"Such a reconstruction of a richer context for Latrobe’s choice of watercolor only reiterates his isolation in these years, and the solitary, introspective quality of his work that Sienkewicz analyzes so well. She understands the private, intensely personal quality of his images, even the ones intended to impress potential clients, and how they served as therapy for Latrobe at a time when he was underemployed, frustrated, confused, and depressed."
"Reading many of these images as soul-searching, aspirational, self-promoting, and fanciful, Sienkewicz explores a rare mind at work. Her book opens new insights into a complex man whose mind, as revealed in his watercolors, expressed the creative turmoil of an artist determined to shape the painted as well as the built landscape of the United States."
— Nineteenth-Century Art Worldwide