforts to save them an ocean away in America, Gordon discovers the forgotten fragments of her family’s history and a vivid sense of her own Jewish identity. By inviting readers along on this journey, Gordon manages to honor victim and survivor alike and shows subsequent generations—now many years after the tragic events of World War II—what it means to remember.
Revealing the mind-set of a soldier seared by the horrors of combat even as he kept faith in his cause, Last to Leave the Field showcases the private letters of Ambrose Henry Hayward, a Massachusetts native who served in the 28th Pennsylvania Volunteer Infantry.
Hayward’s service, which began with his enlistment in the summer of 1861 and ended three years later following his mortal wounding at the Battle of Pine Knob in Georgia, took him through a variety of campaigns in both the Eastern and Western theaters of the war. He saw action in five states, participating in the battles of Antietam, Chancellorsville, and Gettysburg as well as in the Chattanooga and Atlanta campaigns. Through his letters to his parents and siblings, we observe the early idealism of the young recruit, and then, as one friend after another died beside him, we witness how the war gradually hardened him. Yet, despite the increasing brutality of what would become America’s costliest conflict, Hayward continually reaffirmed his faith in the Union cause, reenlisting for service late in 1863.
Hayward’s correspondence takes us through many of the war’s most significant developments,
including the collapse of slavery and the enforcement of Union policy toward Southern civilians. Also revealed are Hayward’s feelings about Confederates, his assessments of Union political and military leadership, and his attitudes toward desertion, conscription, forced marches, drilling, fighting, bravery, cowardice, and comradeship.
Ultimately, Hayward’s letters reveal the emotions—occasionally guarded but more often expressed with striking candor—of a soldier who at every battle resolved to be, as one comrade described him, “the first to spring forward and the last to leave the field.”
Timothy J. Orr is an assistant professor of military history at Old Dominion University in Norfolk, Virginia.
While Allen Wier is perhaps best known as a prizewinning novelist, he is also a master of the short story, an art he has perfected over four decades. Late Night, Early Morning contains twenty-two of Wier’s tales: the stories in his first collection (Things About to Disappear), six uncollected stories, and seven stories that became part of his four novels. Richly textured and often lyrical, with intense images and diverse subjects, these stories feature indelible characters who imprint themselves onto readers’ minds. A man with no family finds the abandoned corpse of an infant and adopts the dead baby as his son. A Texas laborer, while repairing hen houses, learns that the stench of the egg ranch is the smell of money. In 1862 Louisiana, a runaway slave comes face to face with a white sharecropper’s wife who may turn him in, but something unexpected momentarily unites them. An American widow in Mexico as a photographer meets a florist from Texas who widens her angle of view. After discovering an underground cavern, a man lives his entire life in an imagined world shaped from stalactites and stalagmites.
Allen Wier’s skillfully written and compassionate stories reveal the shimmering moments in day-to-day life
A legendary professor at Louisiana State University, T. Harry Williams not only produced such acclaimed works as Lincoln and the Radicals, Lincoln and His Generals, and a biography of Huey Long that won both the Pulitzer Prize and the National Book Award, but he also mentored generations of students who became distinguished historians in their own right. In this collection, ten of those former students, along with one author greatly inspired by Williams’s example, offer incisive essays that honor both Williams and his career-long dedication to sound, imaginative scholarship and broad historical inquiry.
The opening and closing essays, fittingly enough, deal with Williams himself: a biographical sketch by Frank J. Wetta and a piece by Roger Spiller that place Williams in larger historical perspective among writers on Civil War generalship. The bulk of the book focuses on Robert E. Lee and a number of the commanders who served under him, starting with Charles Roland’s seminal article “The Generalship of Robert E. Lee,” the only one in the collection that has been previously published. Among the essays that follow Roland’s are contributions by Brian Holden Reid on the ebb and flow of Lee’s reputation, George C. Rable on Stonewall Jackson’s deep religious commitment, A. Wilson Greene on P. G. T. Beauregard’s role in the Petersburg Campaign, and William L. Richter on James Longstreet as postwar pariah.
Together these gifted historians raise a host of penetrating and original questions about how we are to understand America’s defining conflict in our own time—just as T. Harry Williams did in his. And by encompassing such varied subjects as military history, religion, and historiography, Lee and His Generals demonstrates once more what a fertile field Civil War scholarship remains.
Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. Most recently, he and Arthur W. Bergeron, now deceased, coedited three volumes of essays under the collective title Confederate Generals in the Western Theater.
Thomas E. Schott served for many years as a historian for the U.S. Air Force and U.S. Special Operations Command. He is the author of Alexander H. Stephens of Georgia: A Biography, which won both the Society of American Historians Award and the Jefferson Davis Award.
Offering a fascinating look at an ordinary soldier's struggle to survive not only the horrors of combat but also the unrelenting hardship of camp life, Lee and Jackson's Bloody Twelfth brings together for the first time the extant correspondence of Confederate lieutenant Irby Goodwin Scott, who served in the hard-fighting Twelfth Georgia Infantry.
The collection begins with Scott's first letter home from Richmond, Virginia, in June 1861, and ends with his last letter to his father in February 1865. Scott miraculously completed the journey from naïve recruit to hardened veteran while seeing action in many of the Eastern Theater's most important campaigns: the Shenandoah Valley, the Peninsula, Second Manassas, and Gettysburg. His writings brim with vivid descriptions of the men's activities in camp, on the march, and in battle. Particularly revelatory are the details the letters provide about the relationship between Scott and his two African American body servants, whom he wrote about with great affection. And in addition to maps, photographs, and a roster of Scott's unit, the book also features an insightful introduction by editor Johnnie Perry Pearson, who highlights the key themes found throughout the correspondence.
By illuminating in depth how one young Confederate stood up to the physical and emotional duress of war, the book stands as a poignant tribute to the ways in which all ordinary Civil War soldiers, whether fighting for the South or the North, sacrificed, suffered, and endured.
Johnnie Perry Pearson is a retired state service officer formerly with the North Carolina Division of Veteran Affairs. He served as an infantry platoon sergeant during the Vietnam War and lives in Hickory, North Carolina.
Joseph Sobol is one of a select few contemporary scholar-practitioners to chart the evolution of storytelling from traditional foundations to its current multifarious presence in American life. The years since his classic The Storytellers’ Journey: An American Revival (1999), have brought seismic shifts in storytelling circles. Essays gathered here move between cultural history, critical analysis, and personal narratives to showcase the efforts of traditional and contemporary storytellers to make their presence felt in the world.
The book begins with an account of recent changes in the storytelling landscape, including the growth of a new generation of urban personal storytelling venues sparked by The Moth. Next is a suite of essays on Appalachian Jack tales, the best-known cycle of traditional American wonder tales, and an account of its most celebrated practitioners, including close encounters with the traditional master, Ray Hicks. The next set examines frames through which storytellers capture truth—historical, legendary, literary, oral traditional, and personal. Stylistic differences between northern and southern tellers are affectionately portrayed, with a special look at the late, much-loved Alabaman Kathryn Tucker Windham.
The final section makes the case for informed critical writing on storytelling performance, through a survey of notable contemporary storytellers’ work, a look at the ethics of storytelling genres, and a nuanced probe of truth and fiction in storytelling settings. A tapestry of personal stories, social criticism, and artistic illuminations, Liars, Damn Liars, and Storytellers is valuable not only to scholars and students in performance, folklore, cultural studies, and theater, but also to general readers with a love for the storytelling art.
One of nineteenth-century America’s most controversial military figures, Gideon Johnson Pillow gained notoriety early in the Civil War for turning an apparent Confederate victory at Fort Donelson into an ignominious defeat. Dismissed by contemporaries and historians alike as a political general with dangerous aspirations, his famous failures have overshadowed the tremendous energy, rare talent, and great organizational skills that also marked his career. In this exhaustive biography, Nathaniel Cheairs Hughes Jr. and Roy P. Stonesifer Jr. look beyond conventional historical interpretations to provide a full and nuanced portrait of this provocative and maligned man.
While noting his arrogance, ambition, and very public mistakes, Hughes and Stonesifer give Pillow his due as a gifted attorney, first-rate farmer, innovator, and man of considerable political influence. One of Tennessee’s wealthiest planters, Pillow promoted scientific methods to improve the soil, preached crop diversification to reduce the South’s dependence on cotton, and endorsed railroad construction as a means to develop the southern economy. He helped secure the 1844 Democratic nomination for his friend and fellow Tennessean James K. Polk and was rewarded after Polk’s victory with an appointment as brigadier general. While his role in the Mexican War earned him a reputation for recklessness and self-promotion, his organization of what would become the Army of Tennessee put him at the forefront of the Confederate war effort. After the disaster at Donelson, he spent the rest of the war directing Confederate conscription in the West and leading Rebel cavalry forces—a role of continuing service which, the authors show, has been insufficiently acknowledged.
Updated with a new foreword by noted Civil War scholar Timothy D. Johnson, The Life and Wars of Gideon J. Pillow portrays a colorful, enigmatic general who moved just outside the world of greatness he longed to enter.
Nathaniel Cheairs Hughes Jr. is the author or editor of twenty books relating to the American Civil War, including Refugitta of Richmond; Brigadier General Tyree H. Bell, C.S.A.: Forrest’s Fighting Lieutenant; and Yale’s Confederates. The late Roy P. Stonesifer Jr. was a professor of history at Edinboro University of Pennsylvania.
Originally published in 1833, the autobiography of the Sauk war chief Black Hawk was the first memoir written by a Native American who was actively resisting US Indian removal policy. Donald Jackson edited the first scholarly version of this work—Black Hawk: An Autobiography—in 1955. Since then, the Life has become a classic and seminal text in the fields of Native American literature and studies, American history, literature, autobiography, and cultural studies.
This edition of Black Hawk’s 1833 autobiography includes explanatory, historical, and textual notes that significantly enrich the understanding of Black Hawk’s memoir, his life, and the Black Hawk War of 1832. The notes and a chronology make this key Native American text available to scholars in several new ways. Likewise, in its preface and critical essay, this edition moves beyond Jackson’s historical work to incorporate insights from numerous other disciplines that have since engaged the text. These investigations reflect the new developments in scholarship since 1955, suggest future possibilities for the crosscultural study of Black Hawk’s Life, and examine the continuity of his autobiography within Native American and other life-story traditions. This volume also includes the biographical continuation of Black Hawk’s Life—recounting subsequent events in his life until his death in 1838—written by J. B. Patterson for his 1882 reissued and expanded edition of the original autobiography.
Scholars of Native American literature and history and settler colonialism will find much to engage them in this remarkable new edition.
The Limits of Literary Historicism is a collection of essays arguing that historicism, which has come to dominate the professional study of literature in recent decades, has become ossified. By drawing attention to the limits of historicism—its blind spots, overreach, and reluctance to acknowledge its commitments—this provocative new book seeks a clearer understanding of what historicism can and cannot teach us about literary narrative.
Editors Allen Dunn and Thomas F. Haddox have gathered contributions from leading scholars that challenge the dominance of contemporary historicism. These pieces critique historicism as it is generally practiced, propose alternative historicist models that transcend mere formula, and suggest alternatives to historicism altogether. The volume begins with the editors’ extended introduction, “The Enigma of Critical Distance; or, Why Historicists Need Convictions,” and then is divided into three sections: “The Limits of Historicism,” “Engagements with History,” and “Alternatives to History.”
Defying convention, The Limits of Literary Historicism shakes up established modes to move beyond the claustrophobic analyses of contemporary historicism and to ask larger questions that envision more fulfilling and more responsible possibilities in the practice of literary scholarship.
Located near Cumberland Gap in the rugged hills of East Tennessee, Lincoln Memorial University (LMU) was founded in 1897 to help disadvantaged Appalachian youth and reward the descendents of Union loyalists in the region. Its founder was former Union General Oliver Otis Howard, a personal friend of Abraham Lincoln, who made it his mission to sustain an institution of higher learning in the mountain South that would honor the memory of the Civil War president.
In Lincoln Memorial University and the Shaping of Appalachia, LMU Professor Earl J. Hess presents a highly readable and compelling history of the school. Yet the book is much more than a chronology of past events. The author uses the institution’s history to look at wider issues in Appalachian scholarship, including race and the modernization of educational methods in Appalachia. LMU offered a work-learn program to help students pay their way, imparting the value of self-help, and it was hit by a massive student strike that nearly wrecked the institution in 1930. LMU has played an important role in shaping what higher learning could be for young people in its region of southern Appalachia.
The volume examines the involvement of O. O. Howard and his unflagging efforts to establish and fund the school; the influence of early twentieth-century industrial capitalism—
Andrew Carnegie and John D. Rockefeller were benefactors—on Appalachia and LMU in particular; and the turn-of-the-century cult of Lincoln that made the university a major repository of Lincolniana.
Meticulously researched and richly illustrated, Lincoln Memorial University and the Shaping of Appalachia is a fresh look at the creation, contributions, and enduring legacies of LMU. Students, alumni, and friends of the university, as well as scholars of Appalachian culture and East Tennessee history, will find this book both enlightening and entertaining.
Earl J. Hess holds the Stewart W. McClelland Chair in History at Lincoln Memorial University. He is the author of more than a dozen books on Civil War military history, the latest of which is Into the Crater: The Mine Attack at Petersburg.
Civil War historians have long noted that support for the Confederacy in the antebellum South tended to align with geography: those who lived in towns, along railroads, and on land suited for large-scale farming tended to side with the Confederacy, while those who lived a more isolated existence and made their livings by subsistence farming and bartering usually remained Unionist. Bartow County in northwest Georgia, with its distinctive terrain of valley, piedmont, and Appalachian hill country, is an ideal microcosm to examine these issues.
Keith S. Hébert examines the rise and precipitous fall of Confederate nationalism in Bartow County, a shared experience among many counties in the upland South. Hébert’s story tells us much about the war’s origins, Confederate defeat, and the enduring legacy of white supremacy in these rural areas. Although no major battles were fought in Bartow County, Sherman’s Atlanta Campaign saw Federal troops occupying the area, testing the loyalties of Bartow County soldiers serving in the Army of Tennessee and elsewhere. As the home front collapsed, they had to decide if they should remain in the army and fight or return home to protect their families and property. Locals hardly knew whom to trust as Unionists and Confederates—from both home and afar—engaged in guerilla warfare, stole resources from citizens, and made the war a confusing trap rather than a struggle for an emergent nation.
Drawing on the primary source record of newspapers, letters, diaries, and official documents from the county, Hébert compellingly works personalized vignettes into a scholarly study of developments from the advent of war through Reconstruction and the decades following. The Long Civil War in the North Georgia Mountains solidifies recent scholarship about the war in southern Appalachia and opens a window into a community deeply divided by civil war.
KEITH S. HÉBERT, assistant professor of history at Auburn University, was formerly state historian at the Georgia Department of Natural Resources, Historic Preservation Division. His writing has appeared in The Georgia Historical Quarterly and Reconstructing Appalachia: The Civil War’s Aftermath.
In Lost in Transition: Removing, Resettling, and Renewing Appalachia, Aaron D. Purcell presents a thematic and chronological exploration of twentieth-century removal and resettlement projects across southern Appalachia. The book shares complex stories of loss and recollection that have grown and evolved over time.
This edited volume contains seven case studies of public land removal actions in Virginia, Kentucky, the Carolinas, and Tennessee from the 1930s through the 1960s. Some of the removals include the Tennessee Valley Authority and the Norris Basin, Shenandoah National Park and the New River, the Great Smoky Mountains National Park, and the Keowee-Toxaway Project in northwestern South Carolina. Each essay asks key questions: How did governmental entities throughout the twentieth century deal with land acquisition and removal of families and communities? What do the oral histories of the families and communities, particularly from different generations, tell us about the legacies of these removals? This collection reveals confrontations between past and present, federal agencies and citizens, and the original accounts of removal and resettlement and contemporary interpretations. The result is a blending of practical historical concerns with contemporary nostalgia and romanticism, which often deepen the complexity of Appalachian cultural life.
Lost in Transition provides a nuanced and insightful study of removal and resettlement projects that applies critical analysis of fact, mythology, and storytelling. It illustrates the important role of place in southern Appalachian history. This collection is a helpful resource to anthropologists, folklorists, and Appalachian studies scholars, and a powerful volume of stories for all readers who reflect upon the importance of place and home.
Joe Wilson (1938-2015), a native of rural East Tennessee, was a civil rights activist, self-educated scholar, founder/administrator of nationally important roots music enterprises, and was legendary for his colorful writing and opinions. Lucky Joe’s Namesake, a companion to Roots Music in America: Collected Writings of Joe Wilson (also published by the University of Tennessee Press), brings us Wilson’s life and observations, mostly in his own words.
From humble mountain beginnings, Wilson’s career progressed through Nashville, Tennessee; Birmingham, Alabama; and New York City, before settling him for twenty-eight years near the seats of power in Washington, D.C. as the executive director of the National Council for the Traditional Arts. In that role, he developed a national model for folk festival presentations, stalked the halls of federal representatives seeking support for traditional artists, and filled concert venues throughout the world with audiences eager to experience the work of master folk musicians. A powerful advocate on behalf of agrarian values, social justice, artistic authenticity, and cultural democracy, Joe wrote in an engaging, humorous, and memorable style.
This eclectic anthology is filled with Joe Wilson’s brilliant published writing for magazines, books, and newspapers as well as privately circulated unpublished works, including an extended autobiographical essay. Readers are sure to benefit from Wilson’s lessons and artful ruminations culled from a lifetime of devotion to music and cultural and social activism.
Fred Bartenstein teaches country and bluegrass music history at the University of Dayton. He is the editor of Bluegrass Bluesman: Josh Graves, a Memoir and coauthor and editor of The Bluegrass Hall of Fame: Inductee Biographies, 1991–2014.
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