"Malinda McCollum's linked short stories work like small bombs in the consciousness. She understands American optimism enough to turn it on its head, creating scenes with darkness enough to make Eudora Welty and Flannery O'Connor proud. Her understanding of the anti-heroine burns across a landscape McCollum knows well. Come prepared. You may find stories such as 'The Fifth Wall' as unforgettable as any by Denis Johnson or Christine Schutt. While the degradation arrives quick and dirty, its question lingers: How much can the pursuit of happiness vacate a person?—Edie Meidav, Juniper Prize for Fiction judge and author of Kingdom of the Young
"[T]his is not the Des Moines of civic boosters, spacious parks, public art, clean air and other wholesome attractions . . . McCollum's writing is edgy, energetic, often funny."—New York Times
"The 12 loosely linked tales in McCollum's prize-winning, virtuosic debut are as funny and vivid as the characters are lonely and desperate . . . Darkly comic and brimming with conviction, McCollum's taut collection is an inverted portrait of the American dream."—Booklist
"Malinda McCollum's The Surprising Place—a debut collection of vibrant and incendiary short stories—is the book I have most longed to read. Malinda McCollum is the rightful, wakeful heir to Denis Johnson's Mid-Western Fever Dream. Her searing stories sweep over the hallowed heartland and take us deep inside the Unitarian meth labs, the bankrupted banks, the gutted starter homes that make the middle of America a great wonderland of middle-class misadventure. The Surprising Place is a daring and harrowing triumph that establishes Malinda McCollum as one of our finest short story writers. I am in awe of her talent and grace."—Amber Dermont, New York Times bestselling author of The Starboard Sea
"Oracular in vision, harrowing by nature, these gripping stories survey the bleak status of the American heartland: scoured by drugs, hollowed of hope, yet somehow still brimming with humanity. To read a single page of The Surprising Place is to be forever caught in the Hawk's beak of her work. Engrossing and enthralling, these are stories that make you crack the spine."—Adam Johnson, Pulitzer Prize-winning author of The Orphan Master's Son and National Book Award and Story Prize winner of Fortune Smiles
"Malinda McCollum does sinister like no one since Robert Stone. Her stories are . . . populated with hopeless and hapless characters who are both compelling and surprisingly loveable. The Surprising Place will leave you stunned."—Mark Jude Poirier, author of Goats and Modern Ranch Living
"The Surprising Place is hands-down the most arresting and incisive story collection I've read in years. Malinda McCollum's characters fascinate, charm, and confound as they stride clear-eyed into self-destruction, seeking grace or something like it in a midwest littered with frustrated ambitions and bad decisions. Her ability to lay bare the inner worlds of these wounded people empathetically and unsentimentally is astonishing, and she writes with precision, power, and deadpan ferocity. Sentences crackle and bash; every line of dialogue is a shiv. Fiercely original, wise, funny, and deeply unsettling—short stories don't get any better than this."—Doug Dorst, author of S. (with J.J. Abrams) and Alive in Necropolis
"Malinda McCollum's stories are brilliantly cut from the hardest stuff, each one a perfect sharp-edged prism flashing insight from its depths. With an unflinching eye toward her characters' fractured lives, she teases out their vulnerability and their humanity, linking them irrevocably to us all. I have the wildest admiration for this writer, whose debut collection announces her as a storyteller of the first order. Everyone must read this daring and inimitable book."—Julie Orringer, author of The Invisible Bridge
"[W]hat is 'surprising' in Malinda McCollum's excellent new book and winner of the Juniper Prize for fiction is not a matter of geography, in the prosaic sense. Rather, it concerns a different kind of space, a province of heart and mind . . . . McCollum offers intensely observed portraits of her characters' internal struggles which are often unsettling and full of contradiction."—Dactyl Review
