"This well-written collection of essays makes a strong argument that ore dialogue between modern theoretical inquiry and the practice of textual editing is needed."
--English Language Notes
— English Language Notes
"Perhaps the most meaningful contribution of Representing Modernist Texts is its formal initiation of an exciting new dialogue that promises to help readers reevaluate how they see modernist texts and to reconsider the relationship between textual criticism and theory. . . . [T]his valuable text will be of great interest to students of modernist literature. It should be essential reading for all textual critics and theorists who are open to rethinking their own procedures."
--Modern Philology
— Modern Philology
"The focus on particular writers makes this an important collection of critical essays on modernism, not merely a casebook on narrow editorial problems. . . . In short it all adds up to the most persuasive case for, or invitation to, a greater rapprochement between editors and critics."
--Sewanee Review
— Sewanee Review
". . . [a] fascinating collection of articles exploring the complexities of editing modernist literary works."
--Woolf Studies Annual
— Woolf Studies Annual
"This well-written collection of essays makes a strong argument that ore dialogue between modern theoretical inquiry and the practice of textual editing is needed."
--English Language Notes
— English Language Notes
"Perhaps the most meaningful contribution of Representing Modernist Texts is its formal initiation of an exciting new dialogue that promises to help readers reevaluate how they see modernist texts and to reconsider the relationship between textual criticism and theory. . . . [T]his valuable text will be of great interest to students of modernist literature. It should be essential reading for all textual critics and theorists who are open to rethinking their own procedures."
--Modern Philology
— Modern Philology
"The focus on particular writers makes this an important collection of critical essays on modernism, not merely a casebook on narrow editorial problems. . . . In short it all adds up to the most persuasive case for, or invitation to, a greater rapprochement between editors and critics."
--Sewanee Review
— Sewanee Review
". . . [a] fascinating collection of articles exploring the complexities of editing modernist literary works."
--Woolf Studies Annual
— Woolf Studies Annual