Ellen Pifer challenges the widely held assumption that Nabokov is a writer more interested in literary games than in living human beings. She demonstrates how Nabokov arranges the details of his fiction to explore human psychology and moral truth, and she argues her case with style.

Focusing on the most highly wrought and aesthetically self-conscious of Nabokov’s novels, Pifer shows how he deploys artifice to bring into bold relief what is real. In her chapter on King, Queen, Knave she reveals Nabokov’s radical distinction between genuine and simulated human existence. She shows how, in Invitation to a Beheading and Bend Sinister, he contrasts “grotesque design” of collective existence with the individual’s radiant internal life. In Despair, Lolita, and Pale Fire, Nabokov’s parody of the double illuminates the unique source of human consciousness. In Ada, as in the earlier Laughter in the Dark, the inhuman nature of aesthetic bliss qualifies its delights. Making clear the moral perception of reality that lies behind Nabokov’s artistic strategies, Pifer offers a new assessment of Nabokov’s fiction and of his contribution to the tradition of the novel.

In his autobiography Speak, Memory, Vladimir Nabokov compared his life to a spiral, in which “twirl follows twirl, and every synthesis is the thesis of the next series.” The first four arcs of the spiral of Nabokov’s life—his youth in Russia, voluntary exile in Europe, two decades spent in the United States, and the final years of his life in Switzerland—are now followed by a fifth arc, his continuing life in literary history, which this volume both explores and symbolizes.

This is the first collection of essays to examine all five arcs of Nabokov’s creative life through close analyses of representative works. The essays cast new light on works both famous and neglected and place these works against the backgrounds of Nabokov’s career as a whole and modern literature in general. Nabokov analyzes his own artistry in his “Postscript to the Russian Edition of Lolita,” presented here in its first English translation, and in his little-known “Notes to Ada by Vivian Darkbloom,” published now for the first time in America and keyed to the standard U.S. editions of the novel. In addition to a defense of his father’s work by Dmitri Nabokov and a portrait-interview by Alfred Appel, Jr., the volume presents a vast spectrum of critical analyses covering all Nabokov’s major novels and several important short stories. The highly original structure of the book and the fresh and often startling revelations of the essays dramatize as never before the unity and richness of Nabokov’s unique literary achievement.

Reveals the career of an influential but underappreciated photojournalist. Photographer Nacho López was Mexico's Eugene Smith, fusing social commitment with searing imagery to dramatize the plight of the helpless, the poor, and the marginalized in the pages of glossy illustrated magazines. Even today, López's photographs forcefully belie the picturesque exoticism that is invariably presented as the essence of Mexico. In Nacho López, Mexican Photographer, John Mraz offers the first full-length study in English of this influential photojournalist and provides a close visual analysis of more than fifty of López's most important photographs. Mraz first sets López's work in the historical and cultural context of the authoritarian presidentialism that characterized Mexican politics in the 1950s, the cult of wealth and celebrity promoted by Mexico's professional photographers, and the government's attempts to modernize and industrialize Mexico at almost any cost. Mraz skillfully explores the implications of López's imagery in this setting: the extent to which his photographs might constitute further victimization of his downtrodden subjects, the relationship between them and the middle-class readers of the magazines for which López worked, and the success with which his photographs challenged Mexico's economic and political structures. Mraz contrasts the photos López took with those that were selected by his editors for publication. He also compares López's images with his theories about documentary photography, and considers López's photographs alongside the work of Robert Capa, Dorothea Lange, Henri Cartier-Bresson, and Sebastião Salgado. López's imagery is further analyzed in relation to the Mexican Golden Age cinema inspired by Sergei Eisenstein, the pioneering digital imagery of Pedro Meyer, and the work of Manuel �lvarez Bravo, who Mraz provocatively argues was the first Mexican photographer to take an anti-picturesque stance. The definitive English-language assessment of Nacho López's career, this volume also explores such broader topics as the nature of the photographic essay and the role of the media in effecting social change. "John Mraz writes clearly and passionately. His excellent study will elevate López into the pantheon of photographers who have combined social commitment and artistic expression and creativity." Robert M. Levine "If Manuel Alvarez Bravo is Mexico's version of Edward Weston, then Nacho López is probably the equivalent of W. Eugene Smith--that is to say, a photojournalist of international stature. Documentary photographers are all too often static bystanders, but López was a dynamic dissident. To appreciate his work, you have to be in possession of John Mraz's profound knowledge of Mexican social history. This is one of the most important contributions to the history of photography of the last twenty years." Mike Weaver John Mraz is research professor at the Instituto de Ciencias Sociales y Humanidades at the Universidad Autónoma de Puebla in Mexico.

Nadia moves between the competing perspectives of two survivors of the 1990s Balkan Wars who have escaped to London, only to discover that the war has followed them there. Nadia is a young refugee who just wants to forget the past—until Iggy starts temping at her London office. Afraid he may be a sniper from the war she fled, Nadia starts seeing threats everywhere, alongside unsettling visions of her lost girlfriend, Sanja. As her volatile connection with Iggy unravels, Nadia is forced to face the ethically shaky choices she made to escape the war, her survivor guilt, and her disavowed queer sexuality. 

Christine Evans's novel takes us to the recent past of a war that broke apart a European country and that presciently foreshadowed the rise of ethno-nationalism in the West. Tense, suspenseful, and mordantly funny, Nadia tracks the complex ways in which a past marked by political violence can shadow and disrupt the present. 

Nadia Boulanger (1887–1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers— especially Americans from Aaron Copland to Philip Glass—studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career.

Composer, performer, conductor, impresario, and charismatic and inspirational teacher, Boulanger engaged in a vast array of activities in a variety of media, from private composition lessons and lecture-recitals to radio broadcasts, recordings, and public performances. But how to define and account for Boulanger’s impact on the music world is still unclear. Nadia Boulanger and Her World takes us from a time in the late nineteenth century, when many careers in music were almost entirely closed to women, to the moment in the late twentieth century when those careers were becoming a reality. Contributors consider Boulanger’s work in the worlds of composition, musical analysis, and pedagogy and explore the geographies of transatlantic and international exchange and disruption within which her career unfolded. Ultimately, this volume takes its title as a topic for exploration—asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be “hers.”

Revealing the resiliency of Nahua culture and language while highlighting the adaptations and changes they have undergone over the centuries, The Nahua demonstrates that Nahuatl remained a vibrant and central language well after European contact and into the twenty-first century, and its characteristic features can provide insight into nuanced aspects of Nahua culture and history.
 
During the colonial period, Nahuatl became a means of empowerment, oppression, and indoctrination. In modern times, Nahuatl continues to serve as an ideological lightning rod for both the Mexican government and Indigenous communities. Contributors to this volume focus on Nahua intellectual production from the sixteenth century to the present; contact and the negotiation of meaning; adaptations of Christian lore that show how representations of creation, hell, and the Passion of Christ reflected Nahua perceptions and understandings; Nahua cultural expressions, including poetry, healing rituals, and even running; language and geography; Nahuatl place-names; and the transformation of Nahuatl speakers from antiquity to the present.
 
Showcasing how Nahuatl’s cultural resilience permanently shaped the region’s social geography, The Nahua engages the field’s interest in the nonhomogenous character of the language, with regional and subregional dialects and pronunciations that reflect the history of pre-Columbian migrations and modern-era influences. Bridging the study of Nahuatl as a “historical” Indigenous language tradition with the study of modern-day speakers and their experiences, this work is of significance to students, scholars, and speakers of the languages as well as those studying colonial New Spain, Indigenous resilience, or Indigenous linguistics.
 

First published in 1983, Nahuat Myth and Social Structure brings together an important collection of modern-day Aztec Indian folktales and vividly demonstrates how these tales have been shaped by the social structure of the communities in which they are told.

What happens within us when we read a novel? And how does a novel create its unique effects, so distinct from those of a painting, a film, or a poem? In this inspired, thoughtful, deeply personal book, Orhan Pamuk takes us into the worlds of the writer and the reader, revealing their intimate connections.

Pamuk draws on Friedrich Schiller’s famous distinction between “naive” poets—who write spontaneously, serenely, unselfconsciously—and “sentimental” poets: those who are reflective, emotional, questioning, and alive to the artifice of the written word. Harking back to the beloved novels of his youth and ranging through the work of such writers as Tolstoy, Dostoevsky, Stendhal, Flaubert, Proust, Mann, and Naipaul, he explores the oscillation between the naive and the reflective, and the search for an equilibrium, that lie at the center of the novelist’s craft. He ponders the novel’s visual and sensual power—its ability to conjure landscapes so vivid they can make the here-and-now fade away. In the course of this exploration, he considers the elements of character, plot, time, and setting that compose the “sweet illusion” of the fictional world.

Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive book by one of the modern masters of the art.

In 1914, Nakeae Ushikichi (1889-1942), gifted son of the famous Nakae Chōmin (1847-1901) and graduate of Tokyo University's Faculty of Law, left behind the opportunities open to him in Japan and went to China. He worked briefly for the South Manchurian Railway and then in the Yüan Shih-k'ai government, but a personal crisis in 1919 turned him suddenly to a life of rigorous scholarship and social criticism. He spent most of his adult life in Peking, published little, deeply influenced a few key compatriots, and became a posthumous hero to a generation of postwar Japanese intellectuals.

In the first full-length study in English of the life and thought of Nakae Ushikichi, Joshua A. Fogel tells the strange story of this cocky, indolent carouser who became a disciplined scholar and passionate advocate of the worth of all humanity. Fogel examines Nakae's Sinological work in the context of his wide reading in German philosophy, Western historiography, and classical Chinese sources. He also translates Nakae's wartime diary.

Across Africa, mature women have for decades mobilized the power of their nakedness in political protest to shame and punish male adversaries. This insurrectionary nakedness, often called genital cursing, owes its cultural potency to the religious belief that spirits residing in women's bodies can be unleashed to cause misfortune in their targets, including impotence, disease, and death. In Naked Agency, Naminata Diabate analyzes these collective female naked protests in Africa and beyond to broaden understandings of agency and vulnerability. Drawing on myriad cultural texts from social media and film to journalism and fiction, Diabate uncovers how women create spaces of resistance during socio-political duress, including such events as the 2011 protests by Ivoirian women in Côte d’Ivoire and Paris as well as women's disrobing in Soweto to prevent the destruction of their homes. Through the concept of naked agency, Diabate explores fluctuating narratives of power and victimhood to challenge simplistic accounts of African women's helplessness and to show how they exercise political power in the biopolitical era.

A Times Higher Education Book of the Year

Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, Syria, and elsewhere, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictators and the regimes that sustained them. Investigating what drives people to risk everything to express themselves in rebellious art, The Naked Blogger of Cairo uncovers the creative insurgency at the heart of the Arab uprisings.

“A deep dive into the cultural politics of the Arab uprisings…Kraidy’s sharp insights and rich descriptions of a new Arab generation’s irrepressible creative urges will amply reward the effort. Reading Kraidy’s accounts of the politically charted cultural gambits of wired Arab youth rekindles some of the seemingly lost spirit of the early days of the Arab uprisings and offers hope for the future.”
—Marc Lynch, Washington Post

“The Naked Blogger of Cairo is a superb and important work not just for scholars but for anyone who cares about the relationships between art, the body, and revolution.”
—Hans Rollman, PopMatters

This is a study of visuality in early modern and modern China. Its focus, however, is not so much on imagery per se but rather on how vision itself has been conceived, imagined, and deployed in a variety of discursive contexts. Of particular interest is how these discourses of vision have been used to articulate issues of gender and desire, and specifically processes of gendered subject formation. Through detailed readings of narrative works by eight authors of the nineteenth and twentieth centuries—ranging from the canonical to the popular to the esoteric—the study identifies three distinct constellations of visual concerns corresponding to the late imperial, mid-twentieth century, and contemporary periods, respectively. At the same time, however, it argues that those historical periodizations themselves do not reflect a smooth, unidirectional temporal movement; rather, they are the result of a complex process of retrospection and anticipatory projection. The goal of this volume is to use a focus on tropes of visuality and gender to reflect on shifting understandings of the significance of Chineseness, modernity, and Chinese modernity.

Across America, strip clubs have come under attack by a politically aggressive segment of the Christian Right. Using plausible-sounding but factually untrue arguments about the harmful effects of strip clubs on their communities, the Christian Right has stoked public outrage and incited local and state governments to impose onerous restrictions on the clubs with the intent of dismantling the exotic dance industry. But an even larger agenda is at work, according to Judith Lynne Hanna. In Naked Truth, she builds a convincing case that the attack on exotic dance is part of the activist Christian Right’s “grand design” to supplant constitutional democracy in America with a Bible-based theocracy.

Hanna takes readers onstage, backstage, and into the community and courts to reveal the conflicts, charges, and realities that are playing out at the intersection of erotic fantasy, religion, politics, and law. She explains why exotic dance is a legitimate form of artistic communication and debunks the many myths and untruths that the Christian Right uses to fight strip clubs. Hanna also demonstrates that while the fight happens at the local level, it is part of a national campaign to regulate sexuality and punish those who do not adhere to Scripture-based moral values. Ultimately, she argues, the naked truth is that the separation of church and state is under siege and our civil liberties—free speech, women’s rights, and free enterprise—are at stake.

Uncovers the interplay of the physical and the aesthetic that shaped Viennese modernism and offers a new interpretation of this moment in the history of the West.

Viennese modernism is often described in terms of a fin-de-siècle fascination with the psyche. But this stereotype of the movement as essentially cerebral overlooks a rich cultural history of the body. The Naked Truth, an interdisciplinary tour de force, addresses this lacuna, fundamentally recasting the visual, literary, and performative cultures of Viennese modernism through an innovative focus on the corporeal.
 
Alys X. George explores the modernist focus on the flesh by turning our attention to the second Vienna medical school, which revolutionized the field of anatomy in the 1800s. As she traces the results of this materialist influence across a broad range of cultural forms—exhibitions, literature, portraiture, dance, film, and more—George brings into dialogue a diverse group of historical protagonists, from canonical figures such as Egon Schiele, Arthur Schnitzler, Joseph Roth, and Hugo von Hofmannsthal to long-overlooked ones, including author and doctor Marie Pappenheim, journalist Else Feldmann, and dancers Grete Wiesenthal, Gertrud Bodenwieser, and Hilde Holger. She deftly blends analyses of popular and “high” culture, laying to rest the notion that Viennese modernism was an exclusively male movement. The Naked Truth uncovers the complex interplay of the physical and the aesthetic that shaped modernism and offers a striking new interpretation of this fascinating moment in the history of the West.
 

An insightful study of Walter Benjamin, one of the most important philosophers of the twentieth century, by the Italian philosopher Gianni Carchia.
 
Name and Image crystalizes Gianni Carchia’s lifelong pursuit of the infinite philosophical object in the method and thought of one of the most important philosophers of the twentieth century: Walter Benjamin. This intellectual biography touches upon the philosophy of language, historiography, aesthetics, temporality, and transcendental philosophy.
 
The book has the singular distinction of being both Gianni Carchia’s first and last work. In the spring of 1999, shortly before the resurgence of the disease that would lead to his death, Carchia began revising the graduate thesis he had defended at the University of Turin in 1971 with the title Truth and Language in the Young Walter Benjamin. At age twenty-four, the young scholar already demonstrated the incisive, axiomatic style of a master. The final version, retitled Name and Image, would become his testament. With a remarkable inversion, beginning and end seem to conjoin here in an authentically philosophical act, as though all the motifs of Carchia’s late thought—the conception of philosophy as event and witness, critique of method, and messianic finality—resonated together for the first time in this youthful text. The physiognomy of Benjamin that opens the work is the self-portrait of a figure who stands out ever more as one of the most just voices in twentieth-century Italian philosophy.
 

Winner, T. H. Fehrenbach Award, Texas Historical Commission

Sawmill communities were once the thriving centers of East Texas life. Many sprang up almost overnight in a pine forest clearing, and many disappeared just as quickly after the company "cut out" its last trees. But during their heyday, these company towns made Texas the nation's third-largest lumber producer and created a colorful way of life that lingers in the memories of the remaining former residents and their children and grandchildren.

Drawing on oral history, company records, and other archival sources, Sitton and Conrad recreate the lifeways of the sawmill communities. They describe the companies that ran the mills and the different kinds of jobs involved in logging and milling. They depict the usually rough-hewn towns, with their central mill, unpainted houses, company store, and schools, churches, and community centers. And they characterize the lives of the people, from the hard, awesomely dangerous mill work to the dances, picnics, and other recreations that offered welcome diversions.

Rescued from the dumpster of a boarded-up house, the yellowing scraps of a young migrant’s schoolwork provided Benjamin Moore with the jumping-off point for this study of migration, memory, and identity. Centering on the compelling story of its eponymous subject, The Names of John Gergen examines the converging governmental and institutional forces that affected the lives of migrants in the industrial neighborhoods of South St. Louis in the early twentieth century. These migrants were Banat Swabians from Torontál County in southern Hungary—they were Catholic, agrarian, and ethnically German.
 
Between 1900 and 1920, the St. Louis neighborhoods occupied by migrants were sites of efforts by civic authorities and social reformers to counter the perceived threat of foreignness by attempting to Americanize foreign-born residents. At the same time, these neighborhoods saw the strengthening of Banat Swabians’ ethnic identities. Historically, scholars and laypeople have understood migrants in terms of their aspirations and transformations, especially their transformations into Americans. The experiences of John Gergen and his kin, however, suggest that identity at the level of the individual was both more fragmented and more fluid than twentieth-century historians have recognized, subject to a variety of forces that often pulled migrants in multiple directions.

Systems of belonging, including ethnicity, are not static, automatic, or free of contest. Historical contexts shape the ways which we are included in or excluded from specific classifications. Building on an amazing array of sources, David L. Schoenbrun examines groupwork—the imaginative labor that people do to constitute themselves as communities—in an iconic and influential region in East Africa. His study traces the roots of nationhood in the Ganda state over the course of a millennia, demonstrating that the earliest clans were based not on political identity or language but on shared investments, knowledges, and practices.
 
Grounded in Schoenbrun’s skillful mastery of historical linguistics and vernacular texts, The Names of the Python supplements and redirects current debates about ethnicity in ex-colonial Africa and beyond. This timely volume carefully distinguishes past from present and shows the many possibilities that still exist for the creative cultural imagination.

If there is such a thing as essential reading in metaphysics or in philosophy of language, this is it.

Ever since the publication of its original version, Naming and Necessity has had great and increasing influence. It redirected philosophical attention to neglected questions of natural and metaphysical necessity and to the connections between these and theories of reference, in particular of naming, and of identity. From a critique of the dominant tendency to assimilate names to descriptions and more generally to treat their reference as a function of their Fregean sense, surprisingly deep and widespread consequences may be drawn. The largely discredited distinction between accidental and essential properties, both of individual things (including people) and of kinds of things, is revived. So is a consequent view of science as what seeks out the essences of natural kinds. Traditional objections to such views are dealt with by sharpening distinctions between epistemic and metaphysical necessity; in particular by the startling admission of necessary a posteriori truths. From these, in particular from identity statements using rigid designators whether of things or of kinds, further remarkable consequences are drawn for the natures of things, of people, and of kinds; strong objections follow, for example to identity versions of materialism as a theory of the mind.

This seminal work, to which today's thriving essentialist metaphysics largely owes its impetus, is here published with a substantial new Preface by the author.

In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements.

Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory.

The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and ­creativity.

What would it take to renew our ability to name our sins in a meaningful and pertinent way? Naming sins is a particularly important task for Catholic moral theology, but it is one that often falls back into a paradigm of simple violations of rules. While laws and commandments are essential, Vatican II’s universal call to holiness and the revival of virtue ethics require moving further. Yet in part because moral theologians today tend to be lay people, not priests, there has been a de-emphasis on the confession of sins. Contemporary questions like poverty, racism, and abortion are usually connected to questions about sin in some way, but they are disconnected from the idea of naming specific sins in the sacrament of penance. Lay moral theologians raise these issues in a way that makes clear their implications for a parish social justice committee (or the voting booth), but not their implications for the naming of sins in the sacrament of reconciliation. Naming Our Sins proposes to re-make that connection: the moral theologian’s task of helping people name individual sins needs to be restored, though in ways distinctive from dominant pre-Vatican II notions. In this volume, editors Jana Bennett and David Cloutier gather some of the best of the current generation of moral theologians in order to reflect on the classic tradition of the vices. It is crucial to the Christian understanding of sin that we recognize (a) we bear at least some responsibilities for injuries, and (b) God wants us to participate in the process of healing and conversion. Neither the sin itself nor the healing simply come from somewhere else; the task of naming sins enlists us as mature, growing disciples. Each chapter takes on a different classical vice, describing the vice, exploring its dimensions in contemporary experience, and moving the reader toward naming specific sins that arise from the vice. The concluding chapters from Catholic priests explore two basic dimensions of the sacrament of penance: liturgical and communal.

Naming the Local uncovers how Koreans domesticated foreign medical novelties on their own terms, while simultaneously modifying the Korea-specific expressions of illness and wellness to make them accessible to the wider network of scholars and audiences.

Due to Korea’s geopolitical position and the intrinsic tension of medicine’s efforts to balance the local and the universal, Soyung Suh argues that Koreans’ attempts to officially document indigenous categories in a particular linguistic form required constant negotiation of their own conceptual boundaries against the Chinese, Japanese, and American authorities that had largely shaped the medical knowledge grid. The birth, decline, and afterlife of five terminologies—materia medica, the geography of the medical tradition, the body, medical commodities, and illness—illuminate an irresolvable dualism at the heart of the Korean endeavor to name the indigenous attributes of medicine.

By tracing Korean-educated agents’ efforts to articulate the vernacular nomenclature of medicine over time, this book examines the limitations and possibilities of creating a mode of “Koreanness” in medicine—and the Korean manifestation of cultural and national identities.

Poems that navigate the complexities of human relationships, personal ethics, and religious tradition.
 
Wind moves through this collection, opening the poems to the dying beauty of the natural world, to the weathers inside the psyche and without, and to the connections between a family and between the speaker his mentor, the great poet Jack Gilbert. The collection navigates the intimacies of human relationships with others, the challenges of working as a lawyer trying to maintain integrity as others fall prey to corporate greed, and the complexity of holding a Jewish identity while being awake to tradition’s hold on the mind and its cost. Steven Rood offers a powerful account of how to be a human in dynamic relationships while also holding respect for the non-human beings that comprise most of the life on our planet.
 
Rood employs structures and forms that directly relate to the content of the poems themselves. Spontaneous breaks and starts reflect the writer’s turns of mind, offering readers insight into the meaning and measure of the work.
 

Naming What We Know, Classroom Edition examines the core principles of knowledge in the discipline of writing studies, using the lens of “threshold concepts”—concepts that are critical for epistemological participation in a discipline. This edition focuses on the working definitions of thirty-seven threshold concepts that run throughout the research, teaching, assessment, and public work in writing studies. Developed from the highly regarded original edition in response to grassroots demand from teachers in writing programs around the United States and written by some of the field’s most active researchers and teachers, the classroom edition is clear and accessible for an audience of even first-year writing students.

This book presents cutting-edge research advances in the rapidly growing areas of nanoantennas and plasmonics as well as their related enabling technologies and applications. It provides a comprehensive treatment of the field on subjects ranging from fundamental theoretical principles and new technological developments, to state-of-the-art device design, as well as examples encompassing a wide range of related sub-areas. The content of the book also covers highly-directive nanoantennas, all-dielectric and tuneable/reconfigurable devices, metasurface optical components, and other related topics.

Nanobiosensors have been successful for in vitro as well as in vivo detection of several biomolecules and it is expected that this technology will revolutionize point-of-care and personalized diagnostics, and will be extremely applicable for early disease detection and therapeutic applications. This book describes the emerging nanobiosensor technologies which are geared towards onsite clinical applications and those which can be used as a personalised diagnostic device. Biosensor technologies and materials covered include electrochemical biosensors; implantable microbiosensors; microfluidic technology; surface plasmon resonance-based technologies; optical and fibre-optic sensors; lateral flow biosensors; lab on a chip; nanomaterials based (graphene, nanoparticles, nanocomposites, and other carbon nanomaterial) sensors; metallic nanobiosensors; wearable and doppler-based non-contact vital signs biosensors; and technologies for smartphone based disease diagnosis. Clinical applications of these technologies covered in this book include detection of various protein biomarkers, small molecules, cancer and bacterial cells; detection of foodborne pathogens; generation and optimisation of antibodies for biosensor applications; microRNAs and their applications in diagnosis for osteoarthritis; detection of circulating tumor cells; online heartbeat monitoring; analysis of drugs in body fluids; sensing of nucleic acids; and monitoring oxidative stress.

The demand for ever smaller and portable electronic devices has driven metal oxide semiconductor-based (CMOS) technology to its physical limit with the smallest possible feature sizes. This presents various size-related problems such as high power leakage, low-reliability, and thermal effects, and is a limit on further miniaturization. To enable even smaller electronics, various nanodevices including carbon nanotube transistors, graphene transistors, tunnel transistors and memristors (collectively called post-CMOS devices) are emerging that could replace the traditional and ubiquitous silicon transistor. This book explores these nanoelectronics at the circuit and systems levels including modelling and design approaches and issues.

The demand for ever smaller and portable electronic devices has driven metal oxide semiconductor-based (CMOS) technology to its physical limit with the smallest possible feature sizes. This presents various size-related problems such as high power leakage, low-reliability, and thermal effects, and is a limit on further miniaturization. To enable even smaller electronics, various nanodevices including carbon nanotube transistors, graphene transistors, tunnel transistors and memristors (collectively called post-CMOS devices) are emerging that could replace the traditional and ubiquitous silicon transistor. This book explores these nanoelectronics at the device level including modelling and design.

Recent advancements in carbon and molecular electronics have opened the door to a new generation of electronic nanoscale components. This book outlines the basic principles of electromagnetic-based communication at this nanoscale using terahertz and optical frequencies with a focus on theoretical principles and applications. It answers the questions: How can nano-devices communicate with each other by applying electromagnetic techniques? Do conventional communication and networking schemes and principles still apply? How feasible is it to deploy such networks with various applications?

Nanogrids are small energy grids, powered by various generators often including photovoltaics. For example, a nanogrid might supply a village in a rural area and allow that village to trade its surplus energy. A picogrid is a still smaller energy grid. IRENA defines nanogrids as systems handling up to 5 kW of power while picogrids handle up to 1 kW.

The rapid evolution of integrated circuit technology has brought with it many new materials and processing steps at the nano-scale which boost the electrical performance of devices, resulting in faster and more functionally-complex electronics. However, working at this reduced scale can bring second order effects that degrade efficiency and reliability.

How can single atoms be manipulated? Are the laws of physics still valid at the nanostructure scale? How could nanotechnologies help cure disease? What are the application fields of nanotechnologies and what ethical issues do they raise? These questions and many others are answered in this clearly presented, fascinating book.

Winner of the 2021 Kamaladevi Chattopadhyay–NIF Book Prize

The definitive biography of Dadabhai Naoroji, the nineteenth-century activist who founded the Indian National Congress, was the first British MP of Indian origin, and inspired Gandhi and Nehru.

Mahatma Gandhi called Dadabhai Naoroji the “father of the nation,” a title that today is reserved for Gandhi himself. Dinyar Patel examines the extraordinary life of this foundational figure in India’s modern political history, a devastating critic of British colonialism who served in Parliament as the first-ever Indian MP, forged ties with anti-imperialists around the world, and established self-rule or swaraj as India’s objective.

Naoroji’s political career evolved in three distinct phases. He began as the activist who formulated the “drain of wealth” theory, which held the British Raj responsible for India’s crippling poverty and devastating famines. His ideas upended conventional wisdom holding that colonialism was beneficial for Indian subjects and put a generation of imperial officials on the defensive. Next, he attempted to influence the British Parliament to institute political reforms. He immersed himself in British politics, forging links with socialists, Irish home rulers, suffragists, and critics of empire. With these allies, Naoroji clinched his landmark election to the House of Commons in 1892, an event noticed by colonial subjects around the world. Finally, in his twilight years he grew disillusioned with parliamentary politics and became more radical. He strengthened his ties with British and European socialists, reached out to American anti-imperialists and Progressives, and fully enunciated his demand for swaraj. Only self-rule, he declared, could remedy the economic ills brought about by British control in India.

Naoroji is the first comprehensive study of the most significant Indian nationalist leader before Gandhi.

Napalm, incendiary gel that sticks to skin and burns to the bone, came into the world on Valentine’s Day 1942 at a secret Harvard war research laboratory. On March 9, 1945, it created an inferno that killed over 87,500 people in Tokyo—more than died in the atomic explosions at Hiroshima or Nagasaki. It went on to incinerate sixty-four of Japan’s largest cities. The Bomb got the press, but napalm did the work.

After World War II, the incendiary held the line against communism in Greece and Korea—Napalm Day led the 1950 counter-attack from Inchon—and fought elsewhere under many flags. Americans generally applauded, until the Vietnam War. Today, napalm lives on as a pariah: a symbol of American cruelty and the misguided use of power, according to anti-war protesters in the 1960s and popular culture from Apocalypse Now to the punk band Napalm Death and British street artist Banksy. Its use by Serbia in 1994 and by the United States in Iraq in 2003 drew condemnation. United Nations delegates judged deployment against concentrations of civilians a war crime in 1980. After thirty-one years, America joined the global consensus, in 2011.

Robert Neer has written the first history of napalm, from its inaugural test on the Harvard College soccer field, to a Marine Corps plan to attack Japan with millions of bats armed with tiny napalm time bombs, to the reflections of Phan Thi Kim Phuc, a girl who knew firsthand about its power and its morality.

Winner of the J. Russell Major Prize, American Historical Association
Best Book on the First Empire by a Foreigner, Napoleon Foundation

“Englund has written a most distinguished book recounting Bonaparte’s life with clarity and ease…This magnificent book tells us much that we did not know and gives us a great deal to think about.”—Douglas Johnson, Los Angeles Times Book Review

“Englund, in his lively biography…seeks less to rehabilitate Napoleon’s reputation and legacy than to provide readers with a fuller view of the man and his actions.”—Paula Friedman, New York Times

“Napoleon: A Political Life is a veritable tour de force: the general reader will enjoy it immensely, and learn a great deal from it. But the book also has much to offer historians of modern France.”—Sudhir Hazareesingh, Times Literary Supplement

“Englund’s incisive forays into political theory don’t diminish the force of his narrative, which impressively conveys the epochal changes confronting both France and Europe…A strikingly argued biography.”—Matthew Price, Washington Post

This sophisticated and masterful biography brings new and remarkable analysis to the study of modern history’s most famous general and statesman. As Englund charts Napoleon’s dramatic rise and fall—from his Corsican boyhood, his French education, his astonishing military victories and no less astonishing acts of reform as First Consul (1799–1804) to his controversial record as Emperor and, finally, to his exile and death—he explores the unprecedented power Napoleon maintains over the popular imagination.

An Australian Book Review Best Book of the Year

One of France’s most famous historians compares two exemplars of political and military leadership to make the unfashionable case that individuals, for better and worse, matter in history.

Historians have taught us that the past is not just a tale of heroes and wars. The anonymous millions matter and are active agents of change. But in democratizing history, we have lost track of the outsized role that individual will and charisma can play in shaping the world, especially in moments of extreme tumult. Patrice Gueniffey provides a compelling reminder in this powerful dual biography of two transformative leaders, Napoleon Bonaparte and Charles de Gaulle.

Both became national figures at times of crisis and war. They were hailed as saviors and were eager to embrace the label. They were also animated by quests for personal and national greatness, by the desire to raise France above itself and lead it on a mission to enlighten the world. Both united an embattled nation, returned it to dignity, and left a permanent political legacy—in Napoleon’s case, a form of administration and a body of civil law; in de Gaulle’s case, new political institutions. Gueniffey compares Napoleon’s and de Gaulle’s journeys to power; their methods; their ideas and writings, notably about war; and their postmortem reputations. He also contrasts their weaknesses: Napoleon’s limitless ambitions and appetite for war and de Gaulle’s capacity for cruelty, manifested most clearly in Algeria.

They were men of genuine talent and achievement, with flaws almost as pronounced as their strengths. As many nations, not least France, struggle to find their soul in a rapidly changing world, Gueniffey shows us what a difference an extraordinary leader can make.

A cogent, comprehensive, and sweeping account of Napoleon’s dismantling of the French Revolution, giving new insight into this critical period of French history.
 
The French Revolution facilitated the rise of Napoleon Bonaparte, but after gaining power he knew that his first task was to end it. In this book William Doyle describes how he did so, beginning with the three large issues that had destabilized revolutionary France: war, religion, and monarchy. Doyle shows how, as First Consul of the Republic, Napoleon resolved these issues: first by winning the war, then by forging peace with the Church, and finally by making himself a monarch. Napoleon at Peace ends by discussing Napoleon’s one great failure—his attempt to restore the colonial empire destroyed by war and slave rebellion. By the time this endeavor was abandoned, the fragile peace with Great Britain had broken down, and the Napoleonic wars had begun.

Napoleon’s Garden Island reveals the amazing botanical history of one remote Atlantic island.
 
Though the South Atlantic island of St. Helena is best known as the site of Napoleon’s exile following his final defeat in 1815, this remote locale also has a rich gardening heritage and a population of highly diverse flora, both exotic and endemic. This is due to St. Helena’s history as a stopover for the vast East India Company fleets on their way to Europe, whose cargo holds carried not only spices but also plants from China, Malaysia, and India. As a result, St. Helena became a botanical hub and the island’s private plantation houses cultivated a number of extraordinarily varied gardens.
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Illustrated throughout with drawings, maps, and archival materials, Napoleon’s Garden Island looks to St. Helena’s past and future alike. McCracken explores the island’s native and introduced flora, ultimately appealing for the establishment of a new permanent garden to showcase this singular botanical blend. Turning away from the military matters that characterize most other books about St. Helena’s history, Napoleon’s Garden Island highights how a dazzling assortment of plants have thrived thousands of miles from their nearest neighbors.
 

Widely regarded as the Shakespeare of Persia, Bahram Beyzaie—playwright, director, screenwriter, and scholar—has made the greatest contribution to modern Persian drama of any individual artist, yet he remains largely unknown to the English-speaking world. In this volume, Richard Saul Chason and Nikta Sabouri have translated for the first time into English Beyzaie’s complete Naqqali Trilogy, one of the dramatist’s greatest masterpieces and a pinnacle work of twentieth-century world drama.

Blending modes of traditional Iranian storytelling and mythological ritual with contemporary dramatic philosophy and technique, the Naqqali Trilogy is a cycle of three works of mythological revisionism. It celebrates a renaissance of Persian cultural tradition while reframing ancient tales into a modern psychodrama of outcasts and oppression in a land of tyranny and injustice. This volume also includes a detailed introduction that provides background information on Beyzaie, the mythological basis of the plays, the nature of the plays in performance, and on the plays’ distinctive employ of the Persian language and the replication of the dramatic prose poetry into an English equivalent.