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University of Illinois Press, 2006
Paper: 978-0-252-07443-1 | eISBN: 978-0-252-09607-5 | Cloth: 978-0-252-03201-1
Library of Congress Classification PN1998.3.J33S83 2007
Dewey Decimal Classification 791.430233092
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
The first major English-language study of Jarmusch
At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang.
Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.
A volume in the series Contemporary Film Directors, edited by James R. Naremore
See other books on: 1953- | Direction & Production | Entertainment & Performing Arts | Jim Jarmusch | Suárez, Juan A.
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