by Kate Ellis
University of Illinois Press, 1989
Cloth: 978-0-252-06048-9
Library of Congress Classification PR830.T3E53 1989
Dewey Decimal Classification 823.0872

ABOUT THIS BOOK | AUTHOR BIOGRAPHY
ABOUT THIS BOOK
The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.