An audacious transformation in prose of fourteen Modernist films

From film to film, Jeffrey DeShell follows a forty-something failed film studies academic—The Professor. While The Professor is reinvented with each new chapter (or film), what remains is DeShell’s inventive deconstruction and representation of modern cinema. At times borrowing imagery, plot, or character elements, and at times rendering lighting, rhythm, costuming, or shot sequences into fictional language, The Professor’s journey sends him from the Southwestern town of Pueblo, Colorado, into the role of rescuer as he aids an attempted-rape victim, and finally to Italy. Ultimately though, The Professor is left alone, struggling to reconcile the real world with his life in cinema.
 

Jeffrey DeShell is the author of the novels In Heaven Everything is Fine, S & M, Peter: An (A)Historical Romance, and The Trouble with Being Born.
 

“An avant-noir tour de force, Jeffrey DeShell’s Arthouse is an architecturally stunning exploration of how we are all thought by cinema. Peopled by tweakers, dealers, killers, a woman hostage, and an ex-con academic, set in a blasted corner of the New West, and shot through the lenses of fourteen films, this extraordinary novel appropriates and celebrates a multiplicity of filmic vocabularies and points of view, even as it turns family into a Fellini, sex into a Suzuki, and the world into a series of eccentric angles, incommensurate scripts, and beautiful, stylized, joco-serious, self-reflexive textual double exposures.”
—Lance Olsen, author of Calendar of Regrets
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“Arthouse is a successful series of sketches, cleverly presented in fourteen unique ways—an interesting, ambitious book and highly recommended for the adventurous, cinematically inclined reader.”
—Rain Taxi
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