front cover of And the Monkey Learned Nothing
And the Monkey Learned Nothing
Dispatches from a Life in Transit
Tom Lutz
University of Iowa Press, 2016
Tom Lutz is on a mission to visit every country on earth. And the Monkey Learned Nothing contains reports from fifty of them, most describing personal encounters in rarely visited spots, anecdotes from way off the beaten path. Traveling without an itinerary and without a goal, Lutz explores the Iranian love of poetry, the occupying Chinese army in Tibet, the amputee beggars in Cambodia, the hill tribes on Vietnam’s Chinese border, the sociopathic monkeys of Bali, the dangerous fishermen and conmen of southern India, the salt flats of Uyumi in Peru, and floating hotels in French Guiana, introduces you to an Uzbeki prodigy in the market of Samarkand, an Azeri rental car clerk in Baku, guestworkers in Dubai, a military contractor in Jordan, cucuruchos in Guatemala, a Pentecostal preacher in rural El Salvador, a playboy in Nicaragua, employment agents in Singapore specializing in Tamil workers, prostitutes in Colombia and the Dominican Republic, international bankers in Belarus, a teacher in Havana, border guards in Botswana, tango dancers in Argentina, a cook in Suriname, a juvenile thief in Uruguay, voters in Guyana, doctors in Tanzania and Lesotho, scary poker players in Moscow, reed dancers in Swaziland, young camel herders in Tunisia, Romanian missionaries in Macedonia, and musical groups in Mozambique. With an eye out for both the sublime and the ridiculous, Lutz falls, regularly, into the instant intimacy of the road with random strangers.
[more]

front cover of Arc and the Sediment
Arc and the Sediment
a Novel
Christine Allen-Yazzie
Utah State University Press, 2007
Gretta Bitsilly, a gin-steeped mother of two and self-proclaimed expert at standing just outside the margins of ethnicity and peering in, has been all but eclipsed by the world that eludes her—as a wife, as a writer, as a skeptic in "the other land of Zion," Utah. Gretta has set off to Fort Defiance, Arizona, where she hopes to convince her Navajo husband, who has escaped not from his family but from alcoholism, to come home. Over a sputtering two-steps-forward, one-step-back desert journey, Gretta is diverted by chance, by seizures, an inconstant memory, and the disjointed character of her irresolute quest. She is fueled by a volatile mix of rage and curiosity and is rendered careless by ambivalence toward her marriage—she knows a welcome mat will not be waiting for her, "that white girl" who can't seem to get anything right. On route Gretta fi nds herself lost in the landscape, in strange company, or in her own convolution of language and inner space. With a dictionary and a laptop she attempts to write herself into a better existence—a hopeful existence—and to connect points of intellectual, physical, even spiritual reference.

This tale, though dark and difficult, is infused with tart, twisted humor. Confused, disheveled, self-deprecating, and self-destructive, Gretta is also sharp and funny. Here, first-time novelist Christine Allen-Yazzie breaks apart her own narrative arc but with gritty reality seals it near-shut again, if in rearrangement, drawing us into Gretta's wrestling match with herself, her husband, her addiction, and the road.

The Arc and the Sediment received an honorable mention from the James Jones First Novel Competition, and it won the Utah Arts Council Annual Writing Competiton Publishing Prize.
[more]

logo for Harvard University Press
Authenticity and Fiction in the Russian Literary Journey, 1790-1840
Andreas Schönle
Harvard University Press, 2000

This comprehensive study of the Russian literary travelogue, a genre that blossomed in the early nineteenth century, sheds new light on Russian literature and culture of the period.

In the decades before and during the rise of the Russian novel, a new form of prose writing took hold in Russia: travel accounts, often fictional, marked by a fully developed narrator's voice, interpretive impressions, scenic descriptions, and extended narrative. Prompted in part by the growth of leisure travel and in part by publication of Western European examples of travel writing, the genre attracted the talents of numerous writers, including Radishchev, Karamzin, and Pushkin. In illuminating analyses of major texts as well as lesser known but influential works, Andreas Schönle surveys the literary travelogue from its emergence in Russia to the end of the Romantic era. His study offers new insight on the construction of the authorial persona and on the emergence of fiction in a culture that valued nonfiction writing.

[more]

front cover of The Black Penguin
The Black Penguin
Andrew Evans
University of Wisconsin Press, 2018
A devout young boy in rural Ohio, Andrew Evans had his life mapped for him: baptism, mission, Brigham Young University, temple marriage, and children of his own. But as an awkward gay kid, bullied and bored, he escaped into the glossy pages of National Geographic and the wide promise of the world atlas. The Black Penguin is Evans's memoir, travel tale, and love story of his eventual journey to the farthest reaches of the map, a wild yet touching adventure across some of the most astonishing landscapes on Earth.

Ejected from church and shunned by his family as a young man, Evans embarks on an ambitious overland journey halfway across the world. Riding public transportation, he crosses swamps, deserts, mountains, and jungles, slowly approaching his lifelong dream and ultimate goal: Antarctica. With each new mile comes laughter, pain, unexpected friendship, true weirdness, unsettling realities, and some hair-raising moments that eventually lead to a singular discovery on a remote beach at the bottom of the world.

Evans's 12,000-mile voyage becomes a soulful quest to balance faith, family, and self, reminding us that, in the end, our lives are defined by the roads we take, the places we touch, and those we hold nearest.

[more]

front cover of The Blind Masseuse
The Blind Masseuse
A Traveler's Memoir from Costa Rica to Cambodia
Alden Jones
University of Wisconsin Press, 2013
Through personal journeys both interior and across the globe, Alden Jones investigates what motivates us to travel abroad in search of the unfamiliar.
            By way of explorations to Costa Rica, Bolivia, Nicaragua, Cuba, Burma, Cambodia, Egypt, and around the world on a ship, Jones chronicles her experience as a young American traveler while pondering her role as an outsider in the cultures she temporarily inhabits. Her wanderlust fuels a strong, high-adventure story and, much in the vein of classic travel literature, Jones's picaresque tale of personal evolution informs her own transitions, rites of passage, and understandings of her place as a citizen of the world. With sharp insight and stylish prose, Jones asks: Is there a right or wrong way to travel? The Blind Masseuse concludes that there is, but that it's not always black and white.

Gold Winner for Travel Essays, Foreword Books of the Year

Gold Medal for Travel Essays, Independent Publisher Book Awards

Winner, Bisexual Book Awards, Bisexual Biography/Memoir Category

Finalist, Housatonic Book Awards

Longlist of eight, PEN/Diamonstein Spielvogel Award for the Art of the Essay

Finalist, Travel Book or Guide Award, North American Travel Journalists Association

[more]

front cover of Bonfire of Roadmaps
Bonfire of Roadmaps
By Joe Ely
University of Texas Press, 2007

Since he first hitched a ride out of Lubbock, Texas, at the age of sixteen, singer-songwriter and Flatlanders band member Joe Ely has been a road warrior, traveling highways and back roads across America and Europe, playing music for "2 hours of ecstasy" out of "22 hours of misery." To stay sane on the road, Ely keeps a journal, penning verses that sometimes morph into songs, and other times remain "snapshots of what was flying by, just out of reach, so to savor at a later date when the wheels stop rolling, and the gears quit grinding, and the engines shut down."

In Bonfire of Roadmaps, Ely takes readers on the road with him. Using verse passages from his road journals and his own drawings, Ely authentically re-creates the experience of a musician's life on tour, from the hard goodbyes at home, to the long hours on the road, to the exhilaration of a great live show, to the exhaustion after weeks of touring. Ely's road trips begin as he rides the rails to Manhattan in 1972 and continue up through recent concert tours with fellow Flatlanders Jimmie Dale Gilmore and Butch Hancock.

While acknowledging that "it is not the nature of a gypsy to look in the rearview mirror," Joe Ely nevertheless offers his many fans a revelatory look back over the roads he's traveled and the wisdom he's won from his experiences. And for "those who want to venture beyond the horizon just to see what is there... to those, I hope these accounts will give a glint of inspiration..."

[more]

logo for Harvard University Press
China Charts the World
Hsu Chi-yü and His Geography of 1848
Fred W Drake
Harvard University Press, 1975

front cover of Constance Fenimore Woolson
Constance Fenimore Woolson
Selected Stories And Travel Narratives
Victoria Brehm
University of Tennessee Press, 2004
American writer and world traveler Constance Fenimore Woolson (1840–1894) was author of more than fifty short stories, four novels, a novella, and numerous poems and travel essays. During her lifetime, she achieved both popular and critical success, but much of her work is no longer available. This volume, as the first anthology to collect representative samples of her stories, travel sketches, poems, and correspondence, represents a major advance toward re-establishing her place in nineteenth-century literature and letters. As these pieces demonstrate, Woolson offered keen observations on the issues she cared most deeply about, namely the cultural and political transformation of the United States in the wake of the Civil War, the status of women writers and artists in the nineteenth century, and the growing implications of nationalism and imperialism.

Woolson grew up in Cleveland, Ohio, and began her career writing regional travel stories about the closing of the American frontier in the old Northwest Territories (now known as the Great Lakes region). During the Civil War, she worked for a variety of Union causes and in 1873 moved to St. Augustine, Florida. Traveling throughout the South, she wrote stories and travel narratives that highlighted the wholesale changes facing Americans after the Civil War.

In 1879, Woolson left the United States for Europe. There, she engaged her passion for nature and exercised her gift for social satire. In her European writings, she deplored the Americans’ slavish devotion to the ubiquitous guidebooks of the nineteenth century, and she chose instead to spend long periods of time in one place in order to better learn about it. Throughout her time in Europe (including visits to North Africa), Woolson often commented that she could not describe landscapes, only experience them. By the time of her death in Venice at age fifty-three, she had become convinced that the colonial agendas of the United States and Europe would transform landscapes and peoples in far-reaching and ultimately dangerous ways.

This collection features selections from each of the three distinct periods of Woolson’s career and includes a chronology of her life and travels. Focusing primarily on Woolson’s short stories, editors Victoria Brehm and Sharon L. Dean also include a representative letter, poem, and travel sketch for each section.

Victoria Brehm is associate professor of English at Grand Valley State University. She is editor of three anthologies, including “A Fully Accredited Ocean”: Essays on the Great Lakes and Sweetwater, Storms, and Spirits: Stories of the Great Lakes.

Sharon L. Dean is professor of English at Rivier College and is author of Constance Fenimore Woolson: Homeward Bound and Constance Fenimore Woolson and Edith Wharton: Perspectives on Landscape and Art.


[more]

front cover of The Great Ages of Discovery
The Great Ages of Discovery
How Western Civilization Learned About a Wider World
Stephen J. Pyne
University of Arizona Press, 2021
For more than 600 years, Western civilization has relied on exploration to learn about a wider world and universe. The Great Ages of Discovery details the different eras of Western exploration in terms of its locations, its intellectual contexts, the characteristic moral conflicts that underwrote encounters, and the grand gestures that distill an age into its essence.

Historian and MacArthur Fellow Stephen J. Pyne identifies three great ages of discovery in his fascinating new book. The first age of discovery ranged from the early 15th to the early 18th century, sketched out the contours of the globe, aligned with the Renaissance, and had for its grandest expression the circumnavigation of the world ocean. The second age launched in the latter half of the 18th century, spanning into the early 20th century, carrying the Enlightenment along with it, pairing especially with settler societies, and had as its prize achievement the crossing of a continent. The third age began after World War II, and, pivoting from Antarctica, pushed into the deep oceans and interplanetary space. Its grand gesture is Voyager’s passage across the solar system. Each age had in common a galvanic rivalry: Spain and Portugal in the first age, Britain and France—followed by others—in the second, and the USSR and USA in the third.

With a deep and passionate knowledge of the history of Western exploration, Pyne takes us on a journey across hundreds of years of geographic trekking. The Great Ages of Discovery is an interpretive companion to what became Western civilization’s quest narrative, with the triumphs and tragedies that grand journey brought, the legacies of which are still very much with us.
[more]

front cover of Hans Staden's True History
Hans Staden's True History
An Account of Cannibal Captivity in Brazil
Hans Staden
Duke University Press, 2008
In 1550 the German adventurer Hans Staden was serving as a gunner in a Portuguese fort on the Brazilian coast. While out hunting, he was captured by the Tupinambá, an indigenous people who had a reputation for engaging in ritual cannibalism and who, as allies of the French, were hostile to the Portuguese. Staden’s True History, first published in Germany in 1557, tells the story of his nine months among the Tupi Indians. It is a dramatic first-person account of his capture, captivity, and eventual escape.

Staden’s narrative is a foundational text in the history and European “discovery” of Brazil, the earliest European account of the Tupi Indians, and a touchstone in the debates on cannibalism. Yet the last English-language edition of Staden’s True History was published in 1929. This new critical edition features a new translation from the sixteenth-century German along with annotations and an extensive introduction. It restores to the text the fifty-six woodcut illustrations of Staden’s adventures and final escape that appeared in the original 1557 edition.

In the introduction, Neil L. Whitehead discusses the circumstances surrounding the production of Staden’s narrative and its ethnological significance, paying particular attention to contemporary debates about cannibalism. Whitehead illuminates the value of Staden’s True History as an eyewitness account of Tupi society on the eve before its collapse, of ritual war and sacrifice among Native peoples, and of colonial rivalries in the region of Rio de Janeiro. He chronicles the history of the various editions of Staden’s narrative and their reception from 1557 until the present. Staden’s work continues to engage a wide range of readers, not least within Brazil, where it has recently been the subject of two films and a graphic novel.

[more]

front cover of The Ice Cave
The Ice Cave
A Woman’s Adventures from the Mojave to the Antarctic
Lucy Jane Bledsoe
University of Wisconsin Press, 2006
For Lucy Jane Bledsoe, wilderness had always been a source of peace. But during one disastrous solo trip in the wintry High Sierra she came face to face with a crisis: the wilderness no longer felt like home. The Ice Cave recounts Bledsoe’s wilderness journeys as she recovers her connection with the wild and discovers the meanings of fear and grace. 

These are Bledsoe’s gripping tales of fending off wolves in Alaska, encountering UFOs in the Colorado Desert, and searching for mountain lions in Berkeley. Her memorable story “The Breath of Seals” takes readers to Antarctica, the wildest continent on earth, where she camped out with geologists, biologists, and astrophysicists. These fresh and deeply personal narratives remind us what it means to be simply one member of one species, trying to find food and shelter—and moments of grace—on our planet.
[more]

front cover of Improbable Journeys
Improbable Journeys
Robin Magowan
Northwestern University Press, 2002
All writers risk their identities, some with each sentence. But abroad, writing about a life that can't help but seem elusive, the charlatan in oneself may feel all too exposed. Limited to the surface, to the most fortuitous of impressions, how can a foreign pair of eyes hope to pen anything that can vie with something an insider, born there, carrying that landscape in his bones, might write?

For more than four decades, poet Robin Magowan has journeyed in search of ecstatic spiritual experiences. Hitchhiking and walking, by bus or boat or when necessary by horse, he has explored lands as exotic as Nepal and New Guinea, as classic as Italy or France, and as forgotten as Persia and pre-Castro Cuba. All the while he has submerged himself, whether in the mysteries of Haitian voodoo or the simples pleasures of Burgundian peasant life. Known for the beauty, wit, and expressive power of his prose, Magowan's writing vibrates with the intensity of an outsider who crawls into the skin of a country--and emerges transformed.
[more]

front cover of Inspired Journeys
Inspired Journeys
Travel Writers in Search of the Muse
Edited by Brian Bouldrey
University of Wisconsin Press, 2016
Full of humor, profundity, and obsession, these are tales of writers on peregrine paths. Some set out in search of legends or artistic inspiration; others seek spiritual epiphany or fulfillment of a promise. Their journeys lead them variously to Dracula’s castle, Laura Ingalls Wilder’s prairie, the Grimms’ fairy-tale road, Mayan temples, Nathaniel West’s California, the Camino de Santiago trail, Scott’s Antarctica, the Marquis de Sade’s haunted manor, or the sacred city of Varanasi. All of these pilgrimages are worthy journeys—redemptive and serious. But a time-honored element of pilgrimage is a suspension of rules, and there is absurdity and exuberance here as well.
[more]

front cover of The Kindness of Strangers
The Kindness of Strangers
Tom Lutz
University of Iowa Press, 2021
Once again, Tom Lutz takes us to seldom-traveled corners of the world—the small towns of western Madagascar, the terraced rice fields in northern Luzon, the scattered homesteads on the Mongolian steppe, the hilltop churches on Micronesian islands, the riverside docks of Dhaka, Ethiopian weddings in Gondar, funeral pyres in Nepal, traditionalist karaoke bars in Bhutan—to bring us random reports of human kindness.

You may never visit these places, but Tom Lutz will do it for you. And while global media may serve up a steady diet of division, violence, oppression, hatred, and strife, The Kindness of Strangers shows that people the world over are much more likely to meet strangers with interest, empathy, welcome, and compassion.
 
[more]

front cover of Mark Twain, Travel Books, and Tourism
Mark Twain, Travel Books, and Tourism
The Tide of a Great Popular Movement
Jeffrey Alan Melton
University of Alabama Press, 2008
Winner of the Elizabeth Agee Prize for best manuscript in American Literature

With the publication of The Innocents Abroad (1869), Mark Twain embarked on a long and successful career as the 19th century's best-selling travel writer. Jeffrey Melton treats Twain's travel narratives in depth, and in the context of his contemporary travel writers and a burgeoning tourism culture. As Melton shows, Twain's five major travel narratives--The Innocents Abroad, Roughing It, Life on the Mississippi, A Tramp Abroad, and Following the Equator--demonstrate Twain's mastery and reinvention of the genre.


 
[more]

front cover of Memories of Odysseus
Memories of Odysseus
Frontier Tales From Ancient Greece
François Hartog
University of Chicago Press, 2001
The conception of the Other has long been a problem for philosophers. Emmanuel Levinas, best known for his attention to precisely that issue, argued that the voyages of Ulysses represent the very nature of Western philosophy: "His adventure in the world is nothing but a return to his native land, a complacency with the Same, a misrecognition of the Other." In Memories of Odysseus, François Hartog examines the truth of Levinas' assertion and, in the process, uncovers a different picture. Drawing on a remarkable range of authors and texts, ancient and modern, Hartog looks at accounts of actual travelers, as well as the way travel is used as a trope throughout ancient Greek literature, and finds that, instead of misrecognition, the Other is viewed with doubt and awe in the Homeric tradition. In fact, he argues, the Odyssey played a crucial role in shaping this attitude in the Greek mind, serving as inspiration for voyages in which new encounters caused the Greeks to revise their concepts of self and other. Ambitious in scope, this book is a sophisticated exploration of ancient Greece and its sense of identity.
[more]

front cover of The Misfortunes of Alonso Ramírez
The Misfortunes of Alonso Ramírez
The True Adventures of a Spanish American with 17th-Century Pirates
By Fabio López Lázaro
University of Texas Press, 2011

In 1690, a dramatic account of piracy was published in Mexico City. The Misfortunes of Alonso Ramírez described the incredible adventures of a poor Spanish American carpenter who was taken captive by British pirates near the Philippines and forced to work for them for two years. After circumnavigating the world, he was freed and managed to return to Mexico, where the Spanish viceroy commissioned the well-known Mexican scholar Carlos de Sigüenza y Góngora to write down Ramírez's account as part of an imperial propaganda campaign against pirates.

The Misfortunes of Alonso Ramírez has long been regarded as a work of fiction—in fact, as Latin America's first novel—but Fabio López Lázaro makes a convincing case that the book is a historical account of real events, albeit full of distortions and lies. Using contemporary published accounts, as well as newly discovered documents from Spanish, English, French, Portuguese, and Dutch archives, he proves that Ramírez voyaged with one of the most famous pirates of all time, William Dampier. López Lázaro's critical translation of The Misfortunes provides the only extensive Spanish eyewitness account of pirates during the period in world history (1650–1750) when they became key agents of the European powers jockeying for international political and economic dominance. An extensive introduction places The Misfortunes within the worldwide struggle that Spain, England, and Holland waged against the ambitious Louis XIV of France, which some historians consider to be the first world war.

[more]

front cover of Never Leaving Laramie
Never Leaving Laramie
Travels in a Restless World
John W. Haines
Oregon State University Press, 2020
John Haines spent the better part of two decades traveling the world: biking through Tibet, kayaking the length of the Niger River, taking the Trans-Siberian Express from Beijing to East Berlin. Various friends and compatriots—frequently from his hometown of Laramie, Wyoming—accompanied Haines on his trips. In 1999, everything changed. While leaping from a moving train in the Czech Republic—something he’d done many times in many places—Haines fell and broke his neck. Damage to his spine left him without use of his legs and radically changed his life.
 
In the years since, Haines has added writer to a resume that already included baker and banker. In Never Leaving Laramie, he pulls stories about traveling into an exploration of home: How a rural home fueled and sustained a worldview. How beauty and danger blend together with humility and ego. How itchy feet combine with the comfort of home in Laramie, a tough railroad town turned college town and a launchpad for wanderers. Throughout, Haines returns to ideas of rivers and movement. He ends with a chapter on a different kind of travel, reflecting on how his accident did and did not change him and the varied ways that people can move through the world.
 
[more]

front cover of Outbound
Outbound
Finding a Man, Sailing an Ocean
William Storandt
University of Wisconsin Press, 2001
Outbound

is the story of two voyages: an Atlantic crossing in the 33-foot cutter

Clarity

, bound for Scotland; and the hard voyage of self-discovery that finally brought Bill Storandt to his life partner.



Storandt’s account of the adventure he had carefully planned with longtime partner Brian Forsyth and their friend Bob soon turns into a white-knuckled sailing tale, as they encounter a fierce storm four hundred miles from the Irish coast that tests their courage and all their sailing skills. The sea story, vividly evoking life in a small boat on a big ocean, is interwoven with Storandt’s flashbacks to his earlier life. Outbound delivers its share of excitement, but it’s also a moving reflection on how circuitous our paths can be, even when the destination is clear and beckoning.

[more]

front cover of Phantom Islands
Phantom Islands
In Search of Mythical Lands
Dirk Liesemer
Haus Publishing, 2018
From the famed Atlantis to the remote Rupes Nigra, islands have long held our fascination: they are locales isolated from ordinary life, lurking in unexplored corners of the globe and thus full of undisclosed mysteries. At times, however, our fascination with islands has bled into reality, as real maps bear the coordinates of fictional lands and travelogues tell tall tales of their inhabitants, their natural wonders, or their treasures. In Phantom Islands, Dirk Liesemer tells the stories of thirty of these fantastical islands. Beginning with their supposed discovery, he recreates their fabled landscapes, the voyages that attempted to verify their existence, and, ultimately, the moment when their existence was finally disproven. Spanning oceans and centuries, these curious tales are a chronicle of human lust for discovery and wealth.

Beautifully illustrated with colored maps and charts, Phantom Islands shows the cunning of imposters and frauds, the earnestness of explorers searching for knowledge, and the pleasure that can be found in our willingness to deceive and to be deceived.
[more]

front cover of Reclaiming Travel
Reclaiming Travel
Ilan Stavans and Joshua Ellison
Duke University Press, 2015
Based on a controversial opinion piece originally published in the New York Times, Reclaiming Travel is a provocative meditation on the meaning of travel from ancient times to the twenty-first century. Ilan Stavans and Joshua Ellison seek to understand why we travel and what has come to be missing from our contemporary understanding of travel. Engaging with canonical and contemporary texts, they explore the differences between travel and tourism, the relationship between travel and memory, the genre of travel writing, and the power of mapmaking, Stavans and Ellison call for a rethinking of the art of travel, which they define as a transformative quest that gives us deeper access to ourselves.

Tourism, Stavans and Ellison argue, is inauthentic, choreographed, sterile, shallow, and rooted in colonialism. They critique theme parks and kitsch tourism, such as the shantytown hotels in South Africa where guests stay in shacks made of corrugated metal and cardboard yet have plenty of food, water and space. Tourists, they assert, are merely content with escapism, thrill seeking, or obsessively snapping photographs. Resisting simple moralizing, the authors also remind us that people don’t divide neatly into crude categories like travelers and tourists. They provoke us to reflect on the opportunities and perils in our own habits.

In this powerful manifesto, Stavans and Ellison argue that travel should be an art through which our restlessness finds expression—a search for meaning not only in our own lives but also in the lives of others. It is not about the destination; rather, travel is about loss, disorientation, and discovering our place in the universe.
[more]

front cover of Richard Halliburton and the Voyage of the Sea Dragon
Richard Halliburton and the Voyage of the Sea Dragon
Gerald Max
University of Tennessee Press, 2020

Richard Halliburton (1900–1939), considered the world’s first celebrity travel writer, swam the length of the Panama Canal, recreated Ulysses’ voyages in the Mediterranean, crossed the Alps on an elephant, flew around the world in a biplane, and descended into the Mayan Well of Death, all the while chronicling his own adventures. Several books treat his life and travels, yet no book has addressed in detail Halliburton’s most ambitious expedition: an attempt to sail across the Pacific Ocean in a Chinese junk.

Set against the backdrop of a China devastated by invading Japanese armies and the storm clouds of world war gathering in Europe, Halliburton and a crew of fourteen set out to build and sail the Sea Dragon—a junk or ancient sailing ship—from Hong Kong to San Francisco for the Golden Gate International Exposition. After battling through crew conflicts and frequent delays, the Sea Dragon set sail on March 4, 1939. Three weeks after embarking, the ship encountered a typhoon and disappeared without a trace.

Richly enhanced with historic photographs, Richard Halliburton and the Voyage of the Sea Dragon follows the dramatic arc of this ill-fated expedition in fine detail. Gerry Max artfully unpacks the tensions between Halliburton and his captain, John Wenlock Welch (owing much to Welch’s homophobia and Halliburton’s unconcealed homosexuality). And while Max naturally explores the trials and tribulations of preparing, constructing, and finally launching the Sea Dragon, he also punctuates the story with the invasion of China by the Japanese, as Halliburton and his letters home reveal an excellent wartime reporter. Max mines these documents, many of which have only recently come to light, as well as additional letters from Halliburton and his crew to family and friends, photographs, films, and tape recordings, to paint an intricate portrait of Halliburton’s final expedition from inception to tragic end.

[more]

front cover of Sea Drift
Sea Drift
Rafting Adventures in the Wake of Kon-Tiki
Capelotti, P. J
Rutgers University Press, 2001

It was the original Survivor series, only without the omnipresent cameras, paramedics, and faux tribal rituals. Between the spring of 1947 and the summer of the year 2000, more than forty expeditions sought to drift across the oceans of the world on rafts made from straw, from bamboo, and from the same kinds of wood that children use to make model airplanes. These audacious raft voyages began with the legendary Kon-Tiki expedition, under the leadership of the renowned Norwegian explorer Thor Heyerdahl. The Kon-Tiki balsa wood raft drifted more than four thousand miles from Peru to Polynesia, and remained afloat months after experts predicted it would sink to the bottom of the Pacific. Heyerdahl’s radical thesis of a prehistoric world where ancient mariners drifted between continents on ocean currents electrified the postwar world. His Kon-Tiki: Across the Pacific by Raft sold twenty million copies in sixty-five languages.

Sea Drift is the first and only book to document all of the transoceanic raft expeditions that were organized and carried out in the half century after Kon-Tiki. But it is much more than a simple history of exploration. Readers learn of the Mormon who drifted to Hawaii to prove that wise men from Israel had colonized America, and the Frenchman who squeezed fresh water from the entrails of fish as he drifted alone across the Atlantic in a rubber boat. Then there was the anthropologist who put five men and six women on a raft to see who would make love to whom first.

Spanning more than fifty years and recounting more than forty expeditions, Sea Drift is a riveting chronicle of human daring, endurance, and folly.

[more]

front cover of Some of the Dead Are Still Breathing
Some of the Dead Are Still Breathing
Living in the Future
By Charles Bowden
University of Texas Press, 2018

The third book in Charles Bowden’s “accidental trilogy” that began with Blood Orchid and Blues for Cannibals, Some of the Dead Are Still Breathing attempts to resolve the overarching question: “How can a person live a moral life in a culture of death?” As humanity moves further into the twenty-first century, Bowden continues to interrogate our roles in creating the ravaged landscapes and accumulated death that still surround us, as well as his own childhood isolation, his lust for alcohol and women, and his waning hope for a future. We witness post-Katrina New Orleans and terrorist-bombed Bali; we encounter our shared actions with the animal world and the desirous need for consumption; we see the clash and erosion of our physical and figurative borders, the savagery of our own civilization. A man of his time and out of time, Bowden seeks acceptance and a will to endure what may lie ahead.

[more]

front cover of Toby Snax
Toby Snax
Written and illustrated by Kristin Hersh
University of Texas Press, 2016

Toby Snax is a little bunny who’s reluctant to experience things away from home. When Mama asks him to join her on a trip, he needs a bit of encouragement. So Mama tells Toby about the wondrous things that await him out in the wide world, helping him to look forward to new adventures.

This charming, gentle book will resonate with any child who’s nervous about trying new things. The acclaimed musician Kristin Hersh created Toby Snax to encourage her son, Bodhi, to embrace the experiences of touring the world together while she performed both solo and with her bands 50 Foot Wave and Throwing Muses. The first edition of the book sold out immediately and has become highly collectible. This new edition makes Toby Snax available again for all fans of Hersh’s evocative storytelling, as well as children—or even adults—who need a little reassurance that the world is full of wonders.

[more]

logo for Island Press
The Trail North
A Solo Journey On The Pacific Coast
Hawk Greenway
Island Press, 1981
The Trail North is the story of a young man who comes into his own during a summer on the Pacific Coast Trail. With only his horse for company, Hawk Greenway tasted the freedom and wildness of the high mountains, weathered the loneliness of solitary campfires, and witnessed important changes within and around him. This straight-talking record of a teenager's growth and adventure is a valuable example for young people everywhere, and a rich experience for readers of all ages.
[more]

front cover of Trust
Trust
Alphonso Lingis
University of Minnesota Press, 2004

A traveler to the world’s remote corners muses on human relationships and the nature of travel

Trust is inherent in travel. We ask strangers for directions or for a ride. We live among people whose language, culture, and motivations we don’t understand. Trust binds us to one another with an intoxicating energy; it is brave, giddy, joyous, and lustful. A sudden attraction careens into sexual surrender, and trust becomes unconditional. Trust laughs at danger and leaps into the unknown.

The author of Abuses and Foreign Bodies, Alphonso Lingis has traveled the globe for many years, and in Trust he reflects on journeys from Latin America to Asia to Antarctica. Whether feeding chocolate sauce and tuna to the baboons who visit his campsite in Ethiopia, celebrating the millennial New Year in Mongolia, or indulging in a passionate love affair in Vietnam, Lingis evaluates what happens around him and how it affects him and others. From these experiences he gains new understandings about spirituality, masculinity, love, death, ecstasy, and change. In the tradition of such international travelers as Paul Theroux, Pico Iyer, and Ryszard Kapuscinski, and with insight reminiscent of John Berger and Joan Didion, Lingis shares both the private revelations and the universal connections he acquires on his exotic journeys. “Travel far enough,” he concludes, “and we find ourselves happily back in the infantile world”—where trust is ultimate.
[more]

front cover of Voyage To The End Of T/World
Voyage To The End Of T/World
D Burke
University Press of Colorado, 2005

front cover of Voyages and Visions
Voyages and Visions
Towards a Cultural History of Travel
Edited by Jás Elsner and Joan-Pau Rubiés
Reaktion Books, 1999
A much-needed contribution to the expanding interest in the history of travel and travel writing, Voyages and Visions is the first attempt to sketch a cultural history of travel from the sixteenth century to the present day. The essays address the theme of travel as a historical, literary and imaginative process, focusing on significant episodes and encounters in world history.

The contributors to this collection include historians of art and of science, anthropologists, literary critics and mainstream cultural historians. Their essays encompass a challenging range of subjects, including the explorations of South America, India and Mexico; mountaineering in the Himalayas; space travel; science fiction; and American post-war travel fiction. Voyages and Visions is truly interdisciplinary, and essential reading for anyone interested in travel writing.

With essays by Kasia Boddy, Michael Bravo, Peter Burke, Melissa Calaresu, Jesus Maria Carillo Castillo, Peter Hansen, Edward James, Nigel Leask, Joan-Pau Rubies and Wes Williams.
[more]

front cover of Wild Man
Wild Man
Tobias Schneebaum
University of Wisconsin Press, 2003

Part autobiographical journal, part social-historical novel, Wild Man tracks Tobias Schneebaum's fascinating and almost epic life story, from his earliest contemplation of homoerotic desire through his life in Peru, Borneo, and beyond. A young man from New York, Schneebaum "disappeared" in 1955 on the eastern slopes of the Andes. He was, in actuality, living for more than a year among the remote Harakhambut people, discovering a way of being that was strange, primitive, and powerfully attractive to him. This longing to find the "wild man" in other cultures—and in himself—eventually led him on an odyssey through South America, India, Tibet, Africa, Borneo, New Guinea, and Southeast Asia. He lived among isolated forest peoples, including headhunters and cannibals, in regions where few, if any, white men had ever been.

[more]

front cover of A World of Empires
A World of Empires
The Russian Voyage of the Frigate Pallada
Edyta M. Bojanowska
Harvard University Press, 2018

A Financial Times Best History Book of the Year

Many people are familiar with American Commodore Matthew Perry’s expedition to open trade relations with Japan in the early 1850s. Less well known is that on the heels of the Perry squadron followed a Russian expedition secretly on the same mission. Serving as secretary to the naval commander was novelist Ivan Goncharov, who turned his impressions into a book, The Frigate Pallada, which became a bestseller in imperial Russia. In A World of Empires, Edyta Bojanowska uses Goncharov’s fascinating travelogue as a window onto global imperial history in the mid-nineteenth century.

Reflecting on encounters in southern Africa’s Cape Colony, Dutch Java, Spanish Manila, Japan, and the British ports of Singapore, Hong Kong, and Shanghai, Goncharov offers keen observations on imperial expansion, cooperation, and competition. Britain’s global ascendancy leaves him in equal measures awed and resentful. In Southeast Asia, he recognizes an increasingly interlocking world in the vibrant trading hubs whose networks encircle the globe. Traveling overland back home, Goncharov presents Russia’s colonizing rule in Siberia as a positive imperial model, contrasted with Western ones.

Slow to be integrated into the standard narrative on European imperialism, Russia emerges here as an increasingly assertive empire, eager to position itself on the world stage among its American and European rivals and fully conversant with the ideologies of civilizing mission and race. Goncharov’s gripping narrative offers a unique eyewitness account of empire in action, in which Bojanowska finds both a zeal to emulate European powers and a determination to define Russia against them.

[more]


Send via email Share on Facebook Share on Twitter