Primitive, dangerous, low-paying, crooked, exploitive--boxing, in all but a few cases, offered its athletes very little while taking everything. Why does boxing exist? What accounted for its decades-long popularity? What does its presence on the sport history landscape say about America?
Jeffrey T. Sammons looks at how boxing reflected the society that fostered it at different points in history. In the time of John L. Sullivan, the sport provided an arena for testing law, order, and social growth. Jack Johnson's career reflected the racism, nationalism, and xenophobia of the Progressive era. At its popular peak in the 1920s, boxing expressed tensions as disparate as the tug-of-war between modernism and tradition and the women's rights movement. From there, Sammons traces how the sport intertwined with Nazi antisemitism, reflected the hopes of the New Deal, produced the seminal figure Joe Louis, and stood at the nexus of the union of organized crime with business and television. Finally, he shows how Muhammad Ali and reactions to him exposed the shifting tides of racial issues and American involvement in Vietnam.
Rainer Maria Rilke was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The German poet Rainer Maria Rilke died in 1926, and interest in his poetry has been mounting ever since. The winds of fashion, taste, or personal bias have shifted several times to affect his audience of readers. There have been, according to previous Rilke criticism, not one but many Rilkes. Thus the critics have pointed to the "early Rilke" and the "late Rilke," to the Prague poet, the Paris poet, and the Muzot poet.
Now, in a fresh approach yet one which takes full cognizance of the varying viewpoints and conflicting purposes of earlier criticism, Professor Wood carefully examines Rilke's entire poetic output. The major concern here is with the poetry itself rather than with the biographical, psychological, or philosophical questions which have dominated most previous criticism.
Through a close textual analysis of the poems, Professor Wood demonstrates that the whole body of Rilke's writing, from beginning to end, is thoroughly interrelated and interdependent. As he points out, many more published materials, both posthumous verse and correspondence, are available now than in the earlier periods of Rilke's fame, a situation which adds significance to this new evaluation.
In addition to analyzing Rilke's own poetry, Professor Wood shows the links between Rilke and such contemporary poets and writers as Gide, Proust, T.S. Eliot, and Yeats.
The excerpts quoted from Rilke's poetry are given both in the original German text and in standard English translation.
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