A discussion of Aristotle’s thought on determinism and culpability, Necessity, Cause, and Blame also reveals Richard Sorabji’s own philosophical commitments. He makes the original argument here that Aristotle separates the notions of necessity and cause, rejecting both the idea that all events are necessarily determined as well as the idea that a non-necessitated event must also be non-caused. In support of this argument, Sorabji engages in a wide-ranging discussion of explanation, time, free will, essence, and purpose in nature. He also provides historical perspective, arguing that these problems remain intimately bound up with modern controversies.
 
“Necessity, Cause and Blame would be counted by all as one of Sorabji’s finest. The book is essential for philosophers—both specialists on the Greeks and modern thinkers about free will—and also compelling for non-specialists.”—Martha Nussbaum
“Original and important . . . The book relates Aristotle’s discussions to both the contemporary debates on determinism and causation and the ancient ones. It is especially detailed on Stoic arguments about necessity . . . and on the social and legal background to Aristotle’s thought.”—Choice
 
“It is difficult to convey the extraordinary richness of this book. . . . A Greekless philosopher could read it with pleasure . . . At the same time, its learning and scholarship are enormous.”—G. E. M. Anscombe, Times Literary Supplement

With the doubling of America’s territory that came with the Louisiana Purchase, American culture was remapped in the bargain. The region’s indigenous inhabitants had already been joined by Catholic missionaries, both French and Spanish, along with Africans brought as slaves to the Caribbean islands and North America; now all were met by a predominantly Protestant culture rushing westward.

New Territories, New Perspectives marks the first study to take the Louisiana Purchase as the focal point for considering the development of American religious history. The process of transforming the Louisiana Territory into U.S. territory meant shaping the space to conform to American cultural and religious identity, and this volume investigates continuities, disruptions, and changes relating to religion in this context.

The contributors ask what might happen to our understanding of religion in America if we look at it through the lens of this annexation. Initial chapters offer fresh perspectives on the new territory by those who settled it, primarily easterners, exploring such topics as the built environment of the region as seen in such settings as frontier camp meetings and communitarian societies, ideas of destiny amid the clash of cultural groups, and religiously significant aspects of African American life.

Subsequent essays take up the religious history of the region from the perspective of New Orleans and the Caribbean. They include an exploration of the roots of Pentecostalism in the mix of black and white cultures in the Mississippi Delta, the “vodou” link between New Orleans and Haiti, and the African-Creole performances of Mardi Gras Indians.

Together, these essays invite readers to consider intersecting histories that are too often neglected in our understanding of America’s religious development, particularly issues that stand apart from traditional histories of religion in the Midwest. By exploring the unexpected, they also promote different ways of thinking about American religious history as a whole.

Originating from a series of workshops held at the Alaska Forum of the Fourth International Polar Year, this interdisciplinary volume addresses a host of current concerns regarding the ecology and rapid transformation of the arctic. Concentrating on the most important linked social-ecological systems, including fresh water, marine resources, and oil and gas development, this volume explores opportunities for sustainable development from a variety of perspectives, among them social sciences, natural and applied sciences, and the arts. Individual chapters highlight expressions of climate change in dance, music, and film, as well as from an indigenous knowledge–based perspective.

Opera often seems to arouse either irrational enthusiasm or visceral dislike. Such madness, as Goethe wrote, is indispensable in all theater, and yet in practice, sentiment and passion must be balanced by sense and reason. Exploring this tension between madness and reason, Not without Madness presents new analytical approaches to thinking about eighteenth- and nineteenth-century opera through the lenses of its historical and cultural contexts.

 

In these twelve essays, Fabrizio Della Seta explores the concept of opera as a dramatic event and an essential moment in the history of theater. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical, and scenic mechanisms in parts of La sonnambula, Ernani, Aida, Le nozze di Figaro, Macbeth, and Il trovatore. He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications. Purely musical analysis does not make sense unless we take into account music’s dramatic function. Containing many essays available for the first time in English, Not without Madness bridges recent divisions in opera studies and will attract musicologists, musicians, and opera lovers alike.