Bodies in Suspense presents a powerful new way to think through postdigital cinema and the affective turn in critical theory. According to Alanna Thain, suspense films allow us to experience the relation between two bodies: that of the film and that of the viewer. Through the “time machine” of suspense, film form, gender, genre, and spectatorship are revealed in innovative and different ways. These films not only engage us directly in ethical concerns, but also provide a key for understanding corporeal power in the digital era.
Offering a new framework for understanding cinematic suspense, Bodies in Suspense argues that the “body in time” enables us to experience the temporal dimension of the body directly. This is the first book to link two contemporary frames of analysis: questions of cinematic temporality and contemporary affect theory. Thain conducts close readings of influential suspense films by Alfred Hitchcock, David Lynch, Christian Marclay, Rian Johnson, and Lou Ye, and sets forth a compelling new theory of cinema, reading for the productivity of the “crime of time” that stages the duplicity of cinematic bodies. Through these films that foreground doubled characters and looping, Thain explores Gilles Deleuze’s claim that “the direct time-image is the phantom which has always haunted cinema.”
A vital new addition to film theory, corporeality and affect theory, feminist theory, and the philosophy of time—and one of the first books to explore David Lynch’s Hollywood trilogy—Bodies in Suspense asks us to pay attention, above all, to the ways in which the condition of spectatorship creates a doubling sensation with important philosophical repercussions.
As he goes about his milking chores on a cold October morning, Bishop Leon Shetler daydreams of escaping the Ohio winter and taking a bus to the Pinecraft Amish community in Florida for a vacation. His reverie is suddenly interrupted when young Crist Burkholder enters the barn, head down, hat in hand, to make a confession. ”I just killed Glenn Spiegle.”
“An Amish murderer?” Sheriff Robertson asks when he arrives on the scene. “Who will believe that?” But Burkholder is adamant about his guilt, fueled by the passion of his love for Vesta Miller, the young woman both he and Spiegle so desperately wanted to marry.
No sooner does the sheriff start his investigation than he learns of two more murders in the Pinecraft community, and a startling connection is made. There’s no way around it — Professor Mike Branden will have to put his research trip on hold and, along with detective Ricky Niell, travel south to investigate. There they discover the disturbing truth about Spiegle’s conversion to the Amish faith and the reason for the long–smoldering hatred that has reached into the secluded pastoral valleys of Holmes County.
In Harmless as Doves, P. L. Gaus takes the action to Florida in one of the most exciting mysteries in this series. This is Gaus at his best.
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