Acknowledgements vii
Introduction
Laura Estill, Diane K. Jakacki, and Michael Ullyot 1
Books in Space: Adjacency, EEBO-TCP, and Early Modern Dramatists
Michael Witmore and Jonathan Hope 9
Plotting the “Female Wits” Controversy: Gender, Genre, and Printed Plays, 1670–1699
Mattie Burkert 35
A Bird’s-Eye View of Early Modern Latin: Distant Reading, Network Analysis, and Style Variation
Maciej Eder 61
Displaying Textual and Translational Variants in a Hypertextual and Multilingual Edition of Shakespeare’s Multi-text Plays
Jesús Tronch 89
Re-Modeling the Edition: Creating the Corpus of Folger Digital Texts
Rebecca Niles and Michael Poston 117
Collaborative Curation and Exploration of the EEBO-TCP Corpus
Martin Mueller, Philip R. Burns, and Craig A. Berry 145
“Ill shapen sounds, and false orthography”: A Computational Approach to Early English Orthographic Variation
Anupam Basu 167
Linked Open Data and Semantic Web Technologies in Emblematica Online
Timothy W. Cole, Myung-Ja K. Han, and Mara R. Wade 201
Mapping Toponyms in Early Modern Plays with the Map of Early Modern London and Internet Shakespeare Editions Projects: A Case Study in Interoperability
Janelle Jenstad and Diane K. Jakacki 237
Microstoria 2.0: Geo-locating Renaissance Spatial and Architectural History
Fabrizio Nevola 259
Gazing into Imaginary Spaces: Digital Modeling and the Representation of Reality
John N. Wall 283
Cambridge Revisited?: Simulation, Methodology, and Phenomenology in the Study of Theatre History
Jennifer Roberts-Smith, Shawn DeSouza-Coelho, and Paul J. Stoesser 319
Staying Relevant: Marketing Shakespearean Performance through Social Media
Geoffrey Way 345
Contributors 373