Adapturgy: The Dramaturg's Art and Theatrical Adaptation
Southern Illinois University Press, 2018
Paper: 978-0-8093-3627-2 | eISBN: 978-0-8093-3628-9
Library of Congress Classification PN2053.B312 2018
Dewey Decimal Classification 792.023
Paper: 978-0-8093-3627-2 | eISBN: 978-0-8093-3628-9
Library of Congress Classification PN2053.B312 2018
Dewey Decimal Classification 792.023
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Dramaturg Jane Barnette has put together an essential guide for theatre scholars and practitioners seeking to understand and participate in the process of adaptation for the stage. Employing the term “adapturgy”—her neologism for the art of adaptation dramaturgy—Barnette redefines the dramaturg’s role and thoroughly refutes the commonplace point of view that adapted works are somehow less creative than “original” plays.
The dual nature of dramaturgy and adaptation as both process and product is reflected in the structure and organization of the book. Part 1 explores the ways that linking adaptation to dramaturgy advances our understanding of both practices. Part 2 demonstrates three different methods—each grounded in a detailed case study—for analyzing theatrical adaptations. Part 3 offers concrete strategies for the dramaturg: dramaturgy for the adapted script; the production dramaturgy of stage adaptations; and the role of the dramaturg in the postmortem for a production. Rounding out the book are two appendixes containing interviews with adapters and theatre-makers and representative program notes from different play adaptations.
Plays adapted from literature and other media represent a rapidly growing part of the theatre. This book offers both practical and theoretical tools for understanding and creating these new works.
The dual nature of dramaturgy and adaptation as both process and product is reflected in the structure and organization of the book. Part 1 explores the ways that linking adaptation to dramaturgy advances our understanding of both practices. Part 2 demonstrates three different methods—each grounded in a detailed case study—for analyzing theatrical adaptations. Part 3 offers concrete strategies for the dramaturg: dramaturgy for the adapted script; the production dramaturgy of stage adaptations; and the role of the dramaturg in the postmortem for a production. Rounding out the book are two appendixes containing interviews with adapters and theatre-makers and representative program notes from different play adaptations.
Plays adapted from literature and other media represent a rapidly growing part of the theatre. This book offers both practical and theoretical tools for understanding and creating these new works.
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