Following in the footsteps of Napoleon's army, Europeans invaded Egypt in the early nineteenth century to gaze in wonder at the massive, inscrutable remains of its ancient civilizations. One of these travelers was a twenty-four-year-old Englishman, John Gardner Wilkinson. His copious observations of ancient and modern Egyptian places, artifacts, and lifeways, recorded in such widely read publications as Manners and Customs of the Ancient Egyptians and Handbook for Travellers in Egypt, made him the leading early Victorian authority on ancient Egypt and paved the way for thc scientific study of Egyptology.

In this first full-scale biography of Wilkinson (1797-1875), Jason Thompson skillfully portrays both the man and his era. He follows Wilkinson during his initial sojourn in Egypt (1821-1833) as Wilkinson immersed himself in a contemporary Egyptian lifestyle and in study of its ancient past. He shows Wilkinson in his circle of friends—among them Edward William Lane, Robert Hay and Frederick Catherwood. And he traces how Wilkinson continued to use his Egyptian material in the decades following his return to England.

With the rise of professional Egyptology in the middle and later nineteenth century, Sir Gardner Wilkinson came to be viewed as an amateur and his popularity diminished. Drawing upon recently opened sources, Thompson returns Wilkinson to his rightful place within centuries of Egyptian scholarship and assesses both the vision and the limitations of his work. The result is a compelling portrait of a Victorian "gentleman-scholar" and his cultural milieu.

Marveling over the tomb treasures of Ramses II and Tutankhamen that have toured U.S. and European museums in recent years, visitors inevitably wonder what the mysterious hieroglyphs that cover their surfaces mean. Indeed, everyone who is fascinated by ancient Egypt sooner or later wishes for a Rosetta stone to unlock the secrets of hieroglyphic writing.

Hieroglyphs without Mystery provides the needed key. Written for ordinary people with no special language skills, the book quickly demonstrates that hieroglyphic writing can be read, once a few simple principles are understood. Zauzich explains the basic rules of the writing system and the grammar and then applies them to thirteen actual inscriptions taken from objects in European and Egyptian museums. By following his explanations and learning the most commonly used glyphs, readers can begin to decode hieroglyphs themselves and increase their enjoyment of both museum objects and ancient Egyptian sites.

Even for the armchair traveler, learning about hieroglyphs opens a sealed door into ancient Egyptian culture. In examining these inscriptions, readers will gain a better understanding of Egyptian art, politics, and religion, as well as language.

This book was originally published in Germany in 1980 as Hieroglyphen ohne Geheimnis.

Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II)

The Rosetta Stone is one of the world's great wonders, attracting awed pilgrims by the tens of thousands each year. This book tells the Stone's story, from its discovery by Napoleon's expedition to Egypt to its current--and controversial-- status as the single most visited object on display in the British Museum.

A pharaoh's forgotten decree, cut in granite in three scripts--Egyptian hieroglyphs, Egyptian demotic, and ancient Greek--the Rosetta Stone promised to unlock the door to the language of ancient Egypt and its 3,000 years of civilization, if only it could be deciphered. Capturing the drama of the race to decode this key to the ancient past, John Ray traces the paths pursued by the British polymath Thomas Young and Jean-Francois Champollion, the "father of Egyptology" ultimately credited with deciphering Egyptian hieroglyphs. He shows how Champollion "broke the code" and explains more generally how such deciphering is done, as well as its critical role in the history of Egyptology. Concluding with a chapter on the political and cultural controversy surrounding the Stone, the book also includes an appendix with a full translation of the Stone's text.

Rich in anecdote and curious lore, The Rosetta Stone and the Rebirth of Ancient Egypt is a brilliant and frequently amusing guide to one of history's great mysteries and marvels.

Poetry, stories, hymns, prayers, and wisdom texts found exquisite written expression in ancient Egypt while their literary counterparts were still being recited around hearth fires in ancient Greece and Israel. Yet, because of its very antiquity and the centuries during which the language was forgotten, ancient Egyptian literature is a newly discovered country for modern readers.

This anthology offers an extensive sampling of all the major genres of ancient Egyptian literature. It includes all the texts from John Foster's previous book Echoes of Egyptian Voices, along with selections from his Love Songs of the New Kingdom and Hymns, Prayers, and Songs: An Anthology of Ancient Egyptian Lyric Poetry, as well as previously unpublished translations of four longer and two short poems. Foster's translations capture the poetical beauty of the Egyptian language and the spirit that impelled each piece's composition, making these ancient masterworks sing for modern readers. An introduction to ancient Egyptian literature and its translation, as well as brief information about the authorship and date of each selection, completes the volume.

A new reconstruction and translation of the Maqlû text

The Akkadian series Maqlû, “Burning,” is one of the most significant and interesting magical texts from the Ancient Near East. The incantations and accompanying rituals are directed against witches and witchcraft and ctually represent a single complex ceremony. The ceremony was performed during a single night and into the following morning at the end of the month Abu (July/August), a time when spirits were thought to move back and forth between the netherworld and the world of the living.

Features:

• English translation of approximately 100 incantations and rituals
• Annotated transcription
• Introduction places the series in historical context and shows how it is a product of a complex literary and ceremonial development.

The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life.

This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who also discusses how the poems reflect Enheduanna's own spiritual and psychological liberation from being an obedient daughter in the shadow of her ruler father. Meador frames the poems with background information on the religious and cultural systems of ancient Mesopotamia and the known facts of Enheduanna's life. With this information, she explores the role of Inanna as the archetypal feminine, the first goddess who encompasses both the celestial and the earthly and shows forth the full scope of women's potential.

Living in 2300 BCE, Sumerian high priestess Enheduanna became the first author of historical record by signing her name to a collection of hymns written for forty-two temples throughout the southern half of ancient Mesopotamia, the civilization now known as Sumer.

Each of her hymns confirmed to the worshipers in each city the patron deity's unique character and significance. The collected hymns became part of the literary canon of the remarkable Sumerian culture and were copied by scribes in the temples for hundreds of years after Enheduanna's death.

Betty De Shong Meador offers here the first collection of original translations of all forty-two hymns along with a lengthy examination of the relevant deity and city, as well as an analysis of the verses themselves. She introduces the volume with discussions of Sumerian history and mythology, as well as with what is known about Enheduanna, thought to be the first high priestess to the moon god Nanna, and daughter of Sargon, founder of one of the first empires in human history.

Seth L. Sanders connects the Bible's distinctive linguistic form--writing down a local spoken language--to a cultural desire to speak directly to people, summoning them to join a new community that the text itself helped call into being. Addressing the people of Israel through a vernacular literature, Hebrew texts reimagined their audience as a public. By comparing Biblical documents with related ancient texts in Hebrew, Ugaritic, and Babylonian, this book shows Hebrew's distinctiveness as a self-conscious political language. Illuminating the enduring stakes of Biblical writing, Sanders demonstrates how Hebrew assumed and promoted a source of power previously unknown in written literature: "the people" as the protagonist of religion and politics.

A philologically robust approach to the history of ancient Hebrew

In this book the authors work toward constructing an approach to the history of ancient Hebrew that overcomes the chasm of academic specialization. The authors illustrate how cross-textual variable analysis and variation analysis advance research on Biblical Hebrew and correct theories based on extra-linguistic assumptions, intuitions, and ideologies by focusing on variation of forms/uses in the Masoretic text and variation between the Masoretic text and other textual traditions.

Features:

• A unique approach that examines the nature of the sources and the description of their language together
• Extensive bibliography for further research
• Tables of linguistic variables and parallels

Modern Hebrew for Beginners—which is now revised and updated—and Modern Hebrew for Intermediate Students are the core of a multimedia program for the college-level Hebrew classroom developed at the University of Texas at Austin in the early 2000s. Within an intensive framework of instruction that assumes six weekly hours in the classroom, the program provides for two semesters of instruction, at the end of which most successful students will reach the intermediate-mid or intermediate-high levels of proficiency in speaking and reading, and some will reach advanced-low proficiency, as defined by the American Council on the Teaching of Foreign Languages (ACTFL).

In addition to a variety of written exercises, the workbook includes vocabulary lists, reading selections, discussions of cultural topics, illustrations of grammar points, notes on registers, suggestions for class and individual activities, and glossaries. The workbook is complemented by a website (http://www.laits.utexas.edu/hebrew) that provides short video segments originally scripted and filmed in Israel and the United States, vocabulary flashcards with sound, interactive exercises on topics included in the workbook, sound files parallel to the reading selections in the workbook, and additional materials that enhance the learning experience. The stability of the workbook, combined with the dynamic nature of the website and the internet searches the students are directed to conduct, allows language instructors to reshape the curriculum and adapt it to the needs of their students and the goals of their programs.