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J. M. Coetzee and the Ethics of Reading
Literature in the Event
Derek Attridge
University of Chicago Press, 2004
Nobel Prize-winning novelist J. M. Coetzee is one of the most widely taught contemporary writers, but also one of the most elusive. Many critics who have addressed his work have devoted themselves to rendering it more accessible and acceptable, often playing down the features that discomfort and perplex his readers.

Yet it is just these features, Derek Attridge argues, that give Coetzee's work its haunting power and offer its greatest rewards. Attridge does justice to this power and these rewards in a study that serves as an introduction for readers new to Coetzee and a stimulus for thought for those who know his work well. Without overlooking the South African dimension of his fiction, Attridge treats Coetzee as a writer who raises questions of central importance to current debates both within literary studies and more widely in the ethical arena. Implicit throughout the book is Attridge's view that literature, more than philosophy, politics, or even religion, does singular justice to our ethical impulses and acts. Attridge follows Coetzee's lead in exploring a number of issues such as interpretation and literary judgment, responsibility to the other, trust and betrayal, artistic commitment, confession, and the problematic idea of truth to the self.
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Jab
Mark Halliday
University of Chicago Press, 2002
Human, hunger, happiness, hope, heart, and Halliday all start with h, as does ham. Accident? Maybe! But seldom have the flour of the humanistic and the egg yolk of honesty mixed more swellingly with the yeast of desire and the salt of self-doubt—not to mention the olive paste of ambition.

Halliday has whacked Death and Mutabilitie before, but this time . . . this time he whacks them again. After this Jab, the world will never be the same. Or at least, a few hundred conversations, here and there, will be somewhat affected. Roll over Death, and tell Mutabilitie the news.
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The Jack-Roller
A Delinquent Boy's Own Story
Clifford R. Shaw
University of Chicago Press, 1966
The Jack-Roller tells the story of Stanley, a pseudonym Clifford Shaw gave to his informant and co-author, Michael Peter Majer. Stanley was sixteen years old when Shaw met him in 1923 and had recently been released from the Illinois State Reformatory at Pontiac, after serving a one-year sentence for burglary and jack-rolling (mugging), 

Vivid, authentic, this is the autobiography of a delinquent—his experiences, influences, attitudes, and values. The Jack-Roller helped to establish the life-history or "own story" as an important instrument of sociological research. The book remains as relevant today to the study and treatment of juvenile delinquency and maladjustment as it was when originally published in 1930.

 
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Jacques Derrida
Geoffrey Bennington and Jacques Derrida
University of Chicago Press, 1993
This extraordinary book offers a clear and compelling biography of Jacques Derrida along with one of Derrida's strangest and most unexpected texts. Geoffrey Bennington's account of Derrida leads the reader through the philosopher's familiar yet widely misunderstood work on language and writing to the less familiar themes of signature, sexual difference, law, and affirmation. In an unusual and unprecedented "dialogue," Derrida responds to Bennington's text by interweaving Bennington's text with surprising and disruptive "periphrases." Truly original, this dual and dueling text opens new dimensions in Derrida's thought and work.

"Bennington is a shrewd and well-informed commentator whose book should do something to convince the skeptics . . . that Jacques Derrida's work merits serious attention."—Christopher Norris, New Statesman & Society

"Geoffrey Bennington and Jacques Derrida have presented a fascinating example of what might be called post-structuralist autobiography."—Laurie Volpe, French Review

"Bennington's account of what Derrida is up to is better in almost all respects—more intelligent, more plausible, more readable, and less pretentious—than any other I have read."—Richard Rorty, Contemporary Literature
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Jacques Lacan & Co
A History of Psychoanalysis in France, 1925-1985
Elisabeth Roudinesco
University of Chicago Press, 1990
"Roudinesco provides a finely drawn map of the intellectual debates within French psychoanalysis, especially under the influence of the German emigrés during the 1930s and 1940s. She is a good historian, in that she provides not only a narrative history but also extensive passages from Lacan's own oral-history interviews with the various figures, so that we have not only her commentary but some flavor of the original documentation. Many of the quotes are gems."—Sander I. Gilman, Bulletin of the History of Medicine
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Jaguar
A Story of Africans in America
Paul Stoller
University of Chicago Press, 1999
Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His goal is to become a "Jaguar"—a West African term for a keen entrepreneur able to spot trends and turn a profit in any marketplace. This dynamic world, largely invisible to mainstream culture, is the backdrop of this timely novel.

Faced with economic hardship in Africa, Issa has left his home in Niger and his new wife, Khadija, to seek his fortune in America. Devout Muslims, the couple has entered into a "modern" marriage: Khadija is permitted to run her own business, and Issa has agreed not to take additional wives. Issa quickly adapts to his new surroundings, however, and soon attracts several girlfriends. Aided by a network of immigrants, he easily slips through gaps in the "system" and extends his stay in America indefinitely. Following a circuit of African-American cultural festivals across America, he marvels at African-Americans' attitudes toward Africa, and wonders if he'll ever return to Niger. Meanwhile, Khadija also struggles to make it—to become a "Jaguar"—as she combats loneliness, hostile in-laws, and a traditional, male-dominated society. The eventual success of her dry goods shop and her growing affection for a helpful Arab merchant make her wonder if she'll ever join Issa in America.

Drawing on his own decades of experience among Africans both in Niger and in New York, Paul Stoller offers enormous insight into the complexities of contemporary Africa. Alive with detail, Jaguar is a story of triumph and disappointment, of dislocation and longing, and of life lived in a world that no longer recognizes boundaries.
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Jamaica Genesis
Religion and the Politics of Moral Orders
Diane J. Austin-Broos
University of Chicago Press, 1997
How has Pentecostalism, a decidedly American form of Christian revivalism, managed to achieve such phenomenal religious ascendancy in a former British colony among people of predominately African descent? According to Diane J. Austin-Broos, Pentecostalism has flourished because it successfully mediates between two historically central yet often oppositional themes in Jamaican religious life—the characteristically African striving for personal freedom and happiness, and the Protestant struggle for atonement and salvation through rigorous ethical piety. With its emphasis on the individual experience of grace and on the ritual efficacy of spiritual healing, and with its vibrantly expressive worship, Jamaican Pentecostalism has become a powerful and compelling vehicle for the negotiation of such fundamental issues as gender, sexuality, race, and class. Jamaica Genesis is a work of signal importance to all those concerned not simply with Caribbean studies but with the ongoing transformation of religion andculture.
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James Joyce and the Irish Revolution
The Easter Rising as Modern Event
Luke Gibbons
University of Chicago Press, 2023
A provocative history of Ulysses and the Easter Rising as harbingers of decolonization.
 
When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
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Jammin' at the Margins
Jazz and the American Cinema
Krin Gabbard
University of Chicago Press, 1996
American cinema has long been fascinated by jazz and jazz musicians. Yet most jazz films aren't really about jazz. Rather, as Krin Gabbard shows, they create images of racial and sexual identity, many of which have become inseparable from popular notions of the music itself. In Jammin' at the Margins, Gabbard scrutinizes these films, exploring the fundamental obsessions that American culture has brought to jazz in the cinema.

Gabbard's close look at jazz film biographies, from The Jazz Singer to Bird, reveals Hollywood's reluctance to acknowledge black subjectivity. Black and even white jazz artists have become vehicles for familiar Hollywood conceptions of race, gender, and sexuality. Even Scorsese's New York, New York and Spike Lee's Mo' Better Blues have failed to disentangle themselves from entrenched stereotypes and conventions.

Gabbard also examines Hollywood's confrontation with jazz as an elite art form, and the role of the jazz trumpet as a crucial signifier of masculinity. Finally, he considers the acting careers of Louis Armstrong, Nat King Cole, and Hoagy Carmichael; Duke Ellington's extraordinary work in films from 1929 until the late 1960s; and the forgotten career of Kay Kyser, star of nine Hollywood films and leader of a popular swing band.

This insightful look at the marriage of jazz and film is a major contribution to film, jazz, and cultural studies.
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Jan Patocka
Philosophy and Selected Writings
Erazim Kohák
University of Chicago Press, 1989
One of the most important Central European philosophers of this century, Jan Patocka (1907-77) was a student and heir of Masaryk, Husserl, and Heidegger as well as a philosopher and historian of ideas in his own right. Patocka, who was forced to retire prematurely from Charles University in Prague for his political convictions, died of a brain hemorrhage while under Czech police interrogation for having signed the human rights manifesto Charta 77. Although many of his works are available in French and German, in this volume Erazim Kohák has translated Patocka's central philosophical texts into English for the first time.

As a student and personal friend of Husserl, Patocka was keenly aware of the focal role of reason in the constitution of experienced reality. Simultaneously, as a student of Heidegger, he was no less aware of the irreducible autonomy of that reality. This double recognition led Patocka on a lifelong philosophical quest for a synthesis that would bridge modernity's split between the freedom of humans and the givenness of the world and, more broadly, between the Enlightenment and romanticism. For the philosophical reader, Patocka's perceptive writings provide the most helpful key to understanding the basic modern dialogue acted out by Husserl and Heidegger. Yet Patocka, widely respected for his writings on culture and the arts as well as for his studies of J. A. Comenius and the history of science, offers much more: a comprehensive attempt to come to terms with our intellectual heritage and our divided present.

Kohák, as well as translating the writings, provides a comprehensive introduction, covering the full scope of Patocka's thought, and a complete bibliography of his writings. The result is an intellectually rich volume equally well suited as an introduction to Patocka, an advanced study in phenomenology, and a historical insight into philosophy behind the Iron Curtain since 1938.
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Jane Addams's Evolutionary Theorizing
Constructing “Democracy and Social Ethics”
Marilyn Fischer
University of Chicago Press, 2019
In Jane Addams’s Evolutionary Theorizing, Marilyn Fischer advances the bold and original claim that Addams’s reasoning in her first book, Democracy and Social Ethics, is thoroughly evolutionary. While Democracy and Social Ethics, a foundational text of classical American pragmatism, is praised for advancing a sensitive and sophisticated method of ethical deliberation, Fischer is the first to explore its intellectual roots.
 
Examining essays Addams wrote in the 1890s and showing how they were revised for Democracy and Social Ethics, Fischer draws from philosophy, history, literature, rhetoric, and more to uncover the array of social evolutionary thought Addams engaged with in her texts—from British socialist writings on the evolution of democracy to British and German anthropological accounts of the evolution of morality. By excavating Addams’s evolutionary reasoning and rhetorical strategies, Fischer reveals the depth, subtlety, and richness of Addams’s thought.
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Jane Austen
Women, Politics, and the Novel
Claudia L. Johnson
University of Chicago Press, 1988
"The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology

"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement
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Jane Austen's Cults and Cultures
Claudia L. Johnson
University of Chicago Press, 2012

Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons.

Johnson begins by exploring the most important monuments and portraits of Austen, considering how these artifacts point to an author who is invisible and yet whose image is inseparable from the characters and fictional worlds she created. She then passes through the four critical phases of Austen’s reception—the Victorian era, the First and Second World Wars, and the establishment of the Austen House and Museum in 1949—and ponders what the adoration of Austen has meant to readers over the past two centuries. For her fans, the very concept of “Jane Austen” encapsulates powerful ideas and feelings about history, class, manners, intimacy, language, and the everyday. By respecting the intelligence of past commentary about Austen, Johnson shows, we are able to revisit her work and unearth fresh insights and new critical possibilities.
 
An insightful look at how and why readers have cherished one of our most beloved authors, Jane Austen’s Cults and Cultures will be a valuable addition to the library of any fan of the divine Jane.
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Jane Austen's Names
Riddles, Persons, Places
Margaret Doody
University of Chicago Press, 2015
In Jane Austen’s works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a “big cheese”—the moon’s reflection on the water’s surface. It worked.

In Jane Austen’s Names, Margaret Doody offers a fascinating and comprehensive study of all the names of people and places—real and imaginary—in Austen’s fiction. Austen’s creative choice of names reveals not only her virtuosic talent for riddles and puns. Her names also pick up deep stories from English history, especially the various civil wars, and the blood-tinged differences that played out in the reign of Henry VIII, a period to which she often returns. Considering the major novels alongside unfinished works and juvenilia, Doody shows how Austen’s names signal class tensions as well as regional, ethnic, and religious differences. We gain a new understanding of Austen’s technique of creative anachronism, which plays with and against her skillfully deployed realism—in her books, the conflicts of the past swirl into the tensions of the present, transporting readers beyond the Regency.

Full of insight and surprises for even the most devoted Janeite, Jane Austen’s Names will revolutionize how we read Austen’s fiction.
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Japan
The Intellectual Foundations of Modern Japanese Politics
Tetsuo Najita
University of Chicago Press, 1980
Historians have long been aware of the richness and complexity of the intellectual history of modern Japanese politics. Najita's study, however, is the first in a Western language to present a consistent and broad synthesis of this subject. Najita elucidates the political dynamics of the past two hundred years of Japanese history by focusing on the interplay of restorationism and bureaucratism within the context of Japan's modern revolution, the Meiji Restoration.
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Japanese Civilization
A Comparative View
S. N. Eisenstadt
University of Chicago Press, 1996
S. N. Eisenstadt, one of the world's leading social theorists, provides a monumental synthesis of Japanese history, religion, culture, and social organization. Equipped with a thorough command of the literature, Eisenstadt explores the Japanese historical legacy and its impact on the Japanese experience of modernity. Eschewing the polemicism of structuralist or culturalist approaches, he expands his investigative framework to include a keenly systematic, broadly comparative analysis. What emerges is an innovative new construction, focusing on the nonideological character of Japanese civilization as well as its infinite capacity to recreate community through an ongoing past.

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Japanese Law
An Economic Approach
J. Mark Ramseyer and Minoru Nakazato
University of Chicago Press, 1998
In this introduction to Japanese law, J. Mark Ramseyer and Minoru Nakazato combine an economic approach with a clear and often amusing account of the law itself to challenge commonly held ideas about the law. Arguing against such things as the assumption that Japanese law differs from law in the United States and the idea that law plays only a trivial role in Japan or is culturally determined, this book will be recognized as a major contribution to the understanding of Japanese law.

"A compelling economic analysis. . . . This book remains one of the few concerning Japanese law that successfully brings to life the legal culture of Japan." —Bonnie L. Dixon, New York Law Journal
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Japanese Monetary Policy
Edited by Kenneth J. Singleton
University of Chicago Press, 1993
How has the Bank of Japan (BOJ) helped shape Japan's economic growth during the past two decades? This book comprehensively explores the relations between financial market liberalization and BOJ policies and examines the ways in which these policies promoted economic growth in the 1980s. The authors argue that the structure of Japan's financial markets, particularly restrictions on money-market transactions and the key role of commercial banks in financing corporate investments, allowed the BOJ to influence Japan's economic success.

The first two chapters provide the most in-depth English-language discussion of the BOJ's operating procedures and policymaker's views about how BOJ actions affect the Japanese business cycle. Chapter three explores the impact of the BOJ's distinctive window guidance policy on corporate investment, while chapter four looks at how monetary policy affects the term structure of interest rates in Japan. The final two chapters examine the overall effect of monetary policy on real aggregate economic activity.

This volume will prove invaluable not only to economists interested in the technical operating procedures of the BOJ, but also to those interested in the Japanese economy and in the operation and outcome of monetary reform in general.
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Japan's American Interlude
Kazuo Kawai
University of Chicago Press, 1979
How did the Japanese themselves respond to the American occupation? How were the sweeping reforms—political, social, and economic—of SCAP's program received? How permanent was their effect, and why did some succeed and others fail completely? How successful in the long view was the democratization induced by MacArthur's "artificial revolution"? And what tendencies existing in fundamental Japanese attitudes and history might account for this peculiar success?

The author, Japanese-born and educated in America, a political scientist and journalist, brings his unique experience and knowledge to bear on these questions. The result is a book which tells the story of the American occupation of Japan from the Japanese point of view.
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Java Man
How Two Geologists Changed Our Understanding of Human Evolution
Carl C. Swisher III, Garniss H. Curtis, and Roger Lewin
University of Chicago Press, 2001
"'Garniss, lend me your knife for a second, will you,' I whispered." So begins Java Man, the inside story of how one discovery—a human skull found on the island of Java—by two geologists shook the foundations of science. By uncovering new evidence about the hominid known as Java man, Carl C. Swisher and Garniss H. Curtis were able to date his fossil remains at 1.7 million years, an age that stunned the scientific community because it pushed back the time when humans migrating out of Africa first reached Eurasia by nearly one million years. Cowritten by the popular science writer Roger Lewin, this is a gripping and informative account of the discovery that breathed new life into the human origins debate.

Originally published by Scribner
2000 ISBN: 0-684-80000-4
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Jazz Composition and Orchestration
William Russo
University of Chicago Press, 1968
"Russo has undertaken an ambitious project, attempting to discuss together the elements of music that are commonly treated separately in books on harmony, counterpoint, and orchestration. As such, his new book contains enough musical instruction to be of interest even to students not particularly interested in 'jazz' or Russo's own musical idiom. For the student who wants to compose or arrange for 'jazz' ensembles from dance bands to full orchestras, Russo has shown himself to be a generous source of good advice."—Jon Newsom, Notes
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Jazz Composition and Orchestration
William Russo
University of Chicago Press, 1968
"Russo has undertaken an ambitious project, attempting to discuss together the elements of music that are commonly treated separately in books on harmony, counterpoint, and orchestration. As such, his new book contains enough musical instruction to be of interest even to students not particularly interested in 'jazz' or Russo's own musical idiom. For the student who wants to compose or arrange for 'jazz' ensembles from dance bands to full orchestras, Russo has shown himself to be a generous source of good advice."—Jon Newsom, Notes
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The Jazz Loft Project
Photographs and Tapes of W. Eugene Smith from 821 Sixth Avenue, 1957–1965
W. Eugene Smith and Sam Stephenson
University of Chicago Press, 2023
Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians.
 
In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings.
 
Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.
 
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Jazz on the River
William Howland Kenney
University of Chicago Press, 2005
Just after World War I, the musical style called jazz began a waterborne journey outward from that quintessential haven of romance and decadence, New Orleans. For the first time in any organized way, steam-driven boats left town during the summer months to tramp the Mississippi River, bringing an exotic new music to the rest of the nation. For entrepreneurs promoting jazz, this seemed a promising way to spread northward the exciting sounds of the Crescent City. And the musicians no longer had to wait for folks upriver to make their way down to New Orleans to hear the vibrant rhythms, astonishing improvisations, and new harmonic idioms being created.

Simply put, when jazz went upstream, it went mainstream, and in Jazz on the River, William Howland Kenney brings to life the vibrant history of this music and its seduction of the men and women along America's inland waterways. Here for the first time readers can learn about the lives and music of the levee roustabouts promoting riverboat jazz and their relationships with such great early jazz adventurers as Louis Armstrong, Fate Marable, Warren "Baby" Dodds, and Jess Stacy. Kenney follows the boats from Memphis to St. Louis, where new styles of jazz were soon produced, all the way up the Ohio River, where the music captivated audiences in Cincinnati and Pittsburgh alike.

Jazz on the River concludes with the story of the decline of the old paddle wheelers-and thus riverboat jazz-on the inland waterways after World War II. The enduring silence of our rivers, Kenney argues, reminds us of the loss of such a distinctive musical tradition. But riverboat jazz still lives on in myriad permutations, each one in tune with our own times.
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Jazz Worlds/World Jazz
Edited by Philip V. Bohlman and Goffredo Plastino
University of Chicago Press, 2016
Many regard jazz as the soundtrack of America, born and raised in its cities and echoing throughout its tumultuous century of progress. So when Ernest Hemingway wrote about seeing jazz in 1920s Paris, and when British colonial officials danced to jazz in the clubs of Calcutta in the waning years of the Raj, how, exactly, had it gotten there? Jazz Worlds/World Jazz aims to answer these questions and more, bringing together voices from countries as far flung as Azerbaijan, Armenia, and India to show that the story of jazz is not trapped in American history books but alive in global modernity.
           
Monumental in scope, this book explores the relationship between jazz and culture and how they influence each other across a range of themes and settings. Contributors offer an analysis of the social meaning of jazz in Iran, a look at the genesis of Ethiopian jazz and at Indian fusion, and chapters on jazz diplomacy, Balkan swing, and that French export par excellence: Django Reinhardt. Altogether the contributors approach jazz—in these global iterations—through the themes that have always characterized it at home: place, history, mobility, media, and race. The result is a first-of-its-kind map of jazz around the globe that pays tribute to the players who have given the form its seemingly infinite possibilities. 
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The Jealous Potter
Claude Lévi-Strauss
University of Chicago Press, 1988
As Lévi-Strauss freely explores the mythologies of the Americas, with occasional incursions into European and Japanese folklore, tales of sloths and squirrels interweave with discussions of Freud, Saussure, "signification," and plays by Sophocles and Labiche. Lévi-Strauss critiques psychoanalytic interpretation and defends the interpretive powers of structuralism.

"Electrifying. . . . A brilliant demonstration of structural analysis in action. . . . Can be read with pleasure and profit by anyone interested in that aspect of self-discovery that comes through knowledge of the universal and timeless myths that live on in all of us."—Jonathan Sharp, San Francisco Examiner-Chronicle

"A characteristic tour de force. . . . One remains awed by him."—Colin Thubron, Sunday Times

"With all its epistemological depth, the book reads at times like a Simenon or a Lewis Carroll, fusing concise methodology with mastery of style."—Bernadette Bucher, American Ethnologist

"[An] engagingly provocative exploration of mythology in the Americas. . . . Always a good read."—Choice

"A playful, highly entertaining book, fluently and elegantly translated by Bénédicte Chorier."—Wendy Doniger O'Flaherty, New York Times Book Review



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Jealousy
Experiences and Solutions
Hildegard Baumgart
University of Chicago Press, 1990
Deeply ingrained in human nature, jealousy occurs in everyone's life, with varying intensity and significance. Profoundly puzzling, jealousy provokes humans to irrational, sometimes violent acts against others or against themselves. It is a passion that has fascinated writers, storytellers, and audiences through the ages.

Hildegard Baumgart, a practicing marriage counselor, pursues a multilayered exploration of jealousy that is at once public history, based on literary and cultural records, and private history, drawn from individual clinical cases and psychoanalytic practice. In the process she discovers provocative new answers to two central questions: How can one understand jealousy, whether one's own or another's?

Baumgart focuses on the fear of comparison with the rival that motivates much jealousy, and she shows how this idea is, in fact, built into both mythology and theology. She adroitly combines a rich array of documentation and evidence: detailed, clinical descriptions of the classic dilemmas of love triangles; a history of the concept of jealousy in the Judeo-Christian tradition; examples from the lives and writings of a fascinating gallery of authors (Shakespeare, Tolstoy, and Goethe, among others); discussions of Freud's writings on jealousy and of later psychoanalytic methodologies such as systems analysis, paradoxical intervention, and communications theory.

Throughout her narrative, Baumgart writes with compassion and feeling. Drawing on her personal experience of jealousy, her own psychoanalysis, and anecdotes from her counseling work and the clinical literature at large, she presents many fascinating vignettes of the painful—sometimes crippling—effects of jealousy as seen from the standpoints of both sufferer and therapist. What is more, she offers sensitive and sensible solutions to the problem of jealousy.

Baumgart's intriguing tapestry of the varied manifestations and interpretations of jealousy gives extraordinary resonance to the case histories she describes. In providing such a panoramic view, Jealousy invites everyone—analysts, counselors, sociologists, jealous lovers, and avid readers of advice columns—to reconsider both the cultural significance and personal meaning of this universal emotion.
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Jean-Antoine Houdon
Sculptor of the Enlightenment
Anne L. Poulet
University of Chicago Press, 2003
Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. Yet until now, Houdon's exquisite sculptures have never been the subject of a major exhibition.

This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, Jean-Antoine Houdon: Sculptor of the Enlightenment illustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin Franklin, and Thomas Jefferson. Indeed the images we hold dear of legendary Enlightenment figures like Diderot, Rousseau, d'Alembert, and Voltaire are based on works by Houdon. More than mere representations, these sculptures provide us fascinating, intimate glimpses into the very core of who these figures were. Houdon's genius animated even his less illustrious subjects, like his portraits of his family and friends, and filled his sculptures of children with delicacy and freshness. Accompanying the images of Houdon's masterworks are four insightful essays that discuss Houdon's views on art (based in part on a newly discovered manuscript written by the artist) as well as his prominence in the highly varied cultures of eighteenth-century France, Germany, and Russia.

From aristocrats to revolutionaries, actors to philosophers, Houdon's amazingly vivid portraits constitute the visual record of the Enlightenment and capture the true spirit of a remarkable age. Jean-Antoine Houdon finally gives these gorgeous works their due.
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Jean-Jacques Rousseau
Transparency and Obstruction
Jean Starobinski
University of Chicago Press, 1988
Jean Starobinski, one of Europe's foremost literary critics, examines the life that led Rousseau, who so passionately sought open, transparent communication with others, to accept and even foster obstacles that permitted him to withdraw into himself. First published in France in 1958, Jean-Jacques Rousseau remains Starobinski's most important achievement and, arguably, the most comprehensive book ever written on Rousseau. The text has been extensively revised for this edition and is published here along with seven essays on Rousseau that appeared between 1962 and 1970.
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Jean-Jacques
The Early Life and Work of Jean-Jacques Rousseau, 1712-1754
Maurice Cranston
University of Chicago Press, 1991
In the first volume of his trilogy, noted political philosopher Maurice Cranston draws from original manuscript sources to trace Rousseau's life from his birth in provincial obscurity in Geneva, through his youthful wanderings, to his return to Geneva in 1754 as a celebrated writer and composer.

"[An] admirable biography which is as meticulous, calm, reasonable, and judicious as its subject is passionate and tumultuous."—Keith Michael Baker, Washington Post Book World

"The definitive biography, as scholarly as it is entertaining."—The Economist

"Exceptionally fresh . . . . [Cranston] seems to know exactly what his readers need to know, and thoughtfully enriches the background—both physical and intellectual—of Rousseau's youthful peregrinations . . . . He makes the first part of Rousseau's life as absorbing as a picaresque novel. His fidelity to Rousseau's ideas and to his life as it was lived is a triumph of poise."—Naomi Bliven, The New Yorker

"The most outstanding achievement of Professor Cranston's own distinguished career."—Robert Wokler, Times Literary Supplement

Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.
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Jean-Paul Sartre
Hated Conscience of His Century, Volume 1: Protestant or Protester?
John Gerassi
University of Chicago Press, 1989
Countless biographers have tried to unveil the real Jean-Paul Sartre without his consent or cooperation. Only John Gerassi—the "non-godson" of Sartre, an atheist—was honored with the responsibility of being Sartre's official biographer. After drafting the commission with Sartre on the back of a menu at La Coupole, Gerassi recorded over one hundred hours of interviews with him between 1974 and 1979, and another hundred hours with Sartre's friends, colleagues, and enemies. Gerassi also immersed himself in Sartre's literary, philosophical, and personal writings. Gerassi had access to all of Sartre's files, unpublished manuscripts, and extensive notes for planned but undelivered lectures. Simone de Beauvoir gave many of Sartre's unpublished letters to Gerassi as well. Sartre trusted the integrity of Gerassi so completely that he considered Gerassi's biography to be the continuation of his own autobiography, Les mots. As a personal friend, Gerassi writes with advantages shared by no other biographer of Sartre.
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Jelliffe
American Psychoanalyst and Physician and His Correspondence with Sigmund Freud and C. G. Jung
John C. Burnham
University of Chicago Press, 1983
Smith Ely Jelliffe (1866-1945) was a distinguished American physician who became one of the first psychoanalysts in the world. This book, an account of his life and times, also includes his unpublished and hiterto unknown correspondence with Sigmund Freud and C. G. Jung, a correspondence of nearly thirty years which continued long after the historic break between Freud and Jung. John Burnham, a well-known historian of medicine and psychoanalysis, and William McGuire, the executive editor of Jung's collected works, have based this book on the recently discovered Jelliffe papers, an important collection once believed to have been lost in a fire.

Jelliffe's colorful and versatile career led him from botany and neurology (he was coauthor of a neurology text that remained standard for some forty years) to psychiatry, psychoanalysis (of which he was a founding father in the United States), and psychosomatic medicine (in which he also pioneered). Jelliffe also made outstanding contributions to medical journalism. With William Alanson White he founded the Psychoanalytic Review, and his work as editor of the Journal of Nervous and Mental Disease from 1902 to 1944 may have set a record for editorial longevity. Jelliffe was a charismatic speaker and teacher who in all his roles induced physicians and other thinkers to explore new ideas and ways of thinking.

Jelliffe's correspondence with Jung and Freud illuminates the personal and professional lives of the three men. The letters help to clarify concepts in both the Jungian and Freudian schools. The shifting emphasis of Jelliffe's relationships with the two masters of psychoanalysis—first when the two were colleagues, then for the greater span of time when they were rivals and adversaries—is revealing of Jenlliffe's own flexible views.

Jelliffe, furthermore, provides insights into the history of medicine and medical institutions and customs through Jelliffe's frank accounts of the developing medical profession in America. Jelliffe describes, for example, what it was like for a young M.D. to set up an economically viable practice in the 1890s. In addition, Burnham explores the problem of measuring the influence of a man like Jelliffe upon the history of ideas and institutions.
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Jellyfish
A Natural History
Lisa-ann Gershwin
University of Chicago Press, 2016
Jellyfish, with their undulating umbrella-shaped bells and sprawling tentacles, are as fascinating and beautiful as they are frightening and dangerous. They are found in every ocean at every depth, and they are the oldest multi-organed life form on the planet, having inhabited the ocean for more than five hundred million years. In many places they are also vastly increasing in number, and these population blooms may be an ominous indicator of the rising temperatures and toxicity of the world’s oceans.

Jellyfish presents these aquarium favorites in all their extraordinary and captivating beauty. Fifty unique species, from stalked jellyfish to black sea nettles, are presented in stunning color photographs along with the most current scientific information on their anatomy, history, distribution, position in the water, and environmental status. Foremost jellyfish expert Lisa-ann Gershwin provides an insightful look at the natural history and biology of each of these spellbinding creatures, while offering a timely take on their place in the rapidly changing and deteriorating condition of the oceans. Readers will learn about immortal jellyfish who live and die and live again as well as those who camouflage themselves amid sea grasses and shells, hiding in plain sight.
 
Approachably written and based in the latest science and ecology, this colorful book provides an authoritative guide to these ethereal marine wonders.
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Jerusalem 1900
The Holy City in the Age of Possibilities
Vincent Lemire
University of Chicago Press, 2017
Perhaps the most contested patch of earth in the world, Jerusalem’s Old City experiences consistent violent unrest between Israeli and Palestinian residents, with seemingly no end in sight. Today, Jerusalem’s endless cycle of riots and arrests appears intractable—even unavoidable—and it looks unlikely that harmony will ever be achieved in the city. But with Jerusalem 1900, historian Vincent Lemire shows us that it wasn’t always that way, undoing the familiar notion of Jerusalem as a lost cause and revealing a unique moment in history when a more peaceful future seemed possible.
 
In this masterly history, Lemire uses newly opened archives to explore how Jerusalem’s elite residents of differing faiths cooperated through an intercommunity municipal council they created in the mid-1860s to administer the affairs of all inhabitants and improve their shared city. These residents embraced a spirit of modern urbanism and cultivated a civic identity that transcended religion and reflected the relatively secular and cosmopolitan way of life of Jerusalem at the time. These few years would turn out to be a tipping point in the city’s history—a pivotal moment when the horizon of possibility was still open, before the council broke up in 1934, under British rule, into separate Jewish and Arab factions. Uncovering this often overlooked diplomatic period, Lemire reveals that the struggle over Jerusalem was not historically inevitable—and therefore is not necessarily intractable. Jerusalem 1900 sheds light on how the Holy City once functioned peacefully and illustrates how it might one day do so again.
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A Jest of God
Margaret Laurence
University of Chicago Press, 1993
A thirty-four-year-old school teacher living with her mother, Rachel Cameron feels trapped in an environment of small-town deceit and pettiness—her own and that of others. She longs for contact with another human being who shares her rebellious spirit. Finally, by confronting both love and death, Rachel earns the freedom she desperately needs.

Winner of the Governor General's Literary Award, A Jest of God was also the basis of the movie Rachel, Rachel.

"Mrs. Laurence tells [her story] unsparingly, with absolute authority, using her thorough understanding of Rachel to draw us into her anguish. We know Rachel, sympathize with her, and in a sense, become Rachel, so authentic is her voice. . . . A Jest of God has extraordinary clarity, beautiful detail, as well as the emotional impact of honest confession."—Joan J. Hall, Saturday Review

"Laurence's rendition is close to faultless . . . reaffirming her ability to draw, without pathos, life-sized women. . . . Skillfully wrought and eloquently told."—Marilyn Gardner, Christian Science Monitor

One of Canada's most accomplished writers, Margaret Laurence(1926-1987) was the recipient of many awards, including the prestigious Governer General's Litarary Award for The Diviners and A Jest of God.
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The Jewish Decadence
Jews and the Aesthetics of Modernity
Jonathan Freedman
University of Chicago Press, 2021
As Jewish writers, artists, and intellectuals made their way into Western European and Anglo-American cultural centers, they encountered a society obsessed with decadence. An avant-garde movement characterized by self-consciously artificial art and literature, philosophic pessimism, and an interest in nonnormative sexualities, decadence was also a smear, whereby Jews were viewed as the source of social and cultural decline. In The Jewish Decadence, Jonathan Freedman argues that Jewish engagement with decadence played a major role in the emergence of modernism and the making of Jewish culture from the 1870s to the present.
 
The first to tell this sweeping story, Freedman demonstrates the centrality of decadence to the aesthetics of modernity and its inextricability from Jewishness. Freedman recounts a series of diverse and surprising episodes that he insists do not belong solely to the past, but instead reveal that the identification of Jewishness with decadence persists today.
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Jewish Life in Muslim Libya
Rivals and Relatives
Harvey E. Goldberg
University of Chicago Press, 1990
In 1949 more than 35,000 Jews lived in Libya, but close to ninety percent had left before Libya attained its independence in 1952. Jewish Life in Muslim Libya combines historical and anthropological perspectives in depicting the changing relations between Muslims and Jews in Libya from the early nineteenth century up to the middle of the twentieth century.

Harvey E. Goldberg shows that the cultural and religious worlds of the Jewish and Muslim communities in Libya were deeply intertwined in daily life and largely remained so despite political and social changes under successive Ottoman and Italian rule. He documents the intricate symbolic linkages of Jews and Muslims in different periods and in a variety of settings. His accounts of traditional Jewish weddings, of mock fights between Jewish teams that took place in early nineteenth-century Tripoli, and of the profession of street peddling demonstrate that, despite age-old images of Jews as outsiders or infidels, Jews were also an essential and familiar part of the local Islamic society.

Goldberg's narrative continues through the British Military Administration in Libya, a period which saw growing Libyan nationalism and, in 1945, three days of riots in which more than 130 Jews were killed. Goldberg reflects on how these events both expressed and exacerbated a rupture in the social fabric linking Muslims and Jews, setting the scene for the mass emigration of Libyan Jews from their homeland.
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Jewish Musical Modernism, Old and New
Edited by Philip V. Bohlman
University of Chicago Press, 2009

Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present.

Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the “science of music” as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman’s wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period’s music, this volume is a lavish tribute to Jewish contributions to modernity.

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Jewish Origins of the Psychoanalytic Movement
Dennis B. Klein
University of Chicago Press, 1985
Dennis B. Klein explores the Jewish consciousness of Freud and his followers and the impact of their Jewish self-conceptions on the early psychoanalytic movement. Using little-known sources such as the diaries and papers of Freud's protégé Otto Rank and records of the Vienna B'nai B'rith that document Freud's active participation in that Jewish fraternal society, Klein argues that the feeling of Jewish ethical responsibility, aimed at renewing ties with Germans and with all humanity, stimulated the work of Freud, Rank, and other analysts and constituted the driving force of the psychoanalytic movement.
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Jewish Poet and Intellectual in Seventeenth-Century Venice
The Works of Sarra Copia Sulam in Verse and Prose Along with Writings of Her Contemporaries in Her Praise, Condemnation, or Defense
Sarra Copia Sulam
University of Chicago Press, 2009

The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?–41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon.

For this bilingual edition, Don Harrán has collected all of Sulam’s previously scattered writings—letters, sonnets, a Manifesto—into a single volume. Harrán has also assembled all extant correspondence and poetry that was addressed to Sulam, as well as all known contemporary references to her, making them available to Anglophone readers for the first time. Featuring rich biographical and historical notes that place Sulam in her cultural context, this volume will provide readers with insight into the thought and creativity of a woman who dared to express herself in the male-dominated, overwhelmingly Catholic Venice of her time.

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Jewish Tradition and the Challenge of Darwinism
Edited by Geoffrey Cantor and Marc Swetlitz
University of Chicago Press, 2006

Darwin’s theory of evolution transformed the life sciences and made profound claims about human origins and the human condition, topics often viewed as the prerogative of religion. As a result, evolution has provoked a wide variety of religious responses, ranging from angry rejection to enthusiastic acceptance. While Christian responses to evolution have been studied extensively, little scholarly attention has been paid to Jewish reactions. Jewish Tradition and the Challenge of Darwinism is the first extended meditation on the Jewish engagement with this crucial and controversial theory.

The contributors to Jewish Tradition and the Challenge of Darwinism—from several academic disciplines and two branches of the rabbinate—present case studies showing how Jewish discussions of evolution have been shaped by the intersections of faith, science, philosophy, and ideology in specific historical contexts. Furthermore, they examine how evolutionary theory has been deployed when characterizing Jews as a race, both by Zionists and by anti-Semites. Jewish Tradition and the Challenge of Darwinism addresses historical and contemporary, as well as progressive and Orthodox, responses to evolution in America, Europe, and Israel, ultimately extending the history of Darwinism into new religious domains.

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Jews, Christians, and the Abode of Islam
Modern Scholarship, Medieval Realities
Jacob Lassner
University of Chicago Press, 2012
In Jews, Christians, and the Abode of Islam, Jacob Lassner examines the triangular relationship that during the Middle Ages defined—and continues to define today—the political and cultural interaction among the three Abrahamic faiths. Lassner looks closely at the debates occasioned by modern Western scholarship on Islam to throw new light on the social and political status of medieval Jews and Christians in various Islamic lands from the seventh to the thirteenth century. Utilizing a vast array of primary sources, Lassner balances the rhetoric of literary and legal texts from the Middle Ages with other, newly discovered medieval sources that describe life as it was actually lived among the three faith communities. Lassner shows just what medieval Muslims meant when they spoke of tolerance, and how that abstract concept played out at different times and places in the real world of Christian and Jewish communities under Islamic rule. Finally, he considers what a more informed picture of the relationship among the Abrahamic faiths in the medieval Islamic world might mean for modern scholarship on medieval Islamic civilization and, not the least, for the highly contentious global environment of today.
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Jews in Nazi Berlin
From Kristallnacht to Liberation
Edited by Beate Meyer, Hermann Simon, and Chana Schütz
University of Chicago Press, 2009

Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin, those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people.

Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime.

A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.

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The Joffrey Ballet
Robert Joffrey and the Making of an American Dance Company
Sasha Anawalt
University of Chicago Press, 1997
The Joffrey Ballet is a comprehensive history of the quintessential American dance troupe and a textured portrait of Robert Joffrey, the creative maverick who led and inspired it. Broadly researched, richly anecdotal, and elegantly written, The Joffrey Ballet probes the complex relationship that exists between a culture and its artists through the prism of this company's story.

"[The Joffrey Ballet is] remarkable for its warmth and vigor, and for its blending of candor and judiciousness."—Jack Anderson, New York Times Book Review

"A milestone in dance writing. Few studies in the field will be able to match Sasha Anawalt's elegant style."—Anna Kisselgoff, New York Times

"Anawalt transforms years of meticulous research into a cliffhanger of a history."—Elizabeth Zimmer, dance editor, Village Voice

"[The Joffrey Ballet] is a meticulously detailed, well-documented history, juiced with a little gossip here and there . . . [and] a valuable sweeping look at this all-important troupe."—Sid Smith, Chicago Tribune Book Review

"[Anawalt's] approach is deeper and more satisfying than straightforward biography."—Marcia B. Siegel, Village Voice
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John Cage
Composed in America
Edited by Marjorie Perloff and Charles Junkerman
University of Chicago Press, 1994
When the great avant-gardist John Cage died, just short of his eightieth birthday in 1992, he was already the subject of dozens of interviews, memoirs, and discussions of his contribution to music, music theory, and performance practice. But Cage never thought of himself as only (or even primarily) a composer; he was a poet, a visual artist, a philosophical thinker, and an important cultural critic.

John Cage: Composed in America is the first book-length work to address the "other" John Cage, a revisionist treatment of the way Cage himself has composed and been "composed" in America. Cage, as these original essays testify, is a contradictory figure. A disciple of Duchamp and Schoenberg, Satie and Joyce, he created compositions that undercut some of these artists' central principles and then attributed his own compositional theories to their "tradition." An American in the Emerson-Thoreau mold, he paradoxically won his biggest audience in Europe. A freewheeling, Californian artist, Cage was committed to a severe work ethic and a firm discipline, especially the discipline of Zen Buddhism.

Following the text of Cage's lecture-poem "Overpopulation and Art," delivered at Stanford shortly before his death and published here for the first time, ten critics respond to the challenge of the complexity and contradiction exhibited in his varied work. In keeping with Cage's own interdisciplinarity, the critics approach that work from a variety of disciplines: philosophy (Daniel Herwitz, Gerald L. Bruns), biography and cultural history (Thomas S. Hines), game and chaos theory (N. Katherine Hayles), music culture (Jann Pasler), opera history (Herbert Lindenberger), literary and art criticism (Marjorie Perloff), cultural poetics (Gordana P. Crnkovic, Charles Junkerman), and poetic practice (Joan Retallack). But such labels are themselves confining: each of the essays sets up boundaries only to cross them at key points. The book thus represents, to use Cage's own phrase, a much needed "beginning with ideas."
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John Donne, Body and Soul
Ramie Targoff
University of Chicago Press, 2008

For centuries readers have struggled to fuse the seemingly scattered pieces of Donne’s works into a complete image of the poet and priest. In John Donne, Body and Soul, Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns.

Reappraising Donne’s oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body and soul. In chapters that range from his earliest letters to his final sermon, Targoff reveals that Donne’s obsessive imagining of both the natural union and the inevitable division between body and soul is the most continuous and abiding subject of his writing.

“Ramie Targoff achieves the rare feat of taking early modern theology seriously, and of explaining why it matters. Her book transforms how we think about Donne.”—Helen Cooper, University of Cambridge

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John Donne's Physics
Elizabeth D. Harvey and Timothy M. Harrison
University of Chicago Press, 2024
A reimagining of Devotions upon Emergent Occasions as an original treatment of human life shaped by innovations in seventeenth-century science and medicine.
 
In 1624, poet and preacher John Donne published Devotions upon Emergent Occasions, a book that recorded his near-death experience during a deadly epidemic in London. Four hundred years later, in the aftermath of our own pandemic, Harvey and Harrison show how Devotions crystalizes the power, beauty, and enduring strangeness of Donne’s thinking. Arguing that Donne saw human life in light of emergent ideas in the study of nature (physics) and the study of the body (physick), John Donne’s Physics reveals Devotions as a culminating achievement, a radically new literary form that uses poetic techniques to depict Donne’s encounter with death in a world transformed by new discoveries and knowledge systems.
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John Heartfield and the Agitated Image
Photography, Persuasion, and the Rise of Avant-Garde Photomontage
Andrés Mario Zervigón
University of Chicago Press, 2012
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture.
 
Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century.
A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
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John Kenneth Galbraith
His Life, His Politics, His Economics
Richard Parker
University of Chicago Press, 2006

John Kenneth Galbraith (1908-2006) was one of America’s most famous economists for good reason. From his acerbic analysis of America’s “private wealth and public squalor” to his denunciation of the wars in Vietnam and Iraq, Galbraith consistently challenged “conventional wisdom” (a phrase he coined). He did so as a witty commentator on America’s political follies and as a versatile author of bestselling books—such as The Affluent Society and The New Industrial State—that warn of the dangers of deregulated markets, corporate greed, and inattention to the costs of our military power. Here, in the first full-length biography of Galbraith and his times, Richard Parker provides not only a nuanced portrait of this extraordinary man, but also an important reinterpretation of twentieth-century public policy and economic practices.

“Whatever you may think of his ideas, John Kenneth Galbraith has led an extraordinary life. . . . Doing justice to this life story requires an outsize biography, one that not only tells Mr. Galbraith’s tale but sets it on the broader canvas of America’s political and economic evolution. And Richard Parker’s book does just that.”—Economist

“Parker’s book is more than a chronicle of Galbraith’s life; it’s a history of American politics and policy from FDR through George W. Bush. . . . It will make readers more economically and politically aware.”—USA Today

 “The most readable and instructive biography of the century.”—William F. Buckley, National Review

      

“The story of this man’s life and work is wonderfully rendered in this magnum opus, and offers an antidote to the public ennui, economic cruelty, and government malfeasance that poison life in America today.”—James Carroll, Boston Globe

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John Locke
Economist and Social Scientist
Karen Iversen Vaughn
University of Chicago Press, 1980
In John Locke: Economist and Social Scientist Karen Iversen Vaughn presents a comprehensive treatment of Locke's important position in the development of eighteenth century economic thought.
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John Locke's Liberalism
Ruth W. Grant
University of Chicago Press, 1987
In this work, Ruth W. Grant presents a new approach to John Locke's familiar works. Taking the unusual step of relating Locke's Two Treatises to his Essay Concerning Human Understanding, Grant establishes the unity and coherence of Locke's political arguments. She analyzes the Two Treatises as a systematic demonstration of liberal principles of right and power and grounds it in the epistemology set forth in the Essay.
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John Venn
A Life in Logic
Lukas M. Verburgt
University of Chicago Press, 2022
The first comprehensive history of John Venn’s life and work.

John Venn (1834–1923) is remembered today as the inventor of the famous Venn diagram. The postmortem fame of the diagram has until now eclipsed Venn’s own status as one of the most accomplished logicians of his day. Praised by John Stuart Mill as a “highly successful thinker” with much “power of original thought,” Venn had a profound influence on nineteenth-century scientists and philosophers, ranging from Mill and Francis Galton to Lewis Carroll and Charles Sanders Peirce. Venn was heir to a clerical Evangelical dynasty, but religious doubts led him to resign Holy Orders and instead focus on an academic career. He wrote influential textbooks on probability theory and logic, became a fellow of the Royal Society, and advocated alongside Henry Sidgwick for educational reform, including that of women’s higher education. Moreover, through his students, a direct line can be traced from Venn to the early analytic philosophy of G. E. Moore and Bertrand Russell, and family ties connect him to the famous Bloomsbury group. 

This essential book takes readers on Venn’s journey from Evangelical son to Cambridge don to explore his life and work in context. Drawing on Venn’s key writings and correspondence, published and unpublished, Lukas M. Verburgt unearths the legacy of the logician’s wide-ranging thinking while offering perspective on broader themes in religion, science, and the university in Victorian Britain. The rich picture that emerges of Venn, the person, is of a man with many sympathies—sometimes mutually reinforcing and at other times outwardly and inwardly contradictory.
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Jokes
Philosophical Thoughts on Joking Matters
Ted Cohen
University of Chicago Press, 1999
Abe and his friend Sol are out for a walk together in a part of town they haven't been in before. Passing a Christian church, they notice a curious sign in front that says "$1,000 to anyone who will convert." "I wonder what that's about," says Abe. "I think I'll go in and have a look. I'll be back in a minute; just wait for me."

Sol sits on the sidewalk bench and waits patiently for nearly half an hour. Finally, Abe reappears.

"Well," asks Sol, "what are they up to? Who are they trying to convert? Why do they care? Did you get the $1,000?"

Indignantly Abe replies, "Money. That's all you people care about."

Ted Cohen thinks that's not a bad joke. But he also doesn't think it's an easy joke. For a listener or reader to laugh at Abe's conversion, a complicated set of conditions must be met. First, a listener has to recognize that Abe and Sol are Jewish names. Second, that listener has to be familiar with the widespread idea that Jews are more interested in money than anything else. And finally, the listener needs to know this information in advance of the joke, and without anyone telling him or her. Jokes, in short, are complicated transactions in which communities are forged, intimacy is offered, and otherwise offensive stereotypes and cliches lose their sting—at least sometimes.

Jokes is a book of jokes and a book about them. Cohen loves a good laugh, but as a philosopher, he is also interested in how jokes work, why they work, and when they don't. The delight at the end of a joke is the result of a complex set of conditions and processes, and Cohen takes us through these conditions in a philosophical exploration of humor. He considers questions of audience, selection of joke topics, the ethnic character of jokes, and their morality, all with plenty of examples that will make you either chuckle or wince. Jokes: more humorous than other philosophy books, more philosophical than other humor books.

"Befitting its subject, this study of jokes is . . . light, funny, and thought-provoking. . . . [T]he method fits the material, allowing the author to pepper the book with a diversity of jokes without flattening their humor as a steamroller theory might. Such a book is only as good as its jokes, and most of his are good. . . . [E]ntertainment and ideas in one gossamer package."—Kirkus Reviews

"One of the many triumphs of Ted Cohen's Jokes-apart from the not incidental fact that the jokes are so good that he doesn't bother to compete with them-is that it never tries to sound more profound than the jokes it tells. . . . [H]e makes you feel he is doing an unusual kind of philosophy. As though he has managed to turn J. L. Austin into one of the Marx Brothers. . . . Reading Jokes makes you feel that being genial is the most profound thing we ever do-which is something jokes also make us feel-and that doing philosophy is as natural as being amused."—Adam Phillips, London Review of Books

"[A] lucid and jargon-free study of the remarkable fact that we divert each other with stories meant to make us laugh. . . . An illuminating study, replete with killer jokes."—Kevin McCardle, The Herald (Glasgow)

"Cohen is an ardent joke-maker, keen to offer us a glimpse of how jokes are crafted and to have us dwell rather longer on their effects."—Barry C. Smith, Times Literary Supplement

"Because Ted Cohen loves jokes, we come to appreciate them more, and perhaps think further about the quality of good humor and the appropriateness of laughter in our lives."—Steve Carlson, Christian Science Monitor
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Josef Albers, Late Modernism, and Pedagogic Form
Jeffrey Saletnik
University of Chicago Press, 2022
An incisive analysis of the pedagogy of influential artist and teacher Josef Albers.
 
An extraordinary teacher whose influence continues today, Josef Albers helped shape the Bauhaus school in Germany and established the art and design programs at Black Mountain College in North Carolina and Yale University. His books about color theory have informed generations, and his artworks are included in the canon of high-modernist non-representational art. The pedagogy Albers developed was a dynamic approach to teaching that transcended the modernist agendas and cultivated a material way of thinking among his students.
 
With this book, Jeffrey Saletnik explores the origins of Albers’s teaching practices and their significance in conveying attitudes about form, material, and sensory understanding to artists Eva Hesse and Richard Serra. He demonstrates how pedagogy is a framework that establishes the possibility for artistic discourse and how the methods through which artists learn are manifested in their individual practices. Tracing through lines from Albers’s training in German educational traditions to his influence on American postwar art, Josef Albers, Late Modernism, and Pedagogic Form positions Albers’s pedagogy as central to the life of modernism.
 
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Josef Frank
Life and Work
Christopher Long
University of Chicago Press, 2002
Architect, designer, and theorist Josef Frank (1885-1967) was known throughout Europe in the 1920s as one of the continent's leading modernists. Yet despite his important contributions to the development of modernism, Frank has been largely excluded from histories of the movement. Josef Frank: Life and Work is the first study that comprehensively explores the life, ideas, and designs of this complex and controversial figure.

Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences. He was able to put these ideas into practice when, in 1933, he was forced to leave Vienna for Sweden. There his work came to define Swedish (or Scandinavian) modern design. For more than thirty years he was the chief designer for the Stockholm furnishings firm Svenskt Tenn, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s.

In this sensitive study of one of the twentieth century's seminal architects and thinkers, Christopher Long offers new insight into Josef Frank's work and ideas and provides an important contribution to the understanding of modernist culture and its history.
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Joseph Banks
A Life
Patrick O'Brian
University of Chicago Press, 1997
One of our greatest writers about the sea has written an engrossing story of one of history's most legendary maritime explorers. Patrick O'Brian's biography of naturalist, explorer and co-founder of Australia, Joseph Banks, is narrative history at its finest. Published to rave reviews, it reveals Banks to be a man of enduring importance, and establishes itself as a classic of exploration.

"It is in his description of that arduous three-year voyage [on the ship Endeavor] that Mr. O'Brian is at his most brilliant. . . . He makes us understand what life within this wooden world was like, with its 94 male souls, two dogs, a cat and a goat."—Linda Colley, New York Times

"An absorbing, finely written overview, meant for the general reader, of a major figure in the history of natural science."—Frank Stewart, Los Angeles Times

"[This book is] the definitive biography of an extraordinary subject."—Robert Taylor, Boston Globe

"His skill at narrative and his extensive knowledge of the maritime history . . . give him a definite leg up in telling this . . . story."—Tom Clark, San Francisco Chronicle
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Journal I, 1945-1955
Mircea Eliade
University of Chicago Press, 1990
Journal I is a story of revewal—of the new life that began for Mircea Eliade in the fall of 1945 when he became an expatriate. Eliade came to Paris virtually empty-handed, following the death of his first wife and the Soviet takeover of Romania, which made him a persona non grata there. He had left half a lifetime in Romania: his parents, whom he never saw again; his library; unpublished and unfinished manuscripts, including the journal notebooks prior to 1940; an academic career; and Zalmoxis, the journal of religious studies he founded.

During the lean years in Paris Eliade lived and worked in small, cold rooms; prepared meals on a Primus stove; pawned his valuables; and asked friends for loans. Eventually he secured a research stipend from the Bollingen Foundation. His ten years in Paris were among his most productive; the books he wrote during this period brought him worldwide acclaim as a historian of religions. He records his first meetings with Carl Jung, Pierre Teilhard de Chardin, Gershom Scholem, Georges Bataille, André Breton, Raffaele Pettazzoni, and many other scholars and writers.

Eliade also continued to write literary works. Numerous entries describe his five-year struggle with his novel The Forbidden Forest. Spanning the twelve fateful years from 1936 to 1948, it expresses within a fictional framework the central themes of Eliade's work on religions. Writing the novel was a Herculean task in which Eliade summarized and memorialized his old Romanian life.
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Journal II, 1957-1969
Mircea Eliade
University of Chicago Press, 1989
Mircea Eliade's journal of the years 1957-1969, originally published in English under the title No Souvenirs, is the testimony of a "wandering scholar" caught between three worlds: his native Romania, the France he fled to, and his last homeland, the United States. The journal is filled with his work, dreams, memories of his youth, stories of his travels, the reflections of each day.
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Journal III, 1970-1978
Mircea Eliade
University of Chicago Press, 1989
More an eloquent chronicle of the mind's life than a recital of daily routine, this volume of Mircea Eliade's journal offers a remarkably candid portrait of a renowned scholar and his work. The entries—full of marvelous ideas, outlines for works never written, responses to the works of others, and much more—reveal many rarely glimpsed sides of the private, as well as public, man. What did he really think of the students who came to him for instruction in black magic? What were his private reflections on feminism, student drug use, the sexual revolution, the nature of American scholars and scholarship? Who were his best friends, why did he enjoy their company, and why did he shun the company of others?

Quite apart from the personal, biographical interest the journal holds, it is a document of cultural and intellectual significance. Eliade remarks on such colleagues and friends as Jung, Dumézil, Ricoeur, Bellow, and Ionesco. Moreover, the period covered encompasses Eliade's most active years as a teacher, and the journal beautifully reflects his developing views on religion, history, and the nature of academic culture. Bits and pieces of Eliade's past life are juxtaposed with thoughts about ongoing projects and work yet to be undertaken as well as with anecdotes of his travels and comments on world events.

A genuine treat for Eliade readers and those interested in history of religions, Journal III provides new perspectives on many of Eliade's other works—the History of Religious Ideas, Ordeal by Labyrinth, the Autobiography. At the same time the journal is a mature scholar's record of the aftermath of the 1960s, a turbulent period that profoundly affected American university life. As such, these writings hold valuable insights into not only the life and work of one man but also the cultural history of an entire era.
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Journal IV, 1979-1985
Mircea Eliade
University of Chicago Press, 1989
Journal IV is the first publication, in a translation from the Romanian manuscript, of the journal that Mircea Eliade kept during the last seven years of his life. In this period, Eliade is ensconced as a famous scholar—his works are being translated into many languages and books about him arrive regularly in the mail. His encounters with scholars of like repute are recorded in the journal; after a party in Paris, Eliade shares a taxi with Claude Lévi-Strauss and inadvertently makes off with his raincoat.

Running like a fault line through the peak of his success, however, is Eliade's painful awareness of his physical decline—failing vision, arthritic hands, and continual fatigue. Again and again he repeats how little time he has to finish the projects he is working on—his autobiography, the third and fourth volumes of his History of Religious Ideas, and the duties associated with his editorship of the Encyclopedia of Religion. He poignantly recounts the sharpest blow: the disorganization and eventual destruction by fire of his personal library.

Within the scope of Journal IV Eliade and his world go to ruin. What does not decline is the vivid and persistent voice of Eliade the writer, an unbreaking voice that—with death only months away—plans a reply to critics, plots out an article, and ruminates on characters to people another novella.
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Journal of the Fictive Life
Howard Nemerov
University of Chicago Press, 1981
"The only way out," writes Howard Nemerov, "is the way through, just as you cannot escape death except by dying. Being unable to write, you must examine in writing this being unable, which becomes for the present—henceforth?—the subject to which you are condemned." This is the record of the struggle to compose a novel; a struggle transformed by Nemerov into a far-reaching exploration of the creative process itself.

"He often shows bravery and shrewdness; the book is full of fine criticism and psychological insight. As always, his prose has that ease and transparency that make one forget one is reading; one seems simply to hear a voice speaking. Nemerov's improvised self-analysis has weaknesses, but few that he himself doesn't eventually recognize."—New York Times Book Review

"In an age of explicitness, Nemerov's Journal of the Fictive Life is explicitly without vulgarity; in an age of revelation, it reveals only what counts. More then a book about creativity, it is a beautiful creation."—Richard G. Stern

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The Journey Back
Houston A. Baker Jr.
University of Chicago Press, 1984
"Professor Baker offers the richest analysis we have of black literature in its full cultural context. A superb literary critic, a sophisticated student of culture and society, Baker is himself a very talented writer, deeply engaged in the literary-cultural 'journey' he describes. The result is a major work of interdisciplinary scholarship and humanistic criticism which will remain for years to come an authoritative treatment of the subject. The Journey Back is a landmark not only in the study of black literature but in American studies in general. No one interested in our culture can afford to ignore it."—Sacvan Bercovitch, Columbia University
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A Journey through Afghanistan
David Chaffetz
University of Chicago Press, 2002
Shortly before the Soviet invasion of Afghanistan, David Chaffetz slipped from the protection of Western culture and immersed himself in the customs, fears, and hopes of the Afghan people, setting out by car and on horseback for a long journey through the northwestern quarter of the country. A Journey through Afghanistan is the story, told in vivid, descriptive prose, of his experience—an account that reveals more about the Afghan people themselves than most books written either before or since.
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The Journey to the West, Revised Edition, Volume 1
Translated and Edited by Anthony C. Yu
University of Chicago Press, 2012
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
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front cover of The Journey to the West, Revised Edition, Volume 2
The Journey to the West, Revised Edition, Volume 2
Translated and Edited by Anthony C. Yu
University of Chicago Press, 2012
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
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front cover of The Journey to the West, Revised Edition, Volume 3
The Journey to the West, Revised Edition, Volume 3
Translated and Edited by Anthony C. Yu
University of Chicago Press, 2012
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. 

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
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front cover of The Journey to the West, Revised Edition, Volume 4
The Journey to the West, Revised Edition, Volume 4
Translated and Edited by Anthony C. Yu
University of Chicago Press, 2012
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.

With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.

One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
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Journey to the West, Volume 1
Translated by Anthony C. Yu
University of Chicago Press, 1977
First published in 1952, The Journey to the West, volume I, comprises the first twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.
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front cover of Journey to the West, Volume 2
Journey to the West, Volume 2
Translated by Anthony C. Yu
University of Chicago Press, 1978
The Journey to the West, volume 2, comprises the second twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.
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front cover of Journey to the West, Volume 3
Journey to the West, Volume 3
Translated by Anthony C. Yu
University of Chicago Press, 1980
The Journey to the West, volume 3, comprises the third twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.
[more]

front cover of Journey to the West, Volume 4
Journey to the West, Volume 4
Translated by Anthony C. Yu
University of Chicago Press, 1983
The Journey to the West, volume 4, comprises the last twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.
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Journeys with Emperors
Tracking the World's Most Extreme Penguin
Gerald L. Kooyman and Jim Mastro
University of Chicago Press, 2023
With stunning photographs from the ice edge, a firsthand account of a researcher’s time in Antarctica and of the perilous journeys of the world’s largest penguin species: the iconic emperor.
 
Nearly all emperor penguin colonies are extremely remote; of the sixty-six known, fewer than thirty have been visited by humans, and even fewer have been the subject of successful research programs. One of the largest known emperor penguin colonies is found on a narrow band of sea ice attached to the Antarctic continent. In Journeys with Emperors, Gerald L. Kooyman and Jim Mastro take us to this far-flung colony in the Ross Sea, showing us how scientists gained access to it, and what they learned while living among the penguins as they raised their chicks.
 
The primary mission was to record the birds’ activities at sea, and the data revealed important aspects of emperor penguin behavior and physiology: for instance, that in the course of hunting for food, some of the penguins dive to depths of greater than five hundred meters (a third of a mile, which is deeper than for any other diving bird). The researchers also discovered that, crucially, most of the emperor’s life is actually spent at sea, with fledged chicks and adults making separate, perilous journeys through icy water. When chick nurturing is complete, the fledglings abandon the colony in large groups, heading north to the Southern Ocean. The adults leave at the same time, traveling one thousand kilometers eastward across the Ross Sea to a sea-ice sanctuary for molting. During this journey, they must gain enough weight to survive the month-long molt, when every feather is replaced and the birds cannot enter the water to feed. After the molt, many if not most return to the colony to breed once again. For the males, this means another fast—this time for 120 days as they incubate their eggs. The nearness of the colony to the ice edge spared the penguins the long, energy-draining march for which other colonies are well-known. It also allowed researchers to observe the penguins’ departures to and arrivals from their foraging journeys, as well as their dangerous interactions with leopard seals and killer whales.
 
Featuring original color photographs and complemented with online videos, Journeys with Emperors is both an eye-opening overview of the emperor penguin’s life and a thrilling tale of scientific discovery in one of the most remote, harsh, and beautiful places on Earth.
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Journeys with Flies
Edwin N. Wilmsen
University of Chicago Press, 1999
From 1973 to 1994, anthropologist Edwin Wilmsen lived and worked among the Zhu, Mbanduru, and Tswana people of the Kalahari desert in southern Africa. Thousands of miles from his home, immersed in what first seemed a radically different place, and operating in languages he initially did not understand, he began a record of his impressions and reflections as a complement to his scientific fieldwork. Journeys with Flies weaves together the multilayered experiences of his life among these Kalahari people, capturing at once the intellectual challenges an anthropologist faces in the field and the myriad and strange ways that unfamiliar experiences come to resonate with deeply personal thoughts and recollections.

Combining biography, poetry, and anthropology, Wilmsen vividly portrays the intense realities of life in the Kalahari and carries the reader across space and time as events in the present trigger emotions and memories. Images of apartheid, for example, evoke memories of Wilmsen's childhood in the segregated South. Poems, journal entries, and moving accounts of deepening personal relationships all intertwine as Wilmsen conveys the experiences he shares with his "subjects" in spite of vast differences in their backgrounds—extreme thirst under the desert sun, grief over the death of a child, and the constant irritation of ubiquitous flies.

"Our understanding of other peoples," he writes, "lies not in themselves or in anything that they do but in our experience of them. Experience that is lived partly in their world and partly in a shell of our world that we wear when we meet them."

Sophisticated, lyrical, and passionately written, Journeys with Flies will inspire all those who travel to places far from home.
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Joy of the Worm
Suicide and Pleasure in Early Modern English Literature
Drew Daniel
University of Chicago Press, 2022
Consulting an extensive archive of early modern literature, Joy of the Worm asserts that voluntary death in literature is not always a matter of tragedy.
 
In this study, Drew Daniel identifies a surprisingly common aesthetic attitude that he calls “joy of the worm,” after Cleopatra’s embrace of the deadly asp in Shakespeare’s play—a pattern where voluntary death is imagined as an occasion for humor, mirth, ecstatic pleasure, even joy and celebration. 

Daniel draws both a historical and a conceptual distinction between “self-killing” and “suicide.” Standard intellectual histories of suicide in the early modern period have understandably emphasized attitudes of abhorrence, scorn, and severity toward voluntary death. Daniel reads an archive of literary scenes and passages, dating from 1534 to 1713, that complicate this picture. In their own distinct responses to the surrounding attitude of censure, writers including Shakespeare, Donne, Milton, and Addison imagine death not as sin or sickness, but instead as a heroic gift, sexual release, elemental return, amorous fusion, or political self-rescue. “Joy of the worm” emerges here as an aesthetic mode that shades into schadenfreude, sadistic cruelty, and deliberate “trolling,” but can also underwrite powerful feelings of belonging, devotion, and love.
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Joyce's Ghosts
Ireland, Modernism, and Memory
Luke Gibbons
University of Chicago Press, 2015
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure.

In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis.

Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
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Juan Munoz
Neal Benezra and Olga M. Viso
University of Chicago Press, 2001
One of the leading artists of his generation, the Spanish sculptor Juan Muñoz (1953-2001) was known for his diverse and highly original body of work centering on the narrative possibilities of figures in environments. Juan Muñoz illustrates in full color approximately sixty works—including sculptures, drawings, and several major installations—which will be included in a major exhibition presented by the Hirshhorn Museum and Sculpture Garden and the Art Institute of Chicago in October 2001.

Muñoz's early work focused on architectural objects that implied a transitory human presence. Then, defying the trend among progressive artists, he began to introduce figures into his work. Casting his figures in papier-mâché, resin, and eventually bronze, Muñoz limited their size and descriptive details to heighten their psychological impact. In the 1990s, Muñoz created his signature "conversation pieces," large ensembles of figures installed in indoor or outdoor settings. Calling upon a wide range of sources in literature, music, film, as well as painting and sculpture, Muñoz's work explores the nature of psychological interaction and engages the viewer on a variety of perceptual levels.

Juan Muñoz includes essays by Neal Benezra, art critic Michael Brenson, and Olga Viso, as well as an interview with the artist by Paul Shimmel. Also featuring highlights from a 2001 installation commissioned by London's Tate Modern, Juan Muñoz is the most comprehensive overview of this challenging and exciting artist's work.

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Judaism and Christianity in the Age of Constantine
History, Messiah, Israel, and the Initial Confrontation
Jacob Neusner
University of Chicago Press, 1987
With the conversion of Constantine in 312, Christianity began a period of political and cultural dominance that it would enjoy until the twentieth century. Jacob Neusner contradicts the prevailing view that following Christianity's ascendancy, Judaism continued to evolve in isolation. He argues that because of the political need to defend its claims to religious authenticity, Judaism was forced to review itself in the context of a triumphant Christianity. The definition of issues long discussed in Judaism—the meaning of history, the coming of the Messiah, and the political identity of Israel—became of immediate and urgent concern to both parties. What emerged was a polemical dialogue between Christian and Jewish teachers that was unprecedented.

In a close analysis of texts by the Christian theologians Eusebius, Aphrahat, and Chrysostom on one hand, and of the central Jewish works the Talmud of the Land of Israel, the Genesis Rabbah, and the Leviticus Rabbah on the other, Neusner finds that both religious groups turned to the same corpus of Hebrew scripture to examine the same fundamental issues. Eusebius and Genesis Rabbah both address the issue of history, Chrysostom and the Talmud the issue of the Messiah, and Aphrahat and Leviticus Rabbah the issue of Israel. As Neusner demonstrates, the conclusions drawn shaped the dialogue between the two religions for the rest of their shared history in the West.
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Judaism and Story
The Evidence of The Fathers According to Rabbi Nathan
Jacob Neusner
University of Chicago Press, 1992
In this close analysis of The Fathers According to Rabbi Nathan, a sixth-century commentary on the Mishnah-tractate The Fathers (Avot), Jacob Neusner considers the way in which the story, as a distinctive type of narrative, entered the canonical writings of Judaism. The final installment in Neusner's cycle of analyses of the major texts of the Judaic canon, Judaism and Story shows that stories about sages exist in far greater proportion in The Fathers According to Rabbi Nathan than in any of the other principal writings in the canon of Judaism of late antiquity. Neusner's detailed comparison of The Fathers and The Fathers According to Rabbi Nathan demonstrates the transmission and elaboration of these stories and shows how these processes incorporated the newer view of the sage as a supernatural figure and of the eschatological character of Judaic teleology. These distinctions, as Neusner describes them, mark a shift in Jewish orientation to world history.

Judaism and Story documents a chapter of rabbinic tradition that explored the possibility of historical orientation by means of stories. As Neusner demonstrates, this experiment with narrative went beyond the borders of rabbinic preoccupation with rhetorical argumentation focused on the explication of the Torah. The sage story moved in the direction of biography, but without allowing biography to emerge. This development, in Neusner's account, parallels the movement from epistle to Gospel in early Christianity and thus has broad implications for the history of religions.
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Judaism Despite Christianity
The 1916 Wartime Correspondence Between Eugen Rosenstock-Huessy and Franz Rosenzweig
Edited by Eugen Rosenstock-Huessy
University of Chicago Press, 2011
Before they were both internationally renowned philosophers, Eugen Rosenstock-Huessy and Franz Rosenzweig were young German soldiers fighting in World War I corresponding by letter and forming the foundation of their deep intellectual friendship. Collected here, this correspondence provides an intimate portrait of their views on history, philosophy, rhetoric, and religion as well as on their writings and professors. Most centrally, Rosenstock-Huessy and Rosenzweig discuss, frankly but respectfully, the differences between Judaism and Chiristianity and the reasons they have chosen their respective faiths.
 
This edition includes a new foreword by Paul Mendes-Flohr, a new preface by Harold Stahmer along with his original introduction, and essays by Dorothy Emmet and Alexander Altmann, who calls this correspondence “one of the most important religious documents of our age” and “the most perfect example of a human approach to the Jewish-Christian problem.”
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Judaism Musical and Unmusical
Michael P. Steinberg
University of Chicago Press, 2008
Modernity gave rise to a Jewish consciousness that has increasingly distanced itself from the sacred in favor of worldliness and secularity. Judaism Musical and Unmusical traces the formulation of this secular Jewishness from its Enlightenment roots through the twentieth century to explore the infinite variations of modern Jewish experience in Central Europe and beyond.

Engaging the work of such figures as Sigmund Freud, Walter Benjamin, Hannah Arendt, Charlotte Salomon, Arnaldo Momigliano, Leonard Bernstein, and Daniel Libeskind, Michael Steinberg shows how modern Jews advanced cosmopolitanism and multiplicity by helping to loosen—whether by choice or by necessity—the ties that bind any culture to accounts of its origins. In the process, Steinberg composes a mosaic of texts and events, often distant from one another in time and place, that speak to his theme of musicality. As both a literal value and a metaphorical one, musicality opens the possibility of a fusion of aesthetics and analysis—a coupling analogous to European modernity’s twin concerns of art and politics.
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Judaism's Theological Voice
The Melody of the Talmud
Jacob Neusner
University of Chicago Press, 1995
Distinguished historian of Judaism Jacob Neusner here ventures for the first time into constructive theology. Taking the everyday life of contemporary Judaism as his beginning, Neusner asks when in the life of the living faith of the Torah does Israel, the holy community, meet God? Where does the meeting take place? What is the medium of the encounter?

In his attempt to answer these questions, Neusner sets forth the character and the form of the Torah as sung theology. Israel, the holy community, meets God in the synagogue, while at prayer, and in the yeshiva, when studying the Torah—at the moment in each setting when the Torah is received. In both circumstances people do not read but sing out its words. With the written part of the Torah sung in the synagogue, and the oral part declaimed in centers of sacred learning, music provides the medium for Judaism's theological voice.

Neusner identifies a reciprocal exchange between the holy community Israel and God: Israel sings to God when the Torah is studied, and God sings to Israel when the Torah is declaimed. Through the metaphor of music, Neusner offers an account of how he believes those faithful to the Torah meet God in the Torah, and how they should listen to the melody of God's self-revelation. The result is an original theological reflection that will interest all students of Judaism.
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Judge Dee at Work
Eight Chinese Detective Stories
Robert van Gulik
University of Chicago Press, 1992
The eight short stories in Judge Dee at Work cover a decade during which the judge served in four different provinces of the T’ang Empire. From the suspected treason of a general in the Chinese army to the murder of a lonely poet in his garden pavilion, the cases here are among the most memorable in the Judge Dee series.
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Judges and the Cities
Interpreting Local Autonomy
Gordon L. Clark
University of Chicago Press, 1985
In this remarkable inquiry into the bases of social theory, Gordon L. Clark argues that the heterogeneous nature of our society, with its pluralism of values, causes the rules of social conduct to be constantly made and remade. Examining the role of the courts in structuring and achieving social discourse, he contends that legal doctrine is no different from other social theories: judicial interpretations are constructed out of specific circumstances and conflicting values, not deduced from neutral and logical principles. There is, he asserts, no final arbiter somehow unaffected by our controversies and schisms.

As concrete examples, Clark analyzes four court disputes in depth, showing that the concept of local autonomy has very different meanings and implications in each of them. These cases—Boston's defense of resident-preference hiring policies, conflict over urban land-use zoning in Toronto, a Chicago's suburb's fight against a sewage treatment plant, and the evolution of the City of Denver's power since 1900—demonstrate that legal reasoning is not impervious to other kinds of reasoning, and the solutions provided by the courts are not unique. To ground his explorations, Clark investigates both liberalism and structuralism, showing that both are inadequate bases for determining social policy. He mounts provocative critiques of the works of de Tocqueville, Nozick, Tiebout, and Posner on the one hand and Castells and Poulantzas on the other. 

This ambitious and important work will command the interest of geographers, political scientists, economists, sociologists, and legal scholars.
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Judging Credentials
Nonlawyer Judges and the Politics of Professionalism
Doris Marie Provine
University of Chicago Press, 1986
Must judges be trained as lawyers in order to be effective in office, or can nonlawyers serve equally well? This question has long provoked controversy among lawyers, judges, legislators, and the public. In her empirical study of the place of the nonlawyer judge in the American legal system, Doris Marie Provine concludes that, despite the opposition of the legal profession to nonlawyer judges, they are as competent as lawyers in carrying out judicial duties in courts of limited jurisdiction.

Provine presents a persuasive argument that the case against nonlawyer judges has been weighted in favor of the professional interests of lawyers, not public concerns. Her examination reveals as much about the presuppositions of legal professionals as it does about the competency of nonlawyer judges to old judicial office. To substantiate her claims, Provine has conducted the most comprehensive survey of nonlawyer and lawyer judges yet undertaken, augmenting this material with court observations and extensive interviews of judges. She integrates the results of this survey into the historical context of the lay versus lawyer judge debate, showing how the legally trained judge came to predominate in the American judicial system and analyzing in detail the campaign both in and out of the courts to make legal training a prerequisite for being a judge. Ultimately, Provine suggests, Americans are too committed to the significance of credentials and to the legal profession's vision of the judicial process to respond very favorably to nonlawyer judges, however well they might perform.

Judging Credentials will force lawyers, judges, scholars, and the public to reconsider the role nonlawyer judges play in the American judicial system. Provine's provocative views and exhaustive research adds new dimensions to our understanding of the ethics of professionalism and its consequences.
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The Judgment of Paris
Hubert Damisch
University of Chicago Press, 1996
Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistake—in which desire is rewarded over wisdom and strength—is then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms “analytic iconology,” following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences.
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Judicial Politics in Polarized Times
Thomas M. Keck
University of Chicago Press, 2014
When the Supreme Court upheld the Affordable Care Act, some saw the decision as a textbook example of neutral judicial decision making, noting that a Republican Chief Justice joined the Court’s Democratic appointees to uphold most provisions of the ACA. Others characterized the decision as the latest example of partisan justice and cited the actions of a bloc of the Court’s Republican appointees, who voted to strike down the statute in its entirety. Still others argued that the ACA’s fate ultimately hinged not on the Court but on the outcome of the 2012 election. These interpretations reflect larger stories about judicial politics that have emerged in polarized America. Are judges neutral legal umpires, unaccountable partisan activists, or political actors whose decisions conform to—rather than challenge—the democratic will?

Drawing on a sweeping survey of litigation on abortion, affirmative action, gay rights, and gun rights across the Clinton, Bush, and Obama eras, Thomas M. Keck argues that, while each of these stories captures part of the significance of judicial politics in polarized times, each is also misleading. Despite judges’ claims, actual legal decisions are not the politically neutral products of disembodied legal texts. But neither are judges “tyrants in robes,” undermining democratic values by imposing their own preferences. Just as often, judges and the public seem to be pushing in the same direction. As for the argument that the courts are powerless institutions, Keck shows that their decisions have profound political effects. And, while advocates on both the left and right engage constantly in litigation to achieve their ends, neither side has consistently won. Ultimately, Keck argues, judges respond not simply as umpires, activists, or political actors, but in light of distinctive judicial values and practices.
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Judicial Power and Reconstruction Politics
Stanley I. Kutler
University of Chicago Press, 1968
A study of the Supreme Court in the wake of the Dred Scott decision.

This book investigates the political and public standing of the Supreme Court following the Dred Scott decision. Arguing against interpretations by previous historians, Kutler asserts instead that the "Chase Court" was neither enfeebled by the decision itself, nor by congressional Republicans during reconstruction. Instead, Kutler suggests that during reconstruction, the Court was characterized by forcefulness and judicious restraint rather than timidity and cowardice, holding a creative and determining role rather than abdicating its rightful powers. This volume assembles a series of essays by Kutler arguing for this characterization. Provocative and persuasive at turns, this collection of essays provides a bold and innovative reinterpretation of the Supreme Court after the Civil War.
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The Judicial Power of the Purse
How Courts Fund National Defense in Times of Crisis
Nancy Staudt
University of Chicago Press, 2011

Congress and the president are not the only branches that deal with fiscal issues in times of war. In this innovative book, Nancy Staudt focuses on the role of federal courts in fiscal matters during warfare and high-cost national defense emergencies. There is, she argues, a judicial power of the purse that becomes evident upon examining the budgetary effects of judicial decision making. The book provides substantial evidence that judges are willing—maybe even eager—to redirect private monies into government hands when the country is in peril, but when the judges receive convincing cues that ongoing wartime activities undermine the nation’s interests, they are more likely to withhold funds from the government by deciding cases in favor of private individuals and entities who show up in court.

In stark contrast with conventional legal, political, and institutional thought that privileges factors associated with individual preferences, The Judicial Power of the Purse sheds light on environmental factors in judicial decision making and will be an excellent read for students of judicial behavior in political science and law.

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Judicial Reputation
A Comparative Theory
Nuno Garoupa and Tom Ginsburg
University of Chicago Press, 2015
Judges are society’s elders and experts, our masters and mediators. We depend on them to dispense justice with integrity, deliberation, and efficiency. Yet judges, as Alexander Hamilton famously noted, lack the power of the purse or the sword. They must rely almost entirely on their reputations to secure compliance with their decisions, obtain resources, and maintain their political influence.

In Judicial Reputation, Nuno Garoupa and Tom Ginsburg explain how reputation is not only an essential quality of the judiciary as a whole, but also of individual judges. Perceptions of judicial systems around the world range from widespread admiration to utter contempt, and as judges participate within these institutions some earn respect, while others are scorned. Judicial Reputation explores how judges respond to the reputational incentives provided by the different audiences they interact with—lawyers, politicians, the media, and the public itself—and how institutional structures mediate these interactions. The judicial structure is best understood not through the lens of legal culture or tradition, but through the economics of information and reputation. Transcending those conventional lenses, Garoupa and Ginsburg employ their long-standing research on the latter to examine the fascinating effects that governmental interactions, multicourt systems, extrajudicial work, and the international rule-of-law movement have had on the reputations of judges in this era.
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The Judicious Eye
Architecture Against the Other Arts
Joseph Rykwert
University of Chicago Press, 2008
Is architecture art? This vexed question has been posed since the 1700s, when—breaking from earlier centuries in which there were no divisions between visual artist, architect, and engineer—architects and laypeople alike began to see these vocations as distinct. Exploring how this separation of roles occurred, and how in the twentieth century arts and architecture started to come together again, The Judicious Eye is the definitive history of the relationships between painting, sculpture, and architecture as they have shifted over the past three centuries.
            Joseph Rykwert locates the first major shift during the Enlightenment, when key philosophers drew implied and explicit distinctions between the visual arts and architecture. As time progressed, architects came to see themselves as part of an established profession, while visual artists increasingly moved toward society’s margins, deepening the chasm between them. Detailing the eventual attempts to heal this breach, Rykwert concludes in the mid-twentieth century, when the artistic avant-garde turned to architects in its battle against a stagnant society. The Judicious Eye, then, provides a necessary foundation for understanding architecture and visual art in the twenty-first century, as they continue to break new ground by growing closer to their intertwined roots.
 
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The Jugger
A Parker Novel
Richard Stark
University of Chicago Press, 2009

They say the past always catches up to you—but if he can help it, Parker won’t let his. In The Jugger, an old contact who could blow Parker’s cover tells Parker he’s in trouble — then turns up dead. With Parker’s skeletons on the verge of escaping from their closet, he must put the pieces together—at any cost—before it’s too late.

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Juju
A Social History and Ethnography of an African Popular Music
Christopher Alan Waterman
University of Chicago Press, 1990
Now known internationally through the recordings of King Sunny Ade and others, juju music originated more than fifty years ago among the Yoruba of Nigeria. This history and ethnography of juju is the first detailed account of the evolution and social significance of a West African popular music. Enhanced with maps, color photographs of musicians and dance parties, musical transcriptions, interviews with musicians, and a glossary of Yoruba terms, Juju is an invaluable contribution to scholarship and a boon to fans who want to discover the roots of this vibrant music.
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Jung in Context
Modernity and the Making of a Psychology
Peter Homans
University of Chicago Press, 1979
This provocative account of the origins, influences, and legacy of Jungian psychology is perhaps even more relevant today than it was when first published in 1979. By delineating the social, personal, religious, and cultural contexts of Jung's system of psychology, Homans identifies the central role of depth psychology in the culture of modernity. In this new edition, Homans has added an extensive foreword linking the core of Jungian psychology to contemporary works it has shaped—such as those of M. Scott Peck and Clarissa Pinkola Estes—that proclaim the power of Jungian concepts and theories to heal the alienated and isolated self in today's world.

"Jung in Context is an intellectual triumph. . . . Utilizes the resources of biography, psychology, sociology, and theology to probe the genesis of a psychological system which is currently enjoying a wide following. . . . A splendid job."—Lewis R. Rambo, Psychiatry

"Anyone seeking an introduction to Jung's thought will find a masterful précis here."—Jan Goldstein, Journal of Sociology

"An unusually perceptive and clearly written book. . . . An important advance in the understanding of Jung, and Homans's methodology sets the stage for all future efforts to understand psychological innovators."—Herbert H. Stroup, Christian Century
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Jurek Becker
A Life in Five Worlds
Sander L. Gilman
University of Chicago Press, 2003
Jurek Becker, the author of the first comic novel on the Holocaust, Jacob the Liar, and other highly acclaimed works, was one of West Germany's most famous exiles from the GDR. A survivor of the Shoah-his mother died in a Nazi death camp-and witness to the Soviet occupation of Eastern Europe, Becker endured most of the trials that Jews experienced in Europe from the onset of World War II to the end of the Cold War.

In the first biography of this fascinating figure, Sander Gilman tells the story of Becker's life in five worlds: the Polish-Jewish middle-class neighborhood where Becker was born; the Warsaw ghetto and the concentration camps where Becker spent his childhood; the socialist order of the GDR, which Becker idealized, resisted, and finally was forced to leave; the isolated world of West Berlin, where he settled down to continue his writing; and the new, reunified Germany, for which Becker served as both conscience and inspiration.

Gilman was close friends with Becker for nearly thirty years, and his biography is based on unprecedented access to both the man and his papers. As Gilman reveals, Becker's story encapsulates the fractured experience of life in twentieth-century Europe, a time and place in which political systems and national borders were constantly in flux. The life of Becker, we learn, was one of great literary achievement and notoriety, but it was also one of profound cultural dislocation. An important theme in the book is Becker's struggle with his Jewishness, an identity he repressed in socialist East Germany, but embraced after reunification, when he found himself at the center of Jewish culture and literature.

Sander Gilman's story of Jurek Becker is biography of the highest order, a portrait of an extraordinarily gifted artist whose hope and courage are manifested in his legacy as one of the greatest German writers of the past century.
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The Just
Paul Ricoeur
University of Chicago Press, 2000
The essays in this book contain some of Paul Ricoeur's most fascinating ruminations on the nature of justice and the law. His thoughts ranging across a number of topics and engaging the work of thinkers both classical and contemporary, Ricoeur offers a series of important reflections on the juridical and the philosophical concepts of right and the space between moral theory and politics.
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Just Elections
Creating a Fair Electoral Process in the United States
Dennis F. Thompson
University of Chicago Press, 2002
The 2000 election showed that the mechanics of voting such as ballot design, can make a critical difference in the accuracy and fairness of our elections. But as Dennis F. Thompson shows, even more fundamental issues must be addressed to insure that our electoral system is just.

Thompson argues that three central democratic principles—equal respect, free choice, and popular sovereignty—underlie our electoral institutions, and should inform any assessment of the justice of elections. Although we may all endorse these principles in theory, Thompson shows that in practice we disagree about their meaning and application. He shows how they create conflicts among basic values across a broad spectrum of electoral controversies, from disagreements about term limits and primaries to disputes about recounts and presidential electors.

To create a fair electoral system, Thompson argues, we must deliberate together about these principles and take greater control of the procedures that govern our elections. He demonstrates how applying the principles of justice to electoral practices can help us answer questions that our electoral system poses: Should race count in redistricting? Should the media call elections before the polls close? How should we limit the power of money in elections?

Accessible and wide ranging, Just Elections masterfully weaves together the philosophical, legal, and political aspects of the electoral process. Anyone who wants to understand the deeper issues at stake in American elections and the consequences that follow them will need to read it.

In answering these and other questions, Thompson examines the arguments that citizens and their representatives actually use in political forums, congressional debates and hearings, state legislative proceedings, and meetings of commissions and local councils. In addition, the book draws on a broad range of literature: democratic theory, including writings by Madison, Hamilton, and Tocqueville, and contemporary philosophers, as well as recent studies in political science, and work in election law.
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Just One of the Guys?
Transgender Men and the Persistence of Gender Inequality
Kristen Schilt
University of Chicago Press, 2010

The fact that men and women continue to receive unequal treatment at work is a point of contention among politicians, the media, and scholars. Common explanations for this disparity range from biological differences between the sexes to the conscious and unconscious biases that guide hiring and promotion decisions. Just One of the Guys? sheds new light on this phenomenon by analyzing the unique experiences of transgender men—people designated female at birth whose gender identity is male—on the job.

Kristen Schilt draws on in-depth interviews and observational data to show that while individual transmen have varied experiences, overall their stories are a testament to systemic gender inequality. The reactions of coworkers and employers to transmen, Schilt demonstrates, reveal the ways assumptions about innate differences between men and women serve as justification for discrimination. She finds that some transmen gain acceptance—and even privileges—by becoming “just one of the guys,” that some are coerced into working as women or marginalized for being openly transgender, and that other forms of appearance-based discrimination also influence their opportunities. Showcasing the voices of a frequently overlooked group, Just One of the Guys? lays bare the social processes that foster forms of inequality that affect us all.

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Just Words
Law, Language, and Power
John M. Conley and William M. O'Barr
University of Chicago Press, 1998
Is it "just words" when a lawyer cross-examines a rape victim in the hopes of getting her to admit an interest in her attacker? Is it "just words" when the Supreme Court hands down a decision or when business people draw up a contract? In tackling the question of how an abstract entity exerts concrete power, Just Words focuses on what has become the central issue in law and language research: what language reveals about the nature of legal power.

Conley and O'Barr show how the microdynamics of the legal process and the largest questions of justice can be fruitfully explored through the field of linguistics. Each chapter covers a language-based approach to a different area of the law, from the cross-examinations of victims and witnesses to the inequities of divorce mediation. Combining analysis of common legal events with a broad range of scholarship on language and law, Just Words seeks the reality of power in the everyday practice and application of the law. As the only study of its type, the book is the definitive treatment of the topic that will be welcomed by students and specialists alike.
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Just Words
Law, Language, and Power, Third Edition
John M. Conley, William M. O'Barr, and Robin Conley Riner
University of Chicago Press, 2019
Is it “just words” when a lawyer cross-examines a rape victim in the hopes of getting her to admit an interest in her attacker? Is it “just words” when the Supreme Court hands down a decision or when business people draw up a contract? In tackling the question of how an abstract entity exerts concrete power, Just Words focuses on what has become the central issue in law and language research: what language reveals about the nature of legal power. 

John M. Conley, William M. O'Barr, and Robin Conley Riner show how the microdynamics of the legal process and the largest questions of justice can be fruitfully explored through the field of linguistics. Each chapter covers a language-based approach to a different area of the law, from the cross-examinations of victims and witnesses to the inequities of divorce mediation. Combining analysis of common legal events with a broad range of scholarship on language and law, Just Words seeks the reality of power in the everyday practice and application of the law. As the only study of its type, the book is the definitive treatment of the topic and will be welcomed by students and specialists alike. This third edition brings this essential text up to date with new chapters on nonverbal, or “multimodal,” communication in legal settings and law, language, and race.
 
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front cover of Just Words, Second Edition
Just Words, Second Edition
Law, Language, and Power
John M. Conley and William M. O'Barr
University of Chicago Press, 2005
Is it "just words" when a lawyer cross-examines a rape victim in the hopes of getting her to admit an interest in her attacker? Is it "just words" when the Supreme Court hands down a decision or when business people draw up a contract? In tackling the question of how an abstract entity exerts concrete power, Just Words focuses on what has become the central issue in law and language research: what language reveals about the nature of legal power.

Conley and O'Barr show how the microdynamics of the legal process and the largest questions of justice can be fruitfully explored through the field of linguistics. Each chapter covers a language-based approach to a different area of the law, from the cross-examinations of victims and witnesses to the inequities of divorce mediation. Combining analysis of common legal events with a broad range of scholarship on language and law, Just Words seeks the reality of power in the everyday practice and application of the law. As the only study of its type, the book is the definitive treatment of the topic that will be welcomed by students and specialists alike.
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