A SCHOLARLY BOOK REPOSITORY
A balanced, comprehensive, and clear-eyed survey of the alternative strategies that can be pursued with the hope of restoring peace and stability to Afghanistan.
Rugged, remote, riven by tribal rivalries and religious violence, Afghanistan seems to many a country frozen in time and forsaken by the world. Afghan Modern presents a bold challenge to these misperceptions, revealing how Afghans, over the course of their history, have engaged and connected with a wider world and come to share in our modern globalized age.
Always a mobile people, Afghan travelers, traders, pilgrims, scholars, and artists have ventured abroad for centuries, their cosmopolitan sensibilities providing a compass for navigating a constantly changing world. Robert Crews traces the roots of Afghan globalism to the early modern period, when, as the subjects of sprawling empires, the residents of Kabul, Kandahar, and other urban centers forged linkages with far-flung imperial centers throughout the Middle East and Asia. Focusing on the emergence of an Afghan state out of this imperial milieu, he shows how Afghan nation-making was part of a series of global processes, refuting the usual portrayal of Afghans as pawns in the “Great Game” of European powers and of Afghanistan as a “hermit kingdom.”
In the twentieth century, the pace of Afghan interaction with the rest of the world dramatically increased, and many Afghan men and women came to see themselves at the center of ideological struggles that spanned the globe. Through revolution, war, and foreign occupations, Afghanistan became even more enmeshed in the global circulation of modern politics, occupying a pivotal position in the Cold War and the tumultuous decades that followed.
When the Soviets invaded Afghanistan in 1979, the forces of resistance were disparate. Many groups were caught up in fighting each other and competing for Western arms. The exception were those commanded by Ahmad Shah Massoud, the military strategist and political operator who solidified the resistance and undermined the Russian occupation, leading resistance members to a series of defensive victories.
Sandy Gall followed Massoud during Soviet incursions and reported on the war in Afghanistan, and he draws on this first-hand experience in his biography of this charismatic guerrilla commander. Afghan Napoleon includes excerpts from the surviving volumes of Massoud’s prolific diaries—many translated into English for the first time—which detail crucial moments in his personal life and during his time in the resistance. Born into a liberalizing Afghanistan in the 1960s, Massoud ardently opposed communism, and he rose to prominence by coordinating the defense of the Panjsher Valley against Soviet offensives. Despite being under-equipped and outnumbered, he orchestrated a series of victories over the Russians. Massoud’s assassination in 2001, just two days before the attack on the Twin Towers, is believed to have been ordered by Osama bin Laden. Despite the ultimate frustration of Massoud’s attempts to build political consensus, he is recognized today as a national hero.
Located at the intersection of Asia and the Middle East, Afghanistan has been strategically important for thousands of years. Its ancient routes and strategic position between India, Inner Asia, China, Persia, and beyond has meant the region has been subject to frequent invasions, both peaceful and military. As a result, modern Afghanistan is a culturally and ethnically diverse country, but one divided by conflict, political instability, and by mass displacements of its people. In this magisterial illustrated history, Jonathan L. Lee tells the story of how a small tribal confederacy in a politically and culturally significant but volatile region became a modern nation-state.
Drawing on more than forty years of study, Lee places the current conflict in Afghanistan in its historical context and challenges many of the West’s preconceived ideas about the country. Focusing particularly on the powerful Durrani monarchy, which united the country in 1747 and ruled for nearly two and a half centuries, Lee chronicles the origins of the dynasty as clients of Safavid Persia and Mughal India: the reign of each ruler and their efforts to balance tribal, ethnic, regional, and religious factions; the struggle for social and constitutional reform; and the rise of Islamic and Communist factions. Along the way, he offers new cultural and political insights from Persian histories, the memoirs of Afghan government officials, British government and India Office archives, and recently released CIA reports and Wikileaks documents. He also sheds new light on the country’s foreign relations, its internal power struggles, and the impact of foreign military interventions such as the “War on Terror.”
The book considers a range of films, beginning with the 1970s epics The Man Who Would Become King and The Horsemen and following the shifts in representation of the Muslim world during the Russian War in films such as The Beast and Rambo III. Graham then moves on to Taliban-era films such as Kandahar, Osama, and Ellipsis, the first Afghan film directed by a woman. Lastly, the book discusses imperialist nostalgia in films such as Charlie Wilson's War and destabilizing visions represented in contemporary works such as The Kite Runner.
Debunking conventional narratives of Afghanistan as a perennial war zone or marginal frontier, Faiz Ahmed presents a vibrant account of the first Muslim-majority country to gain independence from the British Empire, form a fully sovereign government, and promulgate an original constitution after the fall of the Ottoman Empire.
Far from a landlocked wilderness, turn-of-the-twentieth-century Afghanistan was a magnet for itinerant scholars and emissaries shuttling between Ottoman and British imperial domains. Tracing Afghans’ longstanding but seldom examined scholastic ties to Istanbul, Damascus, and Baghdad, as well as greater Delhi and Lahore, Ahmed vividly describes how the Kabul court recruited jurists to craft a modern state within the interpretive traditions of Islamic law and ethics, or shariʿa, and international legal norms. Beginning with the first Ottoman mission to Kabul in 1877, and culminating with parallel independence struggles in Afghanistan, India, and Turkey after World War I, this rich narrative explores encounters between diverse streams of Muslim thought and politics—from Young Turk lawyers to Pashtun clerics; Ottoman Arab officers to British Raj bureaucrats; and the last caliphs to a remarkable dynasty of Afghan kings and queens.
By unearthing a lost history behind Afghanistan’s independence and first constitution, Ahmed shows how debates today on Islam, governance, and the rule of law have deep roots in a beleaguered land. Based on research in six countries and as many languages, Afghanistan Rising rediscovers a time when Kabul stood proudly for anticolonial coalitions, self-determination, and contested visions of reform in the Global South and Islamicate world.
This edition is a reprinting of the original 1897 edition.
Africa and Africans in Antiquity assesses recent historical research and archaeology under way in Egypt, North Africa, the Sudan, and the Horn of Africa. Whereas many European and American scholars of earlier generations believed that Egyptian contacts with Africa to the south were not culturally significant, research contained in this important collection rejects such notions. At the same time, the volume takes issue with Afrocentric scholars who argue that most Egyptians were 'black' and that blacks are the rightful heirs to Egypt's past grandeur. These ten thought-provoking essays demonstrate that this large region was an ethnic and cultural mosaic in antiquity, a place where Phoenicians, Berbers, Greeks, as well as Egyptians and Nubians interacted.
African Studies, contrary to some accounts, is not a separate continent in the world of American higher education. Its intellectual borders touch those of economics, literature, history, philosophy, and art; its history is the story of the world, both ancient and modern. This is the clear conclusion of Africa and the Disciplines, a book that addresses the question: Why should Africa be studied in the American university?
This question was put to distinguished scholars in the social sciences and humanities, prominent Africanists who are also leaders in their various disciplines. Their responses make a strong and enlightening case for the importance of research on Africa to the academy.
Paul Collier's essay, for example, shows how studies of African economies have clarified our understanding of the small open economies, and contributed to the theory of repressed inflation and to a number of areas in microeconomics as well. Art historian Suzanne Blier uses the terms and concepts that her discipline has applied to Africa to analyze the habits of mind and social practice of her own field. Christopher L. Miller describes the confounding and enriching impact of Africa on European and American literary theory. Political scientist Richard Sklar outlines Africa's contributions to the study of political modernization, pluralism, and rational choice. These essays, together with others from scholars in history, anthropology, philosophy, and comparative literature, attest to the influence of African research throughout the curriculum.
For many, knowledge from Africa seems distant and exotic. These powerful essays suggest the contrary: that such knowledge has shaped the way in which scholars in various disciplines understand their worlds. Eloquent testimony to Africa's necessary place in the mainstream of American education, this book should alter the academy's understanding of the significance of African research, its definition of core and periphery in human knowledge.
"These essays are at once exceptionally thoughtful and remarkably comprehensive. Not only do they offer an unusually interesting overview of African studies; they are also striking for the depth and freshness of their insights. This is the sort of volume from which both seasoned regional experts and students stand to learn an enormous amount."—John Comaroff, University of Chicago
"These essays provide an important perspective on the evolution of African studies and offer insights into what Africa can mean for the different humanistic and social science disciplines. Many show in ingenious and subtle ways the enormous potential that the study of Africa has for confounding the main tenets of established fields. One could only hope that the strictures expressed here would be taken to heart in the scholarly world."—Robert L. Tignor, Princeton University
At the 2020 Tokyo Olympic Games (held in 2021 due to COVID-19), the fifty-four African countries that participated finished the tournament with the lowest medal haul for any continent, continuing a historic trend since the inception of the modern Games in 1896. Reflecting this relative lack of sporting success, African Olympians—aside from elite Kenyan distance runners—rarely register in the minds of even the most dedicated followers of the Games. Yet for all their seeming invisibility on the Olympic landscape, African states, athletes, and officials have long been “winning” at the Olympics, albeit often far removed from the medal podium. Africa and the Olympics shows how African actors have achieved these nonsporting victories and examines how they have used the Olympics to engage in transformative political activity, realize social mobility, and enhance the quality of life for individuals, communities, and entire nations. In tracing these historical and contemporary processes and the motivations that underlie them, the book complicates reductive notions of the Olympics as solely a sporting competition and instead considers Africa’s engagement with the Games as a series of opportunities to improve personal, communal, ethnic, national, and even continental plights. If few sports fans have thought extensively about Africa and the Olympics, scholars have been only slightly more engaged with the subject. Most of this scholarship focuses on the International Olympic Committee’s ban of apartheid South Africa from 1964 to 1988. Other works that consider the Olympics more broadly tend to deal with Africa only summarily, further reducing its already low profile. As a result, the academic literature resembles a patchwork of circumscribed studies dispersed in a range of fields and disciplines. Not since the publication of Africa at the Olympics almost fifty years ago has a single volume featured a comprehensive history of the continent and the Games. This book both updates and expands previous work and, most importantly, reframes the analytical engagement with this topic.
“This book offers some exciting examples of the insights to be gained from studies of the intellectual responses of Africans to the West. In six case studies, anthropologists, historians, and a literary critic study the impact of the West on African patterns of thought.”—Library Journal
Tropical Africa was one of the last regions of the world to experience formal European colonialism, a process that coincided with the advent of a range of new scientific specialties and research methods. Africa as a Living Laboratory is a far-reaching study of the thorny relationship between imperialism and the role of scientific expertise—environmental, medical, racial, and anthropological—in the colonization of British Africa.
A key source for Helen Tilley’s analysis is the African Research Survey, a project undertaken in the 1930s to explore how modern science was being applied to African problems. This project both embraced and recommended an interdisciplinary approach to research on Africa that, Tilley argues, underscored the heterogeneity of African environments and the interrelations among the problems being studied. While the aim of British colonialists was unquestionably to transform and modernize Africa, their efforts, Tilley contends, were often unexpectedly subverted by scientific concerns with the local and vernacular. Meticulously researched and gracefully argued, Africa as a Living Laboratory transforms our understanding of imperial history, colonial development, and the role science played in both.
At the Second World War’s end, it was clear that business as usual in colonized Africa would not resume. W. E. B. Du Bois’s The World and Africa, published in 1946, recognized the depth of the crisis that the war had brought to Europe, and hence to Europe’s domination over much of the globe. Du Bois believed that Africa’s past provided lessons for its future, for international statecraft, and for humanity’s mastery of social relations and commerce. Frederick Cooper revisits a history in which Africans were both empire-builders and the objects of colonization, and participants in the events that gave rise to global capitalism.
Of the many pathways out of empire that African leaders envisioned in the 1940s and 1950s, Cooper asks why they ultimately followed the one that led to the nation-state, a political form whose limitations and dangers were recognized by influential Africans at the time. Cooper takes account of the central fact of Africa’s situation—extreme inequality between Africa and the western world, and extreme inequality within African societies—and considers the implications of this past trajectory for the future. Reflecting on the vast body of research on Africa since Du Bois’s time, Cooper corrects outdated perceptions of a continent often relegated to the margins of world history and integrates its experience into the mainstream of global affairs.
The study of African languages in Germany, or Afrikanistik, originated among Protestant missionaries in the early nineteenth century and was incorporated into German universities after Germany entered the “Scramble for Africa” and became a colonial power in the 1880s. Despite its long history, few know about the German literature on African languages or the prominence of Germans in the discipline of African philology. In Africa in Translation: A History of Colonial Linguistics in Germany and Beyond, 1814–1945, Sara Pugach works to fill this gap, arguing that Afrikanistik was essential to the construction of racialist knowledge in Germany. While in other countries biological explanations of African difference were central to African studies, the German approach was essentially linguistic, linking language to culture and national identity. Pugach traces this linguistic focus back to the missionaries’ belief that conversion could not occur unless the “Word” was allowed to touch a person’s heart in his or her native language, as well as to the connection between German missionaries living in Africa and armchair linguists in places like Berlin and Hamburg. Over the years, this resulted in Afrikanistik scholars using language and culture rather than biology to categorize African ethnic and racial groups. Africa in Translation follows the history of Afrikanistik from its roots in the missionaries’ practical linguistic concerns to its development as an academic subject in both Germany and South Africa throughout the nineteenth and twentieth centuries.
Jacket image: Perthes, Justus. Mittel und Süd-Afrika. Map. Courtesy of the University of Michigan's Stephen S. Clark Library map collection.
In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950s and ’60s who forged connections between jazz and Africa that definitively reshaped both their music and the world.
Each artist identified in particular ways with Africa’s struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents.
In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.
Ogunyemi uses the novels to trace a Nigerian women's literary tradition that reflects an ideology centered on children and community. Of prime importance is the paradoxical Mammywata figure, the independent, childless mother, who serves as a basis for the new woman in these novels. Ogunyemi tracks this figure through many permutations, from matriarch to exile to woman writer, her multiple personalities reflecting competing loyalties—to self and other, children and nation. Such fragmented personalities characterize the postcolonial condition in their writing. Mapping geographies of pain and endurance, the work opens a space for addressing the palava between different groups of people. Valuable as the first sustained critical study of a substantial but little known body of literature, this book also counters the shortcomings of prevailing "masculinist" theories of black literature in a powerful narrative of the Nigerian world.
June 17, 2008, is the fiftieth anniversary of the publication of Chinua Achebe’s Things Fall Apart by Heinemann. This publication provided the impetus for the foundation of the African Writers Series in 1962 with Chinua Achebe as the editorial adviser.
Africa Writes Back: The African Writers Series and the Launch of African Literature captures the energy of literary publishing in a new and undefined field. Portraits of the leading characters and the many consultants and readers providing reports and advice to new and established writers make Africa Writes Back a stand-out book. James Currey’s voice and insights are an added bonus.
CONTENTS
Publishing and selling the African Writers Series
The African Writers Series Portfolio & George Hallett’s covers
Main dates for the African Writers Series
INTRODUCTION: The establishment of African Literature
Publishing Chinua Achebe
1. WRITERS FROM WEST AFRICA
Nigeria: The country where so much started
Negritude from Senegal to Cameroun
Magic & realism from Ghana, The Gambia & Sierra Leone
2. WRITERS FROM EASTERN AFRICA
Towards the oral & the popular in Kenya, Uganda & Tanzania
Publishing Ngugi
3. WRITERS FROM THE HORN & NORTH-EASTERN AFRICA
Emperors in Ethiopia
Publishing Nuruddin Farah
Arab authors in Egypt & Sudan
4. WRITERS FROM SOUTH AFRICA
Resistance in South Africa
Publishing Alex la Guma
Publishing Dennis Brutus
Publishing Bessie Head
Publishing Masizi Kunene
5. WRITERS FROM SOUTHERN AFRICAN
Guns & Guerrillas in Mozambique &Angola
Zambia Shall be Free
Death & detention in Malawi
The struggle to become Zimbabwe
Publishing Dambudzo Marechera
CONCLUSION: Is there still a role for the African Writers Series?
Building on the vitality and enthusiasm of the Church in Africa, it is important to lift their faith through scholarly research and academic reflections. We cannot fully appreciate the dedication, commitment and perseverance of the Catholic community throughout the African continent if we do not know the truth of their sufferings and persecution and understand their resilience in the light of faith. This collection, drawn from the halls of academia, provides an important contribution to the understanding and advancement of Catholic Africa, following the insights and enlightenment of Pope Emeritus Benedict. It is my hope that these essays will enrich your understanding and experience of the Catholic faith.
— From the Preface by Seán Patrick Cardinal O’Malley
An omnibus collection of concise and up-to-date biographies of four influential figures from modern African history.
Chris Hani, by Hugh Macmillan
Chris Hani was one of the most highly respected leaders of the African National Congress, the South African Communist Party, and uMkhonto we Sizwe. His assassination in 1993 threatened to upset the country’s transition to democracy and prompted an intervention by Nelson Mandela that ultimately accelerated apartheid’s demise.
Wangari Maathai, by Tabitha Kanogo
This concise biography tells the story of Wangari Maathai, the Kenyan activist and Nobel Peace Prize winner who devoted her life to campaigning for environmental conservation, sustainable development, democracy, human rights, gender equality, and the eradication of poverty.
Josie Mpama/Palmer: Get Up and Get Moving, by Robert R. Edgar
Highly critical of the patriarchal attitudes that hindered Black women’s political activism, South Africa’s Josie Mpama/Palmer was an outspoken advocate for women’s social and political equality, a member of the Communist Party of South Africa, and an antiapartheid activist.
Ken Saro-Wiwa, by Roy Doron and Toyin Falola
A penetrating, accessible portrait of the Nigerian activist whose execution galvanized the world. Ken Saro-Wiwa became a martyr and symbolized modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation.
A Choice Significant University Press Titles for Undergraduates, 2005–2006
This history of the African AIDS epidemic is a much-needed, accessibly written historical account of the most serious epidemiological catastrophe of modern times. The African AIDS Epidemic: A History answers President Thabo Mbeki’s provocative question as to why Africa has suffered this terrible epidemic.
While Mbeki attributed the causes to poverty and exploitation, others have looked to distinctive sexual systems practiced in African cultures and communities. John Iliffe stresses historical sequence. He argues that Africa has had the worst epidemic because the disease was established in the general population before anyone knew the disease existed. HIV evolved with extraordinary speed and complexity, and because that evolution took place under the eyes of modern medical research scientists, Iliffe has been able to write a history of the virus itself that is probably unique among accounts of human epidemic diseases. In giving the African experience a historical shape, Iliffe has written one of the most important books of our time.
The African experience of AIDS has taught the world much of what it knows about HIV/AIDS, and this fascinating book brings into focus many aspects of the epidemic in the longer context of massive demographic growth, urbanization, and social change in Africa during the latter half of the twentieth century. The African AIDS Epidemic: A History is a brilliant introduction to the many aspects of the epidemic and the distinctive character of the virus.
Contributors: Carrie Mae Weems, Carmen Gillespie, Rikki Byrd, Amber Lauren Johnson, Doria E. Charlson, Florencia V. Cornet, Daniel McNeil, Lucy Caplan, Genevieve Hyacinthe, Sammantha McCalla, Nettrice R. Gaskins, Abby Dobson, J. Michael Kinsey, Shondrika Moss-Bouldin, Julie B. Johnson, Sharrell D. Luckett, Jasmine Eileen Coles, Tawnya Pettiford-Wates, Rickerby Hinds.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Do people of differing ethnicities, cultures, and races view medicine and bioethics differently? And, if they do, should they? Are doctors and researchers taking environmental perspectives into account when dealing with patients? If so, is it done effectively and properly?
In African American Bioethics, Lawrence J. Prograis Jr. and Edmund D. Pellegrino bring together medical practitioners, researchers, and theorists to assess one fundamental question: Is there a distinctive African American bioethics?
The book's contributors resoundingly answer yes—yet their responses vary. They discuss the continuing African American experience with bioethics in the context of religion and tradition, work, health, and U.S. society at large—finding enough commonality to craft a deep and compelling case for locating a black bioethical framework within the broader practice, yet recognizing profound nuances within that framework.
As a more recent addition to the study of bioethics, cultural considerations have been playing catch-up for nearly two decades. African American Bioethics does much to advance the field by exploring how medicine and ethics accommodate differing cultural and racial norms, suggesting profound implications for growing minority groups in the United States.
Alkalimat provides an easy to use directory to the very best websites that deal with the African American Experience. The first section covers every aspect of African American history, while a second section deals with a diverse set of topics covering society and culture. Each chapter has a brief essay, extensively annotation on the five best sites for each topic, and then a group of good sites and a short bibliography. This book is designed for a course at the high school or college level. This book should be kept near every home computer that people use to surf the web for Black content.
Most people have found out that the major corporations and governments have been the dominant uploaders of information into cyberspace. This volume is different because it is a serious introduction to the full democratic use of the web. These websites will introduce people to the people who are serious about ending the digital divide because they are busy uploading information about the most excluded and marginalized people, the African American community. Many of these sites are being established by Black Studies academic programmes, as well as community based organizations and institutions.
African American Females: Addressing Challenges and Nurturing the Future illustrates that across education, health, and other areas of social life, opportunities are stratified along gender as well as race lines. The unequal distribution of wealth, power, and privilege between men and women intersects with race and class to create multiple levels of disadvantage. This book is one result of a unique forum intended to bring into focus the K–12 and postsecondary schooling issues and challenges affecting African American girls and women. Focusing on the historical antecedents of African American female participation and the contemporary context of access and opportunity for black girls and women, the contributors to this collection pay particular attention to the interaction of gender with race/ethnicity, class, age, and health, with the central aim of encouraging thoughtful reading, critical thinking, and informed conversations about the necessity of exploring the lives of African American females. Additionally, the book frames important implications for recommended changes in policy and practice regarding a number of critical matters presently affecting African American females in schools and communities across the state of Michigan and nationwide.
Ranging from seventeenth-century West African fare to contemporary fusion dishes using soul food ingredients, the essays in this book provide an introduction to many aspects of African American foodways and an antidote to popular misconceptions about soul food. Examining the combination of African, Caribbean, and South American traditions, the volume's contributors offer lively insights from history, literature, sociology, anthropology, and African American studies to demonstrate how food's material and symbolic values have contributed to African Americans' identity for centuries. Individual chapters examine how African foodways survived the passage into slavery, cultural meanings associated with African American foodways, and the contents of African American cookbooks, both early and recent.
Contributors are Anne L. Bower, Robert L. Hall, William C. Whit, Psyche Williams-Forson, Doris Witt, Anne Yentsch, Rafia Zafar.
The contributors construct a historical portrait of black fraternal orders during the nineteenth and twentieth centuries. They argue that African Americans were more likely than whites to form fraternal orders and to sustain them, using them to guard members against unemployment and other misfortunes. They examine the ritual life of fraternal organizations, paying particular attention to rites of initiation and to the values they reflected about collective identity, gender relations, equality, and collective action. Finally, they show how social networks that black fraternal organizations fostered led to successful legal battles for the right to assemble and to the later civil rights movement of the twentieth century.
Contributors. Bayliss J. Camp, Marshall Ganz, Orit Kent, Ariane Liazos, Jennifer Lynn Oser, Theda Skocpol, Joe W. Trotter
This groundbreaking volume establishes new perspectives on black history--its scholarship and pedagogy, scholars and interpreters, and evolution as a profession.
Pero Gaglo Dagbovie discusses a wide range of issues and themes for understanding and analyzing African American history, the twentieth century black historical enterprise, and the teaching of African American history for the twenty-first century. Additional topics include the hip-hop generation's relationship to and interpretations of African American history; past, present, and future approaches to the subject; and the social construct of knowledge in African American historiography. An examination of definitions of black history from W. E. B. Du Bois's The Souls of Black Folk and a survey of early black women historians lend further dimension and authenticity to the volume. A bold contribution to the growing fields of African American historiography and the philosophy of black history, African American History Reconsidered offers numerous analytical frameworks for understanding and delving into a variety of dimensions of the African American historical experience.
Ralph Bunche, who received the Nobel Peace Prize in 1950, traveled to South Africa for three months in 1937. His notes, which have been skillfully compiled and annotated by historian Robert R. Edgar, provide unique insights on a segregated society.
This pioneering study of African American students in the composition classroom lays the groundwork for reversing the cycle of underachievement that plagues linguistically diverse students. African American Literacies Unleashed: Vernacular English and the Composition Classroom approaches the issue of African American Vernacular English (AAVE) in terms of teacher knowledge and prevailing attitudes, and it attempts to change current pedagogical approaches with a highly readable combination of traditional academic discourse and personal narratives.
Realizing that composition is a particular form of social practice that validates some students and excludes others, Arnetha Ball and Ted Lardner acknowledge that many African American students come to writing and composition classrooms with talents that are not appreciated. To empower and inform practitioners, administrators, teacher educators, and researchers, Ball and Lardner provide knowledge and strategies that will help unleash the potential of African American students and help them imagine new possibilities for their successes as writers.
African American Literacies Unleashed asserts that necessary changes in theory and practice can be addressed by refocusing attention from teachers’ knowledge deficits to the processes through which teachers engage information relevant to culturally informed pedagogy. Providing strategies for unlearning racism in the classroom and changing the status quo, this volume stresses the development and maintenance of a real sense of teaching efficacy—teachers’ beliefs in their abilities to connect with and work effectively with all students—and reflective optimism—teachers’ informed expectations that all students have the potential to succeed.
Starting at the turn of the century, most African American midwives in the South were gradually excluded from reproductive health care. Gertrude Fraser shows how physicians, public health personnel, and state legislators mounted a campaign ostensibly to improve maternal and infant health, especially in rural areas. They brought traditional midwives under the control of a supervisory body, and eventually eliminated them. In the writings and programs produced by these physicians and public health officials, Fraser finds a universe of ideas about race, gender, the relationship of medicine to society, and the status of the South in the national political and social economies.
Fraser also studies this experience through dialogues of memory. She interviews members of a rural Virginia African American community that included not just retired midwives and their descendants, but anyone who lived through this transformation in medical care--especially the women who gave birth at home attended by a midwife. She compares these narrations to those in contemporary medical journals and public health materials, discovering contradictions and ambivalence: was the midwife a figure of shame or pride? How did one distance oneself from what was now considered "superstitious" or "backward" and at the same time acknowledge and show pride in the former unquestioned authority of these beliefs and practices?
In an important contribution to African American studies and anthropology, African American Midwifery in the South brings new voices to the discourse on the hidden world of midwives and birthing.
Bound together by segregation, the inherent dangers of mining, and coal company paternalism, it might seem that black miners and mountaineers would be eager to forget their past. Instead, members of the EKSC have chosen to celebrate their Harlan County roots. African American Miners and Migrants uses historical and archival research and extensive personal interviews to explore their reasons and the ties that still bind them to eastern Kentucky. The book also examines life in the model coal towns of Benham and Lynch in the context of Progressive Era policies, the practice of welfare capitalism, and the contemporary national trend of building corporate towns and planned communities.
In March of 1827 the nation's first black newspaper appeared in New York City—to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper—and its ultimate decline--for more than 160 years until the end of the twentieth century.
The book chronicles the growth of the black press into a powerful and effective national voice for African Americans during the period from 1910 to 1950--a period that proved critical to the formation and gathering strength of the civil rights movement that emerged so forcefully in the following decades. In particular, author Patrick S. Washburn explores how the Pittsburgh Courier and the Chicago Defender led the way as the two most influential black newspapers in U.S. history, effectively setting the stage for the civil rights movement's successes. Washburn also examines the numerous reasons for the enormous decline of black newspapers in influence and circulation in the decades immediately following World War II. His book documents as never before how the press's singular accomplishments provide a unique record of all areas of black history and a significant and shaping affect on the black experience in America.
While stories of organized crime most often dwell on groups like the Mafia and Chinese Triad or Tongs, African Americans also have a long history of organized crime. Why have scholars and journalists paid so little attention to African American organized crime? What can a history of these criminal networks teach us about the social, political, and economic challenges that face African Americans today? What is specific to African American organized crime, and how do these networks differ from the criminal organizations of other racial and ethnic groups? How can a historical study of African American organized crime enrich our understanding of all criminal activity?
Rufus Schatzberg and Robert Kelly take us through almost a century of African American organized crime. Chapters focus on the numbers gambling that took place in New York City from 1920 to 1940, the criminal groups that operated in ghettos from the 1940s to the 1970s, and the gang activities that began in the 1970s and continues today. While providing a compelling analysis of African American organized crime, the authors also challenge existing stereotypes of African Americans and demonstrate the importance of studying any criminal activity within its historical and social context.
While African American political thought is inextricable from the historical movement of American political thought, this volume stresses the individuality of Black thinkers, the transnational and diasporic consciousness, and how individual speakers and writers draw on various traditions simultaneously to broaden our conception of African American political ideas. This landmark volume gives us the opportunity to tap into the myriad and nuanced political theories central to Black life. In doing so, African American Political Thought: A Collected History transforms how we understand the past and future of political thinking in the West.
Originally published in 1985, this expanded second edition includes new sources on women, African missions, and the Great Migration. Milton C. Sernett provides a general introduction as well as historical context and comment for each document.
Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire.
Dickson-Carr argues that major works by such authors as Rudolph Fisher, Ishmael Reed, Ralph Ellison, Langston Hughes, and George S. Schuyler should be read primarily as satires in order to avoid misinterpretation and to gain a greater understanding of their specific meanings and the eras in which they were written. He also examines the satirical rhetoric and ideological bases of complex works such as John Oliver Killens's The Cotillion and Cecil Brown's The Life and Loves of Mr. Jiveass Nigger—books that are currently out of print and that have received only scant critical attention since they were first published.
Beginning with the tradition of folk humor that originated in West Africa and was forcibly transplanted to the Americas through chattel slavery, Dickson-Carr focuses in each chapter on a particular period of the twentieth century in which the African American satirical novel flourished. He analyzes the historical contexts surrounding African American literature and culture within discrete crucial movements, starting with the Harlem Renaissance of the 1920s and ending in the present. He also demonstrates how the political, cultural, and literary ethos of each particular moment is manifested and contested in each text.
By examining these texts closely within their historical and ideological contexts, Dickson-Carr shows how African American satirical novels provide the reader of African American literature with a critique of popular ideologies seldom found in nonsatirical works. Providing a better understanding of what satire is and why it is so important for fulfilling many of the goals of African American literature, African American Satire will be an important addition to African American studies.
In this book, Gary Totten examines the global travel narratives of a diverse set of African American writers, including Ida B. Wells, Booker T. Washington, Matthew Henson, Jessie Redmon Fauset, and Zora Neale Hurston. While these writers deal with issues of identity in relation to a reimagined sense of self—in a way that we might expect to find in travel narratives—they also push against the constraints and conventions of the genre, reconsidering discourses of tourism, ethnography, and exploration. This book not only offers new insights about African American writers and mobility, it also charts the ideological distinctions and divergent agendas within this group of writers. Totten demonstrates how these travelers and their writings challenged dominant ideologies about African American experience, expression, and identity in a period of escalating racial violence. By setting these texts in their historical context and within the genre of travel writing, Totten presents a nuanced understanding of both popular and recovered work of the period.
Historians have devoted surprisingly little attention to African American urban history ofthe postwar period, especially compared with earlier decades. Correcting this imbalance, African American Urban History since World War II features an exciting mix of seasoned scholars and fresh new voices whose combined efforts provide the first comprehensive assessment of this important subject.
The first of this volume’s five groundbreaking sections focuses on black migration and Latino immigration, examining tensions and alliances that emerged between African Americans and other groups. Exploring the challenges of residential segregation and deindustrialization, later sections tackle such topics as the real estate industry’s discriminatory practices, the movement of middle-class blacks to the suburbs, and the influence of black urban activists on national employment and social welfare policies. Another group of contributors examines these themes through the lens of gender, chronicling deindustrialization’s disproportionate impact on women and women’s leading roles in movements for social change. Concluding with a set of essays on black culture and consumption, this volume fully realizes its goal of linking local transformations with the national and global processes that affect urban class and race relations.
The middle class black women who people Judith Weisenfeld’s history were committed both to social action and to institutional expression of their religious convictions. Their story provides an illuminating perspective on the varied forces working to improve quality of life for African Americans in crucial times.
When undertaking to help young women migrating to and living alone in New York, Weisenfeld’s protagonists chose to work within a national evangelical institution. Their organization of a black chapter of the Young Women’s Christian Association in 1905 was a clear step toward establishing a suitable environment for young working women; it was also an expression of their philosophy of social uplift. And predictably it was the beginning of an equal rights struggle—to work as equals with white women activists. Growing and adapting as New York’s black community evolved over the decades, the black YWCA assumed a central role both in the community’s religious life and as a training ground for social action. Weisenfeld’s analysis of the setbacks and successes closes with the National YWCA’s vote in 1946 to adopt an interracial charter and move toward integration of local chapters, thus opening the door to a different set of challenges for a new generation of black activists.
Weisenfeld’s account gives a vibrant picture of African American women as significant actors in the life of the city. And it bears telling witness to the religious, class, gender, and racial negotiations so often involved in American social reform movements.
The contributors focus on specific examples of women pursuing a dual ambition: to gain full civil and political rights and to improve the social conditions of African Americans. Together, the essays challenge us to rethink common generalizations that govern much of our historical thinking about the experience of African American women.
Contributors include Bettina Aptheker, Elsa Barkley Brown, Willi Coleman, Gerald R. Gill, Ann D. Gordon, Evelyn Brooks Higginbotham, Cynthia Neverdon-Morton, Martha Prescod Norman, Janice Sumler-Edmond, Rosalyn Terborg-Penn, and Bettye Collier-Thomas.
African American Women in Congress details the life and career histories of Shirley Chisholm, Barbara Jordan, Yvonne Burke, Cardiss Collins, Katie Hall, Eleanor Holmes Norton, Maxine Waters, Barbara-Rose Collins, Carol Moseley-Braun, Corinne Brown, Carrie Meek, Cynthia McKinney, Eva Clayton, Eddie Bernice Johnson, and Sheila Jackson-Lee. Each profile contains a picture of its subject, interview material, and resumés. Arranged chronologically, the book introduces the reader to issues of vital importance to the Black community—Reconstruction, enfranchisement, lynchings and harassment, civil rights struggles, the founding of advocacy groups, the power of the Congressional Black Caucus, the creation of majority minority districts that allowed greater representation in Congress, the struggle of largely Black Washington, D.C., for representation, and the recent dismantling of past gains by a Republican majority. Gill also describes the uphill battles for social justice and the rights of women that the fifteen women had to wage even within their own political parties, political organizations, and districts.
For general readers, high school and college students, and anyone interested in the political process, this book is illuminating and inspiring reading.
Selected as a "New Jersey Notable Book for 1995-2005" by the New Jersey Center for the Book
Awarded the 2004 Certificate of Commendation by the American Association for State and Local History
African American Women Writers in New Jersey, 1836-2000 is the first and only reference book to identify and document the lives, intellectual contributions, and publications of over one hundred African American women writers in the Garden State from 1836 through 2000. Many, such as Jessie Redmon Fauset, Alice Perry Johnson, Sharon Bell Mathis, Ntozake Shange, Claudia C. Tate, Ruby Ora Williams, and Marion Thompson Wright, were born in the state. Others, like Amina Baraka, E. Alma Flagg, Helen Jackson Lee, Gertrude Williams Pitts, and Dorothy Porter Wesley, although not born there, were residents of New Jersey for more than fifteen years, and made significant contributions during that time.
This volume contains biographical and bibliographical information for each author. There are photographs of the writers as well as citations for their published pamphlets, books, reports, and articles. Sibyl E. Moses has enhanced the text with characteristic excerpts from the poetry and prose of selected writers. The two appendixes highlight the distribution of African American women writers in New Jersey both by city or town, and by genre.
Essays by the foremost labor historian of the Black experience in the Appalachian coalfields.
This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia’s Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries.
From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region’s Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.
Werner Sollors’ African American Writing takes a fresh look at what used to be called “Negro literature.” The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world.
From W.E.B. Du Bois commenting on Richard Wagner and Elvis Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a segregationist newspaper, to Charles Chesnutt’s effigy darkened for the black heritage postage stamp, Sollors alternates between close readings and broader cultural contextualizations to delineate the various aesthetic modes and intellectual exchanges that shaped a series of striking literary works.
Readers will make often-surprising discoveries in the authors’ writing and in their encounters and dialogues with others. The essays, accompanied by Winold Reiss’s pastels, Carl Van Vechten’s photographs, and other portraits, attempt to honor this important literature’s achievement, heterogeneity, and creativity.
In 1993 distinguished historian Nancy L. Grant organized "Blacks and Jews: An American Historical Perspective," a conference held at Washington University in St. Louis and dedicated to the exploration of Black-Jewish relations in twentieth-century America. Featuring presentations by historians, sociologists, and political scientists, this conference reflected Grant's devotion to scholarship on multicultural relations and the continuing struggle for racial equality in the United States. After Grant's untimely death in 1995, V. P. Franklin and the other contributors completed the work of readying these essays for publication with the assistance of the coeditors. African Americans and Jews in the Twentieth Century is the culmination of the innovative research and ideas presented at the conference.
In the long struggle to bring social justice to American society, Blacks and Jews have often been close allies. In both the past and the present, however, there has also been serious conflict and competition between the groups in social, economic, and political spheres.
Focusing on the complexity of the relationships between Blacks and Jews in America, these essays examine the convergence and conflict that have characterized Black-Jewish interactions over the past century. African Americans and Jews in the Twentieth Century provides an intellectual foundation for continued dialogue and future cooperative efforts to improve social justice in this society and will be an invaluable resource for the study of race relations in the United States in the twentieth century.
African Americans, as free laborers and as slaves, were among the earliest permanent residents of Michigan, settling among the French, British, and Native people with whom they worked and farmed. Lewis Walker and Benjamin Wilson recount the long history of African American communities in Michigan, delineating their change over time, as migrants from the South, East, and overseas made their homes in the state. Moreover, the authors show how Michigan's development is inextricably joined with the vitality and strength of its African American residents. In a related chapter, Linwood Cousins examines youth culture and identity in African American schools, linking education with historical and contemporary issues of economics, racism, and power.
Focusing on the intersection of African Americans' nineteenth-century cultural values and the changing social and political conditions in the first half of the twentieth century, Jelks pays particularly close attention to the religious community's influence during their struggle toward a respectable social identity and fair treatment under the law. He explores how these competing values defined the community's politics as it struggled to expand its freedoms and change its status as a subjugated racial minority.
Exploration of African American contributions to the state of Florida during the era of Reconstruction
Despite their shortcomings, “radical” politicians, including African Americans, made worthy contributions to the state of Florida during the era of Reconstruction. Joe Richardson disputes many of the misconceptions about the state’s debt and corruption by exploring how some African American politicians were quite capable and learned their duties quickly. Even more remarkable was the rapidity with which the unlettered ex-slaves absorbed education and adjusted to their status as free men. African Americans in the Reconstruction of Florida delves into the problems encountered by the freed men and traces their successes and failures during the first decade after emancipation.
Groundbreaking and critical, African Americans in U.S. Foreign Policy expands on the scope and themes of recent collections to offer the most up-to-date scholarship to students in a range of disciplines, including U.S. and African American history, Africana studies, political science, and American studies.
The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results.
Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.
African Asylum at a Crossroads: Activism, Expert Testimony, and Refugee Rights examines the emerging trend of requests for expert opinions in asylum hearings or refugee status determinations. This is the first book to explore the role of court-based expertise in relation to African asylum cases and the first to establish a rigorous analytical framework for interpreting the effects of this new reliance on expert testimony.
Over the past two decades, courts in Western countries and beyond have begun demanding expert reports tailored to the experience of the individual claimant. As courts increasingly draw upon such testimony in their deliberations, expertise in matters of asylum and refugee status is emerging as an academic area with its own standards, protocols, and guidelines. This deeply thoughtful book explores these developments and their effects on both asylum seekers and the experts whose influence may determine their fate.
Contributors: Iris Berger, Carol Bohmer, John Campbell, Katherine Luongo, E. Ann McDougall, Karen Musalo, Tricia Redeker Hepner, Amy Shuman, Joanna T. Tague, Meredith Terretta, and Charlotte Walker-Said.
Drawing in part on interviews with elderly African-American banjo players from the Piedmont—among the last American representatives of an African banjo-playing tradition that spans several centuries—Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America.
By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows.
By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre—the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands.
The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.
Winner of the John Gilmary Shea Prize
A groundbreaking history of how Africans in the French Empire embraced both African independence and their Catholic faith during the upheaval of decolonization, leading to a fundamental reorientation of the Catholic Church.
African Catholic examines how French imperialists and the Africans they ruled imagined the religious future of French sub-Saharan Africa in the years just before and after decolonization. The story encompasses the political transition to independence, Catholic contributions to black intellectual currents, and efforts to alter the church hierarchy to create an authentically “African” church.
Elizabeth Foster recreates a Franco-African world forged by conquest, colonization, missions, and conversions—one that still exists today. We meet missionaries in Africa and their superiors in France, African Catholic students abroad destined to become leaders in their home countries, African Catholic intellectuals and young clergymen, along with French and African lay activists. All of these men and women were preoccupied with the future of France’s colonies, the place of Catholicism in a postcolonial Africa, and the struggle over their personal loyalties to the Vatican, France, and the new African states.
Having served as the nuncio to France and the Vatican’s liaison to UNESCO in the 1950s, Pope John XXIII understood as few others did the central questions that arose in the postwar Franco-African Catholic world. Was the church truly universal? Was Catholicism a conservative pillar of order or a force to liberate subjugated and exploited peoples? Could the church change with the times? He was thinking of Africa on the eve of Vatican II, declaring in a radio address shortly before the council opened, “Vis-à-vis the underdeveloped countries, the church presents itself as it is and as it wants to be: the church of all.”
Anthropologists usually think of domesticity as the activities related to the home and the family. Such activities have complex meanings associated with the sense of space, work, gender, and power. The contributors to this interdisciplinary collection of papers examine how indigenous African notions of domesticity interact with Western notions to transform the meaning of such activities. They explore the interactions of notions of domesticity in a number of settings in the twentieth century and the kinds of personal troubles and public issues these interactions have provoked. They also demonstrate that domesticity, as it emerged in Africa through the colonial encounter, was culturally constructed, and they show how ideologies of work, space, and gender interact with broader political-economic processes.
In her introduction, Hansen explains how the meaning of domesticity has changed and been contested in the West, specifies which of these shifting meanings are relevant in the African context, and summarizes the historical processes that have affected African ideologies of domesticity.
Departing from the prevailing scholarship, Jalloh characterizes the Fula businesses as independent, rather than appendages of Western expatriate commerce. In addition to establishing successful businesses, Fula merchants established Islamic educational institutions for propogating the Muslim faith and promoting Islamic scholarship.
This study also examines the evolution of Fula chieftaincy from the colonial era to the postcolonial period and documents the importance of mercantile wealth and networks in the election of Fula chiefs in Freetown. African Entrepreneurship makes an important contribution to the understudied role of African business in Sierra Leone.
The essays in this volume form the cutting edge of biohistorical research that promises to rewrite the story of humankind's past in significant ways.
Asfa-Wossen Asserate argues here that building higher fences or finding more effective methods of integration will only, in the long term, perpetuate rather than solve the problems associated with these large numbers of displaced refugees. We need to realize that we are only treating the symptoms of an oncoming catastrophe and that, if we are to respond to mass migration, we will ultimately have to understand its causes. African Exodus places its emphasis firmly on the causes of the refugee crisis, which are to be found not least in Europe itself, and charts ways in which we might deal with it effectively in the long term.
In the course of this analysis, Asserate asks why our view of Africa—a troubled continent, but rich in so many ways—is so distorted. How can we combat the corrupt, authoritarian regimes that stymie progress and development? Why are millions fleeing to Europe? How is the EU complicit in the migration crisis? And finally, in practical terms: what can be done, and what prospects does the future hold?
There have been institutions of higher learning for centuries in Africa, but the phenomenal growth has taken place in the last fifty years, first in the later days of colonialism and then in the heady days of independence and commodity boom. Without them, there would have been no development.
The three highly distinguished authors have written the first comprehensive assessment of universities and higher education in Africa south of the Sahara. As can be seen from their biographies, they draw on experience from both francophone and anglophone Africa and from teaching in both the sciences and the arts.
Contributors. Gabeba Baderoon, Abena P. A. Busia, Ginetta E. B. Candelario, Msia Kibona Clark, Alicia C. Decker, Chipo Dendere, Abosede George, Tsitsi Jaji, Selina Makana, Patricia McFadden, Anne Moraa, Jacqueline-Bethel Tchouta Mougoué, Neo Sinoxolo Musangi, Wambui Mwangi, Aziza Ouguir, Charmaine Pereira, Fatima Sadiqi, Toni Stuart, Makhosazana Xaba, Ntokozo Yingwana
Anthropologists have observed that the patterns produced in different cultures can be characterized by specific design themes. In Europe and America, we often see cities laid out in a grid pattern of straight streets and right-angle corners. In contrast, traditional African settlements tend to use fractal structures-circles of circles of circular dwellings, rectangular walls enclosing ever-smaller rectangles, and streets in which broad avenues branch down to tiny footpaths with striking geometric repetition. These indigenous fractals are not limited to architecture; their recursive patterns echo throughout many disparate African designs and knowledge systems.
Drawing on interviews with African designers, artists, and scientists, Ron Eglash investigates fractals in African architecture, traditional hairstyling, textiles, sculpture, painting, carving, metalwork, religion, games, practical craft, quantitative techniques, and symbolic systems. He also examines the political and social implications of the existence of African fractal geometry. His book makes a unique contribution to the study of mathematics, African culture, anthropology, and computer simulations.
The experts in this book address Africa’s future as it is embedded within various social and cultural forms emerging on the continent today: the reconfiguration of the urban, the efflorescence of signs and wonders and gospels of prosperity, the assorted techniques of legality and illegality, lotteries and Ponzi schemes, apocalyptic visions, a yearning for exile, and many other phenomena. Bringing together social, political, religious, and economic viewpoints, the book reveals not one but multiple prospects for the future of Africa. In doing so, it offers a pathbreaking model of pluralistic and open-ended thinking and a powerful tool for addressing the vexing uncertainties that underlie so many futures around the world.
The African Genius presents the ideas, social systems, religions, moral values, arts, and metaphysics of a range of African peoples. Basil Davidson points toward the Africa that might emerge from an ancient civilization that was overlaid and battered by colonialism, then torn apart by the upheaval of colonialism’s dismantlement. Davidson disputes the notion that Africa gained under colonialism by entering the modern world. He sees, instead, an ancient order replaced by modern dysfunction. Davidson’s depiction of the sophisticated “native genius” that has carried Africans through centuries of change is vital to an understanding of modern Africa as well.
In 1959, when Un Negre a Paris first appeared, the French still held West Africa under colonial rule. Dadié's subtle parodies draw on intimate knowledge obtained over decades spent observing the colonizers abroad and now, suddenly, on their own home terrain. His remarks on Parisian living conditions, wordplay, manners, and and morals are entertaining and poignant, charming yet profound.
This omnibus edition brings together concise and up-to-date biographies of Amílcar Cabral, Samora Machel, Robert Mugabe, and Ellen Johnson Sirleaf. African Leaders of the Twentieth Century, Volume 2 complements courses in history and political science and is an informative collection for general readers.
Amílcar Cabral: A Nationalist and Pan-Africanist Revolutionary, by Peter Karibe Mendy
Amílcar Cabral’s charismatic and visionary leadership, his pan-Africanist solidarity and internationalist commitment to “every just cause in the world,” remain relevant to contemporary struggles for emancipation and self-determination. This concise biography is an ideal introduction to his life and legacy.
Mozambique’s Samora Machel: A Life Cut Short, by Allen F. Isaacman and Barbara S. Isaacman
From his anti-colonial military leadership to the presidency of independent Mozambique, Samora Machel held a reputation as a revolutionary hero to the oppressed. Although killed in a 1987 plane crash, for many Mozambicans his memory lives on as a beacon of hope for the future.
Robert Mugabe, by Sue Onslow and Martin Plaut
For some, Zimbabwe’s Robert Mugabe was a liberation hero who confronted white rule and oversaw the radical redistribution of land. For others, he was a murderous dictator who drove his country to poverty. This concise biography reveals the complexity of the man who led Zimbabwe for its first decades of independence.
Ellen Johnson Sirleaf, by Pamela Scully
Nobel Peace Prize–winner and two-time Liberian president Ellen Johnson Sirleaf speaks to many of the key themes of the twenty-first century. Among these are the growing power of women in the arenas of international politics and human rights; the ravaging civil wars of the post–Cold War era in which sexual violence is used as a weapon; and the challenges of transitional justice in building postconflict societies.
African Literature in the Twentieth Century was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This paperback makes available the major part of Professor Dathorne's The Black Mind.It concentrates on the writings of Africans in various African and European languages and provides insight, both broad and deep, into the Black intellect. Professor Dathorne examines the literature of Africans as spoken or written in their local languages and in French, Portuguese, and English. This extensive survey and interpretation gives the reader a remarkable pathway to an understanding of the Black imagination and its relevance to thought and creativity throughout the world.
The author himself lived in Africa for ten years, and his view is not that of an outsider, since it is as a Black man that he speaks about Black people. Throughout the book, a major theme is the demonstration that, despite slavery and colonialism, Africans remained very close to their own cultures. Professor Dathorne shows that African writers may be, like some Afro-American writers, "marginal men," but that they are Black men and it is as Black men that they feel the nostalgia of their past and the corrosive influences of their present.
O. R. Dathorne is a member of the Department of Black Studies and of the Department of English at Ohio State University. He has taught at universities in Nigeria and Sierra Leone and served as a UNESCO adviser in Sierra Leone. He also has taught at Ohio State University, Howard University, and the University of Wisconsin and lectured at Yale, Federal City College, Michigan State, and other universities in and out of the United States. He is the author of two novels and editor of a number of anthologies of Black literature, and has written widely in journals on his subject.
An influential thinker’s fascinating reflections and meditations on reacclimating to his native Senegal as a young academic after years of study abroad
The call to morning prayer. A group run at daybreak along the Corniche in Dakar. A young woman shedding tears on a beach as her friends take a boat to Europe. In African Meditations, paths to enlightenment collide with tales of loss and ruminations, musical gatherings, and the everyday sights and sounds of life in West Africa as a young philosopher and creative writer seeks to establish himself as a teacher upon his return to Senegal, his homeland, after years of study abroad.
A unique contemporary portrait of an influential, multicultural thinker on a spiritual quest across continents—reflecting on his multiple literary influences along with French, African Francophone, and Senegalese tribal cultural roots in a homeland with a predominantly Muslim culture—African Meditations is a seamless blend of autobiography, journal entries, and fiction; aphorisms and brief narrative sketches; humor and Zen reflections.
Taking us from Saint-Louis to Dakar, Felwine Sarr encounters the rhythms of everyday life as well as its disruptions such as teachers’ strikes and power outages while traversing a semi-surrealistic landscape. As he reacclimates to his native country after a life in France, we get candid glimpses, both vibrant and hopeful, sublime and mundane, into his Zen journey to resecure a foothold in his roots and to navigate academia, even while gleaning something of the good life, of joy, amid the struggles of life in Senegal.
Throughout the 1960s and 1970s, Ivory Coast was touted as an African miracle, a poster child for modernization and the ways that Western aid and multinational corporations would develop the continent. At the same time, Marxist scholars—most notably Samir Amin—described the capitalist activity in Ivory Coast as empty, unsustainable, and incapable of bringing real change to the lives of ordinary people. To some extent, Amin’s criticisms were validated when, in the 1980s, the Ivorian economy collapsed.
In African Miracle, African Mirage, Abou B. Bamba incorporates economics, political science, and history to craft a bold, transnational study of the development practices and intersecting colonial cultures that continue to shape Ivory Coast today. He considers French, American, and Ivorian development discourses in examining the roles of hydroelectric projects and the sugar, coffee, and cocoa industries in the country’s boom and bust. In so doing, he brings the agency of Ivorians themselves to the fore in a way not often seen in histories of development. Ultimately, he concludes that the “maldevelopment” evident by the mid-1970s had less to do with the Ivory Coast’s “insufficiently modern” citizens than with the conflicting missions of French and American interests within the context of an ever-globalizing world.
During the early national and antebellum eras, black leaders in New York City confronted the tenuous nature of Northern emancipation. Despite the hope of freedom, black New Yorkers faced a series of sociopolitical issues including the persistence of Southern slavery, the threat of forced removal, racial violence, and the denial of American citizenship. Even efforts to create community space within the urban landscape, such as the African Burial Ground and Seneca Village, were eventually demolished to make way for the city's rapid development. In this illuminating history, Leslie M. Alexander chronicles the growth and development of black activism in New York from the formation of the first black organization, the African Society, in 1784 to the eve of the Civil War in 1861. In this critical period, black activists sought to formulate an effective response to their unequal freedom. Examining black newspapers, speeches, and organizational records, this study documents the creation of mutual relief, religious, and political associations, which black men and women infused with African cultural traditions and values.
As Alexander reveals, conflicts over early black political strategy foreshadowed critical ideological struggles that would bedevil the black leadership for generations to come. Initially, black leaders advocated racial uplift through a sense of communalism and connection to their African heritage. Yet by the antebellum era, black activists struggled to reconcile their African identity with a growing desire to gain American citizenship. Ultimately, this battle resulted in competing agendas; while some leaders argued that the black community should dedicate themselves to moral improvement and American citizenship, others began to consider emigrating to Africa or Haiti. In the end, the black leadership resolved to assert an American identity and to expand their mission for full equality and citizenship in the United States. This decision marked a crucial turning point in black political strategy, for it signaled a new phase in the quest for racial advancement and fostered the creation of a nascent Black Nationalism.
Over the past thirty years, Italy—the historic home of Catholicism—has become a significant destination for migrants from Nigeria and Ghana. Along with suitcases and dreams of a brighter future, these Africans bring their own form of Christianity, Pentecostalism, shaped by their various cultures and religious worlds. At the heart of Annalisa Butticci’s beautifully sculpted ethnography of African Pentecostalism in Italy is a paradox. Pentecostalism, traditionally one of the most Protestant of Christian faiths, is driven by the same concern as Catholicism: real presence.
In Italy, Pentecostals face harsh anti-immigrant sentiment and limited access to economic and social resources. At times, they find safe spaces to worship in Catholic churches, where a fascinating encounter unfolds that is equal parts conflict and communion. When Pentecostals watch Catholics engage with sacramental objects—relics, statues, works of art—they recognize the signs of what they consider the idolatrous religions of their ancestors. Catholics, in turn, view Pentecostal practices as a mix of African religions and Christian traditions. Yet despite their apparently irreconcilable differences and conflicts, they both share a deeply sensuous and material way to make the divine visible and tangible. In this sense, Pentecostalism appears much closer to Catholicism than to mainstream Protestantism.
African Pentecostals in Catholic Europe offers an intimate glimpse at what happens when the world’s two fastest growing Christian faiths come into contact, share worship space, and use analogous sacramental objects and images. And it explains how their seemingly antithetical practices and beliefs undergird a profound commonality.
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