front cover of Hessians
Hessians
Officer, Baroness, Chaplain—Three German Experiences in the American Revolution
Brady J. Crytzer
Westholme Publishing, 2023
Three Stories. Two Worlds. One Revolution. Revealing the German Experience in the American Revolution through the Experiences of an Officer, a Baroness, and a Chaplain
In 1775 the British Empire was in crisis. While it was buried in debt from years of combat against the French, revolution was stirring in its wealthiest North American colonies. To allow the rebellion to fester would cost the British dearly, but to confront it would press their exhausted armed forces to a breaking point. Faced with a nearly impossible decision, the administrators of the world’s largest empire elected to employ the armies of the Holy Roman Empire to suppress the sedition of the American revolutionaries. By 1776 there would be 18,000 German soldiers marching through the wilds of North America, and by war’s end there would be over 30,000.
To the colonists these forces were “mercenaries,” and to the Germans the Americans were “rebels. ”While soldiers of fortune fight for mere profit, the soldiers of the Holy Roman Empire went to war in the name of their country, and were paid little for their services, while their respective kings made fortunes off of their blood and sacrifice among the British ranks. Labeled erroneously as “Hessians,” the armies of the Holy Roman Empire came from six separate German states, each struggling to retain relevance in a newly enlightened and ever-changing world.
In Hessians: Mercenaries, Rebels, and the War for British North America historian Brady J. Crytzer explores the German experience during the American Revolution through the lives of three individuals from vastly different walks of life, all thrust into the maelstrom of North American combat. Here are the stories of a dedicated career soldier, Johann Ewald, captain of a Field-Jäger Corps, who fought from New York to the final battles along the Potomac; Frederika Charlotte Louise von Massow, Baroness von Riedesel, who raced with her young children through the Canadian wilderness to reunite with her long-distant husband; and middle-aged chaplain Philipp Waldeck, who struggled to make sense of it all while accompanying his unit through the exotic yet brutal conditions of the Caribbean and British Florida. Beautifully written, Hessians offers a glimpse into the American Revolution as seen through the eyes of the German armies commanded to destroy it.
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Historians on Hamilton
How a Blockbuster Musical Is Restaging America's Past
Romano, Renee C
Rutgers University Press, 2018
America has gone Hamilton crazy. Lin-Manuel Miranda’s Tony-winning musical has spawned sold-out performances, a triple platinum cast album, and a score so catchy that it is being used to teach U.S. history in classrooms across the country. But just how historically accurate is Hamilton? And how is the show itself making history?

Historians on Hamilton brings together a collection of top scholars to explain the Hamilton phenomenon and explore what it might mean for our understanding of America’s history. The contributors examine what the musical got right, what it got wrong, and why it matters. Does Hamilton’s hip-hop take on the Founding Fathers misrepresent our nation’s past, or does it offer a bold positive vision for our nation’s future? Can a musical so unabashedly contemporary and deliberately anachronistic still communicate historical truths about American culture and politics? And is Hamilton as revolutionary as its creators and many commentators claim?

Perfect for students, teachers, theatre fans, hip-hop heads, and history buffs alike, these short and lively essays examine why Hamilton became an Obama-era sensation and consider its continued relevance in the age of Trump. Whether you are a fan or a skeptic, you will come away from this collection with a new appreciation for the meaning and importance of the Hamilton phenomenon.
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History as They Lived It
A Social History of Prairie du Rocher, Illinois
Margaret Kimball Brown, Foreword by Carl J. Ekberg
Southern Illinois University Press, 2005

“His­tory as They Lived It deserves to be placed within the rich context of Illinois Country historiography going back more than a century. . . . It brings together the fully ripened thoughts of a mature scholar at the very moment that students of the Illinois Country need such a book.”—from the foreword by Carl J. Ekberg

Settled in 1722, Prairie du Rocher was at the geographic center of a French colony in the Mississippi Valley, which also included other villages in what is now Illinois and Missouri: Cahokia, Kaskaskia, Fort de Chartres, St. Philippe, Ste. Genevieve, and St. Louis.  Located in an alluvial valley near towering limestone bluffs, which inspired the village’s name—French for “prairie of the rock”— Prairie du Rocher is the only one of the seven French colonial villages that still exists today as a small compact community.

The village of Prairie du Rocher endured governance by France, Great Britain, Virginia, and the Illinois territory before Illinois became a state in 1818. Despite these changes, the villagers persisted in maintaining the community and its values. Margaret Kimball Brown looks at one of the oldest towns in the region through the lenses of history and anthropology, utilizing extensive research in archives and public records to give historians, anthropologists, and general readers a lively depiction of this small community and its people.

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front cover of A History of the American Theatre from Its Origins to 1832
A History of the American Theatre from Its Origins to 1832
William Dunalp, Introduction by Tice L. Miller
University of Illinois Press, 2005

As America passed from a mere venue for English plays into a country with its own nationally regarded playwrights, William Dunlap lived the life of a pioneer on the frontier of the fledgling American theatre, full of adventures, mishaps, and close calls. He adapted and translated plays for the American audience and wrote plays of his own as well, learning how theatres and theatre companies operated from the inside out.

Dunlap's masterpiece, A History of American Theatre was the first of its kind, drawing on the author's own experiences. In it, he describes the development of theatre in New York, Philadelphia, and South Carolina as well as Congress's first attempts at theatrical censorship. Never before previously indexed, this edition also includes a new introduction by Tice L. Miller. 

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