This book offers a discussion of the screens, installations, and media architecture that populate contemporary urban public spaces. It proposes a methodological approach and conceptual toolset for the critical examination, not only of what these screens do, but also of what we can do with them. The book contains a collection of theoretical concepts, developed through an in-depth examination of the material, relational, and performative aspects of a range of urban screens and screen practices. Its situational and practice-oriented approach focuses on the space between their material surfaces, the spectatorial situations they create, and how such screens situate us in relation to the surrounding social and cultural environment of the city.

Offering concepts for a critical understanding of the wide variety of contemporary urban screen practices, the book’s methodological proposal integrates close situational analyses and a historical-comparative approach for individual screens and screening situations in their role as part of a wider global contemporary screen culture.

Nanna Verhoeff is Professor of Screen Cultures and Society in the Department of Media and Culture Studies of the Faculty of Humanities at Utrecht University. She dedicates her research both to the comparative study of screen media, and to the development of methods and concepts for the creative humanities. Previous publications include The West in Early Cinema: After the Beginning and Mobile Screens: The Visual Regime of Navigation – both published with Amsterdam University Press. This current book on urban screens completes this trilogy, which proposes methods and concepts for comparing and analyzing screen media across times and places.

Preface
Introducing
1. Interfacing
2. Curating
3. Crossing
4. Sensing
5. Figuring
Working With This Book
About the Author
References
List of Works
Index of Concepts