Macedonian, the official language of the Republic of Macedonia, is spoken by two and a half million people in the Balkans, North America, Australia, and other émigré communities around the world. Christina E. Kramer’s award-winning textbook provides a basic introduction to the language. Students will learn to speak, read, write, and understand Macedonian while discussing family, work, recreation, music, food, health, housing, travel, and other topics.
    Intended to cover one year of intensive study, this third edition updates the vocabulary, adds material to help students appreciate the underlying structure of the language, and offers a wide variety of new, proficiency-based readings and exercises to boost knowledge of Macedonian history, culture, literature, folklore, and traditions.

Winner, Best Contribution to Language Pedagogy, American Association of Teachers of Slavic and Eastern European Languages

This set of audio CDs is designed to supplement the award-winning language textbook Macedonian: A Course for Beginning and Intermediate Students, Third Edition, by Christina E. Kramer and Liljana Mitkovska. The CDs contain almost two hours of audio tracks that were recorded in Macedonia by native speakers who bring to life the characters from the textbook’s story. The set additionally includes exercises for listening comprehension and the pronunciation of individual sounds.

Brent Nicastro showcases the dynamic power, energy, and sheer beauty of Madison in this book of photography. Since the 1970s, Nicastro has been photographing the splendor of Madison, and his feel for his home is never more evident than in these images of the Dane County Farmers’ Market, the State Capitol building, the University of Wisconsin campus in all seasons, football at Camp Randall Stadium and basketball at the Kohl Center, the Monona Terrace Convention and Community Center designed by Frank Lloyd Wright, the Memorial Union Terrace, Picnic Point, and many more landmarks that evoke Madison’s charm.
    Accompanying each image are captions in four languages—English, German, Spanish, and Chinese—making this book a perfect gift volume for all who love Madison. Visitors, students, and lifelong residents will savor this photographic portrait of beautiful Madison, Wisconsin.

In this moving and funny memoir, award-winning playwright Guillermo Reyes untangles his life as the secretly illegitimate son of a Chilean immigrant to the United States and as a young man struggling with sexual repression, body image, and gay identity. But this is a double-decker memoir that also tells the poignant, bittersweet, and adventurous story of Guillermo’s mother, María, who supports herself and her son cleaning houses and then working as a nanny in Washington, D.C. and eventually in Hollywood.
    In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, María recruits her to take her picture as she poses dramatically with Mr. Joffe’s Oscar in hand. It is María’s defiant yet determined attitude amidst her sacrifices that allows for Guillermo’s spirited coming of age and coming out.
    Their common ground is the drama of their encounters with discovery, heartbreak, and passion—the explosive emotions that light up the stage of their two-actor theater.

 

Honorable Mention, Best Auto/Biography in English, International Latino Book Awards

 

 

A fascinating and sophisticated exploration of cosmology, Magical Arrows connects the Western philosophical tradition with the cosmological traditions of non-Western societies, particularly those of Polynesia. Using the mythology and philosophy of the Maori of New Zealand as a counterpoint to Western thought, Schrempp finds a philosophical common denominator in the thought of the pre-Socratic philosopher, Zeno of Elea. Schrempp suggests that the paradoxes of Zeno, together with the philosophical speculations that they have historically inspired, contain sophisticated insights which are nevertheless general enough to form the foundations of a comparative cosmology.
    Schrempp suggests that perhaps the most noteworthy Zenoian insight is that paradox is intrinsic to cosmological speculation. But he points out that there are many other characteristics of Zeno’s approach, including the strategy of juxtaposing concrete images to mathematical forms of representation, that reappear persistently in Western intellectual history. Schrempp proceeds through a series of juxtapositions—between Zeno, Kant, Lovejoy, and Lévi-Strauss, and between Western cosmologists and those from other cultures—to highlight subtle similarities and differences among intellectual traditions and to examine the conceptual apparatus of Western social science.
    Schrempp concludes that a meaningful comparative cosmology is possible and that the tradition of Zeno provides a propitious starting point for such a perspective.

Jonathan Schofer offers the first theoretically framed examination of rabbinic ethics in several decades. Centering on one large and influential anthology, The Fathers According to Rabbi Nathan, Jonathan Schofer situates that text within a broader spectrum of rabbinic thought, while at the same time bringing rabbinic thought into dialogue with current scholarship on the self, ethics, theology, and the history of religions.

Notable Selection, Jordan Schnitzer Book Award for Philosophy and Jewish Thought, Association for Jewish Studies

The transformation of a house into a home has been in our culture a traditional task of women. The articles examine this process as they reflected the role of American middle-class women as homemakers in the years 1840–1940.

History of Anthropology is a series of annual volumes, inaugurated in 1983, each of which treats a theme of major importance in both the history and current practice of anthropological inquiry. Drawing its title from a poem of W. H. Auden's, the present volume, Malinowski, Rivers, Benedict, and Others (the fourth in the series) focuses on the emergence of anthropological interest in "culture and personality" during the 1920s and 1930s. It also explores the historical, cultural, literary, and biological background of major figures associated with the movement, including Bronislaw Manlinowski, Edward Sapir, Abram Kardiner, Ruth Benedict, Margaret Mead, and Gregory Bateson. Born in the aftermath of World War I, flowering in the years before and after World War II, severely attacked in the 1950s and 1960s, "culture and personality" was subsequently reborn as "psychological anthropology." Whether this foreshadows the emergence of a major anthropological subdiscipline (equivalent to cultural, social, biological, or linguistic anthropology) from the current welter of "adjectival" anthropologies remain to be seen. In the meantime, the essays collected in the volume may encourage a rethinking of the historical roots of many issues of current concern. Included in this volume are the contributions of Jeremy MacClancy, William C. Manson, William Jackson, Richard Handler, Regna Darnell, Virginia Yans-McLaughlin, James A. Boon, and the editor.

    On Earth Day 1970 twenty million Americans displayed their commitment to a clean environment.  It was called the largest demonstration in human history, and it permanently changed the nation’s political agenda. By Earth Day 2000 participation had exploded to 500 million people in 167 countries.
    The seemingly simple idea—a day set aside to focus on protecting our natural environment—was the brainchild of U.S. Senator Gaylord Nelson of Wisconsin. It accomplished, far beyond his expectations, his lifelong goal of putting the environment onto the nation’s and the world’s political agendas.
    A remarkable man, Nelson ranks as one of history’s leading environmentalists. He also played a major role as an early, outspoken opponent of the Vietnam War, and as a senate insider was a key player in civil rights, poverty, civil liberties and consumer protection issues.
    The life of Nelson, a small town boy who learned his values and progressive political principles at an early age, is woven through the political history of the twentieth century. Nelson’s story intersects at times with Fighting Bob La Follette, Joe McCarthy, and Bill Proxmire in Wisconsin, and with George McGovern, Lyndon Johnson, Hubert Humphrey, Russell Long, Walter Mondale, John F. Kennedy, and others on the national scene.

Winner, Elizabeth A. Steinberg Prize, University of Wisconsin Press

    Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time.

    Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.

Cy Endfield (1914–1995) was a filmmaker who was also fascinated by the worlds of close-up magic, science, and invention. After directing several distinctive low-budget films in Hollywood, he was blacklisted in 1951 and fled to Britain rather than “name names” before HUAC, the U.S. House of Representatives’ Un-American Activities Committee. The Pennsylvania-born Endfield made films that exhibit an outsider’s eye for his adopted country, including the working-class “trucking” drama Hell Drivers and the cult film Zulu—a war epic as politically nuanced as it is spectacular. Along the way he encountered Orson Welles, collaborated with pioneering animator Ray Harryhausen, published a book of his card magic, and co-invented an early word processor that anticipated today’s technology.
            The Many Lives of Cy Endfield is the first book on this fascinating figure. The fruit of years of archival research and personal interviews by Brian Neve, it documents Endfield’s many identities: among them second-generation immigrant, Jew, Communist, and exile. Neve paints detailed scenes not only of the political and personal dramas of the blacklist era, but also of the attempts by Hollywood directors in the postwar 1940s and early 1950s to address social and political controversies of the day. Out of these efforts came two crime melodramas (what would become known as film noir) on inequalities of class and race: The Underworld Story and The Sound of Fury (also known as Try and Get Me!). Neve reveals the complex production and reception histories of Endfield’s films, which the critic Jonathan Rosenbaum saw as reflective of “an uncommon intelligence so radically critical of the world we live in that it’s dangerous.”
            The Many Lives of Cy Endfield is at once a revealing biography of an independent, protean figure, an insight into film industry struggles, and a sensitive and informed study of an underappreciated body of work.

Best Five Books of the Year list, Iranian 24 Monthly, London UK

“Make[s] a case for [Endfield’s] distinctive voice while tracing the way struggle, opposition, and thwarted ambition both defined his life and became the powerful themes of his best work.”—Cineaste

Statistics indicate that more than half the population of America is illiterate or subliterate in the conventional sense, but very literate in other media such as television, sports, and leisure time activities. But statistics can lie or tell only half a fact. Since the languages of literacy are constantly expanding and developing, it is time that American educators, and the public in general, reexamine their definitions of literacy and the media in which we need to be literate. Therefore, educators must redefine literacy if they are to be realistic about its sources, uses, and values. The need is vital to a developing world.

Margaret Fuller (1810–1850), a pioneering gender theorist, transcendentalist, journalist, and literary critic, was one of the most well-known and highly regarded feminist intellectuals of nineteenth-century America. With her contemporaries Ralph Waldo Emerson and Henry David Thoreau, she was one of the predominant writers of the Transcendentalist movement, and she aligned herself in both her public and private life with the European revolutionary fervor of the 1840s. She traveled to Italy as a foreign correspondent for the New York Tribune to cover the nascent revolutions, pursuing the transnational ideal awakened in her youth by a classical education in European languages and a Romantic curiosity about other cultures, traditions, and identities.
    This volume is a collaboration of international scholars who, from varied fields and approaches, assess Fuller’s genius and character. Treating the last several years of Margaret Fuller’s short life, these essays offer a truly international discussion of Fuller’s unique cultural, political, and personal achievements. From the origins and articulations of Fuller’s cosmopolitanism to her examination of “the woman question,” and from her fascination with the European “other” to her candid perception of imperial America from abroad, they ponder what such an extraordinary woman meant to America, and also to Italy and Europe, during her lifetime and continuing to the present.

Marginal Conventions contains twelve essays by social scientists centering around the general connections between popular culture and deviant behavior. In addition to speaking to the commonsensical view that exposure to representations of misbehavior makes people misbehave, this collection focuses on media presentations of crime, violence, and villainy; the utility of deviance theme for societal elites; and the "taste publics" centered around disreputable products and rituals. 

Mark Twain’s Own Autobiography stands as the last of Twain’s great yarns. Here he tells his story in his own way, freely expressing his joys and sorrows, his affections and hatreds, his rages and reverence—ending, as always, tongue-in-cheek: “Now, then, that is the tale. Some of it is true.”
    More than the story of a literary career, this memoir is anchored in the writer’s relation to his family—what they meant to him as a husband, father, and artist. It also brims with many of Twain’s best comic anecdotes about his rambunctious boyhood in Hannibal, his misadventures in the Nevada territory, his notorious Whittier birthday speech, his travels abroad, and more.
    Twain published twenty-five “Chapters from My Autobiography” in the North American Review in 1906 and 1907. “I intend that this autobiography . . . shall be read and admired a good many centuries because of its form and method—form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel.”
    For this second edition, Michael Kiskis’s introduction references a wealth of critical work done on Twain since 1990. He also adds a discussion of literary domesticity, locating the autobiography within the history of Twain’s literary work and within Twain’s own understanding and experience of domestic concerns. 

    Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film.

            Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The “Happy Hooker,” for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the “Avenger,” a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The “Love Story,” a common narrative, represents the prostitute as both heroine and anti-heroine, while “Condemned to Death” allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence.

            The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions.

Jack Seabrook discusses The Fabulous Clipjoint in depth, as well as Martians, Go Home, The Screaming Mimi, and all of the other classic Fredric Brown novels. He provides a careful analysis of the author’s short stories and poems, tracking his work from the early days, through the years of the pulp magazines and SF digests, up to and including the final years with respectable magazines. Along with the discussion of the work are details of the author’s unusual life, from his early years in Cincinnati through the Depression in Milwaukee, to a bohemian life in the Southwest.

A brave British widow goes to Siam and—by dint of her principled and indomitable character—inspires that despotic nation to abolish slavery and absolute rule: this appealing legend first took shape after the Civil War when Anna Leonowens came to America from Bangkok and succeeded in becoming a celebrity author and lecturer. Three decades after her death, in the 1940s and 1950s, the story would be transformed into a powerful Western myth by Margaret Landon’s best-selling book Anna and the King of Siam and Rodgers and Hammerstein’s musical The King and I.
            But who was Leonowens and why did her story take hold? Although it has been known for some time that she was of Anglo-Indian parentage and that her tales about the Siamese court are unreliable, not until now, with the publication of Masked, has there been a deeply researched account of her extraordinary life. Alfred Habegger, an award-winning biographer, draws on the archives of five continents and recent Thai-language scholarship to disclose the complex person behind the mask and the troubling facts behind the myth. He also ponders the curious fit between Leonowens’s compelling fabrications and the New World’s innocent dreams—in particular the dream that democracy can be spread through quick and easy interventions.
Exploring the full historic complexity of what it once meant to pass as white, Masked pays close attention to Leonowens’s midlevel origins in British India, her education at a Bombay charity school for Eurasian children, her material and social milieu in Australia and Singapore, the stresses she endured in Bangkok as a working widow, the latent melancholy that often afflicted her, the problematic aspects of her self-invention, and the welcome she found in America, where a circle of elite New England abolitionists who knew nothing about Southeast Asia gave her their uncritical support. Her embellished story would again capture America’s imagination as World War II ended and a newly interventionist United States looked toward Asia.

Best Books for General Audiences, selected by the American Association of School Librarians

Best Regional Special Interest Boosk, selected by the Public Library Reviewers

This book—beautifully photographed and engagingly written—introduces hardworking, resourceful men and women who represent an artisanal craft that has roots in Europe but has been a Wisconsin tradition since the 1850s. Wisconsin produces more than 600 varieties of cheese, from massive wheels of cheddar and swiss to bricks of brick and limburger, to such specialties as crescenza-stracchino and juustoleipa. These masters combine tradition, technology, artistry, and years of dedicated learning—in a profession that depends on fickle, living ingredients—to create the rich tastes and beautiful presentation of their skillfully crafted products.
    Certification as a Master Cheesemaker typically takes almost fifteen years. An applicant must hold a cheesemaking license for at least ten years, create one or two chosen varieties of cheese for at least five years, take more than two years of university courses, consent to constant testing of their cheese and evaluation of their plant, and pass grueling oral and written exams to be awarded the prestigious title.
    James Norton and Becca Dilley interviewed these dairy artisans, listened to their stories, tasted their cheeses, and explored the plants where they work. They offer here profiles of forty-three active Master Cheesemakers of Wisconsin, as well as a glossary of cheesemaking terms, suggestions of operations that welcome visitors for tours, tasting notes and suggested food pairings, and tasty nuggets (shall we say curds?) of information on everything to do with cheese.

 

 

Winner, Best Midwest Regional Interest Book, Midwest Book Awards

Theodore J. Karamanski's sweeping maritime history demonstrates the far-ranging impact that the tools and infrastructure developed for navigating the Great Lakes had on the national economies, politics, and environment of continental North America. Synthesizing popular as well as original historical scholarship, Karamanski weaves a colorful narrative illustrating how disparate private and government interests transformed these vast and dangerous waters into the largest inland water transportation system in the world.
Karamanski explores both the navigational and sailing tools of First Nations peoples and the dismissive and foolhardy attitude of early European maritime sailors. He investigates the role played by commercial boats in the Underground Railroad, as well as how the federal development of crucial navigational resources exacerbated sectionalism in the antebellum United States. Ultimately Mastering the Inland Sea shows the undeniable environmental impact of technologies used by the modern commercial maritime industry. This expansive story illuminates the symbiotic relationship between infrastructure investment in the region's interconnected waterways and North America's lasting economic and political development.

    When Moniek (Morris) Goldner and his family were uprooted from their Polish farming village during a German action, the child-sized sixteen-year-old fled into the forests. He eventually met up with his father, who had also escaped, and together they managed to survive until a former friend betrayed the pair. Wounded and left for dead beneath his father’s murdered body, Goldner was rescued by the enigmatic outlaw Jan Kopec, who was also in hiding, looking for ways to profit from his criminal expertise.
    For eighteen months Kopec hid the boy with him, moving from one area to another, often staying in hideouts he had fashioned years earlier. At first Kopec trained Goldner simply to serve as his accomplice in robberies and black market activities. But before long he pushed the training to a whole new level, making it possible for him to sell Goldner’s services to a shadowy resistance group which was becoming interested in the daring young saboteur.
    And through it all, these two disparate personalities—the quiet, small-framed boy and the stocky, callous mercenary—forged an remarkable friendship and co-dependency born of need and desperation in a hellish time and place.

Ancient and medieval literary texts often call attention to their existence as physical objects. Shane Butler helps us to understand why. Arguing that writing has always been as much a material struggle as an intellectual one, The Matter of the Page offers timely lessons for the digital age about how creativity works and why literature moves us.
    Butler begins with some considerations about the materiality of the literary text, both as a process (the draft) and a product (the book), and he traces the curious history of “the page” from scroll to manuscript codex to printed book and beyond. He then offers a series of unforgettable portraits of authors at work: Thucydides struggling to describe his own diseased body; Vergil ready to burn an epic poem he could not finish; Lucretius wrestling with words even as he fights the madness that will drive him to suicide; Cicero mesmerized by the thought of erasing his entire career; Seneca plumbing the depths of the soul in the wax of his tablets; and Dhuoda, who sees the book she writes as a door, a tunnel, a womb. Butler reveals how the work of writing transformed each of these authors into his or her own first reader, and he explains what this metamorphosis teaches us about how we too should read.
    All Greek and Latin quotations are translated into English and technical matters are carefully explained for general readers, with scholarly details in the notes.

In 1963 David P. Sandgren went to Kenya to teach in a small, rural school for boys, where he remained for the next four years. These were heady times for Kenyans, as the nation gained its independence, approved a new constitution, and held its first elections. In the school where Sandgren taught, the sons of Gikuyu farmers rose to the challenges of this post colonial era and, in time, entered Kenyan society as adults, joining Kenya’s first generation of post colonial elites.
    In Mau Mau’s Children, Sandgren has reconnects with these former students. Drawing on more than one hundred interviews, he provides readers with a collective biography of the lives of Kenya’s first postcolonial elite, stretching from their 1940s childhood to the peak of their careers in the 1990s. Through these interviews, Mau Mau’s Children shows the trauma of growing up during the Mau Mau Rebellion, the nature of nationalism in Kenya, the new generational conflicts arising, and the significance of education and Gikuyu ethnicity on his students' path to success.

Called the King of the Pulps, Frederick Schiller Faust, aka Max Brand, wrote nearly 400 Westerns from The Untamed to Destry Rides Again—a total of more than 220 books in this genre. Yet Max Brand also created Dr. Kildare (of books, films, and television) and wrote under twenty-one pseudonyms, in another dozen genres. This book removes the mask, with deeply personal memoirs from family, friends and fellow writers, taking us through his orphaned boyhood on the brutal ranches of California, his frustrating decades in Italy, as both a classical poet and a fast-action pulpist, to his heroic death as a war correspondent on the World War II battlefields. Faust’s life story is augmented by a complete bibliography of his work—over a thousand books, stories, and films—plus the first listing of works about Faust.

Mazel means luck in Yiddish, and luck is the guiding force in this magical and mesmerizing novel that spans three generations. Sasha Saunders is the daughter of a Polish rabbi who abandons the shtetl and wins renown as a Yiddish actress in Warsaw and New York. Her daughter Chloe becomes a professor of classics at Columbia. Chloe’s daughter Phoebe grows up to become a mathematician who is drawn to traditional Judaism and the sort of domestic life her mother and grandmother rejected.

     Compelling, timely, and essential reading for healthcare providers, Meaning in Suffering addresses the multiplicity of meanings suffering brings to all it touches: patients, families, health workers, and human science professionals. Examining suffering in writing that is both methodologically rigorous and accessible, the contributors preserve first-hand experiences using narrative ethnography, existential hermeneutics, hermeneutic phenomenology, and traditional ethnography. They offer nuanced insights into suffering as a human condition experienced by persons deserving of dignity, empathy, and understanding. Collectively, these essays demonstrate that understanding the suffering of the "other" reveals something vital about the moral courage required to heal—and stay humane—in the face of suffering.

 

 

Winner, Nursing Research Category, American Journal of Nursing

“A work of great breadth, originality, and distinction.  Rarely do we see such a successful marriage between historical demography and the history of medicine.  The interconnections between population increase, migration and immigration on the one hand, and disease and the development of medicine on the other in antebellum America are brilliantly presented.”—Irvine Loudon, Bulletin of the History of Medicine
 

Winner of the 2008 Brittingham Prize in Poetry, selected by David St. John

From tumult to catharsis, the poems in Philip Pardi’s first collection, Meditations on Rising and Falling, explore the emotional tug-of-war that is the human experience. Present at every turn are people searching for meaning and sense in an elusive world: a doorman who plans to punch the senator who never speaks to him, a son who discusses ornithology with his father’s dying friend, a roofer who copes with his past as he senses his imminent fall to the ground. While the poems are witness to the turmoil of both body and soul, they are not without hope. Pardi finds grace in noise, and happiness in the mourning doves, showing us that often, the reasons for disbelief become precisely the reasons for belief. Pardi’s collection is a testimony to faith and resistance in a world where “falling is the given.”

 

When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbor, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the nation’s most highly segregated cities—Milwaukee, Wisconsin—Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past. In nine stories told from diverse perspectives, Jennifer Morales captures a Rust Belt city’s struggle to establish a common ground and a collective vision of the future.
            Morales gives life to multifaceted characters—white schoolteachers and senior citizens, Latino landlords, black and Puerto Rican teens, political activists, and Vietnam vets. As their lives unfold in these stories, we learn about Johnquell’s family—his grandparents’ involvement in the local Black Panther Party, his sister’s on-again, off-again friendship with a white classmate, and his aunt’s identity crisis as she finds herself falling in love with a woman. We also meet Johnquell’s mother, Gloria, and his school friend Taquan, who is struggling to chart his own future.
            As an activist mother in the thick of Milwaukee politics, Morales developed a keen ear and a tender heart for the kids who have inherited the city’s troubled racial legacy. With a critical eye on promises unfulfilled, Meet Me Halfway raises questions about the notion of a “postracial” society and, with humor and compassion, lifts up the day-to-day work needed to get there.

Runner-up, Short Story/Anthology, Midwest Book Awards

Best books for public & secondary school libraries from university presses, American Library Association

Wisconsin representative for “Great Lakes Reads,” Library of Congress Center for the Book and its affiliated Midwest centers

Outstanding Achievement Award, Wisconsin Library Association (one of ten 2015 books chosen)

Eber and Neal address some of the theoretical issues connected with symbolic constructions of reality through human memory and its subsequent representation. Linkages between what we remember and how we represent it give humans their distinctive characteristics. We construct our reality from how we perceive the events in our lives and, from that reality, we create a symbol system to describe our world. It is through such symbolic constructions that we are provided with a usable backdrop for shaping our memories and organizing them into meaningful lines of action.
          These case studies present a new and creative synthesis of the multiple meanings of memory and representation within the context of contemporary perceptions of truth.

After twenty-one years of military dictatorship, Brazil returned to democratic rule in 1985. Yet over the following two decades, the country largely ignored human rights crimes committed by state security agents, crimes that included the torture, murder, and disappearance of those who opposed the authoritarian regime.
            In clear and engaging prose, Rebecca J. Atencio tells the story of the slow turn to memory in Brazil, a turn that has taken place in both politics and in cultural production. She shows how testimonial literature, telenovelas, literary novels, theatrical plays, and memorials have interacted with policies adopted by the Brazilian state, often in unexpected ways. Under the right circumstances, official and cultural forms of reckoning combine in Brazil to produce what Atencio calls cycles of cultural memory. Novel meanings of the past are forged, and new cultural works are inspired, thus creating the possibility for further turns in the cycle.
            The first book to analyze Brazil’s reckoning with dictatorship through both institutional and cultural means, Memory’s Turn is a rich, informative exploration of the interplay between these different modes of memory reconstruction.

Winner, Alfred B. Thomas Award, Southeastern Council of Latin American Studies

Honorable Mention, Roberto Reis Book Prize, Brazilian Studies Association

Women’s labor—producing both crops and children—has long been the linchpin of male status and power throughout Africa. This book lucidly interprets the intricate relations of gender to state-building in Africa by looking historically at control over production and reproduction, from the nineteenth century to the present. Miriam Goheen examines struggles over power within the Nso chiefdom in the highlands of Western Cameroon, between the chiefdom and the state, and between men and women, as the women increasingly reject traditional marriages.
    Based on a decade of fieldwork, this work tracks the negotiations between chiefs and subchiefs and women and men over ritual power, economic power, and administrative power. Though Nso men obviously dominate their society at both the local level and nationally, women have had power of their own by virtue of their status as women. Men may own the land, for example, but women control the crops through their labor . Goheen explains clearly the place of gender in very complex historical processes, such as land tenure systems, title societies, chieftancy, marriage systems, changing ideas of symbolic capital, and internal and external politics.
    In examining women’s resistance to traditional patterns of marriage, Goheen raises the question of whether such actions truly change the balance of power between the sexes, or whether resistance to marriage is instead fostering the formation of a new elite class, since it is only the better-educated women of wealthier families who can change the dynamic of power and labor within the household.
    The issues raised in this book are not unique to Nso but apply throughout the African subcontinent. Written in a straightforward way with much of the theoretical argument in footnotes, Men Own the Fields, Women Own the Crops marshals important arguments of wide relevance in present-day Africa.

Archaeologists identify the Menomini as descendants of the Middle Woodland Indians, who flourished in the area for thousands of years before the first Europeans arrived. According to Menomini legend, their people emerged from the ground near the mouth of the Menominee River. It was along that river that Sieur Jean Nicolet first encountered the Menomini in 1634.
    The Menomini, a peaceful people, lived by farming, hunting, fishing, and gathering wild rice. Perhaps because of their peaceful nature their name was not generally found in the white military annals, and they were largely unknown until 1892, when Walter James Hoffman published a detailed ethnographic account of them.
    Felix Keesing's classic 1939 work on the Menomini is one of the most detailed, authoritative, and useful accounts of their history and culture. It superseded Hoffman's earlier work because of Keesing's modern methods of research. This work was among the first monographs on an American Indian people to employ a model of acculturation, and it is also an excellent early example of what is now called ethnohistory. It served as a model of anthropological research for decades after its publication.
    Keesing's work, reprinted in this new Wisconsin edition, will continue to serve as a comprehensive introduction for the general reader, a book respected by both anthropologists and historians, and by the Menomini themselves. It is still the most important study of Menomini life up until 1939.

    Mexico City is one of Latin America’s cultural capitals, and one of the most vibrant urban spaces in the world. The Mexico City Reader is an anthology of "Cronicas"—short, hybrid texts that are part literary essay, part urban reportage—about life in the capital. This is not the "City of Palaces" of yesteryear, but the vibrant, chaotic, anarchic urban space of the1980s and 1990s—the city of garbage mafias, necrophiliac artists, and kitschy millionaires.
    Like the visitor wandering through the city streets, the reader will be constantly surprised by the visions encountered in this mosaic of writings—a textual space brimming with life and crowded with flâneurs, flirtatious students, Indian dancers,
food vendors, fortune tellers, political activists, and peasant protesters.
    The essays included in this anthology were written by a panoply of writers, from well-known authors like Carlos Monsiváis and Jorge Ibagüengoitia to younger figures like Fabrizio Mejía Madrid and Juieta García González, all of whom are experienced practitioners of the city. The texts collected in this anthology are among the most striking examples of this concomitant "theory and practice" of Mexico City, that most delirious of megalopolises.


“[An] exciting literary journey . . .”—Carolyn Malloy, Multicultural Review

Remember, to be

human is to be broken

&, to be broken, is to

see the almond blossom burst

     under the closed eyelids of

your beloved.
—Excerpt from “xxiii. (interlude: prayer for Gaza)”

Joan Crawford forged a new and successful screen image in this powerful women's noir film; winning her an Academy Award for best actress.

Albert J. LaValley's through and insightful guide to Mildred Pierce at once tells us much about the making of this complex film, the problems and process of transferring the story to the screen, the specific and important roles of the producer, director, and set designer, and how the film relates to broad trends within the industry. It is without a doubt the most thorough treatment of this important American motion picture.

While Louis XVIII, Charles X, and Louis Philippe ruled in France, a vast majority of politically unenfranchised Frenchmen were developing their own subculture. Only recently literate, they fashioned their own literature. It consisted of two important genres: the popular novel and the melodrama. As we trace these genres from the turn of the nineteenth century until that moment of February 25, 1848, when the Second Republic was declared, we are also led to a detailed scrutiny of the injustices which the immense majority of the French suffered and of the political causes they espoused. The succession of heroes and villains in their literature mirrored accurately the fears and hopes they felt.

Many consider Pulitzer Prize-winning composer Milton Babbitt to be the preeminent figure in post-World War II American music. Beyond the extraordinary power of his music, he is also, as he says, “somewhat known as a talker.” In fact, he is renowned as an energetic teacher and inspired lecturer.
    In 1983 at the University of Wisconsin–Madison, Babbitt presented a concise summary of his most essential musical insights in a series of lectures and seminars. These are gathered here, presenting for the first time in book form a comprehensive overview of the subjects that have formed the core of his teaching for the past forty years.
    Babbitt’s central concern in these lectures is the twelve-tone tradition with which he is so closely identified. His discussion of this tradition ranges from close consideration of specific compositional problems to frank evaluation of his own position in that tradition. In his characteristically penetrating way, Babbitt discusses the most controversial issues in twentieth-century music, from serialism and atonality to the responsibility of the listener and the place of music in the university.
    Until now, few have had direct exposure to Babbitt’s ideas. In Madison, he spoke to a variety of audiences and, because of the pedagogical context, his presentation was direct and explanatory. This volume preserves the dazzling constructions and spontaneous excitement of his spoken language.
    At the time of publication, Milton Babbitt was William Shubael Conant Professor of Music Emeritus at Princeton University. He has been showered with awards during his long and distinguished career, including the Pulitzer Prize (1982) and a prestigious MacArthur Fellowship (1986). He was a member of the National Institute of Arts and Letters and a Fellow of the American Academy of Arts and Sciences.

A Mind of Her Own:  Helen Connor Laird and Family 1888–1982 captures the public achievement and private pain of a remarkable Wisconsin woman and her family, whose interests and influence extended well beyond the borders of the state. Spanning almost a century, the history speaks to the way we were and are: a stridently materialistic nation with a deep and persistent spiritual component.

How and why do trout think? How do they decide where to eat and which food to eat? Why do they refuse to behave as predicted, stumping anglers by rejecting a larger fly for a smaller one or not responding at all to anything in an angler’s box? How do trout know to bolt to one particular covered area after being hooked or flushed? Why can trout smell better than humans but not remember as well? Citing the most recent scientific findings in a readily understandable form, Thomas C. Grubb, Jr. addresses these questions and more in The Mind of the Trout. It is the first book to bring together many varied concepts of cognitive ecology as applied to trout and their salmonid relatives: char, salmon, grayling, and whitefish.

Based on four years of travel and research, Minnesota’s Best Breweries and Brewpubs is a welcome addition to Robin Shepard’s series of guides to the best of the Midwest’s beer industries. From large-scale breweries such as Cold Spring, to chains like Granite City, to individual brewpubs like Fitger’s Brewhouse, Shepard provides commentary for more than thirty beer makers and three-hundred Minnesota beers. Accessible enough for people at all stages in their journeys to discover great-tasting beer, the information-packed guidebook also features a list of helpful books and websites, as well as information on Minnesota’s beer tastings and festivals.
    For each brewery and brewpub site you’ll find:
    • a description and brief history, plus many “don’t miss” features
    • a description of beers on tap and a list of seasonal and specialty beers
    • a space for the brewmaster’s autograph
    • notes on the pub food, with recommendations
    • suggestions of nearby sights and activities
    • general directions to the location
    • Shepard’s personal ratings of the experience, plus room to add your own.

Latin American history—the stuff of wars, elections, conquests, inventions, colonization, and all those other events and processes attributed to adults—has also been lived and partially forged by children. Taking a fresh look at Latin American and Caribbean society over the course of more than half a millennium, this book explores how the omission of children from the region's historiography may in fact be no small matter.
    Children currently make up one-third of the population of Latin America and the Caribbean, and over the centuries they have worked, played, worshipped, committed crimes, and fought and suffered in wars. Regarded as more promising converts to the Christian faith than adults, children were vital in European efforts to invent loyal subjects during the colonial era. In the contemporary economies of Latin America and the Caribbean—where 23 percent of people live on a dollar per day or less—the labor of children may spell the difference between survival and starvation for millions of households.
    Minor Omissions brings together scholars of history, anthropology, religion, and art history as well as a talented young author who has lived in the streets of a Brazilian city since the age of nine. The book closes with the prophetic dystopian tale "The Children's Rebellion" by the noted Uruguayan writer Cristina Peri Rossi.

The history of the study of popular culture in American academic since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of american culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and oppostion, but when the issues are clarified, often oppoosition and anxiety melt away, as they are now doing.

            The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.

Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans’ defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences.
    Zanker’s exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand.

Can the individual and society be both moral and imaginative? In Western society the moral person tends to be regarded as either simple and naive or narrow and bigoted. In contrast, the imaginative person is looked on as someone not bound by the customs of the group and therefore likely to be fanciful and out of touch with reality.

When Wisconsin became the first state in the nation in 1959 to let public employees bargain with their employers, the legislation catalyzed changes to labor laws across the country. In March 2011, when newly elected governor Scott Walker repealed most of that labor law and subsequent ones—and then became the first governor in the nation to survive a recall election fifteen months later—it sent a different message. Both times, Wisconsin took the lead, first empowering public unions and then weakening them. This book recounts the battle between the Republican governor and the unions.

            The struggle drew the attention of the country and the notice of the world, launching Walker as a national star for the Republican Party and simultaneously energizing and damaging the American labor movement. Madison was the site of one unprecedented spectacle after another: 1:00 a.m. parliamentary maneuvers, a camel slipping on icy Madison streets as union firefighters rushed to assist, massive nonviolent street protests, and a weeks-long occupation that blocked the marble halls of the Capitol and made its rotunda ring.

            Jason Stein and Patrick Marley, award-winning journalists for the Milwaukee Journal Sentinel, covered the fight firsthand. They center their account on the frantic efforts of state officials meeting openly and in the Capitol's elegant backrooms as protesters demonstrated outside. Conducting new in-depth interviews with elected officials, labor leaders, police officers, protestors, and other key figures, and drawing on new documents and their own years of experience as statehouse reporters, Stein and Marley have written a gripping account of the wildest sixteen months in Wisconsin politics since the era of Joe McCarthy. They offer new insights on the origins of Walker's wide-ranging budget-repair bill, which included the provision to end public-sector collective bargaining; the Senate Democrats' decision to leave the state to try to block the bill; Democrats' talks with both union leaders and Republicans while in Illinois; and the reasons why compromise has become, as one Republican dissenter put it, a "dirty word" in politics today.

When The Leavenworth Case, Anna Katharine Green’s first novel, was published in 1878, it quickly became a bestseller as well as a seminal work of detective fiction. Critics were to perceive Green’s work as the link to Edgar Allan Poe in the American line of classic detective fiction. But the development of serial detectives is perhaps her greatest achievement. (Ebenezer Gryce of the New York Metropolitan Police, who makes his first appearance in 1878, precedes Sherlock Holmes by almost a decade.)
    In examining the life and works of Anna Katharine Green, one discovers a slice of American life: in the social events of New York City, in the plight of young working women, in the moral dilemmas of upright citizens pursuing the American dream.

In the nineteenth century, infants were commonly breast-fed; by the middle of the twentieth century, women typically bottle-fed their babies on the advice of their doctors.  In this book, Rima D. Apple discloses and analyzes the complex interactions of science, medicine, economics, and culture that underlie this dramatic shift in infant-care practices and women’s lives.
    As infant feeding became the keystone of the emerging specialty of pediatrics in the twentieth century, the manufacture of infant food became a lucrative industry.  More and more mothers reported difficulty in nursing their babies.  While physicians were establishing themselves and the scientific experts and the infant-food industry was hawking the scientific bases of their products, women embraced “scientific motherhood,” believing that science could shape child care practices.  The commercialization and medicalization of infant care established an environment that made bottle feeding not only less feared by many mothers, but indeed “natural” and “necessary.”  Focusing on the history of infant feeding, this book clarifies the major elements involved in the complex and sometimes contradictory interaction between women and the medical profession, revealing much about the changing roles of mothers and physicians in American society.

“The strength of Apple’s book is her ability to indicate how the mutual interests of mothers, doctors, and manufacturers led to the transformation of infant feeding. . . . Historians of science will be impressed with the way she probes the connections between the medical profession and the manufacturers and with her ability to demonstrate how medical theories were translated into medical practice.”—Janet Golden, Isis
 

The Mouths of Grazing Things is an unflinching, lyrical meditation on nature’s forced exodus from the human, and the forms of longing, estrangement, magnetism, and self-otherness that ensue. Arrestingly tender and fiercely protective of where nature lurks in and out of us still, Boyden translates for a new landscape where a brain in a jar is anchored by an apple, a fly-tying fisherman finds love songs to fish scattered among the barber’s sweepings, and the players at “the most dangerous playground in the world” prepare for anything with one fist clenched and the other full of sugar. In poems built to survive an unsafe journey, this book delivers the now-beyond, the almost-was, the near-forgotten, and the just-in-time.

Moving Lessons is an insightful and sophisticated look at the origins and influence of dance in American universities, focusing on Margaret H'Doubler, who established the first university courses and the first degree program in dance (at the University of Wisconsin). Dance educator and historian Janice Ross shows that H'Doubler (1889–1982) was both emblematic of her time and an innovator who made deep imprints in American culture. An authentic "New Woman," H'Doubler emerged from a sheltered female Victorian world to take action in the public sphere. She changed the way Americans thought, not just about female physicality but also about higher education for women.
    Ross brings together many discourses—from dance history, pedagogical theory, women's history, feminist theory, American history, and the history of the body—in intelligent, exciting, and illuminating ways and adds a new chapter to each of them. She shows how H'Doubler, like Isadora Duncan and other modern dancers, helped to raise dance in the eyes of the middle class from its despised status as lower-class entertainment and "dangerous" social interaction to a serious enterprise. Taking a nuanced critical approach to the history of women's bodies and their representations, Moving Lessons fills a very large gap in the history of dance education.

Focusing on the works of Grau, Tyler, and Godwin, Susan S. Kissel shows how these writers portray their white southern women protagonists as “moving on,” with their heroines not only renouncing southern patriarchal tradition but actually establishing independent lives and caring communities. These authors are beginning to close the gap that has existed between themselves and black Southern women writers, whose protagonists have long shown that the strength and independence of female maturity must be synonymous with complete character development.

The poems in Mrs. Dumpty are about “a great fall,” the dissolution of a long and loving marriage, but they are not simply documentary or elegiac. What interests Chana Bloch is the inner life: how we are formed by our losses and our parents’ losses, how we learn what we need to know through our intuitions and confusions, how we deny and delay and finally discover who we are.

The cave of Lascaux may be closed to the public, but five scholars a day are allowed inside, and Nora Barnes has finagled an appointment. True, she may have fudged a bit in her letter to the authorities, but she does teach art history, and she isn’t about to miss her chance to see the world’s most famous prehistoric paintings. Nora and her high-spirited husband, Toby, are visiting the Dordogne, in the southern French region of the Aquitaine. Aware that the Dordogne’s renown for cave art is matched only by its reputation for delicious cuisine, the couple has also signed up for a cooking class at a nearby château, but they soon find that more than food is on their minds.
    During their tour of the cave, another visitor is murdered. When the local inspector pegs Nora and Toby as suspects, they embark on a mission to solve the crime, tracing strange links between a Cro-Magnon symbol and a thirteenth-century religious cult. As they match wits with the crusty inspector, Nora finds herself immersed in the notebooks of a forgotten artist who once lived in the château. In sifting through the artist’s papers and uncovering old secrets, she begins to piece together the motives for the murder. But has she cooked up more trouble than she can handle?

Best Books for General Audiences, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers

This book explores the inter-relationships between Agatha Christie and her works to seek the wholeness in the Christie experience. The authors perceive an integration in personal experience and moral and aesthetic values between the woman and her art.

Cusic examines the music business in the context of popular culture, the ways that popular music is disseminated in the American commercial market, the money flow, talent acquisition and development, artwork and promotion, and the strategies of multinational recording companies as they market music to consumers through media and retailers. He also discusses the marketing of specialty music—classical, gospel, jazz, bluegrass, rap, and folk, by small independent labels.

Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling “the walls of his room with piteous petitions to be released, all written in the Arabic language,” as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic.
    In A Muslim American Slave, scholar and translator Ala Alryyes offers both a definitive translation and an authoritative edition of this singularly important work, lending new insights into the early history of Islam in America and exploring the multiple, shifting interpretations of Ibn Said’s narrative by the nineteenth-century missionaries, ethnographers, and intellectuals who championed it.
    This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction, contextual essays and historical commentary by leading literary critics and scholars of Islam and the African diaspora, photographs, maps, and other writings by Omar Ibn Said. The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms.
    This edition presents the English translation on pages facing facsimile pages of Ibn Said’s Arabic narrative, augmented by Alryyes’s comprehensive introduction and by photographs, maps, and other writings by Omar Ibn Said. The volume also includes contextual essays and historical commentary by literary critics and scholars of Islam and the African diaspora: Michael A. Gomez, Allan D. Austin, Robert J. Allison, Sylviane A. Diouf, Ghada Osman, and Camille F. Forbes.  The result is an invaluable addition to our understanding of writings by enslaved Americans and a timely reminder that “Islam” and “America” are not mutually exclusive terms.


Best Books for General Audiences, selected by the American Association of School Librarians

            Mwalim Azara Mudira opened a school of theology for Muslim women. Nazlin Omar Rajput of The Nur magazine was a pioneer in reporting on HIV/AIDS in the Muslim community. Amina Abubakar, host of a women's radio show, has publicly addressed the sensitive subject of sexual crimes against Muslim women. Two women who are members of parliament are creating new socioeconomic and political opportunities for girls and women, within a framework that still embraces traditional values of marriage and motherhood.

            Examining the interplay of gender, agency, and autonomy, Ousseina D. Alidou shows how these Muslim women have effected change in the home, the school, the mosque, the media, and more—and she illuminates their determination as actors to challenge the oppressive influences of male-dominated power structures. In looking at differences as opportunities rather than obstacles, these women reflect a new sensibility among Muslim women and an effort to redefine the meaning of women's citizenship within their own community of faith and within the nation.

Kim Hewitt explores self-mutilation through history and across cultural divisions, finding these acts “positive expressions of social custom, individualism and resourcefulness . . . symptomatic of crises of identity, religious faith, or modern social structures.” In modern contexts, such ancient rituals continue to function as an avenue of symbolic death and rebirth. In her analysis of the origins and motivations of body modification, the author draws upon psychological, medical, and cultural theories on self-inflicted pain—tattooing and scarification as well as fasting, bulimia, and some performance art. She finds such contemporary acts of self-mutilation may “express a change in how society perceives marginalization.”

From Elizabeth Taylor, Bette Midler, and Diana Ross to Queen Elizabeth I, Julia Child, and Princess Leia, these divas have been sister, alter ego, fairy godmother, or model for survival to gay men and the closeted boys they once were. And anyone—straight or gay, young or old, male or female—who ever needed a muse, or found one, will see their own longing mirrored here as well.
    These witty and poignant short essays explore reasons for diva-worship as diverse as the writers themselves. My Diva offers both depth and glamour as it pays tribute with joy, intelligence, and fierce, fierce love.
 

 

Finalist, Lambda Book Award for LGBT Anthology, Lambda Literary Foundation

In My Father’s Books, the first volume in Luan Starova’s multivolume Balkan Saga, he explores themes of history, displacement, and identity under three turbulent regimes—Ottoman, Fascist, and Stalinist—in the twentieth century. Weaving a story from the threads of his parents’ lives from 1926 to 1976, he offers a child’s-eye view of personal relationships in shifting political landscapes and an elegiac reminder of the enduring power of books to sustain a literate culture.
    Through lyrical waves of memory, Starova reveals his family’s overlapping religious, linguistic, national, and cultural histories. His father left Constantinople as the Ottoman Empire collapsed, and the young family fled from Albania to Yugoslav Macedonia when Luan was a boy. His parents, cosmopolitan and well-traveled in their youth, and steeped in the cultures of both Orient and Occident, find themselves raising their children in yet another stagnant and repressive state. Against this backdrop, Starova remembers the protected spaces of his childhood—his mother’s walled garden, his father’s library, the cupboard holding the rarest and most precious of his father’s books. Preserving a lost heritage, these books also open up a world that seems wide, deep, and boundless.

The word “tyrant” carries negative connotations, but in this new collection, Joanne Diaz tries to understand what makes tyranny so compelling, even seductive. These dynamic, funny, often poignant poems investigate the nature of tyranny in all of its forms—political, cultural, familial, and erotic. Poems about Stalin, Lenin, and Castro appear beside poems about deeply personal histories. The result is a powerful exploration of desire, grief, and loss in a world where private relationships are always illuminated and informed by larger, more despotic forces.

Winner, Midwest Book Award for Poetry, Midwest Independent Publishers Association

Haunted by his parents’ horrific suffering and traumatic losses under Nazi rule, Lev Raphael grew up loathing everything German. Those feelings shaped his Jewish identity, his life, and his career. While researching his mother’s war years after her death, he discovers a distant relative living in the very city where she had worked in a slave labor camp, found freedom, and met his father. Soon after, Raphael is launched on book tours in Germany and, in the process, redefines himself as someone unafraid to face the past and let it go.

Bookmarks, “Top Ten Nonfiction Titles of 2009”

In the 1950s, baby boomer Donna Solecka Urbikas grew up in the American Midwest yearning for a "normal" American family. But during World War II, her Polish-born mother and half sister had endured hunger, disease, and desperate escape from slave labor in Siberia. War and exile created a profound bond between mother and older daughter, one that Donna would struggle to find with either of them. In this unforgettable memoir, Donna recounts her family history and her own survivor's story, finally understanding the damaged mother who had saved her sister.

In 1992, Julie Tarney’s only child, Harry, told her, “Inside my head I’m a girl.” He was two years old.

Julie had no idea what that meant. She felt disoriented. Wasn’t it her role to encourage and support her child? Surely she had to set some limits to his self-expression—or did she? Would he be bullied? Could she do the right thing? What was the right thing?

The internet was no help, because there was no internet. And there were zero books for a mom scrambling to understand a toddler who had definite ideas about his gender, regardless of how Nature had endowed him. Terms such as transgender, gender nonconforming, and gender creative were rare or nonexistent.

There were, however, mainstream experts who theorized that a “sissy” boy was the result of a domineering mother. Julie couldn’t believe it. She didn’t want to care what her neighbors thought, but she did care. “Domineering mother” meant controlling mother. It meant bad mother. It meant her mother.

Lacking a positive role model of her own, and fearful of being judged as a mom who was making her son “too feminine,” Julie embarked on an unexpected parenting path. Despite some missteps, and with no map to guide her, she learned to rely on her instincts. She listened carefully, kept an open mind, and as long as Harry was happy, she let him lead the way. Julie eventually realized that Harry knew who he was all along. Her job was simply to love and support him unconditionally, allowing him to be his authentic self. This story of a mother embracing her child’s uniqueness and her own will resonate with all families.

Winner, inaugural BeOUT Award for LGBTQ Visibility, awarded by Milwaukee Pride

The roles of Africans have changed over time in detective/mystery fiction, reflecting their changing real roles in the continent. These studies provide an entertaining way to follow that changed reality.