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Take Two: Adapting the Contemporary American Novel to Film
University of Wisconsin Press, 1994 Paper: 978-0-87972-642-3 | Cloth: 978-0-87972-641-6 Library of Congress Classification PS374.M55T35 1994 Dewey Decimal Classification 813.5409
ABOUT THIS BOOK
ABOUT THIS BOOK
From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas. Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie’s Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate. See other books on: Adapting | American fiction | Film adaptations | Lupack, Barbara Tepa | Motion pictures and literature See other titles from University of Wisconsin Press |
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Nearby on shelf for American literature / Prose / Prose fiction:
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Take Two: Adapting the Contemporary American Novel to Film
ABOUT THIS BOOK
University of Wisconsin Press, 1994
Paper: 978-0-87972-642-3
Cloth: 978-0-87972-641-6
Paper: 978-0-87972-642-3
Cloth: 978-0-87972-641-6
From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas.
Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie’s Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate.
Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie’s Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate.
ABOUT THIS BOOK
