“An absolutely fascinating edited volume that pushes the academic field of inquiry in very real ways. This book will be bought, cited regularly, and provide maps to future Hip-Hop studies.”
—Lavar Pope, author of Rap and Politics: A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965–2010)
— Lavar Pope, author of Rap and Politics: A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965-2010)
“This is a richly varied set of perspectives on the power of Hip-Hop to contribute to social justice movements around the world. It clearly advocates for Hip-Hop, but at the same time does not shy away from critique. I am excited to see such fascinating and compelling discussions of Hip-Hop as related to the criminal (in)justice system, higher education, and indigeneity.”
—Mark Katz, author of Build: The Power of Hip Hop Diplomacy in a Divided World
— Mark Katz, author of Build: The Power of Hip Hop Diplomacy in a Divided World
"For the Culture convincingly proclaims that hip-hop is not just a cultural form, but a way of seeing, knowing, and being in the world. Hip-hop was and continues to be part of the struggle for a more just world. Hip-hop was and continues to be beautiful."
--Journal of Popular Music Studies— Journal of Popular Music Studies
“This is a richly varied set of perspectives on the power of Hip-Hop to contribute to social justice movements around the world. It clearly advocates for Hip-Hop, but at the same time does not shy away from critique. I am excited to see such fascinating and compelling discussions of Hip-Hop as related to the criminal (in)justice system, higher education, and indigeneity.”
—Mark Katz, author of Build: The Power of Hip Hop Diplomacy in a Divided World
— Mark Katz, author of Build: The Power of Hip Hop Diplomacy in a Divided World
"For the Culture should appeal to anyone interested in social activism areas such as forms education, activism, electoral politics and mass movement leadership, race and ethnicity, gender and sexuality, or human rights and global justice. The book is eclectic and balances an array of voices. The scholarship is especially rich, thoughtful, and sound. The editors have assembled a great diversity of methods and scopes, all
united by their outstanding framework, chapter content, and documentation. This diversity mirrors the diversity in Hip Hop and in social justice activity."
—Popular Culture Review
— Lavar Pope, Loyola University Chicago, Popular Culture Review
"Bonnette-Bailey and Belk, together with the authors who contributed to For the Culture, have produced an important scholarly and activist work. They have demonstrated the multifaceted nature of hip-hop, foregrounding the political power that this genre has and its potential to help end anti-Black violence and racial oppression, and promote justice for all."
--Scholarly Connections Book Reviews— Scholarly Connections Book Reviews
"For the Culture has much to recommend. The volume offers multiple perspectives on rap’s connection to social justice, providing historical nuance and political context. The book’s greatest contribution, however, lies in its focus on contemporary social issues and present-day rap music culture. It is a welcome addition to the hip-hop studies canon and is a must-read for anyone interested in rap’s relationship to culture and politics in the twenty-first century."
—Ethnic and Racial Studies
— Ethnic and Racial Studies
“An absolutely fascinating edited volume that pushes the academic field of inquiry in very real ways. This book will be bought, cited regularly, and provide maps to future Hip-Hop studies.”
—Lavar Pope, author of Rap and Politics: A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965–2010)
— Lavar Pope, author of Rap and Politics: A Case Study of Panther, Gangster, and Hyphy Discourses in Oakland, CA (1965-2010)