University of Wisconsin Press, 2022 Paper: 978-0-299-34084-1 Library of Congress Classification PS3623.I55677A84 2022 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK Moving beyond a biting indictment of American popular culture, Jameka Williams captures the reader’s gaze and stares right back: “I’m sorry, America, but I’m rich in baby oil & paperback novels only these days. So finish paying for me with what is mint. No conditions.” In this stunning debut collection, Williams offers a deeply personal investigation into how Americans (herself included) have been duped, buying into classism, sexism, and racist beauty ideals, while sacrificing the freedom of self-love and self-determination. With whip-fast profanity and fiery humor, she charts a tender, exalting, and vibrant path to freedom from mirrors, stages, and screens.
Fiercely feminist, Black, American, and powerful, Williams speaks for a generation of obsessive social media influencers and consumers, revealing the complex ways in which we are all actors, witnesses, and victims in our public and private performances. Though we may be permanent residents of this soulless cultural landscape, this stunning collection refuses to let it define us.
I am not the same machine which came rambling
off the conveyor belt, hugging the bolts & wires
spilling from her vivisection. I’m last year’s model
with a sleeker, softer system of cool disdain for
my Internet addictions.
—Excerpt from "I Intend to Outlast"
AUTHOR BIOGRAPHY Jameka Williams holds an MFA in poetry from Northwestern University. Her poetry has been published in Prelude Magazine, Gigantic Sequins, Muzzle Magazine, Yemassee Journal, Tupelo Quarterly, Jet Fuel Review, and Oyez Review, among others. A Pushcart Prize nominee, she is a Best New Poets 2020 finalist, published annually by the University of Virginia, and is featured in New American Press’s New Poetry of the Midwest 2019. She resides in Chicago, Illinois.
REVIEWS
“Every now and then, but rarely, a book of poems comes along that is biblical in its authority and iconoclastic in its capacity to rearrange or explode the furniture, the nation, and the self. American Sex Tape™ is one of those.”—Diane Seuss, author of frank: sonnets
“Split between a love of watching and the fear created by it, Jameka Williams demolishes misogynist, racist logic with weaponized line breaks and wrecking-ball wit. And then does something stranger, braver: she looks into the camera. Because this is a book about taking back power, it’s also about the thin line between pleasure and collusion. ‘I love to see it,’ she admits, ‘I love to live inside that camera’s orgasm.’ Complex and messy and necessary in all the ways sex is, American Sex Tape™ is brilliant Black feminist truth.”—Brian Teare
“A triumph of a debut. Part cultural criticism, part self-investigation, Williams defies genre convention. Her poems burst onto the page with purpose, veracity, tenacity, and the self-assuredness of a long-established literary dynamo.”—Laura Joyce-Hubbard, TriQuarterly
TABLE OF CONTENTS
Contents
American Sex Cento
Scopophilia
“People are dying, Kim”
Intelligent Women
Brief Notes on the End of the World, Women
The All-American Girl
“But maybe boredom is erotic, when women do it, for men”
Plastic White Girl
I Intend to Outlast
Consider an Animal
Ignition
“There’s a lot of baggage that comes with us, but it’s like Louis Vuitton baggage (you always
want it)”
Black, or Apologies for the Line “Sally Hemings in Leggings”
The All-American Girl
New Black Venus
My Sister Says (“Everyone can catch this smoke”)
Original Sin
The Kardashians for a Better America
American Sex Tape
Black, or Even Now I Eat Like a Butcher’s Dog
Birth of the Nation
Scopophobia
I’m Not the Queen of the Selfie
Woman Devours His Gaze
This World Is Not Good
Black, or I Sit on My Front Porch in the Projects, Waiting, on God
Erotic Women Do It
“Now that I’ve survived, when does living begin?”
The Future Is Female
Black, or There Is No Nation Both Under God & Above Ground
Who Will Save Kim Kardashian?
I Intend to Outlast
War & Marriage
The All-American Girl
#Free Britney, Brittany, Britnée & Brittani, Too
Black, or The Natural World Doesn’t Know Me
Nothing Is Promised
“I can’t dwell?!?”
The New Me
The All-American Girl
“The new american girl doll is no longer a slave”
Since I Laid My Burden Down
University of Wisconsin Press, 2022 Paper: 978-0-299-34084-1
Moving beyond a biting indictment of American popular culture, Jameka Williams captures the reader’s gaze and stares right back: “I’m sorry, America, but I’m rich in baby oil & paperback novels only these days. So finish paying for me with what is mint. No conditions.” In this stunning debut collection, Williams offers a deeply personal investigation into how Americans (herself included) have been duped, buying into classism, sexism, and racist beauty ideals, while sacrificing the freedom of self-love and self-determination. With whip-fast profanity and fiery humor, she charts a tender, exalting, and vibrant path to freedom from mirrors, stages, and screens.
Fiercely feminist, Black, American, and powerful, Williams speaks for a generation of obsessive social media influencers and consumers, revealing the complex ways in which we are all actors, witnesses, and victims in our public and private performances. Though we may be permanent residents of this soulless cultural landscape, this stunning collection refuses to let it define us.
I am not the same machine which came rambling
off the conveyor belt, hugging the bolts & wires
spilling from her vivisection. I’m last year’s model
with a sleeker, softer system of cool disdain for
my Internet addictions.
—Excerpt from "I Intend to Outlast"
AUTHOR BIOGRAPHY Jameka Williams holds an MFA in poetry from Northwestern University. Her poetry has been published in Prelude Magazine, Gigantic Sequins, Muzzle Magazine, Yemassee Journal, Tupelo Quarterly, Jet Fuel Review, and Oyez Review, among others. A Pushcart Prize nominee, she is a Best New Poets 2020 finalist, published annually by the University of Virginia, and is featured in New American Press’s New Poetry of the Midwest 2019. She resides in Chicago, Illinois.
REVIEWS
“Every now and then, but rarely, a book of poems comes along that is biblical in its authority and iconoclastic in its capacity to rearrange or explode the furniture, the nation, and the self. American Sex Tape™ is one of those.”—Diane Seuss, author of frank: sonnets
“Split between a love of watching and the fear created by it, Jameka Williams demolishes misogynist, racist logic with weaponized line breaks and wrecking-ball wit. And then does something stranger, braver: she looks into the camera. Because this is a book about taking back power, it’s also about the thin line between pleasure and collusion. ‘I love to see it,’ she admits, ‘I love to live inside that camera’s orgasm.’ Complex and messy and necessary in all the ways sex is, American Sex Tape™ is brilliant Black feminist truth.”—Brian Teare
“A triumph of a debut. Part cultural criticism, part self-investigation, Williams defies genre convention. Her poems burst onto the page with purpose, veracity, tenacity, and the self-assuredness of a long-established literary dynamo.”—Laura Joyce-Hubbard, TriQuarterly
TABLE OF CONTENTS
Contents
American Sex Cento
Scopophilia
“People are dying, Kim”
Intelligent Women
Brief Notes on the End of the World, Women
The All-American Girl
“But maybe boredom is erotic, when women do it, for men”
Plastic White Girl
I Intend to Outlast
Consider an Animal
Ignition
“There’s a lot of baggage that comes with us, but it’s like Louis Vuitton baggage (you always
want it)”
Black, or Apologies for the Line “Sally Hemings in Leggings”
The All-American Girl
New Black Venus
My Sister Says (“Everyone can catch this smoke”)
Original Sin
The Kardashians for a Better America
American Sex Tape
Black, or Even Now I Eat Like a Butcher’s Dog
Birth of the Nation
Scopophobia
I’m Not the Queen of the Selfie
Woman Devours His Gaze
This World Is Not Good
Black, or I Sit on My Front Porch in the Projects, Waiting, on God
Erotic Women Do It
“Now that I’ve survived, when does living begin?”
The Future Is Female
Black, or There Is No Nation Both Under God & Above Ground
Who Will Save Kim Kardashian?
I Intend to Outlast
War & Marriage
The All-American Girl
#Free Britney, Brittany, Britnée & Brittani, Too
Black, or The Natural World Doesn’t Know Me
Nothing Is Promised
“I can’t dwell?!?”
The New Me
The All-American Girl
“The new american girl doll is no longer a slave”
Since I Laid My Burden Down
Acknowledgments
Notes
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC