A Dan Josselyn Memorial Publication
This comprehensive compilation of Moore's archaeological publications on eastern Florida will prove an invaluable primary resource for Florida archaeologists.
Clarence B. Moore (1852-1936), a wealthy Philadelphia socialite, paper company heir, and photographer made the archaeology of the Southeast his passion beginning in the 1870s. This volume collects 17 of Moore's publications on East Florida, originally published between 1892 and 1903. These invaluable and copiously illustrated works document the results of Moore's numerous archaeological expeditions along Florida's eastern coastline from the Georgia border to Lake Okeechobee and focus primarily on sites along the St. Johns River and its tributaries. Moore's archaeological work in East Florida was arguably his best and most thorough research from a modern perspective.
Jeffrey Mitchem's introduction to this volume describes and analyzes Moore's work in East Florida, summarizes what we know about the sites Moore investigated, and surveys subsequent archaeological work conducted in this area since Moore's expeditions. Mitchem's introduction highlights the significance of Moore's work on the shell heaps along the St. Johns River. It led to the earliest recorded instance of a researcher noting the changes in pottery styles in the region, a major key to establishing chronologies.In 1894, Moore wrote of his hope "that the archaeology of Florida may be redeemed from the obscurity that has hitherto characterized it." Over a century later, this Press has aimed to fulfill Moore's wish by reprinting this and other collections of his archaeological publications.
A collection of essays in which a dozen historians and novelists present their impressions and concerns about "end of the century Nevada." Human expectations and illusions are seen as a backdrop for today's Nevada as a new human frontier. As an overview of Nevada society, this study deals with culture as well as economics, with tradition as well as rapid population growth. The essayists inquire whether the friction between acquisition and preservation, quick wealth and refined sensitivity, will build a more humane and enlightened society.
The voices and creations of Ecuadorian politicians, writers, artists, scholars, activists, and journalists fill the Reader, from José María Velasco Ibarra, the nation’s ultimate populist and five-time president, to Pancho Jaime, a political satirist; from Julio Jaramillo, a popular twentieth-century singer, to anonymous indigenous women artists who produced ceramics in the 1500s; and from the poems of Afro-Ecuadorians, to the fiction of the vanguardist Pablo Palacio, to a recipe for traditional Quiteño-style shrimp. The Reader includes an interview with Nina Pacari, the first indigenous woman elected to Ecuador’s national assembly, and a reflection on how to balance tourism with the protection of the Galápagos Islands’ magnificent ecosystem. Complementing selections by Ecuadorians, many never published in English, are samples of some of the best writing on Ecuador by outsiders, including an account of how an indigenous group with non-Inca origins came to see themselves as definitively Incan, an exploration of the fascination with the Andes from the 1700s to the present, chronicles of the less-than-exemplary behavior of U.S. corporations in Ecuador, an examination of Ecuadorians’ overseas migration, and a look at the controversy surrounding the selection of the first black Miss Ecuador.
During the 1880s a massive scientific effort was launched by the Smithsonian Institution to discover who had built the prehistoric burial mounds found throughout the United States. Arkansaw Mounds tells the story of this exploration and of Edward Palmer, one of the nineteenth century’s greatest natural historians and archaeologists, who was recruited to lead the research project. Arkansas was unusually rich in prehistoric remains, especially mounds, and became a major focus of the study. Palmer and his team of researchers discovered that the mounds had been built by the ancestors of the historic North American Indians, shattering the then-popular theory that a lost non-Indian race had built them.
The Illinois frontier offered abundant opportunity, noted English traveler William Oliver after his journey to America in 1841–42, but life there was hard. Accordingly, Oliver advised the wealthy and comfortable to remain in England and counseled the unprosperous to seek their fortunes in America. Written for the poor who would migrate and published in 1843, his Eight Months in Illinois: With Information to Immigrants sought only to provide pertinent, valid, and practical information about what people might encounter in the frontier state. What Oliver actually accomplished, however, was much more: he imparted invaluable insights into and analyses of American life during an era of sweeping social, economic, and political change.
In his new foreword to this edition, James E. Davis stresses Oliver’s sincere desire to help British immigrants succeed in America. Oliver, Davis notes, “devoted dozens of pages of advice on numerous matters: various routes to Illinois and their advantages and disadvantages, processes of settling, qualities of western houses, costs of obtaining a new farm.” Oliver discussed other practical matters, such as the importance of having sons. He also assured his intended readership that “in the West, distinction of classes is little known and seldom recognized.”
As a document covering the middle west in the 1840s, Eight Months in Illinois: With Information to Immigrants has few equals. Its portrayal of farming and trade in relatively primitive times is historically accurate. It paints a plain picture, laying out the essential facts and presenting the typical incidents that enable us to trace the course of a settler’s simple, diligent, laborious day-to-day life. According to Davis, Oliver depicted “accurate and balanced slices of life in Illinois and America, including nasty insects, crude conditions, and the necessity of work.” And he did so without a trace of anti-American bias.
Eight Months in Illinois with Information to Immigrants was reprinted with emendations in 1924 by Walter Hill.
"Whereas some other scholars read selected films mainly to illustrate political arguments, Roan never loses sight of the particularities of film as a distinctive cultural form and practice. Her drive to see 'cinema as a mechanism of American orientalism' results in not just a textual analysis of these films, but also a history of their material production and distribution."
---Josephine Lee, University of Minnesota
"Envisioning Asia offers an exciting new contribution to our understandings of the historical developments of American Orientalism. Jeannette Roan deftly situates changing cinematic technologies within the context of U.S. imperial agendas in this richly nuanced analysis of 'shooting on location' in Asia in early 20th century American cinema."
---Wendy Kozol, Oberlin College
"Through her vivid illustration of the role of American cinema in the material, visual, and ideological production of Asia, Jeanette Roan takes the reader on a journey to Asia through a very different route from the virtual travel taken by the viewers of the films she discusses."
---Mari Yoshihara, University of Hawai'i at Manoa
The birth of cinema coincides with the beginnings of U.S. expansion overseas, and the classic Hollywood era coincides with the rise of the United States as a global superpower. In Envisioning Asia, Jeanette Roan argues that throughout this period, the cinema's function as a form of virtual travel, coupled with its purported "authenticity," served to advance America's shifting interests in Asia. Its ability to fulfill this imperial role depended, however, not only on the cinematic representations themselves but on the marketing of the films' production histories---and, in particular, their use of Asian locations. Roan demonstrates this point in relation to a wide range of productions, offering an engaging and useful survey of a largely neglected body of film. Not only that, by focusing on the material practices involved in shooting films on location---that is, the actual travels, negotiations, and labor of making a film---she moves beyond formal analysis to produce a richly detailed history of American interests, attitudes, and cultural practices during the first half of the twentieth century.
Jeanette Roan is Adjunct Professor of Visual Studies at California College of the Arts and author of "Exotic Explorations: Travels to Asia and the Pacific in Early Cinema" in Re/collecting Early Asian America: Essays in Cultural History (2002).
Cover art: Publicity still, Tokyo File 212 (Dorrell McGowan and Stuart McGowan, 1951). The accompanying text reads: "Hundreds of spectators gather on the sidelines as technicians prepare to photograph a parade scene in 'Tokyo File 212,' a Breakston-McGowan Production filmed in Japan for RKO Radio distribution." Courtesy of the Academy of Motion Picture Arts and Sciences.
In this captivating collection of twelve essays, a testament to a lifetime’s fascination with the outdoors and its myriad wonders, naturalist Stephen Lyn Bales examines a variety of flora and fauna that in one way or another can be described as “ephemeral”—that is, fleeting, short-lived, or transient.
Focusing on his native East Tennessee, Bales introduces us to several oddities, including the ghost plant, a wispy vascular plant that resembles a rooster’s tail and grows mainly in areas devoid of sunlight; the Appalachian panda, an ancestor of today’s red panda that wandered the region millions of years ago and whose fossil remains have only recently been discovered; and the freshwater jellyfish, a tiny organism that is virtually invisible except for those hot summer days when clusters of them bloom into shimmering “medusae,” sometimes by the thousands. Other essays consider such topics as the plight of the monarch butterfly, a gorgeous insect whose populations have dropped by 90 percent in only the last two decades; the reintroduction of the lake sturgeon, one of nature’s most primitive and seldom-seen fish, into the waters of the Tennessee Valley; and the surprising emergence of coyote-wolf and coyote-dog hybrids in the eastern states.
Written with insight, humor, and heart, Ephemeral by Nature is as entertaining as it is instructive. Along with a wealth of biological details—and his own handsome pen-and-ink drawings—Bales fills the book with delightful anecdotes of field trips, species-protection efforts, and those thrilling occasions when some elusive member of the natural order shows itself to us, if only for a brief moment.
Stephen Lyn Bales, senior naturalist at Ijams Nature Center in Knoxville, is the author of Natural Histories: Stories from the Tennessee Valley and Ghost Birds: Jim Tanner and the Quest for the Ivory-billed Woodpecker, 1935–1941, both published by the University of Tennessee Press.
Tourism is becoming one of the world's most important economic activities. There is hardly a place on earth, no matter how inaccessible, that has not been visited by some traveler seeking adventure, enlightenment, or simply change from the familiar world back home.
In this pathfinding book, David Zurick explores the fastest-growing segment of the travel industry—adventure travel. He raises important questions about what constitutes the travel experience and shows how the modern adventure industry has commercialized the very notion of adventure by packaging it as tours.
Drawing on two decades of personal travel, as well as the writings of others, Zurick unravels the paradox of adventure travel—that the very act of visiting remote places untouched by Western culture introduces that culture and begins irreversible changes. This first in-depth look at adventure travel opens new insights into the physical, philosophical, and spiritual attributes of the travel experience. Written in a lively style, the book is intended for everyone interested in travel and its effects on both travelers and the people and places they visit.
Originally published in 1961, this shrewd, smartly written novel follows two American men traveling in Europe. Though both have struck out for the same continent, each man’s methods of and motives for travel lead him to have a very different experience than the other. Underlying it all is the premise that Europe--the contrast, the otherness of it--can be a refiner’s fire, deeply affecting a person’s character. Europe represents a crucial step in Stern’s development as a writer and stands as a witty, sharp point of entry into his writings and the writings of novelists who rose to prominence in the 1960s.
In late summer 1953, as he returned to Mexico City after a seven-month expedition through the jungles of Ecuador, Colombia, and Peru, William Burroughs began a notebook of final reflections on his four years in Latin America. His first novel, Junkie, had just been published and he would soon be back in New York to meet Allen Ginsberg and together complete the manuscripts of what became The Yage Letters and Queer. Yet this notebook, the sole survivor from that period, reveals Burroughs not as a writer on the verge of success, but as a man staring down personal catastrophe and visions of looming cultural disaster.
Losses that will not let go of him haunt Burroughs throughout the notebook: “Bits of it keep floating back to me like memories of a daytime nightmare.” However, out of these dark reflections we see emerge vivid fragments of Burroughs’ fiction and, even more tellingly, unique, primary evidence for the remarkable ways in which his early manuscripts evolved. Assembled in facsimile and transcribed by Geoffrey D. Smith, John M. Bennett, and Burroughs scholar Oliver Harris, the notebook forces us to change the way we see both Burroughs and his writing at a turning point in his literary biography.
From a leper colony in India to an American research station on the Antarctic Peninsula, from the back rooms of the White House to the battlefields of Iraq and Afghanistan, Evidence of My Existence tells a unique and riveting story of seventeen years spent racing from one photo assignment to the next. It is also a story of photojournalism and theconsequences of obsessive wanderlust.
When the book opens, Jim Lo Scalzo is a blur to his wife, her remarkable tolerance wearing thin. She is heading to the hospital with her second miscarriage, and Jim is heading to Baghdad to cover the American invasion of Iraq. He hates himself for this—for not giving her a child, for deserting her when she soobviously needs him, for being consumed by his job—but how to stop moving? Sure, there have been some tough trips. He’s been spit on by Mennonites in Missouri, by heroin addicts in Pakistan, and by the KKK in South Carolina. He’s contracted hepatitis on the Navajo Nation, endured two bouts of amoebic dysentery in India and Burma and four cases of giardia in Nepal, Peru, Afghanistan, and Cuba. He’s been shot with rubber bullets in Seattle, knocked to the ground by a water cannon in Quebec, and sprayed with more teargas than he cares to recall. But photojournalism is his career, and travel is his compulsivecraving.
We follow Lo Scalzo through the maze of airports and crowds and countries as he chases the career he has always wanted, struggles with his family problems, and reveals the pleasures of a life singularly focused. For him, as for so many photojournalists, it is always about the going.
Originally published in 1995, soon after Death Valley National Park became the fifty-third park in the US park system, The Explorer’s Guide to Death Valley National Park was the first complete guidebook available for this spectacular area.
Now in its fourth edition, this is still the only book that includes all aspects of the park. Much more than just a guidebook, it covers the park’s cultural history, botany and zoology, hiking and biking opportunities, and more. Information is provided for all of Death Valley’s visitors, from first-time travelers just learning about the area to those who are returning for in-depth explorations.
This new edition features a number of important changes—including information on the boundary and wilderness changes that resulted from the Dingell Act of 2019, the reopened Keane Wonder Mine area, the devastating flash flooding of Scotty’s Castle, scenic river designations, the Inn and Ranch resorts, renovated and now operated as the Oasis at Death Valley—as well as new maps and updated color photos. With extensive input from National Park Service resource management, law enforcement, and interpretive personnel, as well as a thorough bibliography for suggested reading, The Explorer’s Guide to Death Valley National Park, Fourth Edition is the most up-to-date, accurate, and comprehensive guide available for this national treasure.
Originally published in 1995, soon after Death Valley National Park became the fifty-third park in the U.S. park system, The Explorer's Guide to Death Valley National Park was the first complete guidebook available for this spectacular area.
Now in its third edition, this is still the only book that includes all aspects of the park. Much more than just a guidebook, it covers the park's cultural history, botany and zoology, hiking and biking opportunities, and more. Information is provided for all of Death Valley's visitors, from first-time travelers just learning about the area to those who are returning for in-depth explorations.
The book includes updated point-to-point logs for every road within and around the park, as well as more accurate map than those in any other publication. With extensive input from National Park Service resource management, law enforcement, and interpretive personnel, as well as a thorough bibliography for suggested reading, The Explorer's Guide to Death Valley National Park, Third Edition is the most up-to-date, accurate, and comprehensive guide available for this national treasure.
When lifelong friends Lucy D. Rosenfeld and Marina Harrison set off on their outings in the region, they are always on the lookout for the gifts that nature offers. Exploring Nature’s Bounty, their ninth collaboration, invites us to share the rich array of agricultural delights they’ve discovered within a two-hour radius of New York City—from beautiful vineyards to the latest in hydroponic greenhouses to peach-filled orchards to community farms and historic sites.
The places chosen all welcome visitors who will see first hand the art of agriculture, pick their own produce, help out on the farm, or simply enjoy being outdoors so close to the city. Many of them are off-the-beaten-track locations where readers and their families can walk among rows of grapes, cornstalks, apple trees, and so much more. The sites range from traditional fruit orchards to greenhouses filled with water-grown tomatoes and basil to neatly ordered herb gardens in historic settings. Local vineyards make wineries fun and glamorous places to visit, whether on the North Fork of Long Island or in the Hudson Valley. Some venues focus on crop preservation—the American chestnut, for example—while others introduce readers to honey making and maple sugaring. Those interested in taking classes or seeing demonstrations will find places to do just that, and many activities are geared toward children, from corn mazes to hayrides to pumpkin picking.
Rosenfeld and Harrison provide a list of festivals featuring local produce and, at the end of the book, a guide to choosing an outing that will best fit readers, their families, and their taste buds. Directions are provided in each write-up as well as information on schedules, guided tours, and walks within many of the sites.
Exploring Nature’s Bounty focuses on the natural, the organic, the sustainable, and the close-at-hand. By avoiding places overrun with commercialism, it helps readers create their own adventures, enjoy time with family and friends, and connect to the farms that nourish us all.
Do snakes and salamanders fascinate you or make you squeamish? Have you ever listened closely to the birds chirping in your neighborhood? Can you identify the flowers growing in Philadelphia’s urban parks? (Moreover, are the mushrooms safe to eat?) Exploring Philly Nature is amateur naturalist, urban herper,* and Grid contributor Bernard Brown’s handy guide to experiencing the flora and fauna in Philly.
This compact illustrated volume contains 52 activities from birding, (squirrel) fishing, and basement bug-hunting to joining a frog call survey and visiting a mussel hatchery. Brown encourages kids (as well as their parents) to connect with the natural world close to home. Each entry contains information on where and when to participate, what you will need (even if it is only patience), and tips on clubs and organizations to contact for access.
The city and its environs contain a multitude of species from the lichen that grows on gravestones or trees to nocturnal animals like opossums, bats, and raccoons. Exploring Philly Nature is designed to get readers eager to discover, observe, and learn more about the concrete jungle that is Philadelphia.
For fifty years geographer Wilbur Zelinsky has charted the social, cultural, and historical map of the American experience. A self-confessed incurable landscape voyeur, he has produced order and pattern from massive amounts of data, zestfully finding societal meaning in the terra incognita of our postmodern existence. Now he has gathered his most original and exciting explorations into a volume that captures the nature and dynamics of this remarkable phenomenon we call the United States of America. Each the product of Zelinsky's joyous curiosity, these energetic essays trace the innermost contours of our bewildering American reality.
Discovering Illinois through twenty of the state's most important places
A one-of-a-kind travel guide, Exploring the Land of Lincoln invites road-trippers and history buffs to explore the Prairie State's most extraordinary historic sites. Charles Titus blends storytelling with in-depth research to highlight twenty must-see destinations selected for human drama, historical and cultural relevance, and their far-reaching impact on the state and nation. Maps, illustrations, and mileage tables encourage readers to create personal journeys of exploration to, and beyond, places like Cahokia, the Lincoln sites, Nauvoo, and Chicago's South Side Community Art Center.
Detailed and user-friendly, Exploring the Land of Lincoln is the only handbook you need for the sights and stories behind the names on the map of Illinois.
Recent figures suggest that there will be 1.6 billion arrivals at world airports by the year 2020. Extreme Pursuits looks at the new conditions of global travel and the unease, even paranoia, that underlies them---at the opportunities they offer for alternative identities and their oscillation between remembered and anticipated states. Graham Huggan offers a provocative account of what is happening to travel at a time characterized by extremes of social and political instability in which adrenaline-filled travelers appear correspondingly determined to take risks. It includes discussions of the links between tourism and terrorism, of contemporary modes of disaster tourism, and of the writing that derives from these; but it also confirms the existence of more responsible forms of travel/writing that demonstrate awareness of a chronically endangered world.
Extreme Pursuits is the first study of its kind to link travel writing explicitly with structural changes in the global tourist industry. The book makes clear that travel writing can no longer take refuge in the classic distinctions (traveler versus tourist, foreigner versus native) on which it previously depended. Such distinctions---which were dubious in the first place---no longer make sense in an increasingly globalized world. Huggan argues accordingly that the category "travel writing" must include experimental ethnography and prose fiction; that it should concern itself with other kinds of travel practices, such as those related to Holocaust deportation and migrant labor; and that it should encompass representations of travelers and "traveling cultures" that appear in popular media, especially TV and film.
Graham Huggan is Professor of Commonwealth and Postcolonial Literatures at the University of Leeds. He is the coauthor, with Patrick Holland, of Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (University of Michigan Press) and coauthor, with Helen Tiffin, of Postcolonial Ecocriticism (Routledge).
Illustration: "Shadow Wall," 2006 © Shaun Tan.
Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures.
Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
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