After twenty years in New York City, a prize-winning writer takes a "long look back" at his hometown of Mobile, Alabama.
In Back Home: Journeys through Mobile, Roy Hoffman tells stories—through essays, feature articles, and memoir—of one of the South's oldest and most colorful port cities. Many of the pieces here grew out of Hoffman's work as Writer-in-Residence for his hometown newspaper, the Mobile Register, a position he took after working in New York City for twenty years as a journalist, fiction writer, book critic, teacher, and speech writer. Other pieces were first published in the New York Times, Southern Living, Preservation, and other publications. Together, this collection comprises a long, second look at the Mobile of Hoffman's childhood and the city it has since become.
Like a photo album, Back Home presents close-up portraits of everyday places and ordinary people. There are meditations on downtown Mobile, where Hoffman's grandparents arrived as immigrants a century ago; the waterfront where longshoremen labor and shrimpers work their nets; the back roads leading to obscure but intriguing destinations. Hoffman records local people telling their own tales of race relations, sports, agriculture, and Mardi Gras celebrations. Fishermen, baseball players, bakers, authors, political figures--a strikingly diverse population walks across the stage of Back Home.
Throughout, Hoffman is concerned with stories and their enduring nature. As he writes, "When buildings are leveled, when land is developed, when money is spent, when our loved ones pass on, when we take our places a little farther back every year on the historical time-line, what we have still are stories."
Nevada sheep rancher Joe Juaristi spoke for years about making a trip back to the Spanish Basque Country that he left sixty years earlier, but each time the subject came up the discussion evolved into a family debate about the scope and members of the journey. Finally Joe's son, Vince, secretly resolved to organize the trip that his father wanted and needed--the two of them, traveling alone, making a quiet reunion with Joe's twin sister, who suffers from Alzheimer's, visiting other aging siblings and friends, and recounting the places that formed Joe's memories of his youth.
Back to Bizkaia is part travel book, part memoir of two men exploring their mutual roots and their unique father-son bond. The narrative intertwines an engaging account of the contemporary Basque Country with Joe's experiences as an immigrant making his way in a new country and Vince's memories of growing up in a close Basque-American community in the American West. This is a book about Basques and their American families, but on another level it is every immigrant's story of return to a beloved homeland.
With 65 photographs and 77 detailed maps, this indispensable guide to the state's hiking trails gives beginners to advanced hikers all the information they need to plan their next Michigan overnight or weekend backpacking trip. Featuring 50 trails---27 in the Lower Peninsula---ranging from one-hour to multiple-day treks in both the Upper and Lower Peninsulas, Backpacking in Michigan has something for every hiker.
Information on hike length and difficulty, elevation gain, the amount of time needed to complete the hike, camping facilities, and nearby towns accompanies each of the trail listings. The author also provides extensive reference maps along with a description of scenic highlights. In addition to backcountry explorations of remote trails, Backpacking in Michigan includes classic Michigan adventures such as the Lakeshore Trail in Pictured Rocks National Lakeshore, the Greenstone Ridge Trail in Isle Royale National Park, North Manitou Island in Sleeping Bear Dunes National Lakeshore, and Jordan River Pathway in the Mackinaw State Forest.
While Backpacking in Michigan focuses primarily on the trails themselves, it also makes planning your Michigan adventure as easy as possible by providing important information on routes to and from the trailhead, as well as park fees and reservation information for shelters, walk-in cabins, rental yurts, and overnight camping.
Jim DuFresne is a Michigan native and author of more than a dozen wilderness, travel, and hiking guidebooks. He is author of Isle Royale National Park: Foot Trails and Water Routes; 50 Hikes in Michigan: The Best Walks, Hikes, and Backpacks in the Lower Peninsula; Best Hikes with Children: Michigan; Porcupine Mountains Wilderness State Park: A Backcountry Guide for Hikers, Campers, Backpackers, and Skiers; as well as The Complete Guide to Michigan Sand Dunes, copublished by the University of Michigan Press and Petoskey Publishing.
Mark Di Ionno is a Jersey guy through and through. He’s lived in fifteen different towns in six different New Jersey counties. He’s been a journalist for the state’s top newspapers, currently the Star-Ledger, where his first job was to go out and write about things that were “interesting.” Who better to take readers on a personal tour of the backroads of New Jersey?
In Backroads, New Jersey, Di Ionno leads readers off the congested interstates with their commonplace scenery to the seldom-explored secondary roads, where the real life of the state can be found. These inter-county or 500 series roads are a 6,788-mile network of mostly one-lane highways. Marked by blue-and-yellow five-sided shields bearing county names, they make up more than 20 percent of New Jersey’s public roads. They are never the fastest or most direct way to get anywhere, but when you break out of the towns and hit the country, they are a pleasure to drive.
Travel with Di Ionno as he takes readers to see the state’s amazing beauty¾from the dizzying cliffs of the Palisades, to the blunted peaks of the Highlands and Kittatinny Ridges, to the rolling hills of Morris, Hunterdon, and Somerset counties, to the topsoil-wealthy agricultural belts of Monmouth and the southern counties, to the flat, sandy beaches of the 127-mile Jersey Shore. Travel with him as he shows us the homes of New Jersey’s culturally diverse population, whose men and women work at everything from farms to pharmacies, from banks to auto assembly lines. And travel with him as he recounts the history made along the back country roads in towns like Rocky Hill, where George Washington wrote his farewell orders. Di Ionno calls New Jersey “a place of infinite natural beauty, a place of intricate human patterns. A place where you can see a lot in a little time. This is, simply put, the overriding theme of this book. New Jersey is a restless state for restless people. A state for wanderers to explore.” Backroads, New Jersey is a rare chance to see it all through the eyes of a well-traveled Jerseyan. Happy wandering!
The Complete Story of the First Attempt to Assassinate President Abraham Lincoln
"In a thrilling detective story of conspiracy, treachery and assassination, Michael J. Kline suggests how close the Baltimore plotters came to achieving their goal, and reveals how Lincoln and a few guards outwitted them. Meticulously researched and written with verve, "The Baltimore Plot" takes readers aboard Lincoln's inaugural train for a perilous and unforgettable journey." —James L. Swanson, author of the Edgar Award-winning New York Times bestseller Manhunt: The 12-Day Chase for Lincoln's Killer
On February 11, 1861, the "Lincoln Special" - Abraham Lincoln's private train—began its journey from Springfield, Illinois, to the City of Washington, carrying the president-elect to his inauguration as the sixteenth president of the United States. Considered a "sectional candidate" by the South, and winning the election without the popular vote, Lincoln was so despised that seven states immediately seceded from the Union. Over the next twelve days, Lincoln would speak at numerous stops, including Indianapolis, Columbus, Cleveland, Pittsburgh, Buffalo, Albany, New York, and Philadelphia, expressing his desire to maintain the Union. But as Lincoln made his way east, America's first private detective, Allan Pinkerton, and a separate undercover operation by New York City detectives, uncovered startling evidence of a conspiracy to assassinate Lincoln during his next-to-last stop in Baltimore. Long a site of civil unrest—even Robert E. Lee's father, Henry "Light Horse Harry" Lee, was nearly beaten to death in its streets—Baltimore provided the perfect environment for a strike. The largest city of a border state with secessionist sympathies, Baltimore had been infiltrated by paramilitary groups bent on killing Lincoln, the "Black Republican." The death of the president-elect would, it was supposed, throw the nation into chaos and allow the South to establish a new nation and claim Washington as its capital. Warned in time, Lincoln outfoxed the alleged conspirators by slipping through Baltimore undetected, but at a steep price. Ridiculed by the press for "cowardice" and the fact that no conspirators were charged, Lincoln would never hide from the public again. Four years later, when he sat unprotected in the balcony of Ford's Theatre, the string of conspiracies against his life finally succeeded. One of the great presidential mysteries and long a source of fascination among Lincoln scholars, the Baltimore Plot has never been fully investigated until now. In The Baltimore Plot: The First Conspiracy to Assassinate Abraham Lincoln, Michael J. Kline turns his legal expertise to evaluating primary sources in order to discover the extent of the conspiracy and culpability of the many suspects surrounding the case. Full of memorable characters, including Kate Warne, the first female undercover agent, and intriguing plot twists, the story is written as an unfolding criminal proceeding in which the author allows the reader to determine whether there was a true plot to kill Lincoln and if the perpetrators could have been brought to trial.
Intended for travelers, students, and scholars, the Reader encompasses first-person accounts, short stories, historical documents, speeches, treaties, essays, poems, songs, photographs, cartoons, paintings, posters, advertisements, maps, and a recipe. Classic selections familiar to many Bangladeshis—and essential reading for those who want to know the country—are juxtaposed with less-known pieces. The selections are translated from a dozen languages; many have not been available in English until now. Featuring eighty-three images, including seventeen in color, The Bangladesh Reader is an unprecedented, comprehensive introduction to the South Asian country's turbulent past and dynamic present.
In stories, recipes, and photographs, James Beard Award–winning writer Robb Walsh and acclaimed documentary photographer O. Rufus Lovett take us on a barbecue odyssey from East Texas to the Carolinas and back. In Barbecue Crossroads, we meet the pitmasters who still use old-fashioned wood-fired pits, and we sample some of their succulent pork shoulders, whole hogs, savory beef, sausage, mutton, and even some barbecued baloney. Recipes for these and the side dishes, sauces, and desserts that come with them are painstakingly recorded and tested.
But Barbecue Crossroads is more than a cookbook; it is a trip back to the roots of our oldest artisan food tradition and a look at how Southern culture is changing. Walsh and Lovett trace the lineage of Southern barbecue backwards through time as they travel across a part of the country where slow-cooked meat has long been part of everyday life. What they find is not one story, but many. They visit legendary joints that don’t live up to their reputations—and discover unknown places that deserve more attention. They tell us why the corporatizing of agriculture is making it difficult for pitmasters to afford hickory wood or find whole hogs that fit on a pit.
Walsh and Lovett also remind us of myriad ways that race weaves in and out of the barbecue story, from African American cooking techniques and recipes to the tastes of migrant farmworkers who ate their barbecue in meat markets, gas stations, and convenience stores because they weren’t welcome in restaurants. The authors also expose the ways that barbecue competitions and TV shows are undermining traditional barbecue culture. And they predict that the revival of the community barbecue tradition may well be its salvation.
The Bark River valley in southeastern Wisconsin is a microcosm of the state's - indeed, of the Great Lakes region's - natural and human history. "The Bark River Chronicles" reports one couple's journey by canoe from the river's headwaters to its confluence with the Rock River and several miles farther downstream to Lake Koshkonong. Along the way, it tells the stories of Ice Age glaciation, the effigy mound builders, the Black Hawk War, early settlement and the development of waterpower sites, and recent efforts to remove old dams and mitigate the damage done by water pollution and invasive species.
Along with these big stories, the book recounts dozens of little stories associated with sites along the river. The winter ice harvest, grain milling technology, a key supreme court decision regarding toxic waste disposal, a small-town circus, a scheme to link the Great Lakes to the Mississippi River by canal, the murder of a Chicago mobster, controversies over race and social class in Waukesha County's lake country, community efforts to clean up the river and restore a marsh, visits to places associated with the work of important Wisconsin writers - these and many other stories belong to the Bark River chronicles.
For the two voyageurs who paddle the length of the Bark, it is a journey of rediscovery and exploration. As they glide through marshes, woods, farmland, and cities, they acquire not only historical and environmental knowledge but also a renewed sense of the place in which they live. Maps and historical photographs help the reader share their experience.
The story of the American Quilt Trail, featuring the colorful patterns of quilt squares painted large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron takes us to twenty-five states as well as Canada to visit the people and places that have put this movement on America’s tourist and folk art map.
Through dozens of interviews with barn quilt artists, committee members, and barn owners, Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred and twenty driving trails.
With more than eighty full-color photographs, Parron documents here a movement that combines rural economic development with an American folk art phenomenon.
Between the Nile River and the Red Sea, in the northern half of Egypt's Eastern Desert, live the Bedouins of the Ma'aza tribe. Joseph Hobbs lived with the Khushmaan Ma'aza clan for almost two years, gathering information for a study of traditional Bedouin life and culture. The resulting work, Bedouin Life in the Egyptian Wilderness, is the first modern ethnographic portrait of the Ma'aza Bedouins.
In 1973, Western music was banned in the People’s Republic of China. But in a remarkable breakthrough cultural exchange, the Philadelphia Orchestra conducted a tour of closed-off China, becoming the first American orchestra to visit the communist nation. Jennifer Lin’s Beethoven in Beijing provides a fabulous photo-rich oral history of this boundary-breaking series of concerts the orchestra performed under famed conductor Eugene Ormandy.
Lin draws from interviews, personal diaries, and news accounts to give voice to the American and Chinese musicians, diplomats, journalists, and others who participated in and witnessed this historic event. Beethoven in Beijing is filled with glorious images as well as anecdotes ranging from amusing sidewalk Frisbee sessions and acupuncture treatments for sore musicians to a tense encounter involving Madame Mao dictating which symphony was to be played at a concert.
A companion volume to the film of the same name, Beethoven in Beijing shows how this 1973 tour came at the dawn of a resurgence of interest in classical music in China—now a vital source of revenue for touring orchestras.
“Where is the market?” inquires the tourist one dark, chilly morning. “Follow the ghosts,” responds the taxi driver, indicating a shadowy parade of overloaded tricycles. “It’s not called the ghost market for nothing!” And indeed, Beijing is nothing if not haunted. Among the soaring skyscrapers, choking exhaust fumes, nonstop traffic jams, and towering monuments, one discovers old Beijing—newly styled, perhaps, but no less present and powerful than in its ancient incarnation. Beijing Time conducts us into this mysterious world, at once familiar and yet alien to the outsider.
The ancient Chinese understood the world as enchanted, its shapes revealing the mythological order of the universe. In the structure and detail of Tian’anmen Square, the authors reveal the city as a whole. In Beijing no pyramids stand as proud remnants of the past; instead, the entire city symbolizes a vibrant civilization. From Tian’anmen Square, we proceed to the neighborhoods for a glimpse of local color—from the granny and the young police officer to the rag picker and the flower vendor. Wandering from the avant-garde art market to the clock towers, from the Monumental Axis to Mao’s Mausoleum, the book allows us to peer into the lives of Beijingers, the rules and rituals that govern their reality, and the mythologies that furnish their dreams. Deeply immersed in the culture, everyday and otherworldly, this anthropological tour, from ancient cosmology to Communist kitsch, allows us to see as never before how the people of Beijing—and China—work and live.
Best Backpacking Trips in Montana, Wyoming, and Colorado provides everything you need to know to organize and execute the best backpacking trips in the Mountain West. Mike White and Douglas Lorain, who have walked every mile of the trails described inside, take readers and hikers into some of the wildest and most scenic backcountry landscapes in the nation and help them design the ultimate trip.
Focusing on one-week excursions, the book offers details on all the aspects of trip planning—trail narratives, technical data, maps, gear, food, information on regulations and permits, and more. But it is more than a basic guidebook. Trip information is enriched by valuable and interesting sidebars on history and ecology that will increase appreciation for these natural areas and the people who were instrumental in their discovery or protection.
In Best Backpacking Trips in Montana, Wyoming, and Colorado, White and Lorain pass on their knowledge of quality hikes, planning and preparation, and the unique satisfaction of multi-day backpacking. This guide, put into practice, will result in the trip of a lifetime.
This is the second book in a series of detailed guidebooks covering all the best “life-list” backpacking vacations in the spectacular backcountry of the American West. This new volume specifically covers the best such adventures in the states of Utah, Arizona, and New Mexico. Every conceivable aspect of trip planning is covered in the guide, including maps and descriptions of the trail, where to locate the nearest airport, other area attractions that shouldn’t be missed, and guide services that are available. A noteworthy feature of the book is the individual vignettes that give insight into the historical significance of many of the trails. Also unique are the interesting and humorous personal accounts that the authors share from their personal experiences hiking these routes. Backpackers will find a wide range of outstanding trips, from high mountain adventures to some of the world’s best lower-elevation canyon hikes. Best Backpacking Trips in Utah, Arizona, and New Mexico provides an extensive choice of terrific expeditions.
When Barry Phipps relocated to Iowa City from Chicago in 2012, he knew nothing of Iowa. He began taking day trips across Iowa in the spirit of wonder and discovery. His marked-up road map soon became a work of art in and of itself, covered with spokes, lines, and places both seen and needing to be seen. Along the way he plied his trade, taking photographs.
Inspired by such seminal work as Robert Frank’s The Americans, this is a unique vision of the Midwest and Iowa. Without condescending or overemphasizing the decline of small town America, Phipps documents rural communities as they are now, noting abstract shapes and colors as he photographs business districts with quirky and/or artful signs, streetscapes and landscapes, buildings with ghosts of paint from previous lives, and the occasional resident.
In addition to their startling attention to color and geometry, Phipps’s photos delight because they suggest an author who isn’t on intimate terms with his subject matter, but very much wants to be. Though the photographs in this collection frequently maintain a cautious distance from the houses, water towers, and iconography he captures on film, the pictures feel, at once, eager and shy.
Phipps admires his new home—from afar, by varying degrees—and excitedly introduces himself to it: the first steps of a journey toward claiming Iowa as his.
Between Sea and Sahara gives us Algeria in the third decade of colonization. Written in the 1850s by the gifted painter and extraordinary writer Eugene Fromentin, the many-faceted work is travelogue, fiction, stylized memoir, and essay on art. Fromentin paints a compelling word picture of Algeria and its people, questioning France’s—and his own—role there. He shows French dynamism tending to arrogance, tinged with malaise, as well as the complexity of the Algerians and their canny survival tactics. In his efforts to capture the non-Western world on paper as well as on canvas, Fromentin reveals much about the roots of a colonial relationship that continues to affect the Algeria of today. He also reveals his own development as painter, writer—and human being.
Now available for the first time in English, Between Sea and Sahara appeals to today’s reader on many levels—as a story of color, romance, and dramatic tension; as an eywitness account of the colonial experience in Algeria; as a study in trans-genre text, foreshadowing Fromentin’s psychological masterpiece, the novel Dominique. And, as Valérie Orlando points out in her introduction, Fromentin opens a window on the ethos informing the fashion of Orientalism that flourished with colonialism.
In 1993, Alan Rabinowitz, called "the Indiana Jones" of wildlife science by The New York Times, arrived for the first time in the country of Myanmar, known until 1989 as Burma, uncertain of what to expect. Working under the auspices of the Wildlife Conservation Society, his goal was to establish a wildlife research and conservation program and to survey the country's wildlife. He succeeded beyond all expectations, not only discovering a species of primitive deer completely new to science but also playing a vital role in the creation of Hkakabo Razi National Park, now one of Southeast Asia's largest protected areas.
Beyond the Last Village takes the reader on a journey of exploration, danger, and discovery in this remote corner of the planet at the southeast edge of the Himalayas where tropical rain forest and snow-covered mountains meet. As we travel through this "lost world" -- a mysterious and forbidding region isolated by ancient geologic forces -- we meet the Rawang, a former slave group, the Taron, a solitary enclave of the world's only pygmies of Asian ancestry, and Myanmar Tibetans living in the furthest reaches of the mountains. We enter the territories of strange, majestic-looking beasts that few people have ever heard of and fewer have ever seen -- golden takin, red goral, blue sheep, black barking deer. The survival of these ancient species is now threatened, not by natural forces but by hunters with snares and crossbows, trading body parts for basic household necessities.
The powerful landscape and unique people the author befriends help him come to grips with the traumas and difficulties of his past and emerge a man ready to embrace the world anew. Interwoven with his scientific expedition in Myanmar, and helping to inform his understanding of the people he met and the situations he encountered, is this more personal journey of discovery.
Bicycling Through Paradise is a collection of twenty historically themed cycling tours broken into 10-mile segments centered around Cincinnati, Ohio. Written by two longtime cyclists—one a professor of history and one an architect—the book is an affectionate, intimate, and provocative reading of the local landscape and history from the perspectives of cycling and Cincinnati enthusiasts. Tours, navigated by Smythe and Hanlon, take cyclers past Native American sites, early settler homesteads, and locations made know through recent Ohio change-makers as navigated by the authors. With extensive details on routes and sites along the way, tours between 20 and 80 miles in length are designed for all levels of cyclists, and even the armchair explorer.
Riders and readers will visit towns called Edenton, Loveland, Felicity, and Utopia. Along the journey, they’ll encounter an abandoned Shaker village near the Whitewater Forest and a tiny dairy house called “Harmony Hill,” the oldest standing structure in Clermont County, Ohio. They’ll also take in the view from the top of a 2,000-year-old, 75-foot tall, conical Indian mound at Miamisburg. Riders can follow the Little Miami Scenic Trail and take a detour to a castle on the banks of the Little Miami River. Other sights include a full-scale replica of the tomb of Jesus in Northern Kentucky and the small pleasures of public parks, covered bridges, tree-lined streets, riverside travel, and one-room schoolhouses. And if all this isn’t exactly Paradise, well, it’s pretty close.
During the late 1990s, eminent basketball journalist Alexander Wolff traveled the globe to determine how a game invented by a Canadian clergyman became an international phenomenon. Big Game, Small World presents Wolff’s dispatches from sixteen countries spread across five continents and multiple US states. In them, he asks: What can the game tell us about the world? And what can the world tell us about the game? Whether traveling to Bhutan to challenge its king to a pickup game, exploring the women’s game in Brazil, or covering the Afrobasket tournament in Luanda, Angola, during a civil war, Wolff shows how basketball has the power to define an individual, a culture, and even a country.
This updated twentieth anniversary edition features a new preface in which Wolff outlines the contemporary rise of athlete-activists while discussing the increasing dominance within the NBA of marquee international players like Luka Dončić and Giannis Antetokounmpo. A loving celebration of basketball, Big Game, Small World is one of the most insightful books ever written about the game.
Intersectional and original, Black Women Legacies explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.
This wilderness travelogue about the exploration of Canaan Valley, West Virginia was originally published in 1853. With appeal far beyond its time and region, first editions of this chronicle reached New York, London, and even Germany. This often humorous and always fascinating story reveals Kennedy's journey into an unexplored territory.
Cultivated from the fierce ideas seeded in Blood Orchid, Blues for Cannibals is an elegiac reflection on death, pain, and a wavering confidence in humanity’s own abilities for self-preservation. After years of reporting on border violence, sex crimes, and the devastation of the land, Bowden struggles to make sense of the many ways in which we destroy ourselves and whether there is any way to survive. Here he confronts a murderer facing execution, sex offenders of the most heinous crimes, a suicidal artist, a prisoner obsessed with painting portraits of presidents, and other people and places that constitute our worst impulses and our worst truths. Painful, heartbreaking, and forewarning, Bowden at once tears us apart and yearns for us to find ourselves back together again.
Since he first hitched a ride out of Lubbock, Texas, at the age of sixteen, singer-songwriter and Flatlanders band member Joe Ely has been a road warrior, traveling highways and back roads across America and Europe, playing music for "2 hours of ecstasy" out of "22 hours of misery." To stay sane on the road, Ely keeps a journal, penning verses that sometimes morph into songs, and other times remain "snapshots of what was flying by, just out of reach, so to savor at a later date when the wheels stop rolling, and the gears quit grinding, and the engines shut down."
In Bonfire of Roadmaps, Ely takes readers on the road with him. Using verse passages from his road journals and his own drawings, Ely authentically re-creates the experience of a musician's life on tour, from the hard goodbyes at home, to the long hours on the road, to the exhilaration of a great live show, to the exhaustion after weeks of touring. Ely's road trips begin as he rides the rails to Manhattan in 1972 and continue up through recent concert tours with fellow Flatlanders Jimmie Dale Gilmore and Butch Hancock.
While acknowledging that "it is not the nature of a gypsy to look in the rearview mirror," Joe Ely nevertheless offers his many fans a revelatory look back over the roads he's traveled and the wisdom he's won from his experiences. And for "those who want to venture beyond the horizon just to see what is there... to those, I hope these accounts will give a glint of inspiration..."
“We were trying to change the vision and the conversation about border fears.”
Border Odyssey takes us on a drive toward understanding the U.S./Mexico divide: all 1,969 miles—from Boca Chica to Tijuana—pressing on with the useful fiction of a map.
“We needed to go to the place where countless innocent people had been kicked, cussed, spit on, arrested, detained, trafficked, and killed. It would become clear that the border, la frontera, was more multifaceted and profound than anything we could have invented about it from afar.”
Along the journey, five centuries of cultural history (indigenous, French, Spanish, Mexican, African American, colonist, and U.S.), wars, and legislation unfold. And through observation, conversation, and meditation, Border Odyssey scopes the stories of the people and towns on both sides.
“Stories are the opposite of walls: they demand release, retelling, showing, connecting, each image chipping away at boundaries. Walls are full stops. But stories are like commas, always making possible the next clause.”
Among the terrain traversed: walls and more walls, unexpected roadblocks and patrol officers; a golf course (you could drive a ball across the border); a Civil War battlefield (you could camp there); the southernmost plantation in the United States; a hand-drawn ferry, a road-runner tracked desert, and a breathtaking national park; barbed wire, bridges, and a trucking-trade thoroughfare; ghosts with guns; obscured, unmarked, and unpaved roads; a Catholic priest and his dogs, artwork, icons, and political cartoons; a sheriff and a chain-smoking mayor; a Tex-Mex eatery empty of customers and a B&B shuttering its doors; murder-laden newspaper headlines at breakfast; the kindness of the border-crossing underground; and too many elderly, impoverished, ex-U.S. farmworkers, braceros, lined up to have Thompson take their photograph.
Throughout his life, James Boswell struggled to fashion a clear account of himself, but try as he might, he could not reconcile the truths of his era with those of his religious upbringing. Boswell’s Enlightenment examines the conflicting credos of reason and faith, progress and tradition that pulled Boswell, like so many eighteenth-century Europeans, in opposing directions. In the end, the life of the man best known for writing Samuel Johnson’s biography was something of a patchwork affair. As Johnson himself understood: “That creature was its own tormentor, and I believe its name was BOSWELL.”
Few periods in Boswell’s life better crystallize this internal turmoil than 1763–1765, the years of his Grand Tour and the focus of Robert Zaretsky’s thrilling intellectual adventure. From the moment Boswell sailed for Holland from the port of Harwich, leaving behind on the beach his newly made friend Dr. Johnson, to his return to Dover from Calais a year and a half later, the young Scot was intent on not just touring historic and religious sites but also canvassing the views of the greatest thinkers of the age. In his relentless quizzing of Voltaire and Rousseau, Hume and Johnson, Paoli and Wilkes on topics concerning faith, the soul, and death, he was not merely a celebrity-seeker but—for want of a better term—a truth-seeker. Zaretsky reveals a life more complex and compelling than suggested by the label “Johnson’s biographer,” and one that 250 years later registers our own variations of mind.
When writer Merrill Joan Gerber is invited to join her husband, a history professor, as he takes a class of American college students to study in Florence, Italy, she feels terrified at the idea of leaving her comforts, her friends, and her aged mother in California. Her husband tries to assure her that her fear of Italy—and her lack of knowledge of the Italian language—will be offset by the discoveries of travel. "I can’t tell you exactly what will happen, but something will. And it will all be new and interesting." Botticelli Blue Skies is the tale of a woman who readily admits to fear of travel, a fear that many experience but are embarrassed to admit. When finally she plunges into the new adventure, she describes her experiences in Florence with wit, humor, and energy.
Instead of sticking to the conventional tourist path, Gerber follows her instincts. She makes discoveries without tour guides droning in her ear and reclaims the travel experience as her own, taking time to shop in a thrift shop, eat in a Chinese restaurant that serves "Dragon chips," make friends with her landlady who turns out to be a Countess, and visit the class of a professor at the university. She discovers a Florence that is not all museums and wine. With newfound patience and growing confidence, Gerber makes her way around Florence, Venice, and Rome. She visits famous places and discovers obscure ones—in the end embracing all that is Italian. Botticelli Blue Skies (accompanied by the author’s own photographs) is an honest, lyrical, touching account of the sometimes exhausting, often threatening, but always enriching physical and emotional challenge that is travel.
Bottoms Up showcases the architecture and history of 70 Wisconsin breweries and bars. Beginning with inns and saloons, the book explores the rise of breweries, the effects of temperance and Prohibition, and attitudes about gender, ethnicity, and morality. It traces the development of the megabreweries, dominance of the giants, and the emergence of microbreweries. Contemporary photographs of unusual and distinctive bars of all eras, historic photos, postcards, advertisements, and breweriana help tell the story of how Wisconsin came to dominate brewing—and the place that bars and taverns hold in our social and cultural history.
Pettem devotes the first chapter to an introduction of the early photographers whose work appears throughout the book. Moving outward from the central business district as development did, each subsequent chapter focuses on a particular area in Boulder, with an introductory essay followed by historic and contemporary photographs with detailed captions.
Complementing traditional views with fresh ones, The Brazil Reader’s historical selections range from early colonization to the present day, with sections on imperial and republican Brazil, the days of slavery, the Vargas years, and the more recent return to democracy. They include letters, photographs, interviews, legal documents, visual art, music, poetry, fiction, reminiscences, and scholarly analyses. They also include observations by ordinary residents, both urban and rural, as well as foreign visitors and experts on Brazil. Probing beneath the surface of Brazilian reality—past and present—The Reader looks at social behavior, women’s lives, architecture, literature, sexuality, popular culture, and strategies for coping with the travails of life in a country where the affluent live in walled compounds to separate themselves from the millions of Brazilians hard-pressed to find food and shelter. Contributing to a full geographic account—from the Amazon to the Northeast and the Central-South—of this country’s singular multiplicity, many pieces have been written expressly for this volume or were translated for it, having never previously been published in English.
This second book in The Latin America Readers series will interest students, specialists, travelers for both business and leisure, and those desiring an in-depth introduction to Brazilian life and culture.
In 1865, twenty-three-year-old William James began his studies at the Harvard Medical School. When he learned that one of his most esteemed professors, Louis Agassiz, then director of the recently established Museum of Comparative Zoology, was preparing a research expedition to Brazil, James offered his services as a voluntary collector. Over the course of a year, James kept a diary, wrote letters to his family, and sketched the plants, animals, and people he observed. During this journey, James spent time primarily in Rio de Janeiro, Belem, and Manaus, and along the rivers and tributaries of the Amazon Basin.
This volume is a critical, bilingual (English–Portuguese) edition of William James’s diaries and letters and also includes reproductions of his drawings. This original material belongs to the Houghton Archives at Harvard University and is of great interest to both William James scholars and Brazilian studies experts.
Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York’s Museum of Modern Art. She served as Eleanor Roosevelt’s personal photographer and, in the 1950s and 1960s became well known for her work in Harper’s Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.
Travel in Tokugawa Japan was officially controlled by bakufu and domainal authorities via an elaborate system of barriers, or sekisho, and travel permits; commoners, however, found ways to circumvent these barriers, frequently ignoring the laws designed to control their mobility. In this study, Constantine Vaporis challenges the notion that this system of travel regulations prevented widespread travel, maintaining instead that a “culture of movement” in Japan developed in the Tokugawa era.
Using a combination of governmental documentation and travel literature, diaries, and wood-block prints, Vaporis examines the development of travel as recreation; he discusses the impact of pilgrimage and the institutionalization of alms-giving on the freedom of movement commoners enjoyed. By the end of the Tokugawa era, the popular nature of travel and a sophisticated system of roads were well established. Vaporis explores the reluctance of the bakufu to enforce its travel laws, and in doing so, beautifully evokes the character of the journey through Tokugawa Japan.
The story of the Dairy State’s other major industry—beer! From the immigrants who started brewing here during territorial days to the modern industrial giants, this is the history, the folklore, the architecture, the advertising, and the characters that made Wisconsin the nation’s brewing leader. Updated with the latest trends on the Wisconsin brewing scene.
"Apps adeptly combines diligent scholarship with fascinating anecdotes, vividly portraying brewmasters, beer barons, saloonkeepers, and corporate raiders. All this plus color reproductions of popular beer labels and a detailed recipe for home brew."—Wisconsin Magazine of History
"In a highly readable style Apps links together ethnic influence, agriculture, geography, natural resources, meteorology, changing technology, and transportation to explore some of the mystique, romance and folklore associated with beer from antiquity to the present day in Wisconsin."—The Brewers Bulletin
Expelled from the Soviet Union in 1972 and honored with the Nobel Prize fifteen years later, poet Joseph Brodsky in many ways fit the grand tradition of exiled writer. But Brodsky’s years of exile did not render him immobile: though he never returned to his beloved Leningrad, he was free to travel the world and write about it. In Brodsky Abroad, Sanna Turoma discusses Brodsky’s poems and essays about Mexico, Brazil, Turkey, and Venice. Challenging traditional conceptions behind Brodsky’s status as a leading émigré poet and major descendant of Russian and Euro-American modernism, she relocates the analysis of his travel texts in the diverse context of contemporary travel and its critique. Turoma views Brodsky’s travel writing as a response not only to his exile but also to the postmodern and postcolonial landscape that initially shaped the writing of these texts.
In his Latin American encounters, Brodsky exhibits disdain for third-world politics and invokes the elegiac genre to reject Mexico’s postcolonial reality and to ironically embrace the romanticism of an earlier Russian and European imperial age. In an essay on Istanbul he assumes Russia’s ambiguous position between East and West as his own to negotiate a distinct, and controversial, interpretation of Orientalism. And, Venice, the emblematic tourist city, becomes the site for a reinvention of his lyric self as more fluid, hybrid, and cosmopolitan.
Brodsky Abroad reveals the poet’s previously uncharted trajectory from alienated dissident to celebrated man of letters and offers new perspectives on the geopolitical, philosophical, and linguistic premises of his poetic imagination.
Reviews of the Knopf edition:
"A wonderful book—fresh and intelligent. Broyles's eye for Vietnam, then and now, is unerring." —Peter Jennings
"[A] superbly written, often moving story of Broyles' journey back to the killing ground in Vietnam where he once served as a Marine lieutenant. A cool, clear meditation that stings the heart." —Kirkus Reviews
"A first-rate piece of work, infused with an ideal American common decency and common sense." —Kurt Vonnegut
"Exceptional and memorable." —Gay Talese
George Gordon Byron was a superb letter-writer: almost all his letters, whatever the subject or whoever the recipient, are enlivened by his wit, his irony, his honesty, and the sharpness of his observation of people. They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron’s known letters supersedes Prothero’s incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero’s edition included 1,198 letters. This edition has more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts.
An enchanting epistolary saga ends with the publication of this volume. Volume XI: ‘For freedom’s battle’ contains the letters Byron wrote from Greece between August 1823 and April 9, 1824, ten days before his death. Also included are over fifty letters dating from 1807 to 1820 that have come to light since Leslie A. Marchand began this project ten years ago.
In the letters from Greece a new set of correspondents appears, and a new tone is apparent. Although occasionally playful, Byron is preoccupied with the revolution and his efforts to unite the Greeks in a common cause despite their discord. His chief correspondents are his business agents in the islands and his banker friend in Genoa, Charles Barry, to whom he writes frank accounts of daily affairs. His letters to Hobhouse and to John Bowring attempt to give a realistic picture of the Greek struggle. To Teresa Guiccioli he writes only short, dutiful postscripts in English to the longer letters addressed to her brother.
Among the additional letters that became available too late to take their chronological place in the earlier volumes are those discovered in 1976, locked in a trunk at Barclays Bank; all but one of these fourteen letters were written to Scrope Davies, Byron’s witty friend and drinking companion.
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