A SCHOLARLY BOOK REPOSITORY107 start with R start with R
Race in America is a multidisciplinary analysis of race and injustice by some of the nation’s foremost scholar-activists who helped shape the course of the struggle for civil rights during the recent past. These essays provide a historical retrospective, an assessment of where we are now, and an outline of possibilities for the future.
The major controversial issues in race relations, in the past and in the present, such as affirmative action, educational segregation, racial practices of labor unions, legal strategies for protest movements, the persistence of racism in American institutions, and the sources of resistance to change are discussed at length by major authorities in their respective fields.
Many of the most important events in recent American history come alive in these pages as the strategies and programs, the victories and defeats of the civil rights movement are rigorously examined. A unique aspect of the book is that the human experience of active participants in this rich history is evoked through personal and often poignant accounts, such as those of Kenneth B. Clark, who in a memorable autobiographical essay describes a long life devoted to the pursuit of racial justice, and Patricia J. Williams, who relates the contemporary struggles of African American women to the historical context of slavery and its aftermath.
As no other book can, this collection provides the basis for the critical insights and historical perspectives that are essential for an understanding of the central issue still confronting American society: race and racism.
With humor (“When the doctor says, ‘We found something,’ / I don’t say: ‘no shit’ or ‘oh thank God, / I’ve been looking for that sweater everywhere,’”) and heartbreak (“Every evening I count the dwindling brass coins / of my patient’s platelets while his wife ices / cups of ginger ale he will never drink”), Lipkes reminds us what it means to feel human, to feel afraid, to feel hopeful, to feel.
some nights alone,
finding inside the darkness
a small, trembling thing
I won’t acknowledge as my own.
This is someone else’s rabbit,
I say, and the silence nods back.
—Excerpt from “Rabbit”
Here, in his autobiography, Obey looks back on his journey in politics beginning with his early years in the Wisconsin Legislature, when Wisconsin moved through eras of shifting balance between Republicans and Democrats. On a national level Obey traces, as few others have done, the dramatic changes in the workings of the U.S. Congress since his first election to the House in 1969. He discusses his own central role in the evolution of Congress and ethics reforms and his view of the recent Bush presidency—crucial chapters in our democracy, of interest to all who observe politics and modern U.S. history.
George Dove demonstrates how the English soft-boiled mystery and the American private-eye story, although they have different settings and develop different plots, belong in the same subgenre and follow the same formula, inherited directly from Poe’s “The Murders in the Rue Morgue.”
Bely expected his audience to participate in unraveling the work's many meanings, narrative strains, and patterns of details. In their essays, the contributors clarify these complexities, summarize the intellectual and artistic contexts that informed Petersburg's creation and reception, and review the interpretive possibilities contained in the novel. This volume will aid a broad audience of Anglophone readers in understanding and appreciating Petersburg.
The life narratives studied range from an eighteenth-century criminal narrative, a 1918 autobiography, and the works of Richard Wright to new media, graphic novels, and a celebrity memoir from Pam Grier.
In this dynamic collection of essays, many leading literary scholars trace gay and lesbian themes in Latin American, Hispanic, and U.S. Latino literary and cultural texts. Reading and Writing the Ambiente is consciously ambitious and far-ranging, historically as well as geographically. It includes discussions of texts from as early as the seventeenth century to writings of the late twentieth century.
Reading and Writing the Ambiente also underscores the ways in which lesbian and gay self-representation in Hispanic texts differs from representations in Anglo-American texts. The contributors demonstrate that—unlike the emphasis on the individual in Anglo- American sexual identity—Latino, Spanish, and Latin American sexual identity is produced in the surrounding culture and community, in the ambiente. As one of the first collections of its kind, Reading and Writing the Ambiente is expressive of the next wave of gay Hispanic and Latin scholarship.
“A substantial contribution both to Dostoevsky scholarship and to scholarship on the novel. . . . The first book in quite a while to address itself to all of Dostoevsky’s opus, certainly a bold move that only someone of Terras’s stature could pull off.”—Gary Rosenshield, University of Madison–Wisconsin
Admirers have praised Fedor Dostoevsky as the Russian Shakespeare, while his critics have slighted his novels as merely cheap amusements. In this stimulating critical introduction to Dostoevsky’s fiction, literary scholar Victor Terras asks readers to draw their own conclusions about the nineteenth-century Russian writer. Discussing psychological, political, mythical, and philosophical approaches, Terras deftly guides readers through the range of diverse and even contradictory interpretations of Dostoevsky's rich novels.
Moving through the novelist's career, Terras presents a general analysis of the novel at issue, each chapter focusing on a particular aspect of Dostoevsky's art. He probes the form and style of Crime and Punishment, and explores the ambiguity of The Brothers Karamazov. Terras emphasizes the "markedness," of Dostoevsky's novels, their wealth of literary devices such as irony, literary allusions, scenic effects, puns, and witticisms.
Terras conveys the vital contradictions and ambiguities of the novels. In this informative, engaging literary study, Terras brings Dostoevsky and his art to life.
“John Hildebrand sets out in a canoe . . . to explore the great riverway of northwestern Canada and Alaska. . . . The geography is closely rendered and the characters especially sharply drawn. The country is filled with mad dropouts at river fish camps, good-hearted girls in the towns, sullen natives in tumbledown villages, cranky old-timers, terrible drunks and worse moralizers who live off the wild landscape and its abundant resources. . . . This is a fine work, and Hildebrand is a fine writer.”—Charles E. Little, Wilderness
• Basic Concepts: mortality trends, concepts of disease, changes in medical therapy
• Public Health: AIDS, cigarette smoking, preventive medicine, fluoridation
• Health Care Professions: cardiology, pathology, women in medicine, nursing, podiatry, midwives
• Health Care Organizations: hospitals, HMOs
• Mental Illness
• Financing Health Care
• Medical Education
• Issues: abortion, ethical issues, cancer control, prenatal care, home care, the pharmaceutical industry
• Background Readings: American medicine from 1920 to midcentury.
The readings were chosen especially for course use in history, sociology, public health, and related fields, but can also provide useful background reading for anyone interested or involved in American health care. Each selection includes an introduction, questions for the reader, and a bibliography. Scholars and students alike will find the book an invaluable resource.
This book is an attempt to make sense out of Ronald Reagan by linking him to various grassroots dimensions of American popular mythology and mind. It attempts to utilize a variety of sources from American and popular culture studies, works on Reagan, and popular materials such as movies to offer an interpretation of reagan as an exemplar of the political relevance and power of popular culture.
Readers often have regarded with curiosity the creative life of the poet. In this passionate and authoritative new study, David Bethea illustrates the relation between the art and life of nineteenth-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of his two-hundredth birthday, still speaks to our time. He indicates how we as modern readers might "realize"— that is, not only grasp cognitively, but feel, experience—the promethean metaphors central to the poet's intensely "sculpted" life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically.
Bethea begins by addressing the influential thinkers Freud, Bloom, Jakobson, and Lotman to show that their premises do not, by themselves, adequately account for Pushkin's psychology of creation or his version of the "life of the poet." He then proposes his own versatile model of reading, and goes on to sketches the tangled connections between Pushkin and his great compatriot, the eighteenth-century poet Gavrila Derzhavin. Pushkin simultaneously advanced toward and retreated from the shadow of his predecessor as he created notions of poet-in-history and inspiration new for his time and absolutely determinative for the tradition thereafter.
After surveying Western ideas of reason from the ancient Greeks through Kant, Hegel, and Marx, Jay engages at length with the ways leading theorists of the Frankfurt School—Horkheimer, Marcuse, Adorno, and most extensively Habermas—sought to salvage a viable concept of reason after its apparent eclipse. They despaired, in particular, over the decay in the modern world of reason into mere instrumental rationality. When reason becomes a technical tool of calculation separated from the values and norms central to daily life, then choices become grounded not in careful thought but in emotion and will—a mode of thinking embraced by fascist movements in the twentieth century.
Is there a more robust idea of reason that can be defended as at once a philosophical concept, a ground of critique, and a norm for human emancipation? Jay explores at length the ommunicative rationality advocated by Habermas and considers the range of arguments, both pro and con, that have greeted his work.
This special issue of Luso-Brazilian Review includes articles on the Lusophone South Atlantic by historians of Africa and Brazil originally presented in May of 2006 at the Michigan State University and University of Michigan’s Atlantic History Workshop “ReCapricorning the Atlantic: Luso-Brazilian and Luso-African Perspectives on the Atlantic World.” Workshop participants set out to “ReCapricorn the Atlantic” by assessing how new research on the Lusophone South Atlantic modifies, challenges, or confirms major trends and paradigms in the expanding scholarship on Atlantic History.
Articles cover a wide variety of recent topical issues in fisheries economics and the latest developments in the field, including marine protected areas, individual transferable quotas, fisheries subsidies, habitat values, data fouling, and rotational management of sedentary fishery resources. Seven of the articles were presented at the 2005 North American Association of Fisheries Economics Forum at the University of British Columbia in Vancouver, Canada.
Chamberlain highlights the differing views of Filipinos and Japanese about the trials. The Philippine government aimed to show its commitment to impartial proceedings with just outcomes. In Japan, it appeared that defendants were selected arbitrarily, judges and prosecutors were biased, and lower-ranking soldiers were punished for crimes ordered by their superior officers. She analyzes the broader implications of this divergence as bilateral relations between the two nations evolved and contends that these competing narratives were reimagined in a way that, paradoxically, aided a path toward postwar reconciliation.
As a student, Sadger attended Freud's lectures from 1895 through 1904. Two years later Freud nominated Sadger to his Wednesday Psychological Society (later called the Viennese Psychoanalytic Society). Sadger, however, was not part of Freud's inner circle, but more a participant observer of the early years of the psychoanalytic movement and of Freud as teacher, therapist, and clinician.
Sadger was considered one of the most devoted followers of Freud and hoped to become one of Freud's "favorite sons." At the First Psychoanalytic Congress held in Salzburg in 1908, Sadger was chosen to be one of the principal speakers along with Freud, Jones, Alder, Jung, Prince, Rifkin, Abraham, and Stekel, an honor that bespeaks Sadger's early role in the movement. But Freud and many of his disciples were also openly critical of Sadger's work, calling it at various times overly simplistic, unimaginative, reductionist, orthodox, and rigid.
In 1930 Sadger published his memoir, Sigmund Freud: Persönliche Erinnerungen. With the rise of Nazism and World War II, the book became lost to the world of psychoanalytic history. Recently, Alan Dundes learned of its existence and mounted a search that led him around the world to one of the few extant copies—in a research library in Japan. The result of his fascinating quest is Recollecting Freud, a long-lost personal account that provides invaluable insights into Freud and his social, cultural, and intellectual context.
Responding to the recent growth of illness and disability narratives in the United States—such works as Juliet Wittman’s Breast Cancer Journal, John Hockenberry’s Moving Violations, Paul Monette’s Borrowed Time: An AIDS Memoir, and Lou Ann Walker’s A Loss for Words: The Story of Deafness in a Family—Couser addresses questions of both poetics and politics. He examines why and under what circumstances individuals choose to write about illness or disability; what role plot plays in such narratives; how and whether closure is achieved; who assumes the prerogative of narration; which conditions are most often represented; and which literary conventions lend themselves to representing particular conditions. By tracing the development of new subgenres of personal narrative in our time, this book explores how explicit consideration of illness and disability has enriched the repertoire of life writing. In addition, Couser’s discussion of medical discourse joins the current debate about whether the biomedical model is entirely conducive to humane care for ill and disabled people.
With its sympathetic critique of the testimony of those most affected by these conditions, Recovering Bodies contributes to an understanding of the relations among bodily dysfunction, cultural conventions, and identity in contemporary America.
A finalist for the 1985 Herskovits Prize
First Paperback Edition
Postwar advertising, film, and print culture sought to divest mass-produced goods—such as the Volkswagen and modern interiors—of their fascist legacies. But Scholz demonstrates that postwar representations were saturated with unacknowledged references to the Nazi past. Drawing on a vast array of popular and highbrow publications and films, Redeeming Objects adds a new perspective to debates about postwar reconstruction, memory, and consumerism.
Leslie Midkiff DeBauche shows how the United States government’s need to garner public support for the war, conserve food, raise money, and enlist soldiers was met by the film industry. Throughout the nineteen months of American involvement in World War I, film studios supported the war effort through the production of short instructional films, public speaking activities of movie stars, the civic forum provided by movie theaters, and the National Association of the Motion Picture Industry’s provision of administrative personnel to work directly with government agencies. While feature films about the war itself never dominated the release schedules of film distributors, they did become a staple film industry offering throughout the late 1910s and 1920s.
The film industry had much to gain, DeBauche demonstrates, from working closely with the U.S. government. Though the war posed a direct challenge to the conduct of business as usual, the industry successfully weathered the war years. After the war, film producers, distributors, and exhibitors were able to capitalize on the good will of the movie-goer and the government that the industry’s war work created. It provided a buffer against national censorship when movie stars became embroiled in scandal, and it served as a selling point in the 1920s when major film companies began to trade their stock on Wall Street.
Far from being a sentimental look at the past, Hamerow’s work confronts the unpleasant reality of the present. History, he says flatly, is a discipline in retreat. The profession is in serious trouble and there are no signs that its problems will be resolved in the foreseeable future.
After identifying the current crisis, Hamerow proceeds to trace the development of the profession over the last hundred years and to examine its characteristics in modern society. In this section of the book he shares some fascinating practical observations on the ways in which the profession operates. Hamerow explains why some historians rise to prominence while others do not. He also examines causes of the dissatisfactions that afflict many historians and their students.
Hamerow also examines the way in which academic historians live their lives, as he expands on the daily realities that they face. He then explains how those realities have shaped scholarship and led to the “new history.” The broad use of social science methods, he observes, has had the effect of isolating the new historians from traditional historians, indeed from one another. Couched in the arcane prose of machine-readable languages, says Hamerow, history has become inaccessible to the intelligent lay reader who had once read historical works with interest, understanding, and appreciation.
In concluding his examination, Hamerow asks, “What is the use of history?” It has long been a favorite question asked by historians, but seldom one over which they agonized for very long. After considering various arguments for the usefulness of historical investigation, Hamerow offers his own justification.
There are times, says Hamerow, when even the most spontaneous or instructive cultural pursuits need to be examined in the light of the purposes they serve and the goals they seek. Now might be a good time for all historians to take a long look at the direction their discipline has taken in the past century, at the functions it has come to perform, and at the serious dilemma it now faces. Hamerow is a steady and helpful guide to any such examination.
Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges broadly, from political aesthetics to Darwinism to yoga. These unique complementary perspectives counter reductionism of any kind, integrating the study of Russian modernism into the larger body of humanistic scholarship devoted to modernity.
Although the episode of the St. Louis is well known, the actual fates of the passengers, once they disembarked, slipped into historical obscurity. Prompted by a former passenger’s curiosity, Sarah Ogilvie and Scott Miller of the United States Holocaust Memorial Museum set out in 1996 to discover what happened to each of the 937 passengers. Their investigation, spanning nine years and half the globe, took them to unexpected places and produced surprising results. Refuge Denied chronicles the unraveling of the mystery, from Los Angeles to Havana and from New York to Jerusalem.
Some of the most memorable stories include the fate of a young toolmaker who survived initial selection at Auschwitz because his glasses had gone flying moments before and a Jewish child whose apprenticeship with a baker in wartime France later translated into the establishment of a successful business in the United States. Unfolding like a compelling detective thriller, Refuge Denied is a must-read for anyone interested in the Holocaust and its impact on the lives of ordinary people.
Out of many, one—e pluribus unum—is the motto of the American nation, and it sums up neatly the paradox that Stephanie Foote so deftly identifies in Regional Fictions. Regionalism, the genre that ostensibly challenges or offers an alternative to nationalism, in fact characterizes and perhaps even defines the American sense of nationhood.
In particular, Foote argues that the colorful local characters, dialects, and accents that marked regionalist novels and short stories of the late nineteenth century were key to the genre’s conversion of seemingly dangerous political differences—such as those posed by disaffected Midwestern farmers or recalcitrant foreign nationals—into appealing cultural differences. She asserts that many of the most treasured beliefs about the value of local identities still held in the United States today are traceable to the discourses of this regional fiction, and she illustrates her contentions with insightful examinations of the work of Sarah Orne Jewett, Hamlin Garland, Gertrude Atherton, George Washington Cable, Jacob Riis, and others. Broadening the definitions of regional writing and its imaginative territory, Regional Fictions moves beyond literary criticism to comment on the ideology of national, local, ethnic, and racial identity.
The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this volume an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin’s West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Meredith Monk and Kenneth King, and parallel movements in Britain. The contributors include Janice Ross, Leslie Satin, Noël Carroll, Gus Solomons jr., Deborah Jowitt, Stephanie Jordan, Joan Acocella, and Sally Banes.
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation.
The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
Provocative insights and thoughtful discussions contribute to an understanding of the prophetic nature of Etruscan culture. Jannot investigates the elaborate systems of defining space and time that so distinctly characterize this ancient society. Religion in Ancient Etruria offers a unique perspective that illuminates the origins of some of our own "modern" religious beliefs.
This updated edition includes more than 100 illustrations that demonstrate early temples, statues, mirrors, tablets, and sculptures.
1998 French edition, Picard
Through the careful reconstruction of knowledge pathways, Maxwell brings into focus the role of Africans in shaping texts, collections, and images as well as in challenging and adapting Western-imported presuppositions and prejudices. Ultimately, Maxwell illustrates the mutually constitutive nature of discourses of identity in colonial Africa and reveals not only how the Luba shaped missionary research but also how these coproducers of knowledge constructed and critiqued custom and convened new ethnic communities.
Making a significant intervention in the study of both the history of African Christianity and the cultural transformations effected by missionary encounters across the globe, Religious Entanglements excavates the subculture of African Pentecostalism, revealing its potentiality for radical sociocultural change.
John’s journey to understand the roots of his compulsion to “save” those around him is both aided and thwarted by his relationship with his colleague Jeremy Crawford. Alena’s closest confidant, Jeremy shares an intimacy with her that fuels John's jealousy. Meanwhile, Jeremy finds himself drawn to John and, as his confidant too, participates in the drama of John and Alena’s relationship. As John slowly begins to understand the flawed and wounded experience of love that has followed him through life, he learns how to open himself to true friendship—and to true loss. Set in the midst of cultural upheaval, this powerful novel reverberates across the decades.
Remembering Leningrad captures the story of a beautiful city and lifelong friendships. We follow McAuley as she walks through the streets downtown and examines politics in the 1960s, describes the hazards of furnishing an apartment in the 1990s, and learns about the challenges her friends have faced during these turbulent years. By weaving history and anecdotes to create a picture of Russia’s cultural center, McAuley underscores the impact of time and place on the Russian intelligentsia who lived through the transition from Soviet to post-Soviet life. The result is a remarkable group portrait of a generation.
Beiner analyzes hundreds of hitherto unstudied historical, literary, and ethnographic sources. Though his focus is on 1798, his work is also a comprehensive study of Irish folk history and grass-roots social memory in Ireland. Investigating how communities in the West of Ireland remembered, well into the mid-twentieth century, an episode in the late eighteenth century, this is a “history from below” that gives serious attention to the perspectives of those who have been previously ignored or discounted. Beiner brilliantly captures the stories, ceremonies, and other popular traditions through which local communities narrated, remembered, and commemorated the past. Demonstrating the unique value of folklore as a historical source, Remembering the Year of the French offers a fresh perspective on collective memory and modern Irish history.
Winner, Wayland Hand Competition for outstanding publication in folklore and history, American Folklore Society
Finalist, award for the best book published about or growing out of public history, National Council on Public History
Winner, Michaelis-Jena Ratcliff Prize for the best study of folklore or folk life in Great Britain and Ireland
“An important and beautifully produced work. Guy Beiner here shows himself to be a historian of unusual talent.”—Marianne Elliott, Times Literary Supplement
“Thoroughly researched and scholarly. . . . Beiner’s work is full of empathy and sympathy for the human remains, memorials, and commemorations of past lives and the multiple ways in which they actually continue to live.”—Stiofán Ó Cadhla, Journal of British Studies
“A major contribution to Irish historiography.”—Maureen Murphy, Irish Literary Supplement
"A remarkable piece of scholarship . . . . Accessible, full of intriguing detail, and eminently teachable.”?—Ray Casman, New Hibernia Review
“The most important monograph on Irish history of the nineteenth and twentieth centuries to be published in recent years.”—Matthew Kelly, English Historical Review
“A strikingly ambitious work . . . . Elegantly constructed, lucidly written and inspired, and displaying an inexhaustible capacity for research”—Ciarán Brady, History IRELAND
“A closely argued, meticulously detailed and rich analysis . . . . providing such innovative treatment of a wide array of sources, his work will resonate with the concerns of many cultural and historical geographers working on social memory in quite different geographical settings and historical contexts.”—Yvonne Whelan, Journal of Historical Geography
“It’s safe to say your relationship is in trouble if the only way you can imagine solving your problems is by borrowing a time machine.”
InSight Out Book Club, featured selection
Bob Smith named one of Instinct magazine’s Leading Men 2011
Finalist, Over the Rainbow Selection, American Library Association
Finalist, Green Carnation Prize, international prize for LGBT Literature
Amazon Top Ten Gay & Lesbian Books of 2011
Best Books for General Audiences, selected by the American Association of School Librarians
Best Books for General Audiences, selected by the Public Library Reviewers
In this truly one-of-a-kind book, the author/narrator—a representative, in extremis, of contemporary American obsession with beauty, celebrity, transmitted image—finds himself suspended, fascinated, in the remoteness of our wall-to-wall mediascape. It is a remoteness that both perplexes and enthralls him.
Through dazzling sleight of hand in which the public becomes private and the private becomes public, the entire book—clicking from confession to family-album photograph to family chronicle to sexual fantasy to pseudo-scholarly footnote to reportage to personal essay to stand-up comedy to cultural criticism to literary criticism to film criticism to prose-poem to litany to outtake —becomes both an anatomy of American culture and a searing self-portrait.
David Shields reads his own life—reads our life—as if it were an allegory about remoteness and finds persuasive, hilarious, heartbreaking evidence wherever he goes.
Winner of the PEN / Revson Award?
A shared vision of the possibilities of Latin epic poetry unites the essays, as does a series of attempts to realize those opportunities. Some of the pieces represent a traditional vein of allusion and intertextuality; others are more innovative in their approaches. Each, in a sense, stands as a placeholder for a methodology of theorizing the repetitive practices of poetry, of epic, and of Ovid in particular.
Contributors: Antony Augoustakis, Neil W. Bernstein, Barbara Weiden Boyd, Andrew Feldherr, Peter Heslin, Stephen Hinds, Sharon L. James, Alison Keith, Peter E. Knox, Darcy Krasne
Based on close readings of Shan-language media and years of ethnographic research in a community of soldiers and their families, Jane M. Ferguson details the origins of these movements and tells the story of the Shan in their own voices. She shows how the Shan have forged a homeland and identity during great upheaval by using state building as an ongoing project of resistance, resilience, and accommodation within both countries. In avoiding a good/bad moral binary and illuminating cultural complexities, Repossessing Shanland offers a fresh perspective on identity formation, transformation, and how people understand and experience borderlands today.
Most histories of the Spanish Civil War (1936–1939) have examined major leaders or well-established political and social groups to explore class, gender, and ideological struggles. The war in Spain was marked by momentous conflicts between democracy and dictatorship, Communism and fascism, anarchism and authoritarianism, and Catholicism and anticlericalism that still provoke our fascination.
In Republic of Egos, Michael Seidman focuses instead on the personal and individual experiences of the common men and women who were actors in a struggle that defined a generation and helped to shape our world. By examining the roles of anonymous individuals, families, and small groups who fought for their own interests and survival—and not necessarily for an abstract or revolutionary cause—Seidman reveals a powerful but rarely considered pressure on the outcome of history. He shows how price controls and inflation in the Republican zone encouraged peasant hoarding, black marketing, and unrest among urban workers. Soldiers of the Republican Army responded to material shortages by looting, deserting, and fraternizing with the enemy. Seidman’s focus on average, seemingly nonpolitical individuals provides a new vision of both the experience and outcome of the war.
Jurgen Herbst’s account of growing up in Nazi Germany from 1928 to 1948 is a boy’s experience of anti-Semitism and militarism from the inside. Herbst was a middle-class boy in a Lutheran family that saw value in Prussian military ideals and a mythic German past. His memoir is a compelling, understated tale of moral awakening.
Approximately fifty historical novels dealing with the American Revolution were published in the United States from 1896 to 1906. Benjamin S. Lawson critically examines the narrative strategies employed in these works and the ways in which fiction is made to serve the purpose of vivifying national history.
Writing within the conventions of the historical romance, these authors created plots that reflect the enveloping concerns of the War for Independence, such as the young American woman who often must choose between suitors on opposite sides in the wider conflict.
Lawson concludes that these works reassured readers of the worth of an Anglo-American heritage. They were escapist fantasies to the degree that they failed to confront contemporary realities of crisis and change: the New Immigration, urbanization and industrialization, labor strife, the plight of the poor, and agitation on behalf of women and ethnic minorities.
This study of the rescue motif in popular American novels before World War I focuses on the rescue convention as part of the romantic plot of the novels. The rescue as a structured convention that controls the movement of the romantic plot appears in all types of domestic novels, gothics, dime novels, historical romances, and westerns.
There are proper ways to research a paper...and there are the ways most students do it: laboriously, tediously, and inefficiently. Here are the techniques and shortcuts that the pros use. They will enable students to find their way to the best resources for their own projects.
From preparing the preliminary outline, work file, and bibiliography, Research Shortcuts proceeds to using the appropriate resource guides, as well as modern aids to research. It also discusses shortcuts that reach the experts: writing letters that get questions answered, and making face-to-face (or telephone) interviews pay off.
A final section is devoted to using the research data: first drafts, choosing specific quotes wisely, paraphrasing, and final drafts.
This collection of case studies by scholars from a range of disciplinary backgrounds turns a critical and reflective eye toward qualitative fieldwork on the topic. Framed by an introduction that sets out key issues in perpetrator research and a conclusion that proposes and outlines a code of best practice, the volume provides an essential starting point for future research while advancing genocide studies, transitional justice, and related fields. This original, important, and welcome contribution will be of value to historians, political scientists, criminologists, anthropologists, lawyers, and legal scholars.
Sarah Rous develops the concept of upcycling to refer to this meaningful reclamation, the intentionality of reemploying each particular object for its specific new context. The upcycling approach drives innovative reinterpretations of diverse cases, including column drums built into fortification walls, recut inscriptions, monument renovations, and the wholesale relocation of buildings. Using archaeological, literary, and epigraphic evidence from more than eight centuries of Athenian history, Rous's investigation connects seemingly disparate instances of the reuse of building materials. She focuses on agency, offering an alternative to the traditional discourse on spolia. Reset in Stone illuminates a vital practice through which Athenians shaped social memory in the physical realm, literally building their past into their city.
In the aftermath of national unification in the 1860s, the Italian army was tasked with molding generations of men from warring regions and different social strata into obedient citizens of a centralized state. Integrating large numbers of the educated middle classes into the young kingdom’s armed forces proved decisive in establishing the army as the “main school” and backbone for mass nationalization. Lorenzo Benadusi examines the intersection of Italian military and civil society over the last century as they coalesced in the figure of the gentleman-officer—an idealized image of an altruistic, charming, and competent ruling class that could influence the choices, values, and behavior of the “new Italians.”
Respectability and Violence traces the relationship between civic virtues and military values from the post-Risorgimento period through the end of World War I, when the trauma of trench warfare made it necessary to again redefine ideas of chivalry and manliness and to accept violence as a necessary tool in defense of society and state. The language of conflict and attitudes about war forged in these decades—characterized by patriotism, heroism, and sacrifice—shaped the cultured bourgeoise into loyalists who ushered in Italy’s transition to a powerful Fascist political system. This unique study of the officer is crucial for understanding the military, social, and political history of Italy.
This volume brings together an intriguing mix of leading scholars in Macedonian and Greek history, Persian culture, film studies, classical literature, and archaeology—including some who were advisors for the film—and includes an afterword by Oliver Stone discussing the challenges he faced in putting Alexander’s life on the big screen. The contributors scrutinize Stone’s project from its inception and design to its production and reception, considering such questions as: Can a film about Alexander (and similar figures from history) be both entertaining and historically sound? How do the goals of screenwriters and directors differ from those of historians? How do Alexander’s personal relationships—with his mother Olympias, his wife Roxane, his lover Hephaistion, and others—affect modern perceptions of Alexander? Several of the contributors also explore reasons behind the film’s tepid response at the box office and subsequent controversies.
This antic, raunchy send-up of small-town life gets deep into the minds and hearts of its characters and their entanglements. Alex Pickett exposes the fault lines in Midwestern Nice and reveals how corruption can take hold in even the most unlikely of places.
Sämi Ludwig contends that Ponteach's literary and artistic merits are worthy of further exploration. He investigates questions of authorship and analyzes the play's content, embracing its many contradictions as enriching windows into the era. In this way, he suggests using Ponteach as a tool to better understand British imperialism in North America and the emerging theatrical forms of the Young Republic.
Wakened with flashlights on their faces in the predawn hours, he and his crew repeatedly face the Luftwaffe in battles five miles high, flying through flak "so thick you could get out and walk on it." Stretching their stamina to the limits, they succeed time after time in their missions to bomb munitions works, railyards, the Leüna synthetic oil plant at Merseburg in eastern Germany, the V2 rocket research center at Peenemünde on the distant Baltic Coast, and even to strike Hitler’s capital city, Berlin.
But Grilley finds interludes of unexpected grace and restoration on his days off, making serious drawings from nature at the neighboring Yokehill Farm. There he slowly cultivates a friendship with a curious eight-year-old, the lively child Elizabeth, who becomes for the combat flyer a symbol of survival.
This intimate memoir—tenuous, shifting, sometimes humorous—demonstrates Skloot’s considerable literary skill honed as an award-winning essayist, memoirist, novelist, and poet. His recollections of a strange, spinning world prompt further musings on the forces of uncertainty, change, and displacement that have shaped him from childhood to late middle age, repeatedly knocking him awry, realigning his hopes and plans, even his perceptions. From the volatile forces of his mercurial, shape-shifting early years to his obsession with reading, acting, and writing, from the attack of vertigo to a trio of postvertigo (but nevertheless dizzying) journeys to Spain and England, and even to a place known only in his mother’s unhinged fantasies, Skloot makes sense of a life’s phantasmagoric unpredictability.
Finalist, Sarah Winnemucca Award for Creative Nonfiction, Oregon Book Awards
Drawing from new archival materials as well as on-the-ground field research, Revival and Reconciliation is a Rwanda-centered account of the country's ecclesiastical and national historiography. Cantrell calls attention to the harms the postgenocide church risks doing should it continue to support false narratives about Rwanda's colonial and postcolonial past—with dangerous consequences for the future.
In October 1973 a mass movement forced Thailand’s prime minister to step down and leave the country, ending nearly forty years of dictatorship. Three years later, in a brutal reassertion of authoritarian rule, Thai state and para-state forces quashed a demonstration at Thammasat University in Bangkok. In Revolution Interrupted, Tyrell Haberkorn focuses on this period when political activism briefly opened up the possibility for meaningful social change. Tenant farmers and their student allies fomented revolution, she shows, not by picking up guns but by invoking laws—laws that the Thai state ultimately proved unwilling to enforce.
In choosing the law as their tool to fight unjust tenancy practices, farmers and students departed from the tactics of their ancestors and from the insurgent methods of the Communist Party of Thailand. To first imagine and then create a more just future, they drew on their own lived experience and the writings of Thai Marxian radicals of an earlier generation, as well as New Left, socialist, and other progressive thinkers from around the world. Yet their efforts were quickly met with harassment, intimidation, and assassinations of farmer leaders. More than thirty years later, the assassins remain unnamed.
Drawing on hundreds of newspaper articles, cremation volumes, activist and state documents, and oral histories, Haberkorn reveals the ways in which the established order was undone and then reconsolidated. Examining this turbulent period through a new optic—interrupted revolution—she shows how the still unnameable violence continues to constrict political opportunity and to silence dissent in present-day Thailand.
A classic in its field, this pathbreaking book humanized the scientific rhetoric of economics to reveal its literary soul. Economics needs to admit that it, like other sciences, works with metaphors and stories. Its most mathematical and statistical moments are properly dominated by comparison and narration, that is to say, human persuasion. The book was McCloskey's opening move in the development of a "humanomics," and unification of the sciences and the humanities on the field of ordinary business life.
To those who have lost faith in the abilities of people to reach reasoned mutual agreements, and to others who have attacked the right-or-wrong model of formal logic, this book offers the reminder that the rhetorical tradition has always viewed argumentation as a dialogue, a response to changing situations, an exchange of persuading, listening, and understanding. Crosswhite’s aim is to give new purpose to writing instruction and to students’ writing, to reinvest both with the deep ethical interests of the rhetorical tradition. In laying out the elements of argumentation, for example, he shows that claiming, questioning, and giving reasons are not simple elements of formal logic, but communicative acts with complicated ethical features. Students must learn not only how to construct an argument, but the purposes, responsibilities, and consequences of engaging in one.
Crosswhite supports his aims through a rhetorical reconstruction of reason, offering new interpretations of Plato and Aristotle and of the concepts of reflection and dialogue from early modernity through Hegel to Gadamer. And, in his conclusion, he ties these theoretical and historical underpinnings to current problems of higher education, the definition of the liberal arts, and, especially, the teaching of written communication.
What significance does the physical, material body still have in a world of virtual reality and genetic cloning? How do technology and postmodern rhetoric influence our understanding of the body? And how can our discussion of the body affect the way we handle crises in public policy—the politics of race and ethnicity; issues of "family values" that revolve around sexual and gender identities; the choices revolving around reproduction and genome projects, and the spread of disease?
Leading scholars in rhetoric and communication, as well as literary and cultural studies, address some of the most important topics currently being discussed in the human sciences. The essays collected here suggest the wide range of public arenas in which rhetoric is operative—from abortion clinics and the World Wide Web to the media's depiction of illiteracy and the Donner Party. These studies demonstrate how the discourse of AIDS prevention or Demi Moore's "beautiful pregnancy" call to mind the physical nature of being human and the ways in which language and other symbols reflect and create the physical world.
This is a book that, almost singlehandedly, freed scholars from the narrow constraints of a single critical paradigm and created a new era in the study of public discourse. Its original publication in 1965 created a spirited controversy. Here Edwin Black examines the assumptions and principles underlying neo-Aristotelian theory and suggests an alternative approach to criticism, centering around the concept of the "rhetorical transaction." This new edition, containing Black's new introduction, will enable students and scholars to secure a copy of one of the most influential books ever written in the field.
Charting the history of contemporary philosophical and religious beliefs regarding nature, Roderick Nash focuses primarily on changing attitudes toward nature in the United States. His work is the first comprehensive history of the concept that nature has rights and that American liberalism has, in effect, been extended to the nonhuman world.
“A splendid book. Roderick Nash has written another classic. This exploration of a new dimension in environmental ethics is both illuminating and overdue.”—Stewart Udall
“His account makes history ‘come alive.’”—Sierra
“So smoothly written that one almost does not notice the breadth of scholarship that went into this original and important work of environmental history.”—Philip Shabecoff, New York Times Book Review
“Clarifying and challenging, this is an essential text for deep ecologists and ecophilosophers.”—Stephanie Mills, Utne Reader
Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O’Casey, as well as the works of less known playwrights such as George Birmingham. Dean’s original research meticulously analyzes Ireland’s great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century’s end as at its beginning, was pluralistic, heterogeneous, and complex.
In his engaging and conversational style, Ted Rulseh details each of these challenges and proposes achievable solutions. He draws on personal experience, interviews, academic research, and government reports to describe the state of the lakes, the stresses they are under, and avenues to successful lakeside living for a sustainable future. Ripple Effects will be a go-to source for all who love lakes and who advocate for their protection; its driving question is summed up by one of Rulseh’s interviewees: “We love this lake. What can we do to keep it healthy?”
Based on detailed research and interviews, Ian G. Baird documents this golden age of the Brao, including the voices of those who are too frequently omitted from official records. Rise of the Brao challenges scholars to look beyond the prevailing historical narratives to consider the nuanced perspectives of peripheral or marginal regions.
Eisinger’s meticulous research uncovers state and local governments’ transition from supply-side to demand-side strategies of market creation. He shows that, instead of relying solely on the supply-side strategies of tax breaks and other incentives to encourage business relocation, some governments promoted innovation and the creation of new business approaches.
Cosmopolitan visions
Terry A. Cooney traces the evolution of the Partisan Review—often considered to be the most influential little magazine ever published in America—during its formative years, giving a lucid and dispassionate view of the magazine and its luminaries who played a leading role in shaping the public discourse of American intellectuals. Included are Lionel Trilling, Philip Rahv, William Phillips, Dwight Macdonald, F. W. Dupee, Mary McCarthy, Sidney Hook, Harold Rosenberg, and Delmore Schwartz, among others.
“An excellent book, which works at each level on which it operates. It succeeds as a straightforward narrative account of the Partisan Review in the 1930s and 1940s. The magazine’s leading voices—William Phillips, Philip Rahv, Dwight MacDonald, Lionel Trilling, and all the rest—receive their due. . . . Among the themes that engage Cooney. . . . are: how they dealt with ‘modernism’ in culture and radicalism in politics, each on its own and in combination; how Jewishness played a complex and fascinating role in many of the thinkers’ lives; and, especially, how ‘cosmopolitanism’ best explains what the Partisan Review was all about.”—Robert Booth Fowler, Journal of American History
Rising Anthills (the title refers to a Dogon myth) analyzes works in English, French, and Arabic by African and African American writers, both women and men, from different parts of the African continent and the diaspora. Attending closely to the nuances of language and the complexities of the issue, Bekers explores lesser-known writers side by side with such recognizable names as Ngugi wa Thiong’o, Flora Nwapa, Nawal El Saadawi, Ahmadou Kourouma, Calixthe Beyala, Alice Walker, and Gloria Naylor. Following their literary discussions of female genital excision, she discerns a gradual evolution—from the 1960s, when writers mindful of its communal significance carefully “wrote around” the physical operation, through the 1970s and 1980s, when they began to speak out against the practice and their societies’ gender politics, to the late 1990s, when they situated their denunciations of female genital excision in a much broader, international context of women’s oppression and the struggle for women’s rights.
Crawford Young opens with an overview of the dramatic rise in the political significance of cultural pluralism and of scholars’ changing understanding of what drives and shapes ethnic identification. Mark Beissinger brilliantly explains the demise of the last great empire-state, the USSR, while Edward Friedman notes growing challenges to the apparent cultural homogeneity of China. Nader Entessar suggests intriguing contrasts in Azeri identity politics in Iran and the ex-USSR. Ronald Schmidt and Noel Kent explore the language and racial dimensions of the rising multicultural currents in the United States. Douglas Spitz shows the extent of the decline of the old secular vision of India of the independence generation; Alan LeBaron traces the recent emergence of an assertive Mayan identity among a submerged populace in Guatemala, long thought to be destined for Ladinoization. A case study of the diversity and uncertain future of Ethiopia dramatically emerges from four contrasting contributions: Tekle Woldemikael looks at the potential cultural tensions in Eritrea, Solomon Gashaw offers a central Ethiopian nationalist perspective, Herbert Lewis reflects the perspectives of a restless and disaffected periphery, and James Quirin provides an arresting explanation of the construction of identity amongst the Beta Israel (Ethiopian Jews). Virginia Sapiro steps back from specific regions, offering an original analysis of the interaction between cultural pluralism and gender.
Trick-or-treating. Flower girls. Bedtime stories. Bar and bat mitvah. In a nation of increasing ethnic, familial, and technological complexity, the patterns of children's lives both persist and evolve. This book considers how such events shape identity and transmit cultural norms, asking such questions as:
* How do immigrant families negotiate between old traditions and new?
* What does it mean when children engage in ritual insults and sick jokes?
* How does playing with dolls reflect and construct feelings of racial identity?
* Whatever happened to the practice of going to the Saturday matinee to see a Western?
* What does it mean for a child to be (in the words of one bride) "flower-girl material"? How does that role
cement a girl's bond to her family and initiate her into society?
* What is the function of masks and costumes, and why do children yearn for these accoutrements of disguise?
Rituals and Patterns in Children's Lives suggests the manifold ways in which America's children come to know their society and themselves.
His name is inextricably linked with a single work, A Sand County Almanac, a classic of natural history literature and the conservationist's bible. This book brings together the best of Leopold's essays.
Paul Townend shows that a growing critique of British imperialism shaped a rapidly evolving Irish political consciousness and was a crucial factor giving momentum to the Home Rule and Land League campaigns. Examining newspaper accounts, the rich political cartoons of the era, and the rhetoric and actions of Irish nationalists, he argues that anti-imperialism was a far more important factor in the formation of the independence movement than has been previously recognized in historical scholarship.
Every work of art has a story behind it. In 1886 the German American artist Robert Koehler painted a dramatic wide-angle depiction of an imagined confrontation between factory workers and their employer. He called this oil painting The Strike. It has had a long and tumultuous international history as a symbol of class struggle and the cause of workers’ rights. First exhibited just days before the tragic Chicago Haymarket riot, The Strike became an inspiration for the labor movement. In the midst of the campaign for an eight-hour workday, it gained international attention at expositions in Paris, Munich, and the 1893 Chicago World’s Fair. Though the painting fell into obscurity for decades in the early twentieth century, The Strike lived on in wood-engraved reproductions in labor publications. Its purchase, restoration, and exhibition by New Left activist Lee Baxandall in the early 1970s launched it to international fame once more, and collectors and galleries around the world scrambled to acquire it. It is now housed in the Deutsches Historisches Museum in Berlin, Germany.
Robert Louis Stevenson: Writer of Boundaries reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850–1894) as the author of Treasure Island, few people outside of academia are aware of the breadth of his literary output. The contributors to Robert Louis Stevenson: Writer of Boundaries look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this enormously influential writer who has been neglected by critics.
As the editors point out in their Introduction, Stevenson reinvented the “personal essay” and the “walking tour essay,” in texts of ironic stylistic brilliance that broke completely with Victorian moralism. His first full-length work of fiction, Treasure Island, provocatively combined a popular genre (subverting its imperialist ideology) with a self-conscious literary approach.
Stevenson, one of Scotland’s most prolific writers, was very effectively excluded from the canon by his twentieth-century successors and rejected by Anglo-American Modernist writers and critics for his play with popular genres and for his non-serious metaliterary brilliance. While Stevenson’s critical recognition has been slowly increasing, there have been far fewer published single-volume studies of his works than those of his contemporaries, Henry James and Joseph Conrad.
Paper is temporarily out of stock, Cloth (0-87972-368-8) is available at the paper price until further notice.
Romaine Brooks: A Life introduces much fresh information from Langer's decades of research on Brooks and establishes this groundbreaking artist's centrality to feminism and contemporary sexual politics as well as to visual culture.
Roman Cities provides the first comprehensive study in English of major Roman cities, including an excellent coverage of the Roman legacy which was transmitted to medieval and modern trends in architecture and urban planning..
Writers examined include Jack Kerouac, Jim Dodge, Ralph Waldo Emerson, William Least Heat Moon, Robert M. Pirsig, Henry Miller, Joan Didion, Mona Simpson, and Walt Whitman.
Available for the first time in paperback, this classic work by renowned historian E.A. Thompson examines the fall of the Roman Empire in the West from the barbarian perspective and experience. Standard interpretations of the decline of the Roman Empire in the West view the barbarian invaders as destroyers. Thompson, however, argues that the relationship between the invaders and the invaded was far more complex than the common interpretation would suggest. This edition includes a new foreword by F.M. Clover and J.H.W.G. Liebeschuetz.
Traditionally, romance novels have a reputation as being no more than trashy, sex-filled fantasy escapes for frustrated housewives. But books in this genre account for nearly half of the paperbacks published. Contributors examine the patterns used by the romance authors to tell their stories.
In 1961 Calzadilla was a founding member of El Techo de la Ballena (The Roof of the Whale), an avant-garde collective that sought to fuse politics and aesthetics. He published three books of poetry under its umbrella—Dictated by the Pack (1962), Bad Manners (1965), and The SupernaturalContradictions (1967)—which are all presented here in an omnibus edition, masterfully translated by Katherine M. Hedeen and Olivia Lott. Decades later, these poems still resonate, profoundly illustrating a sense of entrapment, of societal pressures on the individual, and of steadfast refusal to give in. Suffused with surrealist imagery, exuberant, exciting, and unexpected, The Roof of the Whale Poems is a breathtaking collection.
A convicted man we have put to death . . .
—Excerpt from “The Prisoner of His Conscience”
This is the life story of Rosa Cavalleri, an Italian woman who came to the United States in 1884, one of the peak years in the nineteenth-century wave of immigration. A vivid, richly detailed account, the narrative traces Rosa’s life in an Italian peasant village and later in Chicago. Marie Hall Ets, a social worker and friend of Rosa’s at the Chicago Commons settlement house during the years following World War I, meticulously wrote down her lively stories to create this book.
Rosa was born in a silk-making village in Lombardy, a major source of north Italian emigration; she first set foot in the United States at the Castle Garden immigrant depot on the tip of Manhattan. Her life in this country was hard and Ets chronicles it in eloquent detail—Rosa endures a marriage at sixteen to an abusive older man, an unwilling migration to a Missouri mining town, and the unassisted birth of a child, and manages to escape from a husband who tried to force her into prostitution. Rosa’s exuberant personality, remarkable spirit, and ability as a storyteller distinguish this book, a unique contribution to the annals of U.S. immigration.
The kingdom positioned itself to connect business elites, patronize local industries, and form strategic partnerships with global corporations. Instead of restraining or regulating royal power, white-collar workers joined with the crown to form a dynamic, symbiotic force that has left the lower classes to struggle in their wake. Unchanam presents a surprising case study that kings and queens live long and large in cooperation with the bourgeoisie's interests and ideology.
Lloyd E. Berry and Robert O. Crummey offer edited accounts of six English voyagers and their experiences in Muscovy Russia between 1553 and 1600. With modernized spelling and presentation, these accounts are accompanied by a glossary of Russian terms, introductions of their authors, and annotations that help put the travelers’ narratives into perspective.
It is impossible to discuss what shamans are and what they do, contends Gregory G. Maskarinec, without knowing what shamans say. When Maskarinec took an interest in shaman rituals on his first visit to Nepal, he was told by many Nepalis and Westerners that the shamans he had encountered in the Himalayan foothills of western Nepal engaged in "meaningless mumblings." But in the course of several years of fieldwork he learned from the shamans that both their long, publicly chanted rituals and their whispered, secretive incantations are oral texts meticulously memorized through years of training. In The Rulings of the Night, he shows how the shamans, during their dramatic night-long performances, create the worlds of words in which shamans exist.
Maskarinec analyzes several complete repertoires of the texts that the shamans use to diagnose and treat afflictions that trouble their clients. Through these texts, they intervene to manipulate and change the world, replacing its unbalanced, inexpressible chaos with orderly, balanced, grammatical, and eloquently expressible states. They negotiate the relations between language, action, and social realities, providing a well-constructed and thoroughly consistent intentional universe—and only in that universe can all shaman actions and beliefs be fully comprehended.
As local plots of food crops grown by individual households gave way to commercial fields of cotton, a whole host of social, economic, and environmental changes followed. Likaka reveals how food shortages and competition for labor were endemic, forests were cleared, social stratification increased, married women lost their traditional control of agricultural production, and communities became impoverished while local chiefs enlarged their power and prosperity.
Likaka documents how the cotton regime promoted its cause through agricultural exhibits, cotton festivals, films, and plays, as well as by raising producer prices and decreasing tax rates. He also shows how the peasant laborers in turn resisted regimented agricultural production by migrating, fleeing the farms for the bush, or sabotaging plantings by surreptitiously boiling cotton seeds. Small farmers who had received appallingly low prices from the cotton companies resisted by stealing back their cotton by night from the warehouses, to resell it in the morning. Likaka draws on interviews with more than fifty informants in Zaire and Belgium and reviews an impressive array of archival materials, from court records to comic books. In uncovering the tumultuous economic and social consequences of the cotton regime and by emphasizing its effects on social institutions, Likaka enriches historical understanding of African agriculture and development.
Khazanov’s careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a “lost Russia,” Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.
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