Winner, 2006 The American Lawyer Lifetime Achievement Award

On his thirty-ninth birthday in 1966, Alexander Polikoff, a volunteer ACLU attorney and partner in a Chicago law firm, met some friends to discuss a pro bono case. Over lunch, the four talked about the Chicago Housing Authority construction program. All the new public housing, it seemed, was going into black neighborhoods. If discrimination was prohibited in public schools, wasn't it also prohibited in public housing?

And so began Gautreaux v. CHA and HUD, a case that from its rocky beginnings would roll on year after year, decade after decade, carrying Polikoff and his colleagues to the nation's Supreme Court (to face then-solicitor general Robert Bork); establishing precedents for suits against the discriminatory policies of local housing authorities, often abetted by HUD; and setting the stage for a nationwide experiment aimed at ending the concentration--and racialization--of poverty through public housing. Sometimes Kafkaesque, sometimes simply inspiring, and never less than absorbing, the story of Gautreaux, told by its principal lawyer, moves with ease through local and national civil rights history, legal details, political matters, and the personal costs--and rewards--of a commitment to fairness, equality, and justice. Both the memoir of a dedicated lawyer, and the narrative of a tenacious pursuit of equality, this story--itself a critical, still-unfolding chapter in recent American history--urges us to take an essential step in ending the racial inequality that Alexis de Toqueville prophetically named America's "most formidable evil."

An inquiry into how we engage with the world, and how solutions to environmental challenges can be found in the heart of our emotional relationships with places

"Van Gelder offers her most deeply personal stories as microcosmic examples of universal human experience, thus creating an empathic bond with her reader that conveys power and understanding simultaneously, and stimulates the reader's imagination toward reflection upon similarly personal stories of place. Van Gelder has modeled the relationship between story and place by telling placeful stories, and so has licensed the reader to do the same. Her writing throughout is rich and metaphoric. She is a gifted storyteller and a competent scholar, a combination to be treasured."
---Joseph W. Meeker, Professor Emeritus, College of Arts/Science, Union Institute and University, and author of The Spheres of Life, The Comedy of Survival, and Minding the Earth

Weaving a Way Home is an inquiry into the complex relationship between people, place, and story. In our memories and connections to a place, we are given one of the few opportunities to have deep relationships with place---relationships that cannot be described in words. Place can embody powerful emotions for us, and Leslie Van Gelder argues that we ourselves are places---geographical points possessing unique perspectives---that can feel displaced, replaced, or immovable. While the places of the external world can be accessed through maps and a good GPS system, our emotional landscapes are best reached through the sharing of stories.

In the tradition of writers Lewis Hyde, Barry Lopez, Peter Matthiessen, Joseph Meeker, Steven Mithen, Paul Shepard, Gary Snyder, and Terry Tempest Williams, Van Gelder uses both creative nonfiction narrative and evolutionary biological theory to explore complex terrain. Following Van Gelder's own travels, the book moves from the caves of the Dordogne lit only by the small beam of a flashlight, to an acacia thicket in Mozambique, to a black fly–infested bay inappropriately named Baie de Ha Ha in the inlands of Quebec, to the green line wrapped in barbed wire separating northern and southern Cyprus, to Abu Simbel's empty stone eyes in the Egyptian desert, and finally to the high road above Pelorus Sound on the rocky coasts of New Zealand. The author takes the reader to each place to create a storied landscape and explore new intellectual terrain. Van Gelder shows us that our collections of experiences, unique to us, can only be shared through the articulation of narrative.Weaving a Way Home will appeal to those deeply interested in knowing how we forge relationships with places and how that shapes who we are.

Jacket photographs: Garden gate: © iStockphoto.com/Richard Goerg. Iron fence: Christ Church Meadow in Oxford, Leslie Van Gelder.

Author photograph: Kevin Sharpe

When Colleges Sang is an illustrated history of the rich culture of college singing from the earliest days of the American republic to the present.

 

Before fraternity songs, alma maters, and the rahs of college fight songs became commonplace, students sang. Students in the earliest American colleges created their own literary melodies that they shared with their classmates. As J. Lloyd Winstead documents in When Colleges Sang, college singing expanded in conjunction with the growth of the nation and the American higher education system.

 

While it was often simply an entertaining pastime, singing had other subtle and not-so-subtle effects. Singing indoctrinated students into the life of formal and informal student organizations as well as encouraged them to conform to college rituals and celebrations. University faculty used songs to reinforce the religious practices and ceremonial observances that their universities supported. Students used singing for more social purposes: students sang to praise their peer’s achievements (and underachievements), mock the faculty, and provide humor. In extreme circumstances, they sang to intimidate classmates and faculty, and to defy college authorities. Singing was, and is, an intrinsic part of campus culture.

 

Rachel Carson Environment Book Award, First Place (2018)

IPPY Outstanding Book of the Year: Most Likely to Save the Planet (2018)

Thorpe Menn Literary Excellence Award (2018)

"Reads like a mystery novel as Gillam skillfully uncovers Monsanto's secretive strategies." —Erin Brockovich

"A damning picture...Gillam expertly covers a contentious front." —Publishers Weekly

"A must-read." —Booklist

"Hard-hitting, eye-opening narrative." —Kirkus

It's the pesticide on our dinner plates, a chemical so pervasive it’s in the air we breathe, our water, our soil, and even found increasingly in our own bodies. Known as Monsanto's Roundup by consumers, and as glyphosate by scientists, the world's most popular weed killer is used everywhere from backyard gardens to golf courses to millions of acres of farmland. For decades it's been touted as safe enough to drink, but a growing body of evidence indicates just the opposite, with research tying the chemical to cancers and a host of other health threats.     

In Whitewash, veteran journalist Carey Gillam uncovers one of the most controversial stories in the history of food and agriculture, exposing new evidence of corporate influence. Gillam introduces readers to farm families devastated by cancers which they believe are caused by the chemical, and to scientists whose reputations have been smeared for publishing research that contradicted business interests. Readers learn about the arm twisting of regulators who signed off on the chemical, echoing company assurances of safety even as they permitted higher residues of the pesticide in food and skipped compliance tests. And, in startling detail, Gillam reveals secret industry communications that pull back the curtain on corporate efforts to manipulate public perception.
  
Whitewash is more than an exposé about the hazards of one chemical or even the influence of one company. It's a story of power, politics, and the deadly consequences of putting corporate interests ahead of public safety.

Winner, Distinguished Literary Achievement, Missouri Humanities Council, 2015

The story behind the writing of the best-selling Blue Highways is as fascinating as the epic trip itself. More than thirty years after his 14,000-mile, 38-state journey, William Least Heat-Moon reflects on the four years he spent capturing the lessons of the road trip on paper—the stops and starts in his composition process, the numerous drafts and painstaking revisions, the depressing string of rejections by publishers, the strains on his personal relationships, and many other aspects of the toil that went into writing his first book. Along the way, he traces the hard lessons learned and offers guidance to aspiring and experienced writers alike. Far from being a technical manual, Writing Blue Highways: The Story of How a Book Happenedis an adventure story of its own, a journey of “exploration into the myriad routes of heart and mind that led to the making of a book from the first sorry and now vanished paragraph to the last words that came not from a graphite pencil but from a letterpress in Tennessee.”

Readers will not find a collection of abstract formulations and rules for writing; rather, this book gracefully incorporates examples from Heat-Moon’s own experience. As he explains, “This story might be termed an inadvertent autobiography written not by the traveler who took Ghost Dancing in 1978 over the byroads of America but by a man only listening to him. That blue-roadman hasn’t been seen in more than a third of a century, and over the last many weeks as I sketched in these pages, I’ve regretted his inevitable departure.” Filtered as the struggles of the “blue-roadman” are through the awareness of someone more than thirty years older with a half dozen subsequent books to his credit, the story of how his first book “happened” is all the more resonant for readers who may not themselves be writers but who are interested in the tricky balance of intuitive creation and self-discipline required for any artistic endeavor.