Winner of the 1991 Arkansas Poetry Award, 1992 Roanoke-Chowan Poetry Award, and 1993 Bess Hokin Prize
Others may lament the uncertainties and disappointments of life, but Julie Suk, winner of the second annual Arkansas Poetry Award, embraces its tumult. Turning from the unsullied angels and the paradises captured by generations of artists, these poems focus instead on those who have abandoned heaven for the world of such mundane matters as family, loneliness, love, and loss. Rousing us to the passion and wonder that define our essential humanity, The Angel of Obsession celebrates the full, ragged canvas of living.
Suk’s poetry has previously appeared in The Georgia Review, The Midwest Quarterly, Southern Humanities Review, Poetry, and other important literary magazines. The Angel of Obsession was selected for publication from a field of more than five hundred entries by the poet John Stone.
In Beyond Mammoth Cave: A Tale of Obsession in the World’s Longest Cave, James D. Borden and Roger W. Brucker provide gripping first-person accounts of the discoveries, including Roppel Cave, that made Kentucky’s Mammoth Cave three times longer than any other cave in the world.
Borden, a relative newcomer, and Brucker, a veteran explorer, bring a personal and sometimes conflicting view of their roles as adversaries in a race that lasted from 1972 through 1983 to find “big cave.” They describe hazardous adventures, precarious climbs, and close calls from falling rocks. The perils are many and the trek arduous as they squirm through muddy tubes, wade in neck-deep cold water, and crawl over sharp rocks and gritty sand. Theirs is a tale of agonizing endurance spiced by spectacular discoveries.
But the cave was not the sole obstacle. The explorations were complicated by political intrigue and the rivalry between the Kentucky-based Cave Research Foundation and the Central Kentucky Karst Coalition, each seeking to make discoveries and hide secrets. Extreme stress, of course, evoked extreme behavior, ranging from selfishness to sacrifice, from outrageous humor to the deadly serious response.
Beyond Mammoth Cave includes maps by Patricia Kambesis that show the progression of cave discoveries in relation to the topography. Original line drawings by well-known illustrator Linda Heslop capture the dark mystery of the exploration. The book features five black and white photographs as a color gallery of photographs.
A sequel to The Longest Cave by Brucker and Richard A. Watson, this book is a comprehensive update of the speleological investigations in the Mammoth Cave region. Brucker’s involvement provides continuity to the investigation.
We live in an age of obsession. Not only are we hopelessly devoted to our work, strangely addicted to our favorite television shows, and desperately impassioned about our cars, we admire obsession in others: we demand that lovers be infatuated with one another in films, we respond to the passion of single-minded musicians, we cheer on driven athletes. To be obsessive is to be American; to be obsessive is to be modern.
But obsession is not only a phenomenon of modern existence: it is a medical category—both a pathology and a goal. Behind this paradox lies a fascinating history, which Lennard J. Davis tells in Obsession. Beginning with the roots of the disease in demonic possession and its secular successors, Davis traces the evolution of obsessive behavior from a social and religious fact of life into a medical and psychiatric problem. From obsessive aspects of professional specialization to obsessive compulsive disorder and nymphomania, no variety of obsession eludes Davis’s graceful analysis.
Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world’s stage. So why do audiences continue to flock to it? Given its association with wealth, one might imagine that opera tickets function as a status symbol. But while a desire to hobnob with the upper crust might motivate the occasional operagoer, for hardcore fans the real answer, according to The Opera Fanatic, is passion—they do it for love.
Opera lovers are an intense lot, Claudio E. Benzecry discovers in his look at the fanatics who haunt the legendary Colón Opera House in Buenos Aires, a key site for opera’s globalization. Listening to the fans and their stories, Benzecry hears of two-hundred-mile trips for performances and nightlong camp-outs for tickets, while others testify to a particular opera’s power to move them—whether to song or to tears—no matter how many times they have seen it before. Drawing on his insightful analysis of these acts of love, Benzecry proposes new ways of thinking about people’s relationship to art and shows how, far from merely enhancing aspects of everyday life, art allows us to transcend it.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press